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When it was first released in 1962, The Shape of Time presented a radically new approach to the study of art history. Drawing upon new insights in fields such as anthropology and linguistics, George Kubler replaced the notion of style as the basis for histories of art with the concept of historical sequence and continuous change across time. Kubler’s classic work is now made available in a freshly designed edition.

“The Shape of Time is as relevant now as it was in 1962. This book, a sober, deeply introspective, and quietly thrilling meditation on the flow of time and space and the place of objects within a larger continuum, adumbrates so many of the critical and theoretical concerns of the late twentieth and early twenty-first century. It is both appropriate and necessary that it re-appear in our consciousness at this time.”—Edward J. Sullivan, New York University

This book will be of interest to all students of art history and to those concerned with the nature and theory of history in general. In a study of formal and symbolic durations the author presents a radically new approach to the problem of historical change. Using new ideas in anthropology and linguistics, he pursues such questions as the nature of time, the nature of change, and the meaning of invention. The result is a view of historical sequence aligned on continuous change more than upon the static notion of style—the usual basis for conventional histories of art.

"A carefully reasoned and brilliantly suggestive essay in defense of the view that the history of art can be the study of formal relationships, as against the view that it should concentrate on ideas of symbols or biography."—Harper's.

"It is a most important achievement, and I am sure that it will be studies for many years in many fields. I hope the book upsets people and makes them reformulate."—James Ackerman.

"In this brief and important essay, George Kubler questions the soundness of the stylistic basis of art historical studies. . . . The Shape of Time ably states a significant position on one of the most complex questions of modern art historical scholarship."—Virginia Quarterly Review.

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本の長さ

144ページ
言語

英語
出版社

Yale University Press
発売日

2008/4/17
寸法

12.7 x 0.87 x 20.32 cm
ISBN-10

0300100612
ISBN-13

978-0300100617
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商品の説明

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"The Shape of Time is as relevant now as it was in 1962. This book, a sober, deeply introspective and quietly thrilling meditation on the flow of time and space and the place of objects within a larger continuum, adumbrates so many of the critical and theoretical concerns of the late twentieth and early twenty-first century. It is both appropriate and necessary that it re-appear in our consciousness at this time."—Edward J. Sullivan, New York University

"Kubler's telling of the history of things remains a key text, his vision a compelling mixture of the habitual and the poetic in human behavior. For him, human creativity is a constantly repeated attempt to refine answers to a set of questions that change only slowly. But this universal habit is punctuated by the great works of art, ways of doingand seeing that he compares to stars, influencing, shaping andilluminating even after they have been destroyed."—Neil MacGregor, The British Museum

著者について

George Kubler (1912–1996) was Sterling Professor of the History of Art at Yale University. He is also author of The Art and Architecture of Ancient America (Yale).

登録情報

出版社 ‏ : ‎ Yale University Press; Illustrated版 (2008/4/17)
発売日 ‏ : ‎ 2008/4/17
言語 ‏ : ‎ 英語
ペーパーバック ‏ : ‎ 144ページ
ISBN-10 ‏ : ‎ 0300100612
ISBN-13 ‏ : ‎ 978-0300100617
寸法 ‏ : ‎ 12.7 x 0.87 x 20.32 cm

Amazon 売れ筋ランキング: - 178,085位洋書 (洋書の売れ筋ランキングを見る)
- - 228位Philosophy Aesthetics
- - 1,131位Arts & Photography Criticism
- - 1,251位Behavioral Sciences (洋書)

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George Kubler

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pierre desrochers

Five Stars

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impeccable

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CANCELA

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Great Book

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Maneki Neko

A remarkable little book . . .

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Few people treat the concepts of *fast* and *slow* time in a cultural sense, (not a clock sense), quite so well. In this context Kubler also provides a clear working definition of an artist's entrance into an era, and what comprises real artistic invention as opposed to the replication of stereotypes. Still fresh decades after Kubler wrote this core text; Kubler defines the dynamics of artistic innovation with the same clarity that Thomas Kuhn did for the sciences in that other core text: The Structure of Scientific Revolutions.

10人のお客様がこれが役に立ったと考えています

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Chris

Great Writing

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Well written and very explorative.

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petey

insightful

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friends, if you want a mind blowing and intelligent book on art history--- well, this is the read for you.

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The Shape of Time: Remarks on the History of Things ペーパーバック – イラスト付き, 2008/4/17

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George Kubler

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