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Russian Prison Tattoos: Codes of Authority, Domination, and Struggle ペーパーバック – イラスト付き, 2003/8/1
英語版
Alix Lambert
(著),
Mary Christ
(著)
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購入オプションとあわせ買い
For centuries, Russian prison inmates forcibly initiated newcomers with tattoos. Gradually, prisoners developed a secret form of communication with their tattoos, allowing them to establish rank among the other inmates and maintain a clandestine hierarchy. This book explores the grisly reality of Russian prisons and the people who inhabit them. Over 190 black and white and color photographs expose the different tattoos and their meanings, ranging from churches, crosses, Christs, Madonnas, military symbols, cats, dolphins, bears, hawks, and other startling images. Documentary filmmaker Alix Lambert traveled around modern Russia to film these sinister environments, collected stories to identify the dying art of tattooing in Russian prisons, and detailed the lives of the heavily marked inmates, past and present. This fascinating, spine-tingling book provides an entirely new outlook on tattoos and what they can represent!
- 本の長さ159ページ
- 言語英語
- 出版社Schiffer Pub Ltd
- 発売日2003/8/1
- 寸法21.59 x 1.91 x 27.31 cm
- ISBN-100764317644
- ISBN-13978-0764317644
商品の説明
著者について
Alix Lambert is an award-winning documentary filmmaker from Los Angeles, California.
登録情報
- 出版社 : Schiffer Pub Ltd; Illustrated版 (2003/8/1)
- 発売日 : 2003/8/1
- 言語 : 英語
- ペーパーバック : 159ページ
- ISBN-10 : 0764317644
- ISBN-13 : 978-0764317644
- 寸法 : 21.59 x 1.91 x 27.31 cm
- Amazon 売れ筋ランキング: - 631,536位洋書 (洋書の売れ筋ランキングを見る)
- - 217位Nonfiction Crime & Criminals
- - 360位Body Art & Tattoo
- - 1,036位Criminology
- カスタマーレビュー:
著者について
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他の国からのトップレビュー
Rebekah Thorn
5つ星のうち5.0
TOP OF THE LINE BOOK!
2023年10月22日にアメリカ合衆国でレビュー済みAmazonで購入
PERFECT!
Klaus Lange
5つ星のうち5.0
Sehr informativ
2017年3月22日にドイツでレビュー済みAmazonで購入
Ein tolles Buch mit Klasse Bildern von Tattoos, welche nicht einfach nur "gut" oder gefährlich aussehen, sondern auch Bedeutung in der kriminellen Unterwelt haben.
Sundusk
5つ星のうち5.0
Ottimo testo!
2016年2月27日にイタリアでレビュー済みAmazonで購入
Il libro è fatto benisdimo,alta qualità delle immagini e testi linearmente chiari. Purtroppo, l' argomento è troppo vasto per essere trattato in un unico libro, spero in un secondo volume!
White Wanderer
5つ星のうち4.0
A Coffee-table book on a fascinating subject
2007年9月4日に英国でレビュー済みAmazonで購入
The first thing that needs to be said about this book is that it is based on material collected for a TV documentary. Hence the book consists mainly of photographs of prisoners and their environment, punctuated with occasional quotes. The quotes come from prisoners - who talk about their lives, their crimes, and their sentences, not just about the meaning of their tattoos - and from Russian criminologists, proudly demonstrating how they have decoded the complex code by which prisoners communicate rank and status. It is these snippets of lives that make this book heart-rending reading (and a world away from Carl de Keyser's glossy, posed portraits in "Zona"!)
A few statistics: 1 in four Russian men has been in prison, the average time spent on remand is 2-3 years (during which remand prisoners share cells with hardened recidivists), the cell space per prisoner in one prison is less than 1 square metre...
A glossy book on such a subject seems incongruous; and Ms Lambert reduces the impact by spreading quotes from a given prisoner over several chapters, seemingly randomly, rathe than letting him or her tell her own story.
For an in depth study of this fascinating subject, explaining in detail the complex language of the Thieves Code, and the mores enforced - where a man must "stand by his tattoos" or remove them - I would unhesitatingly recommend Danzig Baldaev's "Russian Criminal Tattoo Encyclopedia". (With the warning, however, that he reords sketches of obscene and racist tattoos which are suspiciously absent from from Ms Lambert's collection!)
However, the valuable contribution that this book makes is in exploring a period of transition. Baldaev's books are based on a collection that he amassed over 50 years' service as a prison guard; Ms Lambert took her photographs in 1998 (although she includes archive pictures from an earlier era). Thus she is recording a period when many young prisoners claim that tattoos no longer have force, whilst the 'old-timers' lament the passing of Thieves' Law, when everyone knew where they stood.
Yet the hierarchical nature of society in a prison cell (containing up to 120 people), where everyone knows everyone else's rank - from the Blat (the profesional criminals, who assign status), down to the Downcast (who sleep under the bunks, and are sexually available to all) - remains.
The other great advantage of this book, is that she allows the prisoners to speak for themselves - rather than relying on their tattoos to speak for them.
Perhaps Ms Lambert has not made the best use of her material, but
it remains a fascinating, and moving record. Furthermore, the tattoos themselves, although often made with the crudest of implements, are frequently hauntingly beautiful.
A few statistics: 1 in four Russian men has been in prison, the average time spent on remand is 2-3 years (during which remand prisoners share cells with hardened recidivists), the cell space per prisoner in one prison is less than 1 square metre...
A glossy book on such a subject seems incongruous; and Ms Lambert reduces the impact by spreading quotes from a given prisoner over several chapters, seemingly randomly, rathe than letting him or her tell her own story.
For an in depth study of this fascinating subject, explaining in detail the complex language of the Thieves Code, and the mores enforced - where a man must "stand by his tattoos" or remove them - I would unhesitatingly recommend Danzig Baldaev's "Russian Criminal Tattoo Encyclopedia". (With the warning, however, that he reords sketches of obscene and racist tattoos which are suspiciously absent from from Ms Lambert's collection!)
However, the valuable contribution that this book makes is in exploring a period of transition. Baldaev's books are based on a collection that he amassed over 50 years' service as a prison guard; Ms Lambert took her photographs in 1998 (although she includes archive pictures from an earlier era). Thus she is recording a period when many young prisoners claim that tattoos no longer have force, whilst the 'old-timers' lament the passing of Thieves' Law, when everyone knew where they stood.
Yet the hierarchical nature of society in a prison cell (containing up to 120 people), where everyone knows everyone else's rank - from the Blat (the profesional criminals, who assign status), down to the Downcast (who sleep under the bunks, and are sexually available to all) - remains.
The other great advantage of this book, is that she allows the prisoners to speak for themselves - rather than relying on their tattoos to speak for them.
Perhaps Ms Lambert has not made the best use of her material, but
it remains a fascinating, and moving record. Furthermore, the tattoos themselves, although often made with the crudest of implements, are frequently hauntingly beautiful.
A voracious reader
5つ星のうち5.0
Fascinating!
2014年9月19日にアメリカ合衆国でレビュー済みAmazonで購入
I own a lot of books with photos of tattoos and certainly many of them show more "artistic" tattoos, but this book is truly fascinating. The mere fact that the author/photographer was able to gain *access* to take the photos....the book is really worth owning.