ウィークエンドサンシャイン
ブロードキャスター、ピーター・バラカンのナビゲートで送るウィークエンド・ミュージックマガジン。独特の嗅覚とこだわりの哲学でセレクトしたグッド・サウンドと、ワールドワイドな音楽情報を伝える。
http://www.nhk.or.jp/fm/sunshine/
放送日： 2011年 5月14日（土）
放送時間： 午前7:20〜午前9:00（100分）
ピーター・バラカン
特集：Bob Marley
THIS WEEK'S PLAYLIST
http://www.nhk.or.jp/fm/sunshine/playlist.html?st=20110514
01. Get Up, Stand Up / Bob Marley & The Wailers
ALBUM: Burnin'
02. Simmer Down / Bob Marley & The Wailers
ALBUM: Trenchtown Days:Birth of a Legend
03. Soul Captives / Bob Marley & The Wailers
ALBUM: Stop That Train
04. Small Axe / Bob Marley & The Wailers
ALBUM: Roots Of A Legend
05. Slave Driver / Bob Marley & The Wailers
ALBUM: Catch A Fire
06. I Shot The Sheriff / Bob Marley & The Wailers
ALBUM: Live!
07. Trenchtown Rock / Bob Marley & The Wailers
ALBUM: Live At The Roxy
08. War〜No More Trouble / Bob Marley & The Wailers
ALBUM: Live Forever
09. No Woman, No Cry / Bob Marley & The Wailers
ALBUM: Live!
10. Positive Vibration / Bob Marley & The Wailers
ALBUM: Rastaman Vibration
11. Three Little Birds / Bob Marley & The Wailers
ALBUM: Exodus
12. Waiting In Vain / Bob Marley & The Wailers
ALBUM: Exodus
13. Is This Love / Bob Marley & The Wailers
ALBUM: Kaya
14. Redemption Song / Bob Marley & The Wailers
ALBUM: Uprising
15. One Love〜People Get Ready / Bob Marley & The Wailers
ALBUM: Exodus
16. Lively Up Yourself / Bob Marley & The Wailers
ALBUM: Talking Blues
世界の快適音楽セレクション
"快適音楽"を求めるギターデュオのゴンチチによる、ノンジャンル・ミュージック番組。
http://www.nhk.or.jp/fm/kaiteki/
放送日： 2011年 5月14日（土）
放送時間： 午前9:00〜午前10:55（115分）
ゴンチチ
渡辺亨
− 変化と転換の音楽 −
http://cgi4.nhk.or.jp/topepg/xmldef/epg4.cgi?setup=/fm/kaiteki/hensei/playlist.def&st=20110514090000
「休暇届」 (ゴンチチ)(3分25秒)
＜EPIC/SONY ESCB-1063＞
「ソー・ホワット」 (マイルス・デイヴィス)(8分41秒)
＜DOMINO REC. 891212＞
「僕もう我慢できない」 (泊)(2分39秒)
＜blues interactions PCD22320＞
「タイム・スペント」 (デフ・センター)(2分10秒)
＜TYPE REC. TYPE080＞
「レヴォルーション1」 (タントラ)(3分53秒)
＜COQUEIRO VERDE DB-004＞
「心変わりしたあなた」 (アン・バートン)(5分43秒)
＜SSM 4967912＞
「みんな変わってしまった」 (マリア・クレウーザ)(3分52秒)
＜RCA RVP-6428＞
「ユーヴ・チェンジド」(ファブリッツィオ・ボッソ、ダイアン・リーヴス)(5分35秒)
＜MUSIC FROM EMI 0946-389462-2-9＞
「タイム・キューブ」 (ロジャー・マッギン)(3分19秒)
＜コロムビア KC31946＞
「シングズ・アー・ゲッティン・ベター」(ジョージ・ジャクソン)(3分45秒)
＜DEAN RUDLAND CDKEND329＞
「ヴェ・サマクトゥ・ダブ」(ハシディック・ニュー・ウェイヴ)(9分05秒)
＜EVOLVER EVL2025-2＞
「エヴリシング・マスト・チェンジ」(クインシー・ジョーンズ、ベナード・アイグナー)(6分00秒)
＜A&M POCM-5077＞
「ブラジル」 (ゴンチチ)(2分55秒)
＜ポニーキャニオン PCCA-01792＞
「ジャスティファイド」 (ジョナサン・ジェレマイア)(3分13秒)
＜UNIVERSAL ISLAND 2712705＞
「エウ・ソニェイ・キ・トゥ・エスターヴァス・タォン・リンダ」(テレボッサ)(7分20秒)
＜RIP CURL RCIP-0157＞
「恋人と雨雲」 (ランプ)(6分49秒)
＜POLYSTAR UVCA-3005＞
Desert Island Discs
Desert Island Discs was created by Roy Plomley in 1942, and the format is simple: a guest is invited by Kirsty Young to choose the eight records they would take with them to a desert island
http://www.bbc.co.uk/programmes/b006qnmr
http://www.bbc.co.uk/radio4/features/desert-island-discs
Kwame Kwei-Armah
Sun 15 May 2011
11:15
BBC Radio 4
Actor and playwright Kwame Kwei-Armah joins Kirsty Young to choose his Desert Island discs
http://www.bbc.co.uk/programmes/b011297t
Kirsty Young's castaway is the actor, director and playwright, Kwame Kwei-Armah.
His creative output spans both high art and popular culture. He became a household name starring in BBC One's Casualty, but at the same time he was pursuing a career in writing and his award-winning plays have been staged at the National Theatre. He's just finished a stint as the artistic director of The World Festival of Black Arts in Senegal and his next posting is to the US, where he's taking over a theatre in Baltimore. Throughout his life, he says, he continues to be inspired by the joyful atmosphere he grew up in. "My home was so warm, so full of life and noise. Most of my theatre I call the theatre of my front room. My memory was just this citadel to love and joy."
Record: Fight the Power
Book: The complete works of August Wilson
Luxury: A basic word processor
Producer: Leanne Buckle.
Music played
1. Lord Kitchener — Sugar Bum Bum
Composer: Lord Kitchener
Klassic Kitchener 3, Ice Record
2. Marvin Gaye — What’s Going On?
Composer: Benson/Cleveland/Gaye
The Number One Motown Album, POLYDOR
3. Stevie Wonder — Superwoman
Artist: Stevie Wonder
Original Musiquarium Vol 1, MOTOWN
4. Bob Marley — So Much Trouble in the World
Artist: Bob Marley
Rebel Music, Island
5. Ijahman Levi — I’m a Levi
Artist: I Jah Man
I Jah Man
6. Public Enemy — Fight the Power
Composer: Public Enemy
Do The Right Thing, WHITELABEL
7. Donnie McClurkin — We Fall Down
Composer: Kyle Matthews
The Essential Donnie McClurkin, ZOMBA
8. Toninho Horta — Runnin’
Composer: M White; L Dunn; E Del Barrio
Earth, Wind & Fire: All 'N' All, COLUMBIA
Desert Island Discs Revisited
Kirsty chooses favourites from the Desert Island Discs archive
http://www.bbc.co.uk/programmes/b00zwlh8
June Spencer
Sun 15 May 2011
10:00
BBC Radio 4 Extra
Featuring the castaway choices of June Spencer - 'Peggy' in The Archers.
http://www.bbc.co.uk/programmes/b0112flz
Kirsty Young presents gems from the Desert Island archive. In the second programme featuring the castaway choices of actors, we hear from June Spencer - 'Peggy' in The Archers.
Private Passions
Guests from all walks of life discuss their musical loves and hates.
http://www.bbc.co.uk/programmes/b006tnv3
Mike Leigh
Sun 15 May 2011
12:00
BBC Radio 3
Michael Berkeley's guest is filmmaker, writer and playwright Mike Leigh.
http://www.bbc.co.uk/programmes/b0112czq
Michael Berkeley's guest this week is the filmmaker, writer and playwright Mike Leigh, who began his career in the theatre and with TV dramas such as 'Abigail's Party' and 'Nuts in May', and went to to produce a string of original, award-winning films including 'Life is Sweet', 'Career Girls', the Gilbert and Sullivan biopic 'Topsy Turvy', 'Naked', 'Secrets and Lies', 'Happy Go Lucky', 'Vera Drake', and most recently, 'Another Year'. Many of his films involve an element of improvisation, and Mike Leigh has launched the careers of an impressive array of distinguished British actors, including Alison Steadman. Brenda Blethyn, David Thewlis, Sally Hawkins, Liz Smith and Jane Horrocks. His play 'Ecstasy' is currently enjoying a West End revival.
Mike Leigh's choices begin with two extracts by Gilbert and Sullivan. He starts with a comic duet from 'Ruddigore' (I once was a very abandoned person)l, and goes on to 'The World is but a broken toy' from 'Princess Ida', which he loves for its sentimental charm. Mike Leigh sees Mozart's 'Cosi fan tutte' as essentially a comic opera, and has selected the gorgeous trio 'Soave sia il vento' from Act I. Then comes another facet of comic opera - the Doll's Song from Act II of Offenbach's 'The Tales of Hoffmann', which he used as the background to the brothel scene in 'Topsy Turvy'. There's also the original 1928 recording of the Ballad of Mack the Knife from Weill/Brecht's 'Threepenny Opera', an extract from a film score by Shostakovich, Jeanne Moreau singing 'Le Tourbillon de la vie' from Truffaut's famous film 'Jules et Jim'; 'Blue in Green' from Miles Davis' 'Kind of Blue', and finally the Rondo from Beethoven's Violin Concerto (Mike Leigh used Beethoven to great effect in 'Abigail's Party').
Music played
1. Gilbert & Sullivan — I once was a very abandoned person (from Ruddigore, Act II)
Performers: Richard Watson (Sir Despard) and Ann Drummond–Grant (Mad Margaret), The Orchestra of D’Oyly Carte, conducted by Isidore Godfrey
PEARL GEMS 0135, CD2 Tr 23
2. Gilbert & Sullivan — The World is but a broken toy (from Princess Ida, Act II)
Performers: Victoria Sladen (Princess Ida), Thomas Round (Hilarion), Leonard Osborn (Cyril), Jeffrey Skitch (Florian), D’Oyly Carte Opera and Orchestra, conducted by Isidore Godfrey
NAXOS 8.110317, CD1 Tr 15
3. Wolfgang Amadeus Mozart — Soave sia il vento (from Cosí fan tutte, Act I)
Performers: Hillevi Martinpelto (Fiordiligi), Alison Hagley (Dorabella), Thomas Allen (Don Alfonso), Orchestra of the Age of Enlightenment, conducted by Simon Rattle
EMI CDS 556170-2, CD1 Tr 20
4. Jacques Offenbach — Les oiseaux dans la chamille (‘The song of the doll’, The Tales of Hoffmann, Act II)
Performers: Gianna D’Angelo (Olympia), Orchestre de la Societé des Concerts du Conservatoire, conducted by André Cluytens
EMI CMS 763222-2, CD1 Tr 20
5. Kurt Weill / Bertolt Brecht — Moritat von Mack The Knife (‘Ballad of Mack the Knife’ from Die Dreigroschenoper, ‘The Threepenny Opera’)
Peformers: Harald Paulsen (Mack the Knife), unknown orchestra and conductor (1928 recording)
CAPRICCIO 10346, Tr 1
6. Dmitri Shostakovich Dmitri Shostakovich — Overture, Kuzmina Wakes and song Konechen, Konchen, tekhnikum (from film score for Odna (‘Alone’) [Restored by Mark Fitz-Gerald]
Performers: Irina Mataeva (soprano), Frankfurt RSO, conducted by Marc Fitz-Gerald
NAXOS 8570316, Tr 1-3
7. Georges Delerue — Le Tourbillon de la vie (from Jules et Jim)
Performers: Jeanne Moreau
WARNER FRANCE 5608 7743-2, Tr 7
8. Miles Davis — Blue in Green (from Kind of Blue)
Performers: Miles Davis Quintet (John Coltrane, tenor sax; Bill Evans , piano; Paul Chambers, bass, Jimmy Cobb, drums)
COLUMBIA LEGACY CK 64935, Tr 3
9. Ludwig van Beethoven — Violin Concerto in D, Op 61 (3rd movement: Rondo (Allegro) excerpt)
Performers: Itzhak Perlman (violin), Philharmonic Orchestra, conducted by Carlo Maria Giulini
EMI CDM 556210-2
Words and Music
A sequence of classical music mixed with well-loved and less familiar poems and prose.
http://www.bbc.co.uk/programmes/b006x35f
Brave New Worlds
Sun 15 May 2011
22:15
BBC Radio 3
Poetry, prose and musicon the theme of the future.
http://www.bbc.co.uk/programmes/b0112d03
Ideas of the future have provided artists with the freedom of imagination to envisage new worlds, drive through change and reinvent traditional art forms. These imagined worlds might be oddly familiar, but ones where robots shoulder the burden of manual labour or fear stalks the streets of a rain washed, sky-scraper city. In religious texts, the philosophical musings of the Metaphysical poets or in sci-fi and other genre fiction this imagination has given rise to both utopian and dystopian visions.
Obsession with the future has also inspired composers to drive through change and reinvent their own art form, pushing the boundaries of composition.
With words from Margaret Atwood, Tennyson and Shelley and music from Tallis, Berlioz and Stockhausen.
Producer Notes
From John Dowland’s Renaissance lute music to Kraftwerk’s electronica, ideas of the future have woven themselves through literature and music for centuries. Writers and composers have created dystopian landscapes, imagined life in space or meditated on the individual’s future life to come.
The Recital of Lost Cities, by Lavinia Greenlaw, offers us a meditation on the possible impact of global warming - the poem ends with an almost religious incantation of the names of cities lost to rising sea levels - while Matthew Sweeney’s Zero Hour presents a civilised world in chaos as a result of dwindling oil supplies.
Dystopian futures have been beautifully and terrifyingly created by writers like Margaret Atwood who creates a 21st century America where women are subjugated in The Handmaid’s Tale. George Orwell’s Nineteen Eighty-Four similarly portrays a society under constant surveillance with the threat of Big Brother looming over it.
Preceding both these novels is HG Wells’ Time Machine, one of the most influential works of science fiction which popularised the idea of time travel. Wells’ vision of the future ended with a world hurtling towards extinction. In contrast the Credo, from Beethoven’s Missa Solemnis, focuses on eternity and the joy of the life hereafter.
The poems by Louis MacNeice and Philip Larkin both reflect on the future of an individual's life. MacNeice's Prayer Before Birth is a plea for protection - from an unborn child - against the horrors of the world, and it almost provides an answer or response to Larkin’s Born Yesterday, which offers advice to a newly born baby girl.
Several composers have inscribed the future of music into their work. In Schoenberg’s String Quartet No.2, the soprano declares Ich fuehle luft von andern planeten - I feel air from another planet - which is meant to symbolise the future of music. John Dowland’s Farewell was hugely ahead of its time with its ascending chromatic theme also pointing towards the future.
Producer: Gavin Heard
Music and featured items
Timings are shown from the start of the programme in hours and minutes.
00:00
Frédéric Chopin — Nocturne No.5 in F sharp major, op.15 no.2
Performer: Nelson Freire
DECCA 478 2182, tr5
00:03
PB Shelley
Ozymandias
00:04
Ludwig van Beethoven — Missa Solemnis
Performer: Roger Norrington, Amanda Halgrimson, Cornelia Kallisch, John Aler, Alastair Miles
Harmonia Mundi HMC 901557, tr3
00:07
HG Wells
The Time Machine
00:13
Elizabeth Barrett Browning
My future will not copy fair my past
00:14
Igor Stravinsky — Variation of the Firebird
Performer: Sir Georg Solti, The London Philharmonic Orchestra
BBC LPO 0025, tr7
00:15
George Orwell
Nineteen Eighty-Four
00:17
Arnold Schönberg — String Quartet No.2 in F sharp Minor Op.10
Performer: Prazak Quartet
Praga Digitals PRD 250112, tr8
00:19
Matthew Sweeney
Zero Hour
00:20
John Cage — Sonata XIII
Performer: Steffen Schleiermacher
MDG 613 0781-2, CD3 tr17
00:23
WB Yeats
Sailing to Byzantium
00:25
Hector Berlioz — Symphonie Fantastique Op.14
Performer: Mariss Jansons, Royal Concertgebouw Orchestra
EMI Classics 724358504125, tr5
00:30
Margaret Atwood
The Handmaid’s Tale
00:31
Alexander Nikolayevich Scriabin — Preparation for the Final Mystery
Performer: Vladimir Ashkenazy, Alexei Lubimov, Alexander Ghindin, Thomas Trotter, Anna-Kristiina Kaappola, Ernst Senff Chor, St Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin
DECCA 466329-2, CD3 tr7
00:35
James Kirkup
Love in a Space Suit
00:37
Kraftwerk — The Robots
Performer: Kraftwerk
CAPITOL 077774603928, tr1
00:39
Lavinia Greenlaw
The Recital of Lost Cities
00:41
Thomas Tallis — Spem in alium
Performer: Jeremy Summerly, Oxford Camerata
NAXOS 8557770, tr1
00:53
Philip Larkin
Born Yesterday
00:53
John Dowland — Farewell
Performer: Jakob Lindberg
BIS CD824, tr24
00:55
Louis MacNeice
Prayer Before Birth
00:58
Frédéric Chopin — Piano Sonata No.3 in B Minor
Performer: Nikolai Demidenko
Hyperion CDA 66577, tr8
01:03
The Bible
Revelation 21
01:04
Olivier Messiaen — Quatour pour la fin du Temps
Performer: Yvonne Loriod, Christoph Poppen, Manuel Fischer-Dieskau, Wolfgang Meyer
EMI Classics CDC 7543952, tr8
Jazz Library
Advice and guidance to those interested in building a library of jazz recordings.
http://www.bbc.co.uk/programmes/b006x41z
John Taylor at the Cheltenham Jazz Festival
Sat 14 May 2011
16:00
BBC Radio 3
Alyn Shipton is joined by pianist John Taylor at the 2011 Cheltenham Jazz Festival.
http://www.bbc.co.uk/programmes/b0112crt
John Taylor is one of the finest and most influential pianists in British jazz. He joins Alyn Shipton in front of an audience at the 2011 Cheltenham Jazz Festival to discuss his recorded catalogue, including his early collaborations with Kenny Wheeler and Norma Winstone, work with John Surman, and his own trios and duos, including a disc with legendary bassist Charlie Haden.
Music played
1. John Surman — Premonition
Composer: John Warren Performers: Dave Holdsworth, tr; Harry Beckett, tr; Chris Pyne, tr; Malcolm Griffiths, tr; George Smith, tu; Mike Osborne, as; Alan Skidmore, ten fl; John Warren, barit fl; John Surman, ss; John Taylor, p; Barrie Phillips, b; Tony Oxley, d. Rec 1970.
How Many Clouds Can You See?, Vocalian, CD SML 8428, Tr 3
2. John Taylor — Pause
Composer: Taylor Performers: John Taylor, p; Kenny Wheeler, t; Chris Pyne, tb; Stan Sulzmann, as; Chris Lawrence, b; Tony Levin, d. Rec 1971 (originally out on Turtle LP).
Pause and Think Again, FMR, CD24, Tr 1
3. Azimuth — See
Composer: John Taylor/Norma Winstone Performers: John Taylor, org; Kenny Wheeler, t; Norma Winstone, v. June 1978.
Azimuth / Touchstone / The Depart, ECM, 1546/7/8 CD 2, Tr 6
4. Kenny Wheeler — Sweet Time Suite: Part V Know Where You Are
Composer: Wheeler Performers: Kenny Wheeler, tr, flugel; Norma Winstone, v; Evan Parker, ss, ts; Ray Warleigh, as; Stan Sulzman, ts, fl; Duncan Lamont, ts; Julian Arguelles, bari s; Derek Watkins, Henry Lowther, Alan Downey, Ian Hamer, tr; Dave Horler, Chris Pyne, Paul Rutherford, Hugh Fraser, tr; John Taylor, p; John Abercrombie, g; Dave Holland, b; Peter Erskine, d. Jan 1990.
Music for Large and Small Ensembles, ECM, 843 152, CD 1 Tr 4
5. Peter Erskine — Everything I Love
Composer: Cole Porter Performers: Peter Erskine, d; John Taylor, p; Palle Danielsson, b. Rec 1992
You Never Know, ECM, 1497, Tr 9
6. John Taylor — Dry Stone
Composer: John Taylor Performers: John Surman, ss, bcl, bar; John Taylor, p. 15 July, 1992.
Ambleside Days, Ah Um, 013, Tr 8
7. John Taylor — Field Day
Composer: John Taylor Performers: John Taylor, p; Marc Johnson, b; Joey Baron, d. April 2002.
Rosslyn, ECM, 159924-2, Tr 7
8. John Taylor — Handmade
Composer: John Taylor Performers: John Taylor: piano. Rec 2003
Insight, Sketch, SKE 333035, Tr 11
9. John Taylor — Nicolette
Composer: Kenny Wheeler Performers: John Taylor, p; Palle Danielson, b; Martin France, d. October 2005.
Whirlpool, Cam Jazz, 7802-2, Tr 4
10. Meadow — Blissful Ignorance
Composer: Brunborg Performers: Tore Brunborg, ts; John Taylor, p; Thomas Stronen, d. Rec, 2010
Blissful Ignorance, Edition, 1025, Tr 2
