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Feed (The Newsflesh Trilogy) マスマーケット – 2010/5/1

4.3 5つ星のうち4.3 2,560個の評価

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Feed is an electrifying and critically acclaimed novel of a world a half-step from our own that the New York Times calls “Astonishing” — a novel of zombies, geeks, politics, social media, and the virus that runs through them all — from New York Times bestseller Mira Grant.
 
The year was 2014. We had cured cancer. We had beat the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED.
 
Now, twenty years after the Rising, Georgia and Shaun Mason are on the trail of the biggest story of their lives—the dark conspiracy behind the infected. The truth will out, even if it kills them.
 

More from Mira Grant:
 
Newsflesh
Feed
Deadline
Blackout
Feedback
 
Rise
 
 
Praise for Feed:
"I can't wait for the next book."―
N.K. Jemisin
 
"It's a novel with as much brains as heart, and both are filling and delicious."―
The A. V. Club
 
"Gripping, thrilling, and brutal... McGuire has crafted a masterpiece of suspense with engaging, appealing characters who conduct a soul-shredding examination of what's true and what's reported."―
Publishers Weekly (Starred Review)
 
Feed is a proper thriller with zombies.” SFX
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"Astonishing ... a fascinating exploration of the future."―New York Times

"While there's plenty of zombie mayhem, political snark, and pointedly funny observations here, the heart of this book is about human relationships, which are still the most important thing in the world...even in a world where you might have to shoot the person you love most in the head, just to stop them from biting off your face."―
Locus on Feed

"Feed is a proper thriller with zombies. Grant doesn't get carried away with describing her world or the virus. She's clearly thought both out brilliantly, but she doesn't let it get in the way of a taut, well-written story."―SFX on Feed

"The story starts with a bang as corruption, mystery, danger and excitement abound."―
RT Book Reviews (4.5 stars) on Feed

"Gripping, thrilling, and brutal... Shunning misogynistic horror tropes in favor of genuine drama and pure creepiness, McGuire has crafted a masterpiece of suspense with engaging, appealing characters who conduct a soul-shredding examination of what's true and what's reported."―
Publishers Weekly (Starred Review) on Feed

"Intelligent and intense, a thinking-person's post-apocalyptic zombie thriller set in a fully-realized future that is both fascinating and horrifying to behold."―
John Joseph Adams on Feed

"I can't wait for the next book."―
N.K. Jemisin on Feed

"It's a novel with as much brains as heart, and both are filling and delicious."―
The A. V. Club on Feed

"OK, all of you readers who want something weighty and yet light, campy and yet smart, horror with heart, a summer beach read that will stay in your head and whisper to you "what if,"
Deadline is just what you are looking for."―RT Book Reviews on Deadline

"Deft cultural touches, intriguing science, and amped-up action will delight Grant's numerous fans."―
Publishers Weekly (starred review) on Deadline

"Intelligent and exciting...raises the bar for the genre."―
Telegraph on Deadline

"Wry and entertaining."
NPR Books on Blackout

抜粋

Feed

By Grant, Mira

Orbit

Copyright © 2010 Grant, Mira
All right reserved.

ISBN: 9780316081054

BOOK I

The Rising

You can’t kill the truth.

—GEORGIA MASON

Nothing is impossible to kill. It’s just that sometimes after you kill something, you have to keep shooting it until it stops moving. And that’s really sort of neat when you stop to think about it.

—SHAUN MASON


Everyone has someone on the Wall.

No matter how remote you may think you are from the events that changed the world during the brutal summer of 2014, you have someone on the Wall. Maybe they’re a cousin, maybe they’re an old family friend, or maybe they’re just somebody you saw on TV once, but they’re yours. They belong to you. They died to make sure that you could sit in your safe little house behind your safe little walls, watching the words of one jaded twenty-two-year-old journalist go scrolling across your computer screen. Think about that for a moment. They died for you.

Now take a good look at the life you’re living and tell me: Did they do the right thing?

—From Images May Disturb You, the blog of Georgia Mason, May 16, 2039

One

Our story opens where countless stories have ended in the last twenty-six years: with an idiot—in this case, my brother Shaun—deciding it would be a good idea to go out and poke a zombie with a stick to see what happens. As if we didn’t already know what happens when you mess with a zombie: The zombie turns around and bites you, and you become the thing you poked. This isn’t a surprise. It hasn’t been a surprise for more than twenty years, and if you want to get technical, it wasn’t a surprise then.

When the infected first appeared—heralded by screams that the dead were rising and judgment day was at hand—they behaved just like the horror movies had been telling us for decades that they would behave. The only surprise was that this time, it was really happening.

There was no warning before the outbreaks began. One day, things were normal; the next, people who were supposedly dead were getting up and attacking anything that came into range. This was upsetting for everyone involved, except for the infected, who were past being upset about that sort of thing. The initial shock was followed by running and screaming, which eventually devolved into more infection and attacking, that being the way of things. So what do we have now, in this enlightened age twenty-six years after the Rising? We have idiots prodding zombies with sticks, which brings us full circle to my brother and why he probably won’t live a long and fulfilling life.

“Hey, George, check this out!” he shouted, giving the zombie another poke in the chest with his hockey stick. The zombie gave a low moan, swiping at him ineffectually. It had obviously been in a state of full viral amplification for some time and didn’t have the strength or physical dexterity left to knock the stick out of Shaun’s hands. I’ll give Shaun this much: He knows not to bother the fresh ones at close range. “We’re playing patty-cake!”

“Stop antagonizing the locals and get back on the bike,” I said, glaring from behind my sunglasses. His current buddy might be sick enough to be nearing its second, final death, but that didn’t mean there wasn’t a healthier pack roaming the area. Santa Cruz is zombie territory. You don’t go there unless you’re suicidal, stupid, or both. There are times when even I can’t guess which of those options applies to Shaun.

“Can’t talk right now! I’m busy making friends with the locals!”

“Shaun Phillip Mason, you get back on this bike right now, or I swear to God, I am going to drive away and leave you here.”

Shaun looked around, eyes bright with sudden interest as he planted the end of his hockey stick at the center of the zombie’s chest to keep it at a safe distance. “Really? You’d do that for me? Because ‘My Sister Abandoned Me in Zombie Country Without a Vehicle’ would make a great article.”

“A posthumous one, maybe,” I snapped. “Get back on the goddamn bike!”

“In a minute!” he said, laughing, and turned back toward his moaning friend.

In retrospect, that’s when everything started going wrong.

The pack had probably been stalking us since before we hit the city limits, gathering reinforcements from all over the county as they approached. Packs of infected get smarter and more dangerous the larger they become. Groups of four or less are barely a threat unless they can corner you, but a pack of twenty or more stands a good chance of breaching any barrier the uninfected try to put up. You get enough of the infected together and they’ll start displaying pack hunting techniques; they’ll start using actual tactics. It’s like the virus that’s taken them over starts to reason when it gets enough hosts in the same place. It’s scary as hell, and it’s just about the worst nightmare of anyone who regularly goes into zombie territory—getting cornered by a large group that knows the land better than you do.

These zombies knew the land better than we did, and even the most malnourished and virus-ridden pack knows how to lay an ambush. A low moan echoed from all sides, and then they were shambling into the open, some moving with the slow lurch of the long infected, others moving at something close to a run. The runners led the pack, cutting off three of the remaining methods of escape before there was time to do more than stare. I looked at them and shuddered.

Fresh infected—really fresh ones—still look almost like the people that they used to be. Their faces show emotion, and they move with a jerkiness that could just mean they slept wrong the night before. It’s harder to kill something that still looks like a person, and worst of all, the bastards are fast. The only thing more dangerous than a fresh zombie is a pack of them, and I counted at least eighteen before I realized that it didn’t matter, and stopped bothering.

I grabbed my helmet and shoved it on without fastening the strap. If the bike went down, dying because my helmet didn’t stay on would be one of the better options. I’d reanimate, but at least I wouldn’t be aware of it. “Shaun!”

Shaun whipped around, staring at the emerging zombies. “Whoa.”

Unfortunately for Shaun, the addition of that many zombies had turned his buddy from a stupid solo into part of a thinking mob. The zombie grabbed the hockey stick as soon as Shaun’s attention was focused elsewhere, yanking it out of his hands. Shaun staggered forward and the zombie latched onto his cardigan, withered fingers locking down with deceptive strength. It hissed. I screamed, images of my inevitable future as an only child filling my mind.

“Shaun!” One bite and things would get a lot worse. There’s not much worse than being cornered by a pack of zombies in downtown Santa Cruz. Losing Shaun would qualify.

The fact that my brother convinced me to take a dirt bike into zombie territory doesn’t make me an idiot. I was wearing full off-road body armor, including a leather jacket with steel armor joints attached at the elbows and shoulders, a Kevlar vest, motorcycling pants with hip and knee protectors, and calf-high riding boots. It’s bulky as hell, and I don’t care, because once you factor in my gloves, my throat’s the only target I present in the field.

Shaun, on the other hand, is a moron and had gone zombie baiting in nothing more defensive than a cardigan, a Kevlar vest, and cargo pants. He won’t even wear goggles—he says they “spoil the effect.” Unprotected mucous membranes can spoil a hell of a lot more than that, but I practically have to blackmail him to get him into the Kevlar. Goggles are a nonstarter.

There’s one advantage to wearing a sweater in the field, no matter how idiotic I think it is: wool tears. Shaun ripped himself free and turned, running for the motorcycle with great speed, which is really the only effective weapon we have against the infected. Not even the fresh ones can keep up with an uninfected human over a short sprint. We have speed, and we have bullets. Everything else about this fight is in their favor.

“Shit, George, we’ve got company!” There was a perverse mixture of horror and delight in his tone. “Look at ’em all!”

“I’m looking! Now get on!”

I kicked us free as soon as he had his leg over the back of the bike and his arm around my waist. The bike leapt forward, tires bouncing and shuddering across the broken ground as I steered us into a wide curve. We needed to get out of there, or all the protective gear in the world wouldn’t do us a damn bit of good. I might live if the zombies caught up with us, but my brother would be dragged into the mob. I gunned the throttle, praying that God had time to preserve the life of the clinically suicidal.

We hit the last open route out of the square at twenty miles an hour, still gathering speed. Whooping, Shaun locked one arm around my waist and twisted to face the zombies, waving and blowing kisses in their direction. If it were possible to enrage a mob of the infected, he’d have managed it. As it was, they just moaned and kept following, arms extended toward the promise of fresh meat.

The road was pitted from years of weather damage without maintenance. I fought to keep control as we bounced from pothole to pothole. “Hold on, you idiot!”

“I’m holding on!” Shaun called back, seeming happy as a clam and oblivious to the fact that people who don’t follow proper safety procedures around zombies—like not winding up around zombies in the first place—tend to wind up in the obituaries.

“Hold on with both arms!” The moaning was only coming from three sides now, but it didn’t mean anything; a pack this size was almost certainly smart enough to establish an ambush. I could be driving straight to the site of greatest concentration. They’d moan in the end, once we were right on top of them. No zombie can resist a good moan when dinner’s at hand. The fact that I could hear them over the engine meant that there were too many, too close. If we were lucky, it wasn’t already too late to get away.

Of course, if we were lucky, we wouldn’t be getting chased by an army of zombies through the quarantine area that used to be downtown Santa Cruz. We’d be somewhere safer, like Bikini Atoll just before the bomb testing kicked off. Once you decide to ignore the hazard rating and the signs saying Danger: Infection, you’re on your own.

Shaun grudgingly slid his other arm around my waist and linked his hands at the pit of my stomach, shouting, “Spoilsport,” as he settled.

I snorted and hit the gas again, aiming for a nearby hill. When you’re being chased by zombies, hills are either your best friends or your burial ground. The slope slows them down, which is great, unless you hit the peak and find out that you’re surrounded, with nowhere left to run to.

Idiot or not, Shaun knows the rules about zombies and hills. He’s not as dumb as he pretends to be, and he knows more about surviving zombie encounters than I do. His grip on my waist tightened, and for the first time, there was actual concern in his voice as he shouted, “George? What do you think you’re doing?”

“Hold, on,” I said. Then we were rolling up the hill, bringing more zombies stumbling out of their hiding places behind trash cans and in the spaces between the once-elegant beachfront houses that were now settling into a state of neglected decay.

Most of California was reclaimed after the Rising, but no one has ever managed to take back Santa Cruz. The geographical isolation that once made the town so desirable as a vacation spot pretty much damned it when the virus hit. Kellis-Amberlee may be unique in the way it interacts with the human body, but it behaves just like every other communicable disease known to man in at least one way: Put it on a school campus and it spreads like wildfire. U.C. Santa Cruz was a perfect breeding ground, and once all those perky co-eds became the shuffling infected, it was all over but the evacuation notices.

“Georgia, this is a hill!” he said with increasing urgency as the locals lunged toward the speeding bike. He was using my proper name; that was how I could tell he was worried. I’m only “Georgia” when he’s unhappy.

“I got that.” I hunched over to decrease wind resistance a few more precious degrees. Shaun mimicked the motion automatically, hunching down behind me.

“Why are we going up a hill?” he demanded. There was no way he’d be able to hear my answer over the combined roaring of the engine and the wind, but that’s my brother, always willing to question that which won’t talk back.

“Ever wonder how the Wright brothers felt?” I asked. The crest of the hill was in view. From the way the street vanished on the other side, it was probably a pretty steep drop. The moaning was coming from all sides now, so distorted by the wind that I had no real idea what we were driving into. Maybe it was a trap; maybe it wasn’t. Either way, it was too late to find another path. We were committed, and for once, Shaun was the one sweating.

“Georgia!”

“Hold on!” Ten yards. The zombies kept closing, single-minded in their pursuit of what might be the first fresh meat some had seen in years. From the looks of most of them, the zombie problem in Santa Cruz was decaying faster than it was rebuilding itself. Sure, there were plenty of fresh ones—there are always fresh ones because there are always idiots who wander into quarantined zones, either willingly or by mistake, and the average hitchhiker doesn’t get lucky where zombies are concerned—but we’ll take the city back in another three generations. Just not today.

Five yards.

Zombies hunt by moving toward the sound of other zombies hunting. It’s recursive, and that meant our friends at the base of the hill started for the peak when they heard the commotion. I was hoping so many of the locals had been cutting us off at ground level that they wouldn’t have many bodies left to mount an offensive on the hill’s far side. We weren’t supposed to make it that far, after all; the only thing keeping us alive was the fact that we had a motorcycle and the zombies didn’t.

I glimpsed the mob waiting for us as we reached the top. They were standing no more than three deep. Fifteen feet would see us clear.

Liftoff.

It’s amazing what you can use for a ramp, given the right motivation. Someone’s collapsed fence was blocking half the road, jutting up at an angle, and I hit it at about fifty miles an hour. The handlebars shuddered in my hands like the horns of a mechanical bull, and the shocks weren’t doing much better. I didn’t even have to check the road in front of us because the moaning started as soon as we came into view. They’d blocked our exit fairly well while Shaun played with his little friend, and mindless plague carriers or not, they had a better grasp of the local geography than we did. We still had one advantage: Zombies aren’t good at predicting suicide charges. And if there’s a better term for driving up the side of a hill at fifty miles an hour with the goal of actually achieving flight when you run out of “up,” I don’t think I want to hear it.

The front wheel rose smoothly and the back followed, sending us into the air with a jerk that looked effortless and was actually scarier than hell. I was screaming. Shaun was whooping with gleeful understanding. And then everything was in the hands of gravity, which has never had much love for the terminally stupid. We hung in the air for a heart-stopping moment, still shooting forward. At least I was fairly sure the impact would kill us.

The laws of physics and the hours of work I’ve put into constructing and maintaining my bike combined to let the universe, for once, show mercy. We soared over the zombies, coming down on one of the few remaining stretches of smooth road with a bone-bruising jerk that nearly ripped the handlebars out of my grip. The front wheel went light on impact, trying to rise up, and I screamed, half terrified, half furious with Shaun for getting us into this situation in the first place. The handlebars shuddered harder, almost wrenching my arms out of their sockets before I hit the gas and forced the wheel back down. I’d pay for this in the morning, and not just with the repair bills.

Not that it mattered. We were on level ground, we were upright, and there was no moaning ahead. I hit the gas harder as we sped toward the outskirts of town, with Shaun whooping and cheering behind me like a big suicidal freak.

“Asshole,” I muttered, and drove on.


_________


News is news and spin is spin, and when you introduce the second to the first, what you have isn’t news anymore. Hey, presto, you’ve created opinion.

Don’t get me wrong, opinion is powerful. Being able to be presented with differing opinions on the same issue is one of the glories of a free media, and it should make people stop and think. But a lot of people don’t want to. They don’t want to admit that whatever line being touted by their idol of the moment might not be unbiased and without ulterior motive. We’ve got people who claim Kellis-Amberlee was a plot by the Jews, the gays, the Middle East, even a branch of the Aryan Nation trying to achieve racial purity by killing the rest of us. Whoever orchestrated the creation and release of the virus masked their involvement with a conspiracy of Machiavellian proportions, and now they and their followers are sitting it out, peacefully immunized, waiting for the end of the world.

Pardon the expression, but I can smell the bullshit from here. Conspiracy? Cover up? I’m sure there are groups out there crazy enough to think killing thirty-two percent of the world’s population in a single summer is a good idea—and remember, that’s a conservative estimate, since we’ve never gotten accurate death tolls out of Africa, Asia, or parts of South America—but are any of them nuts enough to do it by turning what used to be Grandma loose to chew on people at random? Zombies don’t respect conspiracy. Conspiracy is for the living.

This piece is opinion. Take it as you will. But get your opinions the hell away from my news.

—From Images May Disturb You, the blog of Georgia Mason, September 3, 2039


___


Zombies are pretty harmless as long as you treat them with respect. Some people say you should pity the zombie, empathize with the zombie, but I think they? Are likely to become the zombie, if you get my meaning. Don’t feel sorry for the zombie. The zombie’s not going to feel sorry for you when he starts gnawing on your head. Sorry, dude, but not even my sister gets to know me that well.

If you want to deal with zombies, stay away from the teeth, don’t let them scratch you, keep your hair short, and don’t wear loose clothes. It’s that simple. Making it more complicated would be boring, and who wants that? We have what basically amounts to walking corpses, dude.

Don’t suck all the fun out of it.

—From Hail to the King, the blog of Shaun Mason, January 2, 2039



Continues...
Excerpted from Feed by Grant, Mira Copyright © 2010 by Grant, Mira. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

登録情報

  • 出版社 ‏ : ‎ Orbit; Reprint版 (2010/5/1)
  • 発売日 ‏ : ‎ 2010/5/1
  • 言語 ‏ : ‎ 英語
  • マスマーケット ‏ : ‎ 608ページ
  • ISBN-10 ‏ : ‎ 0316081051
  • ISBN-13 ‏ : ‎ 978-0316081054
  • 寸法 ‏ : ‎ 10.8 x 3.18 x 19.05 cm
  • カスタマーレビュー:
    4.3 5つ星のうち4.3 2,560個の評価

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5つ星のうち3.0 Transmetropólitan meets Zombieland
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5つ星のうち5.0 Un thriller politico-journalistique épicé de juste ce qu’il faut d’horreur.
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Au confluent de Walking Dead (pour les cadavres ambulants) et Scandal (pour tout le côté campagne électorale), c’est un bien joli ovni. Un thriller politico-journalistique épicé de juste ce qu’il faut d’horreur, servi par des personnages hyper attachants et une intrigue pour le moins entraînante. Loin des poncifs du genre, l’autrice a choisi ici un angle d’attaque bien originale, mélangeant avec brio enquête et survival. Complot et manipulations règnent, sur fond de course médiatique post-apocalyptique. Et bon sang que c’est efficace ! Le rythme de l’histoire est particulièrement haletant, offrant d’ailleurs des scènes très visuelles. Action et phases d’investigation se succèdent, parsemées çà et là de révélations qui ne donnent qu’une envie : enchaîner les pages. C’est de plus le genre de récit qui fait passer par tout un tas d’émotions. Excitation, angoisse, soulagement, colère, peine également... rien n’est ici épargné au lecteur.
Karen B
5つ星のうち5.0 A book to sink your teeth into
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When going on holidays recently, I asked FaceBook friends for some reading recommendations (this was despite having about forty books in my “to-read” pile). Feed, by Mira Grant was one of them and, why I chose it from the many other wonderful suggestions I received was the way it was “sold” to me by another writer, the lovely Mandy Wrangles. I still remember. She wrote something along the lines of, “It’s a zombie book, only, it’s not. It’s so much more. Don’t let the zombie thing put you off. This is an amazing book, dystopian and about communication, the media and politics and it’s just incredible…”
To be fair, Mandy said it far more eloquently than that, but that’s how I absorbed it and was intrigued. Much preferring zombies on the screen than on the page, I’d resisted anything remotely zombified before, but I was going on a holiday, why not challenge myself? Take a holiday from my usual genres? Am I glad I did. Oh. Boy. Mandy was right, this book was not what I expected – even with Mandy’s wonderful affirmations, it thoroughly exceeded my expectations.
Set in the very near future, after a zombie plague has basically wiped out a great deal of the civilised world, facilitated the establishment of gated communities, serious and constant health checks, and armed protection services, and seen the mainstream media not replaced, but in healthy competition with bloggers (the reason being that when the uprising of zombies began, the media were in denial and, due to government control and censorship, inclined to perpetuate fallacies – it was bloggers who told the truth and won reader loyalty and trust), this tale centres around prominent blogger, Georgia Mason, who along with her brother Shaun and their IT specialist, win a contract to accompany a political candidate throughout the drawn-out US presidential election. Overjoyed at such a coup, they quickly accept and join the convoy, travelling throughout parts of the US, being given insights into not just the political machinations of the party and those who belong, but the media and the plots and cunning of desperate men, including the biggest secret of all – the terrible conspiracy behind the infected....
This is a wild, hold-on-to-the-edge-of-your-seat book that, after an ETesque opening (but with zombies, death and destruction on the protagonists’ bicycle tail), immerses you in this post-apocalytpic reality of a country/world torn apart by a mass infection and its consequences. Orphaned at a young age, brother and sister Georgia and Shaun, though they’ve been adopted, have to survive on their wits and intelligence and neither of these are in short supply. Nor is their sense of justice and determination to see it meted out.
Though the zombies (the infected) hover at the edges of the story the entire time, bursting into the narrative at opportune and sometimes unexpected moments, the real story here is the politics – not simply Republican versus Democrat, though that’s there, but personal politics as well. How individuals manoeuvre themselves into positions of power, the politics around the stories we tell, about ourselves, each other – what’s omitted, what’s included, the impression we strive to give and maintain- and the strength of meta-narratives to colour and infect the smaller ones. It’s also about belonging, connectivity, being an outsider – of family, society and beyond. It’s about truth, lies and everything in-between. It’s about when to compromise – morally, physically, intellectually – and when it’s appropriate not to.
As story-tellers with credibility, Georgia and Shaun know how important their job is, how much the surviving masses rely on them to keep the lines of communication open, to spread the “truth” and to provide informed opinion. But story-telling in this world is also big business, and ratings are important. Hence, risks must be taken, not with the truth, never with that, but with reputations, uncovering relevant information and, for Georgia and Shaun, it also means putting their lives (and that of others) on the line.
This never becomes more important or real than when they discover the truth about the zombies…
This is such an original and compelling book. Alternately shocking and heart-wrenching, capable of blood-thirsty scenes and great pathos, the characters are strong, purposeful to a fault, but also ever-so vulnerable, the combination is intoxicating and nerve-wracking. You invest so heavily in both Georgia and Shaun, shout at and with them from the sidelines, revel in their ingenuity and disingenuousness. The narrative twists and flows in ways that are never predictable but always true to the overall arc and intentions of the book – you believe in everything that’s happening and the rationale behind it. An example of this is the reasoning behind why there are zombies in the first place. An interview with Grant (at the end of the book) reveals that she was always frustrated by films and other books that took zombies for granted, that is, the writer/s never explained how they became that way, except to point to biting and contagion through other means as the answer. The origins of the infection and what happens in the body of a human who becomes a zombie is rarely if ever dealt with. Feed addresses this in a scientific and acceptable but never dull way. The explanation simply feeds (excuse the pun) into the logic of the setting and time the author has created. I thoroughly enjoyed this aspect as well.
Whether or not you like “zombies” (what’s NOT to like ☺), whether or not you enjoy dystopian narratives, this is a great book. But, if you’re looking for well-crafted, tightly written, imaginatively conceived stories that take you on an incredible, high-octane adventure while simultaneously exploring some serious ethical and philosophical issues and offering a critique of modern media with kick-arse, wonderful rich and complex characters and a plot dripping with intrigue, this is the book for you.
Touted as young adult, it’s not. It’s for anyone who loves astonishing novels.
I have bought the second and (er um) can’t wait to sink my teeth into it.
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Philip G Fleming
5つ星のうち5.0 totally engaging to the end
2013年8月17日にカナダでレビュー済み
Amazonで購入
A very different take on the zombie craze, with journalists, politics and great characters. Well written, with surprises to the end
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MarkC
5つ星のうち5.0 A superb post-infection zombie novel
2010年10月13日に英国でレビュー済み
Amazonで購入
I like zombie stories, whether they be books or movies, and if done well there is nothing better. I've watched my fair share of films over the years using this subject - some spectacular, some stinkers - but I've read very few novels about them. When I heard about Feed I knew it was a novel I had to read - a near future tale set 20+ years after the zombie outbreak in a world where bloggers delivered the news. Feed is not only a zombie novel, it uses blogging as a main part of the narrative and manages to extrapolate technology from today to fit its world. I jumped in feet first and was taken on a ride that completely and utterly blew me away.

Feed is the story of George and Shaun Mason who, along with their techie Buffy, are bloggers in a world where zombies are a common threat. They go into the danger zones, poke zombies and blog it to the world, but they also deliver the news on what's going on, how bad things are in certain areas and just what to watch out for. Set in 2039/2040, over 20 years after the rising of the zombies, this is a world where everyone has to deal with the constant problem of zombies. With the US Presidential elections coming up George, Shaun and Buffy put their names forward to be the official news crew of one of the Republican candidates - Senator Peter Ryman - a man who many believe to be the next President. After being selected they join Senator Ryman and his staff on his tour of the US to drum up support and get voters to their cause, reporting the facts without bias. But not everything goes as smoothly as they were expecting...

Okay, first things first. This is a zombie novel, albeit a near future post-infection one. The most important thing to me is how the zombies are portrayed: Is the infection believably? Are the zombies believable in the way they act? Is the world behind the story believably? Yes, believability is one of the key points and Feed scores top marks in all those points, and then some.

The infection is essentially a virus that is a combination of two 'cures' that were released to the world in the early 21st century. Acting together it is in every human, but it lies dormant until death when it becomes live and turns the person into a zombie, but it can also be activated when the the person comes into contact with the live strain - i.e. through being bitten. All in all, very suitable to the story and completely believable. When the person becomes a zombie they are quick and deadly, but the longer they are a zombie, and the longer they go without feeding the slower and more decrepit they become. The explanations given throughout the story makes it chilling and very real. The world is built around the threat that it is faced with every day, with many security zones and a policy that means you could be shot dead if you can't provide clean test results, and clean test results are everything in this world.

Suffice to say that Grant has managed to create a completely and utterly real world here. Everything about it is logical and believable and makes you wonder just how far from the truth it could be. The world building because of the infection is also a great aspect here with so many little details covered that add to the depth of the setting. The technology has grown in relation to the threat, but it isn't that far off what we have today, and in a world where you could meet a zombie around any corner all the bases are covered. Feed really does make for some terrific reading and a master class on how to construct a world for a story to take place in.

But while all of this adds to the novel, it isn't the be-all-and-end-all - you've got to have good characters and the story has to deliver the goods. George, Shaun and Buffy tick the first box, each of them having a unique personality and being able to carry the story through their actions. They can be serious, funny and annoying, but ultimately they are the right people for the job, crafted well and with a page presence that you can't help but like. While the story is told in the first person through George's eyes, and she is the main character here, I never once felt overwhelmed by her views or annoyed that it was yet another chapter told by her. Quite the opposite in fact - I loved it. The relationships that are present feel very real, are not forced during the story at all and manage to capture that special something that makes you care for them all.

As for the story, well, going into too much detail will ruin all the twists and turns. It is a story about a news crew following the senator's leadership campaign and has many twists and turns with something clearly bubbling under the surface. We get to find out these things as the story progresses and Grant doesn't pull any punches - she's able to shock and surprise in equal measures.

I was taken in to Feed completely and read as much as I could whenever the opportunity arose. Even when I wasn't reading it I was thinking about the story and the world - a sure sign that I'm reading a book that I'm coming to love. While this is the first part in a trilogy it still delivers a solid story and concludes fittingly, but I just can't wait to get to the sequel when it's released. Awarding a perfect score is no more fitting than with Feed.
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