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A Dark Night's Passing ペーパーバック – 1990/5/17
英語版
Naoya Shiga
(著),
E. McClellan
(翻訳)
An unusual story for the time and place in which it was written, the author aims to re-create sensuous impressions and convey nuances of the human condition in a few imagistic lines.
- 本の長さ496ページ
- 言語英語
- 出版社Fontana Press
- 発売日1990/5/17
- ISBN-100006177905
- ISBN-13978-0006177906
登録情報
- 出版社 : Fontana Press; New版 (1990/5/17)
- 発売日 : 1990/5/17
- 言語 : 英語
- ペーパーバック : 496ページ
- ISBN-10 : 0006177905
- ISBN-13 : 978-0006177906
- カスタマーレビュー:
著者について
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著者の本をもっと発見したり、よく似た著者を見つけたり、著者のブログを読んだりしましょう
カスタマーレビュー
星5つ中4.2つ
5つのうち4.2つ
全体的な星の数と星別のパーセンテージの内訳を計算するにあたり、単純平均は使用されていません。当システムでは、レビューがどの程度新しいか、レビュー担当者がAmazonで購入したかどうかなど、特定の要素をより重視しています。 詳細はこちら
7グローバルレーティング
虚偽のレビューは一切容認しません
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2018年11月11日に日本でレビュー済み
I came upon the author while walking the Path of Literature in Onomichi, Japan where Naoya Shiga lived for two years. His house has been made into a museum and upon visiting the house, I became interested in the author, in particular this novel because part of the book takes place in Onomichi. Kyoto and Daisen (Tottori Prefecture) also figure prominently. Shiga is an excellent writer and it's a shame he didn't produce more work during his lifetime. In fact, this is his major work, although he was also known for his short stories. His intricate plots and his portrayal of human emotions are his greatest story-telling attributes.
他の国からのトップレビュー
T. Cue.
5つ星のうち4.0
Great resource for future linguists' work on feminism
2016年12月11日にアメリカ合衆国でレビュー済みAmazonで購入
Not as a novel, but as a mature insight into the female mind of a certain level of development, is "A Dark Night's Passing" relevant and, in its way, glorious. This selfish, myopic, arch-bourgeoise narrative is unfeeling toward all of its characters save the narrator, for whom the minutiae of the idle rich are cosmic burdens. As in Jane Austen's work, the misery of the poor is invisible, and the tragedy of the middle classes appears only when useful to, briefly, lend the narrator an air of benevolence--e.g., the narrator speaks directly to a craftsman, thereby lending him social standing for a half-page. The novel's story arc reaches its apex when the narrator believes she has finally won a great battle against her husband by giving him a minor social slight; in essence, by her sixties, she believes she has achieved meaning in her life because she finally got the last word in an argument.
Western media pushed this work as a proof of the existence of feminism in non-western cultures, but now that a few years have gone by, conceptions of class struggle should have made this book deplorable even to those who would've otherwise loved the childish emotional contest of the mentally-crippled narratrix. Ironically, the novel may be most enjoyable to men, who will see that Shiga accidentally portrayed her antagonist--the narrator's husband Yukitomo--as the silent protagonist, who ably managed society and his cruel, shallow wife throughout a difficult lifetime, while beset by legions of idling selfish idiots who did not understand the luxury which his constant sacrifices afforded them. Yukitomo is represented as a villain for trying to protect Japan from the influence of westernized agents provocateurs, or "liberals." This text, accordingly, won widespread attention in the West after the nuclear attacks on, and invasion of, Japan, when western interests were keen to forcibly deconstruct Japanese society into nihilist consumerism. Now, though, historical perspective can better reveal, even to the most currently-liberal inhabitants of Terra, the noxious colonialist mindset which pervades Shiga's work. (This essay will eventually continue; try an internet search of "High Arka Shiga.")
Western media pushed this work as a proof of the existence of feminism in non-western cultures, but now that a few years have gone by, conceptions of class struggle should have made this book deplorable even to those who would've otherwise loved the childish emotional contest of the mentally-crippled narratrix. Ironically, the novel may be most enjoyable to men, who will see that Shiga accidentally portrayed her antagonist--the narrator's husband Yukitomo--as the silent protagonist, who ably managed society and his cruel, shallow wife throughout a difficult lifetime, while beset by legions of idling selfish idiots who did not understand the luxury which his constant sacrifices afforded them. Yukitomo is represented as a villain for trying to protect Japan from the influence of westernized agents provocateurs, or "liberals." This text, accordingly, won widespread attention in the West after the nuclear attacks on, and invasion of, Japan, when western interests were keen to forcibly deconstruct Japanese society into nihilist consumerism. Now, though, historical perspective can better reveal, even to the most currently-liberal inhabitants of Terra, the noxious colonialist mindset which pervades Shiga's work. (This essay will eventually continue; try an internet search of "High Arka Shiga.")
BB
5つ星のうち1.0
THRIFT BUT NOT SWIFT
2014年5月3日に英国でレビュー済みAmazonで購入
Not recommended if you need a book urgently
and prefer editions of more acceptable quality
Generally a disappointing transaction worthy only
of a single star
and prefer editions of more acceptable quality
Generally a disappointing transaction worthy only
of a single star