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Storm Thorgerson

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100 Best Album Covers: The Stories Behind the Sleeves ペーパーバック

英語版

4.2 60個の評価

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From the psychedelia of the Beatles' Sgt. Pepper's to the quirky social commentary of Nirvana's Nevermind, some of the most memorable, groundbreaking images of the last five decades have graced the covers of rock albums. DK's 100 Best Album Covers presents the cream of the cover crop, chosen by legendary designer Storm Thorgerson (the creator of celebrated sleeves for Pink Floyd, among other artists) and presented in DK's brilliant lexicographic style. No other album cover compilation comes close to 100 Best Album Covers in showing -- and telling -- the "stories behind the sleeves." The ideal gift for music lovers of all ages.

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言語

英語
寸法

25.35 x 1.52 x 30.38 cm
ISBN-10

078944951X
ISBN-13

978-0789449511
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商品説明

The immediate question that arises with a book entitled 100 Best Album Covers is, of course, "Says who?" Wisely, authors Storm Thorgerson and Aubrey Powell have anticipated such widespread suspicion. In their thorough and amusing introduction, the two former cover designers (of Hipgnosis) go on at length about potentially qualifying factors (innovation, humor, bizarreness, minimalism, audacity) and possible reasons for nonselection (popularity, dull illustration, ugly technique, emotional offensiveness). But, they concede, what it really comes down to is a matter of taste--with a bit of nostalgia thrown into the mix.

In the end, the mysterious (and eternally debatable) selection formula matters not. The history, inspiration, and technical design details provided for each of the 100 covers that made the cut serve as reason enough for their inclusion. Did you know that Led Zeppelin's Houses of the Holy cover was inspired by Arthur C. Clarke's novel, Childhood's End?? Or that the burning man on Pink Floyd's Wish You Were Here was actually on fire (and in a bit of danger)? Or that an original idea for Supertramp's Breakfast in America was to depict cereal and milk rolling through the Grand Canyon? Tasty tidbits like these, along with quotes from designers, photographers, and the musicians themselves, make this a must-have volume for music fans--yes, even if your personal top 100 covers would constitute an entirely different collection. --Brangien Davis

著者について

Together with co-author Aubrey Powell, Storm Thorgerson founded the influential 1960s Hipgnosis design studio. He is the creative genius behind some of rock music's best-known and most compelling album covers, including several classic Pink Floyd sleeves. Thorgerson has had five of his cover designs included in the 100 classic album covers chosen by the editors of Rolling Stone magazine.

登録情報

言語 ‏ : ‎ 英語
ISBN-10 ‏ : ‎ 078944951X
ISBN-13 ‏ : ‎ 978-0789449511
寸法 ‏ : ‎ 25.35 x 1.52 x 30.38 cm

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4.2 60個の評価

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Storm Thorgerson

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5つのうち4.2つ

60グローバルレーティング

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Frank J. Szatkowski

priceless

2022年1月4日にアメリカ合衆国でレビュー済み

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priceless

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Diane arthur

There were no problems

2023年2月27日に英国でレビュー済み

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Arrived on time and book in good condition. A great "coffee table" book with loads of interesting illustrated facts but not too long to be boring

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Elisabeth Sörnsen

Alles gut

2022年12月8日にドイツでレビュー済み

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Sehr bildungsreich

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E. Yarbrough

Nice book

2020年2月25日にアメリカ合衆国でレビュー済み

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For the price I was very happy with this book. However it is mostly geared toward British albums so you don't see as many of the well known American covers that I grew up with. Seems a little biased toward the 80's New Wave. But it is a very nicely composed book with lots of info about the artists and nice looking photos and illustrations. Fun read.

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Smitty Werbenjaegermanjensen (real name)

A Dorling Kindersley trip into album design

2010年1月20日に英国でレビュー済み

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This book is very much in the Dorling Kindersley mould, if you are familiar with their books. They have a slightly cold and mechanical way of taking a subject and exploring it without passion. This book is no exception to this trend. Loads of detail, very clearly illustrated and a bit like a scientific dissertation.

100 of the "best", as chosen by Storm Thorgerson and Aubrey Powell, are nicely illustrated and are surrounded with small boxes containing information about key aspects of the design. Therein lies the problem. None of the boxes allow either of the authors to really get going as to what they feel about the design. There are no emotive rants, just cold facts. The facts are interesting and help to inform an appreciation of the designers choice of actions/processes undertaken.

The introduction to the main body of the book is thoroughly enjoyable and is enlightening, because the two authors have space to rant. There is a great story about Rod Stewart, riots, machetes, scheming managers and fishing which only serves to make the lack of these storys elsewhere more obvious. More stories like this one would have made the book a much more all round enjoyable read.

Plus points - good large images, key facts stated, genuinely talented and knowledgeable authors, wide range of sleeves chosen(50's right up to the 90's, Zappa to Prince), not too many sleeves printed across the spine, physically well put together book(even the paperback version I have), nice bits of anorak detail - font selection, methods of painting/printing, construction of props etc.....

Bad points - some images printed across the spine, not enough emotive input or human aspect to the process, clinical in tone

I have been spoiled by having read For The Love of Vinyl by the same authors before I read this book, so if you have not read the other book bear in mind that I have seen what these two can do when let loose on their own work.

Not the best book on album design, that is For The Love Of Vinyl, but an informative, great value for money and straightforward read.

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Storm Thorgerson

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