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Responses to Oliver Stone's Alexander: Film, History, and Cultural Studies (Wisconsin Studies in Classics) ペーパーバック – 2010/1/20
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This volume brings together an intriguing mix of leading scholars in Macedonian and Greek history, Persian culture, film studies, classical literature, and archaeology&;including some who were advisors for the film&;and includes an afterword by Oliver Stone discussing the challenges he faced in putting Alexander&;s life on the big screen. The contributors scrutinize Stone&;s project from its inception and design to its production and reception, considering such questions as: Can a film about Alexander (and similar figures from history) be both entertaining and historically sound? How do the goals of screenwriters and directors differ from those of historians? How do Alexander&;s personal relationships&;with his mother Olympias, his wife Roxane, his lover Hephaistion, and others&;affect modern perceptions of Alexander? Several of the contributors also explore reasons behind the film&;s tepid response at the box office and subsequent controversies.
- 本の長さ370ページ
- 言語英語
- 出版社Univ of Wisconsin Pr
- 発売日2010/1/20
- 寸法15.24 x 2.54 x 22.86 cm
- ISBN-100299232840
- ISBN-13978-0299232849
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"Responses to Oliver Stone's Alexander achieves its mission of raising important questions about Alexander's life and career as triggered by Stone's film. The editors are to be commended for choosing a variety of scholars representing a variety of disciplines and positions, and certainly for securing an Afterword that reveals Stone's continuing fascination and intellectual engagement with the subject. As a paperback original, this book is affordable enough for course usage and would make fine student reading."--Sheramy D. Bundrick, Bryn Mawr Classical Review
"Rigorously researched, often brilliantly argued essays by scholars of the ancient world"--Tony Pipolo, Cineaste
"A very successful contribution to the burgeoning subsector of classical scholarship dealing with the modern cinematic treatment of the classics."--James S. Romm, editor of Alexander the Great: Selections from Diodorus, Plutarch, Quintus Curtius, and Arrian
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- 出版社 : Univ of Wisconsin Pr; 第1版 (2010/1/20)
- 発売日 : 2010/1/20
- 言語 : 英語
- ペーパーバック : 370ページ
- ISBN-10 : 0299232840
- ISBN-13 : 978-0299232849
- 寸法 : 15.24 x 2.54 x 22.86 cm
- Amazon 売れ筋ランキング: - 1,203,265位洋書 (洋書の売れ筋ランキングを見る)
- - 1,721位Historiography
- - 2,000位Ancient Greek History
- - 3,892位Gender Studies
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It was recommended to me by an Alexander-fan as “quite interesting”. Mmmm, maybe it is just that and nothing more. The many authors contributing to this book have all their own vision, generally their own reasons or arguments to tear down the movie. It is so easy to find fault and to point out the shortcomings that little or no room is left for what Oliver Stone has accomplished. Renown and lesser known authors have joined forces here to submit the Alexander movie to a close scrutiny.
Is this book adding anything to the historical Alexander? No. Is this book helping to understand the Alexander movie? No. Is this book bringing some new elements? No. Except for individual contemplations and practical/financial/theatrical elements, I fail to see the purpose of putting this book together. The best part is still Oliver Stone’s own Afterword, although it is far too long as everything is being said half-way through this chapter.
For me, personally, Alexander is the best picture ever made about Alexander the Great. Most people seem to ignore that for once we have here an “entire” image of Alexander, in spite of the historical misrepresentations and incoherencies. One of these, and which is not mentioned by any of the critics, is the fact that the Battle of the Hydaspes is set in the jungle instead of the river banks; another discrepancy is the presence of Cassander through the entire campaign for he remained in Macedonia. Yet, I immediately recognized each and every one of his Companions and was “pulled” into the story from the beginning. The entire “spirit” of Alexander was present although many have expressed complaints about missing parts or aspects. The critics seem to forget that Alexander’s life was far too complex, too active, too magnanimous and too genial to be told in three hours time for a public largely unacquainted with history or with Alexander the Great.