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Philaster (Arden Early Modern Drama) ペーパーバック – イラスト付き, 2009/9/9
英語版
Francis Beaumont
(著)
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購入オプションとあわせ買い
Philaster is a tragicomedy by Beaumont and Fletcher which has much in common with Shakespeare's late plays such as The Winter's Tale.
Set in a fictionalised Sicily, it has the complex plot of love,
disguise and the threat of death much loved by early modern
theatre-goers.
This edition provides an authoritative, modernised text by a leading
scholar with detailed on-page commentary notes giving readers a deeper
understanding of the play. The comprehensive, illustrated introduction
discusses Philaster from a performance perspective as well as
its relation to Shakespearean drama, and places it in its historical
and critical contexts.
The play is often taught on Shakespeare and Early Modern drama
courses but only now is such a detailed, modern edition available for
use by students and scholars. With its wealth of helpful and incisive
commentary, this is the finest edition of the play available.
The Arden Early Modern Drama series accompanies and complements the
Arden Shakespeare Third Series, offering editions of non-Shakespearean
Renaissance drama and Restoration drama from the period 1500-1700.
Modelled on the Third Series in appearance and style Arden
Early Modern Drama editions will offer high-quality textual scholarship
and full annotation, together with an accessible, student-friendly
introduction.
Set in a fictionalised Sicily, it has the complex plot of love,
disguise and the threat of death much loved by early modern
theatre-goers.
This edition provides an authoritative, modernised text by a leading
scholar with detailed on-page commentary notes giving readers a deeper
understanding of the play. The comprehensive, illustrated introduction
discusses Philaster from a performance perspective as well as
its relation to Shakespearean drama, and places it in its historical
and critical contexts.
The play is often taught on Shakespeare and Early Modern drama
courses but only now is such a detailed, modern edition available for
use by students and scholars. With its wealth of helpful and incisive
commentary, this is the finest edition of the play available.
The Arden Early Modern Drama series accompanies and complements the
Arden Shakespeare Third Series, offering editions of non-Shakespearean
Renaissance drama and Restoration drama from the period 1500-1700.
Modelled on the Third Series in appearance and style Arden
Early Modern Drama editions will offer high-quality textual scholarship
and full annotation, together with an accessible, student-friendly
introduction.
- 本の長さ360ページ
- 言語英語
- 出版社Arden Shakespeare
- 発売日2009/9/9
- 寸法12.85 x 1.91 x 19.84 cm
- ISBN-101904271731
- ISBN-13978-1904271734
- Lexile指数1060L
この著者の人気タイトル
ページ 1 以下のうち 1 最初から観るページ 1 以下のうち 1
商品の説明
レビュー
"Beaumont and Fletcher's Philaster has been the revelation of the series so far--an immensely rich and enjoyable collaborative drama from 1609." --ww.illuminationsmedia.co.uk
著者について
Suzanne Gossett is Professor of English at Loyola University, Chicago
and a General Editor of the Arden Early Modern Drama series.
登録情報
- 出版社 : Arden Shakespeare; Illustrated版 (2009/9/9)
- 発売日 : 2009/9/9
- 言語 : 英語
- ペーパーバック : 360ページ
- ISBN-10 : 1904271731
- ISBN-13 : 978-1904271734
- 寸法 : 12.85 x 1.91 x 19.84 cm
- Amazon 売れ筋ランキング: - 579,189位洋書 (洋書の売れ筋ランキングを見る)
- - 907位British & Irish Dramas
- - 944位Welsh History
- カスタマーレビュー:
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他の国からのトップレビュー

Cardinal Finery
5つ星のうち5.0
Arden does not skimp
2013年5月17日にアメリカ合衆国でレビュー済みAmazonで購入
If you've never read an Arden copy of a period script prepare to be spoiled. Philaster is completely researched and even if you are a novice with Early Modern texts you will find, with the enclosed helps, everything you need to comprehensively understand and navigate the play.

mamon
5つ星のうち5.0
N'infectent
2013年2月10日にフランスでレビュー済みAmazonで購入
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LittleJohn1
5つ星のうち4.0
Excellent edition of an important play
2019年6月27日に英国でレビュー済みAmazonで購入
As is to be expected with the Arden Early Modern Drama series this is an excellent critical edition on a par with the Arden Shakespeare for quality. Beaumont and Fletcher were important Early Modern dramatists and this play is particularly important for its possible influence on Shakespeare. Not a particulaly enjoyable play to read it has to be said but if you want or need to read the play this is the edition to get.

Christopher (o.d.c.)
5つ星のうち4.0
The birth of melodrama- 1608
2014年7月21日にアメリカ合衆国でレビュー済みAmazonで購入
Beaumont and Fletcher were esteemed above Shakespeare for nearly two centuries. Philaster is a key work in the history of drama, as it may be the first 'tragi-comedy' (if it precedes Shakespeare's Cymbeline, with which it has much in common).
The play is unmistakably by two hands, and the right hand didn't always know what the left hand was doing. There is a fine build-up to a magnificent Third Act, followed by a Fourth that goes way over the top, and a Fifth which is nothing less than a revolution.
I thought the play was very political. Here are the courtiers muttering about the king, who has caught his daughter's intended in the act (B and F are always coarser than Shakes, BTW):
King. Sir, I must dearly chide you for this looseness,
You have wrong'd a worthy Lady; but no more,
Conduct him to my lodging, and to bed.
Cle. Get him another wench, and you bring him to bed in deed.
Di. 'Tis strange a man cannot ride a Stagg
Or two, to breath himself, without a warrant:
If this geer hold, that lodgings be search'd thus,
Pray heaven we may lie with our own wives in safety,
That they be not by some trick of State mistaken.
The Third Act, as I said, is magnificent. Philaster, who is the straightest of straight arrows, has been driven mad by jealousy, and threatens to kill the page boy, Bellario (who is deeply devoted to Philaster):
Phi. __ __ Fearest thou not death?
Can boys contemn that?
Bell. __ __ Oh, what boy is he
Can be content to live to be a man
That sees the best of men thus passionate, thus without reason?
Phi. Oh, but thou dost not know what 'tis to die.
Bell. Yes, I do know my Lord;
'Tis less than to be born; a lasting sleep,
A quiet resting from all jealousie;
A thing we all pursue; I know besides,
It is but giving over of a game that must be lost.
By the Fifth Act, however, Beaumont has taken over from Fletcher, or Fletcher has taken over from Beaumont:
Enter an old Captain and Citizens with Pharamond.
Cap. Come my brave Mirmidons let's fall on, let our caps
Swarm my boys, [...]
Let Philaster be deeper in request, my ding-dongs,
My pairs of dear Indentures, King of Clubs,
Than your cold water Chamblets or your paintings
Spitted with Copper; let not your hasty Silks,
Or your branch'd Cloth of Bodkin, or your Tishues,
Dearly belov'd of spiced Cake and Custard,
Your Robin-hoods scarlets and Johns, tie your affections
In darkness to your shops; no, dainty Duckers,
Up with your three pil'd spirits, your wrought valours.
And let your un-cut Coller make the King feel
The measure of your mightiness Philaster.
Cry my Rose nobles, cry.
All. Philaster, Philaster.
The play is unmistakably by two hands, and the right hand didn't always know what the left hand was doing. There is a fine build-up to a magnificent Third Act, followed by a Fourth that goes way over the top, and a Fifth which is nothing less than a revolution.
I thought the play was very political. Here are the courtiers muttering about the king, who has caught his daughter's intended in the act (B and F are always coarser than Shakes, BTW):
King. Sir, I must dearly chide you for this looseness,
You have wrong'd a worthy Lady; but no more,
Conduct him to my lodging, and to bed.
Cle. Get him another wench, and you bring him to bed in deed.
Di. 'Tis strange a man cannot ride a Stagg
Or two, to breath himself, without a warrant:
If this geer hold, that lodgings be search'd thus,
Pray heaven we may lie with our own wives in safety,
That they be not by some trick of State mistaken.
The Third Act, as I said, is magnificent. Philaster, who is the straightest of straight arrows, has been driven mad by jealousy, and threatens to kill the page boy, Bellario (who is deeply devoted to Philaster):
Phi. __ __ Fearest thou not death?
Can boys contemn that?
Bell. __ __ Oh, what boy is he
Can be content to live to be a man
That sees the best of men thus passionate, thus without reason?
Phi. Oh, but thou dost not know what 'tis to die.
Bell. Yes, I do know my Lord;
'Tis less than to be born; a lasting sleep,
A quiet resting from all jealousie;
A thing we all pursue; I know besides,
It is but giving over of a game that must be lost.
By the Fifth Act, however, Beaumont has taken over from Fletcher, or Fletcher has taken over from Beaumont:
Enter an old Captain and Citizens with Pharamond.
Cap. Come my brave Mirmidons let's fall on, let our caps
Swarm my boys, [...]
Let Philaster be deeper in request, my ding-dongs,
My pairs of dear Indentures, King of Clubs,
Than your cold water Chamblets or your paintings
Spitted with Copper; let not your hasty Silks,
Or your branch'd Cloth of Bodkin, or your Tishues,
Dearly belov'd of spiced Cake and Custard,
Your Robin-hoods scarlets and Johns, tie your affections
In darkness to your shops; no, dainty Duckers,
Up with your three pil'd spirits, your wrought valours.
And let your un-cut Coller make the King feel
The measure of your mightiness Philaster.
Cry my Rose nobles, cry.
All. Philaster, Philaster.