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Jean Luc Godard

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Cinema: The Archaeology Of Film And The Memory Of A Century (Talking Images Series) ペーパーバック – 2005/2/1

英語版 Jean-Luc Godard (著)

1.5 2個の評価

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Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Here, Jean-Luc Godard looks back on a century of film as well as his own work and career in the industry. Born with the twentieth century, cinema became not just the century's dominant art form but its best historian. Godard argues that - after the century of Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. Against this backdrop, Godard presents his thoughts on film theory, cinematic technique, film histories, as well as the recent video revolution. As the conversation develops, Godard expounds on his central concerns - how film can 'resurrect the past', the role of rhythm in film, and how cinema can be an 'art that thinks'. Cinema: the archaeology of film and the memory of a century is a dialogue between Godard and the celebrated cinphile Youssef Ishaghpour. Here Godard comes closest to defining a lifetime's obsession with cinema and cinema's lifelong obsession with history.

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本の長さ

160ページ
言語

英語
出版社

Berg Publishers
発売日

2005/2/1
寸法

12.85 x 0.87 x 19.84 cm
ISBN-10

1845201973
ISBN-13

978-1845201975
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"[Godard]'s also as independent and provocative as ever, as illustrated by this collaboration with Ishaghpour, which results in a spirited dialog between the men that ranges freely among such subjects as cinema, history, art, music, literature, and philosophy, concentrating in particular on multiple definitions of history and their implications for cinema and the status of cinema as an art." --Library Journal

"The greatest living cinematic artist, the wisest, most transformative, most original agent provocateur at work in the fields of cinema? The short answer: sans doute. Godard is to his medium what Joyce, Stravinsky, Eliot, and Picasso were to theirs: rule-rewriting colossi after whom human expression would never be quite the same." --Village Voice on Goddard's Cinematic Works

"It's possible to hate half or two-thirds of what Godard does--or find it incomprehensible--and
still be shattered by his brilliance." --Pauline Kael on Godard's Cinematic Work

著者について

Jean Luc Godard started making films in the late 1950s and is still making them. From his first feature, A Bout de Souffle (Breathless), Godard changed the way movies were made. Godard has always taken film-making seriously, treating it - from his days on the famous review, Cahiers du Cinema, to the extraordinary collage of his Histoires du Cinema - as an art form worthy of analysis. Today, his influence extends across such key contemporary film-makers as Robert Altman, Martin Scorsese, Jim Jarmusch, Wim Wenders, Steven Soderbergh and Quentin Tarantino.

Youssef Ishaghpour is Professor at the University Rene Descartes, Paris V. His writings on cinema, painting, philosophy and literature have been widely translated.

Translated by John Howe
John Howe, is a translator, journalist and writer. His many translations include Godard's voiceover for the complete soundtrack edition of Histoire(s) du cinema.

登録情報

出版社 ‏ : ‎ Berg Publishers (2005/2/1)
発売日 ‏ : ‎ 2005/2/1
言語 ‏ : ‎ 英語
ペーパーバック ‏ : ‎ 160ページ
ISBN-10 ‏ : ‎ 1845201973
ISBN-13 ‏ : ‎ 978-1845201975
寸法 ‏ : ‎ 12.85 x 0.87 x 19.84 cm

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Jean Luc Godard

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Michael Jay Sullivan

A total misrepresntation representation (A JLG admirerer)

2005年6月4日にアメリカ合衆国でレビュー済み

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This small book of dialogues between Godard and Youssef Ishaghpour is, to put it mildly, a total rip off. In their dialogues Godard furnishes us with no more than 20 pages of

comments to Ishaghpour's exceedingly lengthy comments and questions. After just viewing Godard's excellent new film, "Notre Musique" this was a real "downer." The mention of the Archaelogy of Cinema in the the subtitle and "The Gaze" as a chapter title led me to believe this would have a tint of the the thought of the great french social philospher Michel Foulcault (he is mentioned once or twice).

I thought a good interviewer is supposed to evoke meaningful responses from his subject. Ishaghapour doesn't let- or Godard doesn't want to- get more than a few sentence reponse in.

Another annoying element to this borderline fraudelnt presentation is that the Amazon description gives the impression this is significant tratise on Godard's thoughts on the twentieth century's political and cultural events. Rather Ishagapour is given a forum for his thought and his interpretations of Godard. Worse still, Godard doesn't even

display his critical acumen or irreverance and is led like a lamb by his interviewer,

I'm not saying that Ishaghapour doesn't have some worthwile comment's plus an article at the end of the book. But wasn't this supposed to be about JLG- duh?

I sincerely hope I am wrong. I'm definitely sending this one back. Come on now. How dumb do the publishers think we have become to think that this book is anything but a misuse of the master's name.

There are some intereting testimonials by major figures and institutions on the back of this book by "The Village Voice," Pauline Kael...but none refer to this book.

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jon

Deceptive

2005年9月12日にアメリカ合衆国でレビュー済み

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Very quickly- I also bought this for Godard's comments. I would'nt have spend so much for such a brief book otherwise. Strangely almost all of Godard's comments are cut short(lots of ......after his coments). The editor (of the fine journal Trafic) is almost always quoted in total. Also, I found Ishagapours comments predictable. I lost my interest in post structuralist & post colonial theory years ago. Once the post Baudrillard,Virillo, Lyotard generation starts writing it seems "prewritten":all the comments seem no more than illustrative of the various theories assumptions. Godard speaks/writes impressionistically with brilliance. It's a style of writing attacked by the critics who praise his work. Impressionistic writing (also derided by conceptulists like Kosuth earlier) I think allows for novel insights. It's too bad a dazzling impressionist is truncated by a self absorbed editor. Any interview where the subject has 1/5 th space of the interlocutor is odd indeed. Worth buying if you love Godard and can afford so much for only a few pages.Godard's comments get 5 stars. If you can read French there is a brilliant volume of Godard on Godard featuring more recent writings(than the earlier English language volume). Why it is'nt translated is a mystery to me. Why texts like this are instead is also a mystery.

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Cinema: The Archaeology Of Film And The Memory Of A Century (Talking Images Series) ペーパーバック – 2005/2/1

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Jean Luc Godard

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