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Freedom CD – 完全版, 2010/9/23

英語版 Jonathan Franzen (著), David Ledoux (読み手)

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The new novel from the author of The Corrections.

Patty and Walter Berglund were the new pioneers of old St. Paul – the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbour who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter's dreams. Together with Walter – environmental lawyer, commuter cyclist, family man – she was doing her small part to build a better world.

But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz – outré rocker and Walter's old college friend and rival – still doing in the picture? Most of all, what has happened to poor Patty? Why has the bright star of Barrier Street become "a very different kind of neighbour," an implacable Fury coming unhinged before the street's attentive eyes?

In his first novel since The Corrections, Jonathan Franzen has given us an epic of contemporary love and marriage. Freedom comically and tragically captures the temptations and burdens of too much liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom's intensely realized characters, as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.

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ISBN-10

000737755X
ISBN-13

978-0007377558
版

Unabridged
出版社

Fourth Estate Ltd
発売日

2010/9/23
言語

英語
寸法

13.9 x 3.6 x 14.2 cm
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Jonathan Franzen’s work includes four novels (The Twenty-Seventh City, Strong Motion, The Corrections, Freedom), two collections of essays (Farther Away, How To Be Alone), a memoir (The Discomfort Zone), and, most recently, The Kraus Project. He is recognised as one of the best American writers of our age and has won many awards. He lives in New York City and Santa Cruz, California.

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出版社 ‏ : ‎ Fourth Estate Ltd; Unabridged版 (2010/9/23)
発売日 ‏ : ‎ 2010/9/23
言語 ‏ : ‎ 英語
ISBN-10 ‏ : ‎ 000737755X
ISBN-13 ‏ : ‎ 978-0007377558
寸法 ‏ : ‎ 13.9 x 3.6 x 14.2 cm

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渡辺由佳里

ある中流階級の家族を通じて自由の国アメリカ合衆国の現代を描いた大作

2010年9月6日に日本でレビュー済み

Patty, Walter, Richardの３人は大学時代に知り合う。バスケットボールの花形選手で競争心が強いのに自己評価が低いPatty、Pattyに惚れ込む善良なWalter、Walterの善良さを愛する親友のくせに彼が好きになった女の子に手を出しては捨てるロックミュージシャンのRichard。愛情と競争心で繋がる３人の複雑な関係は、PattyとWalterが結婚した後もくすぶり続けている。
人生の半ばでそれぞれが問題を抱え、怒りや鬱を感じているときに、この関係のバランスが崩れ、互いを深く傷つける出来事に発展する。

ある中流家族をめぐる親子関係、愛情の三角関係、家族崩壊、贖罪、というテーマは、よくある商業作品と変わらない。しかし、フランゼンの作品が一線を画すのは、ありきたりなテーマを扱いつつも、現代アメリカを見事に描いているところである。 Walter、Patty、Richardの人生を通して、現代アメリカ合衆国の社会経済的構造、政治的対立、民主主義の矛盾を描くこの作品は、文中でPattyが読むトルストイの「戦争と平和」の現代米国版という見方もできる。

意外だったのは、エンディングだ。これまでのフランゼンの作品とは異なり、人間の弱さ、愚かさ、失敗などを許し、どんな人間にでも潜んでいる「Goodness（善良さ）」を、あざ笑わずに信じさせてくれる。最後の２０ページは涙で字が読めなかったほどだ。

細かい字で600ページ近い長編だが、１行として無駄を感じなかった。
近年で最も読み応えを感じた１冊である。

19人のお客様がこれが役に立ったと考えています

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オワン

今日の米国が直面している家庭、社会問題等を浮き彫りにはしているが、やや難読な作品

2010年10月25日に日本でレビュー済み

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ユダヤ人の家庭に生まれたPattyと夫のWalter、子供のJoey、夫婦の共通の友人Richardを軸に話が進められている。今日の米国が直面している家庭内の問題を中心に政治、経済、宗教、社会問題にも言及し、世界的な人口増加、環境破壊を憂慮している。日本人が持つ倫理観では到底考えられないような男女の関係が描かれ、モラルは（？）と驚かされる。性行為や自分の排泄物より指輪を探し出す場面の描写もあり、R18が必要かと苦笑させられもする。取り上げられている問題は確かに考えさせられるものの、家庭問題では日本人的な感傷から、うまくどこかに納まればと期待したが、結局Patty、Walter、Richardは各々の道を歩む事になる。米国を十分知らない小生には、知識の欠如による理解不足のため本書は｢難しい」と感じた。更に、扱った内容が無形（Franzen流に言えばintangibility）で、加えて長編であり長文が処々にみられ難読な事などがこの｢難しさ」を一段と難しくしていると思う。この事を踏まえ、米国の事情に特に明るい訳でもなく、米国文学を専攻した訳でも無い一般の我々には、この小説のお勧め度の星は３ツとした。

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Mario

Almost as good as "The Corrections"

2016年12月29日にイタリアでレビュー済み

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It has all the nice characteristics of Franzen's novel, and the complexity of the plot and the bitter sarcasm reminded me of "The Corrections": If you liked "The Corrections" you should read this one as well.

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H. Soree

master juggler

2014年3月7日にインドでレビュー済み

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Jonathan Franzen is a master juggler with words, facts, imaginations and fantasies. And if you want to improve your English: read Franzen and have a dictionary ready

3人のお客様がこれが役に立ったと考えています

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Valeriano

Me ha encantado

2013年10月25日にスペインでレビュー済み

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El libro te mete de lleno en las historias de sus personajes, lo pasas bien y mal con ellos y te enfadas incluso. Me dio mucha pena que se terminara.

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Len

A story of our times, a modern day classic.

2010年11月9日にカナダでレビュー済み

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I loved 'War and Peace' and I gotta say, I really liked 'Freedom.' I couldn't finish Franzen's previous novel, 'Corrections' but the story of a family coping with one of the most tumultuous times in the history of mankind, in the country that would fall from its status as empire has got to be interesting. The fact that it's a story about minor characters makes it even better. There are no nobles in this story, no heads of states or corporations, just ordinary folk attempting to cope. When I started the book, I thought I'd last fifty pages at most. Instead, I was picking it up every spare minute I could find. Patty Berglund is the mom, Walter is the father, Joey, the son and Jennifer, the daughter. Walter and Patty both have parents and siblings and both share Richard, a mutual friend. Patty and Walter grow up during the sixties and early seventies, have children, find jobs in the eighties, become disillusioned in the nineties and find new jobs in the new millennium. Their country goes from a Cold War participant to omniscient over all nations to pathetic has-been and so these times are reflected the lives of the Berglunds. At the time of their birth, the fabric of American society is held together by cloth that keeps its shape by a frame that pulls from opposite directions. And suddenly, with the end of the Cold War, one side is broken and the cloth is left to flap limp, exposed to breezes from any direction whereby each thread must decide how it's going to fit, whether to remain part of the cloth or let go and be taken in whatever direction the breeze might be blowing. So, we see with the family. The grandparents don't question their place in the scheme of American life and neither do the children. It's the parents, Walter and Patty who are lost not knowing whether to hold on or let go. This is a fantastic book. Only time will determine its eligibility as a classic.

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John Marshall Tanner

A Candidate for Best Novel of the Year

2010年9月3日にアメリカ合衆国でレビュー済み

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Like many of you, perhaps, I was a bit turned off by all the advance hype surrounding this book. Many have called it a masterpiece, even Book of the Century.

I wouldn't go that far--but it is certainly an excellent novel which succeeds on several levels. It is literary, yet it is blockbuster stuff in its commercial connotations, with lots of sex and topical concerns. A novel for our times, yet one which resonates with the classics.

The first section is a very comfortable read. For a time, it seemed almost a parody or tribute to Garrison Keillor's monologues about Lake Woebegone, such as collected in his volume, LIBERTY. It opens in Minnesota too, but instead of a rural neighborhood, this is the suburbs, and the narrative seemingly turns onto the set of Wisteria Lane in DESPERATE HOUSEWIVES.

Still, the first section, entitled "Good Neighbors," is an entertaining satire, nicely paced and well sprinkled with insights about archetypical types. I especially enjoyed the conspiratorial tone.

The next section is an autobiography of one of the main characters written in the third person with editorial asides. This sets the out the main characters and the plot for the novel, though the novel has already been succinctly foreshadowed in the lone epigraph:

Go, together
You precious winners all. I, an old turtle,
Will wing me to some withered bough, and there
My mate, that's never to be found again,
Lament till I am lost. --Shakespeare, THE WINTER'S TALE

As I say, much of the novel is about winners and losers, freedom vs. responsibility. Franzen sets up a trinity of main characters, Patti and her husband Walter as suburban Adam and Eve, and Adam's friend, Richard, as the snake in the Garden.

This trinity consists of Walter (mind/spirit dominated), Richard (flesh dominated), and wishy-washy Patti, who wants to have both and wavers between the two.

About midway through the book, Lilitha is introduced. Make no mistake, she is an incarnation of Lilith from the Garden of Eden Myth, a mirror to Richard, with a Lilith agenda against population growth, babies--and childbirth in principle.

Franzen uses literary and musical references to support his arguments (and much of the novel seems argued). Regarding winners and losers, he mentions Bob Dylan's showing up Donovan in the documentary, "Don't Look Back." He shows Richard reading his favorite new novelist, Thomas Bernhard, but doesn't tell us which book he is reading.

Of course, if you've read Thomas Bernhard's THE LOSER, you would know which book it was, for that is the world in which Richard would find himself at home.

And Patti reads WAR AND PEACE, skimming over the military parts to get to Tolstoy's soap-opera sections, which resonate well with this novel. The text mentions WAR AND PEACE several times as if justify its own use of melodrama--see, the classics used soap too.

Other classical references are mentioned: Aristotle and the different kinds of causes: Material, efficient, formal, and final. Walter sees the final cause of most of the world's problems as unlimited population growth, which aligns him with Lilith.

Richard is a counter-culture rock musician who finally becomes successful after souring on the business, as can be seen in an interview after a Grammy nomination. Note the reference to Rousseau:

"Q: What do you think of the MP3 revolution?

A: Ah, revolution, wow. It's great to hear the word "revolution" again. It's great that a song now costs exactly the same as a pack of gum and lasts exactly the same amount of time before it loses its flavor and you have to spend another buck.

That era which finally ended but yesterday, whenever--you know, that era when we pretended rock was the scourge of conformity and consumerism, instead of its anointed handmaid--that era was really irritating to me. I think it's good for the honesty of rock and roll and good for the country in general that we can finally see Bob Dylan and Iggy Pop for what they really were: as manufacturers of winter-green Chiclets.

Q: So you're saying rock has lost its subversive edge?

A: I'm saying it never had any subversive edge. It was always wintergreen Chiclets, we just enjoyed pretending otherwise.

Q: What about when Dylan went electric?

A: If you're going to talk about ancient history, let's go back to the French revolution. Remember when, I forget his name, but that rocker who wrote "Marseillaise, Jean Jacques Whoever--remember when his song started getting all that airplay in 1792, and suddenly the peasantry rose up and overthrew the aristocracy? There was a song that changed the world.

Attitude was what the peasants were missing. They already had everything else--humiliating servitude, grinding poverty, unpayable debts, horrific working conditions. But without a song, man, it added up to nothing. The sansculotte style was what really changed the world.

...We in the Chiclet manufacturing business are not about social justice, we're not about accurate or objectively verifiable information, we're not about meaningful labor, we're not about a coherent set of national ideals, we're not about wisdom. . ."

After finishing the book, you'll have to ask yourself, is this book brilliant and profound or is it just another box of wintergreen Chiclets?

Seems to me, the correct answer is: both.

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Freedom CD – 完全版, 2010/9/23

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