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Saul Leiter
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Saul Leiter: Retrospektive / Retrospective ハードカバー – イラスト付き, 2012/8/21

英語版 Ingo Taubhorn (編集), Brigitte Woischnik (編集)
4.4 5つ星のうち4.4 191個の評価
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Saul Leiter (b. 1923 in Pittsburgh) has only in recent years received his due as one of the great pioneers of color photography. This can perhaps be attributed to the fact that Leiter saw himself for a long time mainly as a painter.

After coming to New York in 1946, he exhibited alongside abstract expressionists like Willem de Kooning before beginning in the late 1940s to take photographs. Like Robert Frank or Helen Levitt, he found his motifs on the streets of New York, but at the same time was visibly interested in abstraction. Edward Steichen was one of the first to discover Leiter's photography, showing it in the 1950s in two important exhibitions at New York's Museum of Modern Art. Back then color photography was regarded as "low art," fit only for advertising. Leiter accordingly worked primarily as a fashion photographer, for magazines such as Esquire and Harper's Bazaar. Nearly forty years would go by before his extraordinary artistic color photography was rediscovered.

This long-awaited new edition of the book, first published to mark the major retrospective of Leiter’s work at Haus der Photographie, Deichtorhallen Hamburg in 2012, features, in addition to his early black and white and color images, his fashion photography, the overpainted nudes, as well as his paintings and sketchbooks..

Previous page
  1. 本の長さ
    294ページ
  2. 言語
    英語
  3. 出版社
    Kehrer Verlag Heidelberg
  4. 発売日
    2012/8/21
  5. 寸法
    22 x 26.4 cm
  6. ISBN-10
    3868282580
  7. ISBN-13
    978-3868282580
  8. すべての詳細を表示
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著者について

Brigitte Woischnik is owner of the agency Foto Factory in Munich, Germany. She has co-curated important photo exhibitions like "Lillian Bassman and Paul Himmel" for the Museum Deichtorhallen Hamburg, Germany.

Ingo Taubhorn is photographer and since 2006 curator at the House of Photography at Museum Deichtorhallen Hamburg, Germany.

Saul Leiter (born 1923 in Pittsburg, PA) is an American photographer and painter whose early work in the 1940s and 1950s was an important contribution to what came to be recognized as The New York School of photographers.

Vince Aletti (born 1945) is an American music journalist and photography critic. He was the art editor of the Village Voice from 1994 to 2005 and the paper’s photo critic for twenty years. Today he reviews photography exhibitions for The New Yorker’s "Goings on About Town" section.

Adam Harrison Levy is a writer and freelance documentary film producer and director. For the past 15 years, he has worked on a wide range of historical and arts films, primarily for the BBC. He teaches at the School of Visual Arts in New York.

登録情報

  • 出版社 ‏ : ‎ Kehrer Verlag Heidelberg; Illustrated版 (2012/8/21)
  • 発売日 ‏ : ‎ 2012/8/21
  • 言語 ‏ : ‎ 英語
  • ハードカバー ‏ : ‎ 294ページ
  • ISBN-10 ‏ : ‎ 3868282580
  • ISBN-13 ‏ : ‎ 978-3868282580
  • 寸法 ‏ : ‎ 22 x 26.4 cm
  • カスタマーレビュー:
    4.4 5つ星のうち4.4 191個の評価

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Saul Leiter

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上位レビュー、対象国： 日本

アマゾンFun
5つ星のうち1.0 レトロスペクティブと言うには、
2016年4月9日に日本でレビュー済み
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カラー写真の作品に裁ち落としが多くて、印刷も今ひとつでした。
10人のお客様がこれが役に立ったと考えています
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Bruno M.
5つ星のうち5.0 Beautiful
2022年12月28日にカナダでレビュー済み
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Thé book is beautifully made with gorgeous rarely seen photos accompanied with text.
1人のお客様がこれが役に立ったと考えています
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W. Schüttelspeer
5つ星のうち5.0 Ein Fotobuch wie es sein soll !
2023年5月3日にドイツでレビュー済み
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Wer sich für diesen Fotoband interessiert, wird wissen was er oder sie hier zu erwarten hat.

Das Buch an sich ist wunderbar designt und makellos verarbeitet. Genau so wie sich das gehört, für einen Fotoband erster Güte.
Ein wunderbares Geschenk fürs Leben (ob für andere oder einen selbst).
Wenn man sich für Saul Leiters Fotografie interessiert, wird man damit glücklich.
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paolom
5つ星のうち5.0 Una visione a tutto tondo dell'opera di Saul Leiter
2023年4月17日にイタリアでレビュー済み
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Un libro che offre una visione ampia del lavoro di Saul Leiter. Oltre alle fotografie, che purtroppo talvolta non sfruttano a pieno il formato delle pagine, suppongo per scelta stilistica, include anche quadri e schizzi prodotti dal fotografo, che contribuiscono a capire meglio il suo approccio, in particolare al colore. Unica nota negativa riguarda la consegna: il libro ha la copertina rigida ma con una custodia in cartone leggero, è stato spedito assieme ad un altro libro di fotografia in una scatola piuttosto grande, senza nessun imballo interno a riempire il volume, neppure un po' di carta da pacchi, la custodia è danneggiata sul lato, fortunatamente il libro è intatto, ma prodotti di questo valore andrebbero confezionati con maggior cura.
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Alain
5つ星のうち5.0 Saul Leiter, la retrospective.
2020年10月2日にフランスでレビュー済み
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Indispensable pour les amateurs de Saul Leiter.
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W. White
5つ星のうち5.0 Quiet Glory Below 14th Street
2014年1月4日にアメリカ合衆国でレビュー済み
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Like most of us, I discovered Saul Leiter very recently, via the documentary "In No Great Hurry" when it was first shown in the UK on BBC4 in April. I was initially wholly charmed by the man, and then I saw his photographs. The first serious use of color in fine art photography is attributed mostly to three other photographers, none of them Saul Leiter; the canon must be rewritten. Like much truly great photography, Leiter's work is both understated and bursting, and looking at it you can't be bothered by captious questions about whether photography is art. These photographs have such a draw, such presence and aura (to use Walter Benjamin's terms), and are so much like both cake & meat that the pleasure of viewing them is all that matters, for the moment. Many, most, are abstractions of a sort, but all always firmly grounded in the pictorial. Lower Manhattan in the 1950's is most of that ground, and as with Albert Kahn's photographers' Autochromes of Europe & elsewhere ca. 1908-1930, Leiter's transparencies are an intoxicating and luminous revelation of an otherwise monochrome moment in place (even to those who lived it in color). The colors are so exceptional, so extraordinary and particular they must be called 'Leiter-colors,' & description deferred to experience. They (colors, form, whole) are also nearly tactile, and for all their plane-geometry many photographs have a sense of depth that will envelop you. I have only twice or three times in my life been this excited, as startled by a photographer. These photographs hold my gaze for a long time.

This catalogue raisonnee from Kehrer is a beautiful & thoroughgoing book. Reproduction is excellent & most images are printed here larger than elsewhere. The book treats of his whole ouevre, not just photography, & while some of the paintings stand up right next to New York contemporaries like Rothko, Still, & Newman, and the essays are good reads & informative, I wish there were more space given to camera art. It is of interest, as you become familiar with Leiter's style & approach to picture-taking, to examine his magazine work, especially the Harper's Bazaar covers. They show a very strong affinity with his private work, & though he was never as successful as Avedon (not by half, or even half of half), I think I see a Leiter influence on later cover photography in fashion magazines. Lastly, while advertised as a bi-lingual edition, nearly half of the texts are in German only. I have found no translations available anywhere. A minor quibble for such a fine photobook, but be aware of this. One other minor quibble, about the production: very nice full cloth binding & in place of a dust jacket is a cardstock sleeve. The sleeve is open at both ends & can slide around (or off) & is easily creased or torn. It was intended, I think, as an inexpensive type of slip-case, but it is the weakest point of an otherwise superior book, inside or out.

Highly recommended without reservation to anyone with an interest in "fine-art photography" (whatever that is), [early] color photography, history of photography, New York in the 40's through 60's (though there's work here from as late as 2011), abstract expressionism, neglected masters; oh, just get the book! Saul died two days before Thanksgiving 2013 just as his documentary profile ("In No Great Hurry") debuted in NY. This eponymous book is out of stock everywhere, as are ALL the other titles. Grab it when Kehrer inevitably re-prints it sometime early in 2014. There are other worthy Leiter books, but if you have just one, this should be it. Though interest in Saul is high now (with his death, film debut, and several NYT and magazine articles published in the last 6 weeks), the next printing will almost certainly be the last (as is the fate of most photobooks). New collections may follow, but posthumous edits are never as desirable, are they? So get it, how you can, when you can.
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