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Why We Read Fiction: Theory of Mind And the Novel (The Theory And Interpretation of Narrative Series) ペーパーバック – 2006/4/30
英語版
Lisa Zunshine
(著)
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購入オプションとあわせ買い
- 本の長さ198ページ
- 言語英語
- 出版社Ohio State Univ Pr
- 発売日2006/4/30
- 寸法15.49 x 1.5 x 22.81 cm
- ISBN-109780814251515
- ISBN-13978-0814251515
登録情報
- ASIN : 081425151X
- 出版社 : Ohio State Univ Pr (2006/4/30)
- 発売日 : 2006/4/30
- 言語 : 英語
- ペーパーバック : 198ページ
- ISBN-10 : 9780814251515
- ISBN-13 : 978-0814251515
- 寸法 : 15.49 x 1.5 x 22.81 cm
- Amazon 売れ筋ランキング: - 641,040位洋書 (洋書の売れ筋ランキングを見る)
- - 4,683位Literary Criticism & Theory
- - 7,017位Literary Movements & Periods
- カスタマーレビュー:
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他の国からのトップレビュー
Sara Cambi
5つ星のうち4.0
Interessante
2021年5月24日にイタリアでレビュー済みAmazonで購入
Il libro è interessante, l'ho letto come approfondimento ad un esame universitario. Nelle parti dove porta esempi di altri romanzi è un po' difficile comprenderlo se non si sono letti i romanzi presi ad esempio, ma nel complesso è di scorrevole lettura
terrieynon
5つ星のうち5.0
Whose thought is that?
2016年10月17日に英国でレビュー済みAmazonで購入
Have you ever got to the end of a short story or novel feeling emotionally blown away? Realising that you have ended up empathising with a character that, in real life you would only cross the street to spit on?
Have you ever wondered how they did it? The author, I mean, not the character.
This book doesn't have all the answers, but it does provide some challenging clues. Drawing on modern concepts in psychology that explore how neurotypical humans read each other's minds, Zunshine takes you, the reader, on an intellectual roller coaster.
If you are nervous of Nabokov, exhausted by Austen or afraid of Virginia Woolf, take a little Zunshine when you next go to the lighthouse.
Have you ever wondered how they did it? The author, I mean, not the character.
This book doesn't have all the answers, but it does provide some challenging clues. Drawing on modern concepts in psychology that explore how neurotypical humans read each other's minds, Zunshine takes you, the reader, on an intellectual roller coaster.
If you are nervous of Nabokov, exhausted by Austen or afraid of Virginia Woolf, take a little Zunshine when you next go to the lighthouse.
Roman Clodia
5つ星のうち4.0
Cognitive reading
2015年3月6日に英国でレビュー済みAmazonで購入
This is a popular introduction to an emerging field of cognitive reading – that is, how developments in cognitive psychology might intersect with theories of literature.
Zunshine makes her case through applying brain science to the interpretation of a set of novels – and while it’s an interesting experiment, it hardly reveals anything new about the texts. Indeed, Zunshine herself states upfront that the cognitive approach is compatible with, rather than extending, established literary criticism – that is, it doesn’t tell us things we don’t know, just gives a scientific understanding to support what we do know.
One of the questions this prompts for me is what happens when we read non-prose ‘fiction’ such as poetry? All the research here rests on the novel but this literary form effectively only comes into being in the seventeenth century onwards (though there are certainly prose narratives such as the Hellenistic romances, Philip Sidney’s Arcadia, Elizabethan prose fiction etc. before that time): if Zunshine’s thesis is correct and that we read fiction in order to give our Theory of Mind a ‘workout’, then why does prose fiction in the form of the novel appear so relatively late in literary evolution? There have been other cultural/social/economic/historical theories about the emergence of the novel at this time but I would have liked to have seen Zunshine’s take on this question given her explanations for why we read fiction.
This is relatively short and makes two points repeatedly – interesting, certainly, but it raised more questions than it answered for me.
Zunshine makes her case through applying brain science to the interpretation of a set of novels – and while it’s an interesting experiment, it hardly reveals anything new about the texts. Indeed, Zunshine herself states upfront that the cognitive approach is compatible with, rather than extending, established literary criticism – that is, it doesn’t tell us things we don’t know, just gives a scientific understanding to support what we do know.
One of the questions this prompts for me is what happens when we read non-prose ‘fiction’ such as poetry? All the research here rests on the novel but this literary form effectively only comes into being in the seventeenth century onwards (though there are certainly prose narratives such as the Hellenistic romances, Philip Sidney’s Arcadia, Elizabethan prose fiction etc. before that time): if Zunshine’s thesis is correct and that we read fiction in order to give our Theory of Mind a ‘workout’, then why does prose fiction in the form of the novel appear so relatively late in literary evolution? There have been other cultural/social/economic/historical theories about the emergence of the novel at this time but I would have liked to have seen Zunshine’s take on this question given her explanations for why we read fiction.
This is relatively short and makes two points repeatedly – interesting, certainly, but it raised more questions than it answered for me.
James R. Fromm
5つ星のうち4.0
Why do YOU read fiction? I know why I do . . .
2006年9月28日にアメリカ合衆国でレビュー済みAmazonで購入
Of the reviews/comments posted so far, I believe mine might be the only one grounded in having had the opportunity to hear Ms. Zunshine present the core of her arguments which are so wonderfully filled out in this book; or, at least, none have admitted to that fact so far. And, that is really the reason I purchased and read her book. Having recently heard her speak on "source monitoring" and "metarepresentation," which are key and crucial elements of her argument, while at a conference in Ottawa, Ontario, I decided I NEEDED to read this book. There is much she has to say that is relevant to my own readings of Joseph Conrad and the presentation of characters' minds within his texts. While I am not well steeped in current cognitive theories, I never once felt "in over my head" reading her book. Ms. Zunshine has carefully written a highly theoretical text in so tightly focused a way that her arguments concerning Theory of Mind--our innate, though sometimes inadequately developed, ability to sense and grasp the thoughts of others through observation and interaction--and its relation to our reasons for reading fiction are accessible and pleasing to readers of a wide range of experience and education. Having gone through the book but once I am not wholly in agreement with some of her points, but I am sufficiently in agreement that I intend to read it again--particularly after I finish reading Lolita, one of the texts to which she applies her theories. I just hope there is room in the margins for more notes. Other notions I felt were relevant to the ideas presented in this book can be found in Aldous Huxley's concept of "mind at large" as presented in his essay "The Doors of Perception," and a variation of Theory of Mind in the psychological works of R. D. Laing, particulary Politics of Experience. Ms Zunshine's work shares another connection to that of Laing: schizophrenia, and its affect on our ability to accurately track the sources of our own notions.
Ed Barton
5つ星のうち3.0
Academic and Dry
2019年11月15日にアメリカ合衆国でレビュー済みAmazonで購入
Theory of mind is the act of entry into the mind and unstated feelings of fiction characters. A tough, somewhat dull read with some interesting elements.