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The Flight of the Creative Class: The New Global Competition for Talent ペーパーバック – 2007/2/20
購入オプションとあわせ買い
The most valued workers today are what the economist Richard Florida calls the Creative Class, skilled individuals ranging from money managers to make–up artists, software programmers to steady–cam operators who are in constant demand around the world. Florida's bestselling The Rise of the Creative Class identified these workers as the source of economic revitalization in American cities. In that book, he shows that investment in technology and a civic culture of tolerance (most–often marked by the presence of a large gay community) are the key ingredients to attracting and maintaining a local creative class. In The Flight of the Creative Class, Florida expands his research to cover the global competition to attract the Creative Class. The United States was, up until 2002, the unparalleled leader in creative capital. But several key events––the Bush administrations emphasis on smokestack industries, heightened security concerns after 9/11 and the growing cultural divide between conservatives and liberals––have put the US at a substantial dis–advantage.
- 本の長さ352ページ
- 言語英語
- 発売日2007/2/20
- 寸法15.24 x 2.24 x 22.86 cm
- ISBN-109780060756918
- ISBN-13978-0060756918
この著者の人気タイトル
商品の説明
レビュー
“A compelling and seductive thesis.” — BusinessWeek
“Policy makers and independent professionals alike must quickly take Florida’s argument aboard--and, just as quickly, act.” — Tom Peters
“Required reading for elected officials, policy makers, educators, business leaders and every citizen concerned about the future of this country.” — Alan M. Webber, Founding Editor, Fast Company magazine
著者について
Author of the bestselling The Rise of the Creative Class and Who's Your City? Richard Florida is a regular columnist for The Atlantic. He has written for the New York Times, the Wall Street Journal, The Economist, and other publications. His multiple awards and accolades include the Harvard Business Review's Breakthrough Idea of the Year. He was named one of Esquire magazine's Best and Brightest (2005) and one of BusinessWeek's Voices of Innovation (2006). He lives in Toronto, Canada.
登録情報
- ASIN : 0060756918
- 出版社 : HarperBusiness; Reprint版 (2007/2/20)
- 発売日 : 2007/2/20
- 言語 : 英語
- ペーパーバック : 352ページ
- ISBN-10 : 9780060756918
- ISBN-13 : 978-0060756918
- 寸法 : 15.24 x 2.24 x 22.86 cm
- Amazon 売れ筋ランキング: - 255,846位洋書 (洋書の売れ筋ランキングを見る)
- - 323位Budgeting & Money Management
- - 343位Team Management & Leadership
- - 412位Sociology of Class
- カスタマーレビュー:
著者について
著者の本をもっと発見したり、よく似た著者を見つけたり、著者のブログを読んだりしましょう
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
また、前作を出版して以降、様々な意見や批判に対する回答といった側面ももっています。ただ、読者を研究者よりもビジネスマンをターゲットにしているのか、反証にやたらと某社のCEOは、社長は、とトップの名前をひたすら掲げるのは少し安易すぎるのでは、と思いました。(冒頭でロード・オブ・ザ・リングのピーター・ジャクソン監督のエピソードから始まるのは、フロリダを批判しているアラン・スコットの最新作「on Holywood」への反発か、と少し勘ぐってしまいました・・・)
そして、フロリダの核であるインデックスですが、基本的には前作を踏襲し、以降のヨーロッパ調査の際の手法、最新のカナダ調査時の手法が若干の改善として取り入れられていますが、フロリダ教授の手法を研究されている方にとってはビジネス書以上学術書未満の本書では少々物足りないかもしれません。
ラストに世界連帯を訴える部分にはシンパシーを感じますが。
他の国からのトップレビュー
-- Dr. Richard Florida, The Flight of the Creative Class
From this quote you can see immediately the sort of society Dr. Florida wants. Me, too. What's puzzling is he doesn't explicitly attach his shiny new cart of creativity to the thoroughbred of peace and political liberty.
In particular, you'd expect him to lambaste the Neocon Usurpers for launching expensive wars for isolated benefit of the Carlyle Group. Is he pulling his punches so Rush Bimbaugh won't accuse him of Bush-bashing? In general, why doesn't Florida boldly oppose the bonecrushing machinery of government per se?
That's my 900-pound-gorilla reservation about The Creative books. Otherwise, they provide a nice boost to the kinds of people we want to cultivate in society... or even want to be.
It appears many in public office, more semi-comatose Democrats than fully rabid Republicans, are interested in developing and retaining creative communities.
But are they willing to do what it takes?
The more political power they wield the less willing they are.
Rise shows that what Dr. Florida calls the three Ts of creative-class communities--Talent, Technology, and Tolerance--occur rarely. And when they do, it's more from the tolerance angle.
Austin, San Francisco, Seattle, Burlington (VT), Boston, the highest American cities on the creative-class list, achieve their vaunted status by spontaneous order. When governments catch up to what's going on and want to push people around, it's too late.
Tolerance is also another word for freedom. We can easily argue that liberty is fundamentally what the creative havenots have not. Talent and technology gravitate toward communities naturally when political leaders see their mission as preserving a natural order based on civil liberties.
They accomplish that mission mainly by removing government obstacles and keeping the infrastructure efficient.
Government never furthered any enterprise but by the alacrity with which it got out of its way. -- Thoreau
Libertarians need no writer from the halls of the Carnegie Mellon Institute to tell us this dear Hamlet. But it's nice that in Rise Dr. Florida makes such a good statistical case for what creativity is, where it lives, and how we can nurture it. He also makes us aware that we, too, are paid-up members of the CC.
Flight is about politicians not getting the point of Rise.
...
For my complete review of this book and for other book and movie
reviews, please visit my site [...]
Brian Wright
Copyright 2007
IN other words....the creative class and Richard should stay out of politics...they are damn poor visionaries for human governance.....too much imangination too little reality.....create a digi-phone, go to creative little coffeeshop, order creative brew, complain about ruling party, .....and go home to creative little meal, music, movie, be smug, be creative, leave the rest alone!
Otherwise, good observations on the movements of cutting edge industry on the planet and the USA's position in same.