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Bob and Harv's Comics ペーパーバック – 1996/11/5
英語版
Harvey Pekar
(著),
Robert Crumb
(イラスト)
Gathered here are the collected works of the titans of adults comics legendary underground cartoonist R. Crumb and the "high priest of comic-book naturalism" (Newsweek) Harvey Pekar. The comic collision of these underground luminaries is funny, obsessive, ever-so-slightly neurotic, but always biting and honest.
- 本の長さ96ページ
- 言語英語
- 発売日1996/11/5
- 寸法20.32 x 0.56 x 25.4 cm
- ISBN-101568581017
- ISBN-13978-1568581019
登録情報
- 出版社 : Running Press Adult (1996/11/5)
- 発売日 : 1996/11/5
- 言語 : 英語
- ペーパーバック : 96ページ
- ISBN-10 : 1568581017
- ISBN-13 : 978-1568581019
- 寸法 : 20.32 x 0.56 x 25.4 cm
- カスタマーレビュー:
著者について
著者をフォローして、新作のアップデートや改善されたおすすめを入手してください。
著者の本をもっと発見したり、よく似た著者を見つけたり、著者のブログを読んだりしましょう
著者の本をもっと発見したり、よく似た著者を見つけたり、著者のブログを読んだりしましょう
著者の本をもっと発見したり、よく似た著者を見つけたり、著者のブログを読んだりしましょう
カスタマーレビュー
星5つ中4.6つ
5つのうち4.6つ
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37グローバルレーティング
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他の国からのトップレビュー
TBo
5つ星のうち5.0
maybe Crumb's best work - cinematic
2024年1月21日にアメリカ合衆国でレビュー済みAmazonで購入
The stories are very good but the artwork is some of Crumb's best. Each frame is planned cinematically. In other words, if you look closely at the frames you'll notice that the point of view shifts from frame to frame in much the same way as good camera work in a movie shifts. Crumb is diligent about drawing the backgrounds to accurately reflect the shifts in point of view also. For instance, when Mr Boats and Harvey are walking down the hall talking we see them from different perspectives in each frame and the furniture and doorways that they pass are drawn in correctly changing perspective and location to give one the experience of walking through the settings. Of course, Crumb draws in a lot of details that most comic artists ignore: such as the position of a phone on a desk, changing reactions on the faces and body position of the folks in each frame as they listen to someone else talking. I frequently study the artwork in this comic and the stories are interesting slices of life from Harvey's unique perspective.
Crumb doesn't shy away from adding complexity to each frame. The cover art is a good example. There's a women walking her dog, waiting for it to poop in the background while another woman walks by ignoring Crumb and Pekar on the park bench, while Crumb is longing for the woman while Harvey is trying to talk to him about doing the comic collaboration. Of course there's garbage on the ground too. The body language of the characters specifically matches their roles and attitudes in he scene. This is a brilliant collection of stories and artwork. This is my favorite of all Crumb's projects.
Crumb doesn't shy away from adding complexity to each frame. The cover art is a good example. There's a women walking her dog, waiting for it to poop in the background while another woman walks by ignoring Crumb and Pekar on the park bench, while Crumb is longing for the woman while Harvey is trying to talk to him about doing the comic collaboration. Of course there's garbage on the ground too. The body language of the characters specifically matches their roles and attitudes in he scene. This is a brilliant collection of stories and artwork. This is my favorite of all Crumb's projects.
Simon Turner
5つ星のうち5.0
The PERFECT starting point with Pekar
2017年12月4日に英国でレビュー済みAmazonで購入
A beaut of a Pekar book - a great starting point in fact for anyone approaching his work for the first time.
His workmates are such characters, and Pekar captures all their musings beautifully.
His workmates are such characters, and Pekar captures all their musings beautifully.
Amazon Customer
5つ星のうち5.0
Five Stars
2016年12月23日にカナダでレビュー済みAmazonで購入
Tres bon!
Janice
5つ星のうち5.0
Five Stars
2015年5月15日に英国でレビュー済みAmazonで購入
book in excellent condition
Kerry Walters
5つ星のうち5.0
H. Pekar + R. Crumb = Genius x 2
2008年4月14日にアメリカ合衆国でレビュー済みAmazonで購入
There's simply no doubt that Harvey Pekar and Robert Crumb are two American geniuses. They've known one another since the early 1960s when they both lived in Cleveland. They have much in common: obsessive collectors, music lovers, misanthropes mellowed (to some extent) by age, dependent on strong wives. But they're also quite distinctive.
Pekar is the analyst of the everyday "outside" world. There's absolutely no one better at exploring the quirkiness, wonder, and occasional tragedy embedded in the quotidian. Like a Zen sage, Pekar has the vision to look at the same world the rest of us see and discern the significance that we miss.
Crumb, on the other hand, is the analyst of the "inside" world, that psychic realm that typically remains hidden, certainly from public view but frequently from private view as well, in which all our deepest fears, lusts, hopes, anxieties, and distorted self-images breed. Crumb peels back the protective layers to exhibit his interior, and in doing so invites us to peep at our own.
Pekar, a writer of insight and raw talent, can't draw. So he commissions artists to collaborate on his stories, and one of them is Crumb. This collection pulls together 31 stories put out by the Pekar/Crumb team between 1977 and 1987. They're brilliant.
The material includes 3 "Jack the Bellboy" stories--Jack is Harvey's alter ego. It also has the fantastic "Standing Behind Old Jewish Ladies in Supermarket Lines" story made famous by the "American Splendor" film. What the film doesn't show, however, is the ending to the story, in which Harvey is stunned by the gratuitous kindness of an Old Jewish Lady, causing him to come to a much wiser conclusion than the film allows him. There's the "Young Crumb Story," an account of the Cleveland friendship between Pekar and Crumb before Crumb went off to San Francisco and underground comix fame. Mr. Boats and the assorted street philosophers from the Cleveland VA Hospital make appearances in the collection (Crumb's visual depiction of Mr. Boats is my favorite of all the artists Pekar has had draw him). And for my money, the short vignette called "Mr. Lopes' Gift" reveals Pekar and Crumb at the height of their talents. Truly, it's incredible.
What we need is a book-length critical study of Pekar and Crumb that appreciates their genius. Whoever writes it will be grateful for this collection.
Pekar is the analyst of the everyday "outside" world. There's absolutely no one better at exploring the quirkiness, wonder, and occasional tragedy embedded in the quotidian. Like a Zen sage, Pekar has the vision to look at the same world the rest of us see and discern the significance that we miss.
Crumb, on the other hand, is the analyst of the "inside" world, that psychic realm that typically remains hidden, certainly from public view but frequently from private view as well, in which all our deepest fears, lusts, hopes, anxieties, and distorted self-images breed. Crumb peels back the protective layers to exhibit his interior, and in doing so invites us to peep at our own.
Pekar, a writer of insight and raw talent, can't draw. So he commissions artists to collaborate on his stories, and one of them is Crumb. This collection pulls together 31 stories put out by the Pekar/Crumb team between 1977 and 1987. They're brilliant.
The material includes 3 "Jack the Bellboy" stories--Jack is Harvey's alter ego. It also has the fantastic "Standing Behind Old Jewish Ladies in Supermarket Lines" story made famous by the "American Splendor" film. What the film doesn't show, however, is the ending to the story, in which Harvey is stunned by the gratuitous kindness of an Old Jewish Lady, causing him to come to a much wiser conclusion than the film allows him. There's the "Young Crumb Story," an account of the Cleveland friendship between Pekar and Crumb before Crumb went off to San Francisco and underground comix fame. Mr. Boats and the assorted street philosophers from the Cleveland VA Hospital make appearances in the collection (Crumb's visual depiction of Mr. Boats is my favorite of all the artists Pekar has had draw him). And for my money, the short vignette called "Mr. Lopes' Gift" reveals Pekar and Crumb at the height of their talents. Truly, it's incredible.
What we need is a book-length critical study of Pekar and Crumb that appreciates their genius. Whoever writes it will be grateful for this collection.