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Philosophy of Literature ペーパーバック – 2004/1/26
購入オプションとあわせ買い
- Contains forty-five substantial and carefully chosen essays and extracts
- Provides a balanced and coherent overview of developments in the field during the past thirty years, including influential work on fiction, interpretation, metaphor, literary value, and the definition and ontology of literature
- Includes an additional historical section featuring generous selections of the writings of early pioneers such as Plato, Aristotle, Nietzsche, and Hume
- Serves as an ideal introduction to the philosophy of literature or the philosophy of art, as well as a handy compilation of contributions to the field by its leading figures
- 本の長さ384ページ
- 言語英語
- 出版社Wiley-Blackwell
- 発売日2004/1/26
- 寸法17.02 x 2.29 x 24.13 cm
- ISBN-109781405112086
- ISBN-13978-1405112086
商品の説明
レビュー
"These essays, taken together, constitute a serious and probing exploration of several of the most fundamental philosophical puzzles about literature. They are also accessible, engaging, and frequently a lot of fun. A superb collection!" Kendall Walton, University of Michigan
著者について
Dominic McIver Lopes is Associate Professor of Philosophy at the University of British Columbia. He is the author of Understanding Pictures (1996) and co-editor of the Routledge Companion to Aesthetics (2000) and Imagination, Philosophy, and the Arts (2003). He is also co-editor, with Berys Gaut, of the Blackwell series New Directions in Aesthetics.
登録情報
- ASIN : 1405112085
- 出版社 : Wiley-Blackwell; 第1版 (2004/1/26)
- 発売日 : 2004/1/26
- 言語 : 英語
- ペーパーバック : 384ページ
- ISBN-10 : 9781405112086
- ISBN-13 : 978-1405112086
- 寸法 : 17.02 x 2.29 x 24.13 cm
- Amazon 売れ筋ランキング: - 1,025,756位洋書 (洋書の売れ筋ランキングを見る)
- - 1,183位Philosophy Criticism
- - 1,552位Philosophy Aesthetics
- - 3,420位Philosophy History & Survey
- カスタマーレビュー:
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他の国からのトップレビュー
It's also a rather significant volume, with a great deal of different texts. I could see it being used as a catch-all reference for beginning and intermediate students of the field. It gives you the foundation you need to advance to more specialized books related to your interest or academic focus. Since it's clearly marketed as an anthology, I am not going to insult the editors by pointing out minutia I would have liked to seen included. Frankly, I am nowhere near the level of expertise necessary to do so. I would prefer a general overview to obscure and narrowly-targeted pieces that were frankly never intended for mass audiences, and woud lose their intricacy if given a fleeting treatment.
The font is readable and definitely aided by the two-column layout. Once again, the presentational approach foregrounds the content and gives it the attention it deserves. The book, because of its readability and core value, has deepened my interest in the field. I see reason for average people - especially those who value the arts in their daily lives - to pick this one up. It's thorough and comprehensive. It begs important questions about fiction, characterization, criticism, and more. Take a look, and think critically about what you read - in this volume, and everywhere else.