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Lost in the Funhouse (The Anchor Literary Library) ペーパーバック – 1988/3/1
英語版
John Barth
(著)
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NATIONAL BOOK AWARD FINALIST • John Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction exploring themes of purpose and the meaning of existence.
"[Barth] ran riot over literary rules and conventions, even as he displayed, with meticulous discipline, mastery of and respect for them." —The New York Times
From its opening story, "Frame-Tale"--printed sideways and designed to be cut out by the reader and twisted into a never-ending Mobius strip--to the much-anthologized "Life-Story," whose details are left to the reader to "fill in the blank," Barth's acclaimed collection challenges our ideas of what fiction can do. Highlights include the Homerian story-wthin-a-story-within-a-story (times seven) of "Menalaiad,' and "Night-Sea Journey," a first-person account of a confused human sperm on its way to fertilize an egg. All of the characters in Lost in the Funhouse are searching, in one way or another, for their purpose and the meaning of their existence. Together, their stories form a kaleidescope of exuberant metafictional inventiveness.
"[Barth] ran riot over literary rules and conventions, even as he displayed, with meticulous discipline, mastery of and respect for them." —The New York Times
From its opening story, "Frame-Tale"--printed sideways and designed to be cut out by the reader and twisted into a never-ending Mobius strip--to the much-anthologized "Life-Story," whose details are left to the reader to "fill in the blank," Barth's acclaimed collection challenges our ideas of what fiction can do. Highlights include the Homerian story-wthin-a-story-within-a-story (times seven) of "Menalaiad,' and "Night-Sea Journey," a first-person account of a confused human sperm on its way to fertilize an egg. All of the characters in Lost in the Funhouse are searching, in one way or another, for their purpose and the meaning of their existence. Together, their stories form a kaleidescope of exuberant metafictional inventiveness.
- ISBN-100385240872
- ISBN-13978-0385240871
- 版Reissue
- 出版社Anchor
- 発売日1988/3/1
- 言語英語
- 寸法13.84 x 1.35 x 20.8 cm
- 本の長さ224ページ
この著者の人気タイトル
ページ 1 以下のうち 1 最初から観るページ 1 以下のうち 1
商品の説明
出版社からのコメント
Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction. Though many of the stories gathered here were published separately, there are several themes common to them all, giving them new meaning in the context of this collection.
レビュー
“[Barth’s] style [is] one of the most plastic and delightful in American writing. . . . Almost helplessly he writes a story even when he is squirming like Houdini to transmute form into as strange a permutation as he can. His real interest is in the reader and in the metaphysical plight of imagination engaging with imagination.” —The New York Times
"Barth] crafted labyrinthine, fantastical tales that were at once bawdy and philosophical, placing him on the cutting edge of the postmodern literary movement." —The Washington Post
“[A] playfully erudite author whose darkly comic and complicated novels revolved around the art of literature and launched countless debates over the art of fiction.” —The Guardian
"Barth] crafted labyrinthine, fantastical tales that were at once bawdy and philosophical, placing him on the cutting edge of the postmodern literary movement." —The Washington Post
“[A] playfully erudite author whose darkly comic and complicated novels revolved around the art of literature and launched countless debates over the art of fiction.” —The Guardian
著者について
John Barth (1930-2024) was an American writer celebrated for his postmodern and metafictional fiction. Barth’s first novel, The Floating Opera, was published in 1956, followed by The End of the Road. Barth achieved critical and commercial success in the 1960s with The Sot-Weed Factor and Giles Goat-Boy. His collection of interconnected stories, Lost in the Funhouse, was a finalist for the National Book Award in 1969. His other works include Chimera, a collection of three novellas that won the National Book Award in 1973; Letters, an epistolary novel; Sabbatical: A Romance; and The Friday Book, a collection of essays.
登録情報
- 出版社 : Anchor; Reissue版 (1988/3/1)
- 発売日 : 1988/3/1
- 言語 : 英語
- ペーパーバック : 224ページ
- ISBN-10 : 0385240872
- ISBN-13 : 978-0385240871
- 寸法 : 13.84 x 1.35 x 20.8 cm
- Amazon 売れ筋ランキング: - 194,168位洋書 (洋書の売れ筋ランキングを見る)
- - 928位Classic American Literature
- - 1,496位Short Stories Anthologies
- - 1,807位Single Author Short Stories Books
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他の国からのトップレビュー
Ylenia Vinci
5つ星のうち2.0
Originale ma pesante
2017年10月26日にイタリアでレビュー済みAmazonで購入
Preso per un corso universitario. Una lettura senza dubbio interessante e stimolante, ma alla fine non sono riuscita ad apprezzarlo tanto quanto speravo. Alla lunga annoia.
Joshua Kupetz
5つ星のうち5.0
not as ends in themselves like so much dead-end
2014年9月6日にアメリカ合衆国でレビュー済みAmazonで購入
Somehow I have missed this book, but it is a must-read if you are at all interested in the development of self-reference as a trope in postmodern fiction. Barth's commitment in this volume to write narratives that are aware of their role as such makes this quite a read (and a blueprint for later pomo heavy-hitters such as DFW in that it is interested in using these devices as means to an end, not as ends in themselves like so much dead-end, pyrotechnic writing). This book is an obligatory passage point.
Mr. Tough Customer
5つ星のうち5.0
ONCE UPON A TIME THERE WAS A STORY THAT BEGAN
2014年3月27日に英国でレビュー済みAmazonで購入
Lost in the Funhouse (1968) is a short story collection by American author John Barth. The postmodern stories are extremely self-conscious and self-reflexive and are considered to exemplify metafiction.
Though Barth's reputation rests mainly on his long novels, the stories "Night-Sea Journey", "Lost in the Funhouse", "Title" and "Life-Story" from Lost in the Funhouse are widely anthologized. The book appeared the year after the publication of Barth's essay The Literature of Exhaustion, in which Barth said that the traditional modes of realistic fiction had been used up, but that this exhaustion itself could be used to inspire a new generation of writers, citing Nabokov, Beckett, and especially Borges as exemplars of this new approach. Lost in the Funhouse took these ideas to an extreme, for which it was both praised and condemned by critics.
Though Barth's reputation rests mainly on his long novels, the stories "Night-Sea Journey", "Lost in the Funhouse", "Title" and "Life-Story" from Lost in the Funhouse are widely anthologized. The book appeared the year after the publication of Barth's essay The Literature of Exhaustion, in which Barth said that the traditional modes of realistic fiction had been used up, but that this exhaustion itself could be used to inspire a new generation of writers, citing Nabokov, Beckett, and especially Borges as exemplars of this new approach. Lost in the Funhouse took these ideas to an extreme, for which it was both praised and condemned by critics.
Preston
5つ星のうち5.0
Great Introduction to the Author
2014年9月10日にアメリカ合衆国でレビュー済みAmazonで購入
A great introduction to postmodernism for anyone who is interested in this literary period - the term is thrown around a lot these days, but John Barth is the real deal.
xxx
5つ星のうち4.0
Four Stars
2014年9月16日に英国でレビュー済みAmazonで購入
good