トム・ウェイツの「Tom Traubert's Blues」――
一曲目からクライマックスですよ!
泣けますよ!
何というか傷心旅行の始まりみたいな感覚が舞い降りてきました。
そして、穏やかな気持ちになり
ゆっくりと過去を見つめ直しなくなるような――
これはもう音楽の域を超え
もはや小説とか映画ですよ。
これまで色んな音楽を聴いてきましたが
トム・ウェイツは自身の音楽遍歴の大きな終着点になりました。
何かに疲れ、自分を見つめ直したい時はまた「Tom Traubert's Blues」を聴きに帰ってきます。
Small Change
仕様 | 価格 | 新品 | 中古品 |
CD, CD, インポート, 2018/3/23
"もう一度試してください。" | CD, インポート | ¥1,691 | ¥1,693 |
CD, 2011/1/26
"もう一度試してください。" | 1枚組 |
—
| ¥5,200 | ¥1,775 |
CD, 1998/5/25
"もう一度試してください。" | 1枚組 |
—
| — | ¥299 |
この商品をチェックした人はこんな商品もチェックしています
ページ 1 以下のうち 1 最初から観るページ 1 以下のうち 1
曲目リスト
1 | Tom Traubert's Blues (Four Sheets To The Wind In Copenhagen) |
2 | Step Right Up |
3 | Jitterbug Boy (Sharing A Curbstone With Chuck E. Weiss, Robert Marchese, Paul Body And The Mug... |
4 | I Wish I Was In New Orleans (In The Ninth Ward) |
5 | The Piano Has Been Drinking (Not Me) |
6 | Invitation To The Blues |
7 | Pasties And A G-String (At The Two O'Clock Club) |
8 | Bad Liver And A Broken Heart (In Lowell) |
9 | The One That Got Away |
10 | Small Change (Got Rained On With His Own .38) |
11 | I Can't Wait To Get Off Work (And See My Baby On Montgomery Avenue) |
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 12.4 x 14.4 x 1.3 cm; 89.87 g
- メーカー : Elektra / Wea
- EAN : 0075596061223
- 商品モデル番号 : 4 3 00060612
- レーベル : Elektra / Wea
- ASIN : B000002GY9
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 132,563位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 8,761位ポップス (ミュージック)
- - 24,312位ロック (ミュージック)
- - 31,128位輸入盤
- カスタマーレビュー:
カスタマーレビュー
星5つ中4.7つ
5つのうち4.7つ
全体的な星の数と星別のパーセンテージの内訳を計算するにあたり、単純平均は使用されていません。当システムでは、レビューがどの程度新しいか、レビュー担当者がAmazonで購入したかどうかなど、特定の要素をより重視しています。 詳細はこちら
437グローバルレーティング
虚偽のレビューは一切容認しません
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2018年3月1日に日本でレビュー済み
Amazonで購入
トムの作品は、どれも素晴らしいけど、自分は、やはり初期のアサイラム時代の作品が好みです。特に、1、2、4、7枚目が好きです。この作品は4枚目のアルバムですが、なんといっても
1曲目の トム トルパーツ ブルースでノックアウトされてしまいます。この声とメロディー、一人でも多くの人に聞いてもらいたい名作です。勿論、他の曲も良いです。それに加えて、ルータバキンのサックスが渋いです。
1曲目の トム トルパーツ ブルースでノックアウトされてしまいます。この声とメロディー、一人でも多くの人に聞いてもらいたい名作です。勿論、他の曲も良いです。それに加えて、ルータバキンのサックスが渋いです。
2015年8月15日に日本でレビュー済み
Amazonで購入
かなり気に入っています。
Tomの魅力満載のアルバムです。夕暮れ時にピッタリ。
Tomの魅力満載のアルバムです。夕暮れ時にピッタリ。
2002年9月30日に日本でレビュー済み
通算4枚目。ファ-ストやセカンド・アルバムの方向性がさらに洗練されていてファンには人気の高い作品です。適度にジャ-ジ-なサウンドは聞きやすく、トム・ウェイツをまだ知らない若葉マ-クの方にも安心の一枚です。
ぶっきらぼうな酔いどれ詩人、トム・ウェイツの世界へようこそ。
ぶっきらぼうな酔いどれ詩人、トム・ウェイツの世界へようこそ。
2011年4月30日に日本でレビュー済み
Amazonで購入
友人に勧められて初めて知りました。
一言でいうと「しょっぱい渋さ」。
やはり夜に薄暗い部屋で一人
キツイ酒を飲みながらタバコをふかす…
そんな感じで聞くと陶酔しそうです。
(自分はそんなに自己陶酔はしませんが…)
良いですわー。
ただ、一点気になったことが。
商品は新品なんですが
パッケージされてなくむき出し…
中古美品の様な感じで送られてきました。
こうゆう仕様なんですかね〜。
まあ、綺麗なんでいいですけど。
一言でいうと「しょっぱい渋さ」。
やはり夜に薄暗い部屋で一人
キツイ酒を飲みながらタバコをふかす…
そんな感じで聞くと陶酔しそうです。
(自分はそんなに自己陶酔はしませんが…)
良いですわー。
ただ、一点気になったことが。
商品は新品なんですが
パッケージされてなくむき出し…
中古美品の様な感じで送られてきました。
こうゆう仕様なんですかね〜。
まあ、綺麗なんでいいですけど。
2015年2月26日に日本でレビュー済み
Amazonで購入
昔見ていたピーターバラカンの音楽番組で紹介されていて名前は知っていたが、ちゃんと聴いたのは初めてでした。もっと早く聴けば良かった。
2013年11月24日に日本でレビュー済み
Amazonで購入
すべては、“TOM TRAUBERT'S BLUES”の“waltzing Matilda”一曲だけで、聴く価値、買う価値があります。
2014年3月22日に日本でレビュー済み
Amazonで購入
wishの後のbe動詞がwereでないのが印象的.最近はこの風潮なんですよね.他国の言葉なのでどうでも良いのですが,気になった次第です.
他の国からのトップレビュー
stefano zobbi
5つ星のうち5.0
ottimo
2024年2月29日にイタリアでレビュー済みAmazonで購入
articolo come da descrizione e spedizione veloce
Juan Solo
5つ星のうち5.0
DISCO IMPRESCINDIBLE
2023年5月28日にスペインでレビュー済みAmazonで購入
Un disco imprescindible no solo en la carrera de Waits; imprescindible para cual melómano.
Tierno pero rugoso,melódico pero sin edulcorar . Tranquilo,pura música que relaja incluso contando la vida cruda
Una joya
Tierno pero rugoso,melódico pero sin edulcorar . Tranquilo,pura música que relaja incluso contando la vida cruda
Una joya
Maros
5つ星のうち5.0
Excellent music with few heavy pops
2020年1月18日にドイツでレビュー済みAmazonで購入
Being lucky to have opportunity to listen to this vinyl. The sound top. But few heavy clicks and pops...
Stephen Bieth
5つ星のうち5.0
Tom at his best! Review of import from Japan
2013年5月28日にカナダでレビュー済みAmazonで購入
This is the Waits album I heard first it also my favorite of his albums (well this and Bone Machine). This album is where Tom found his voice. Both singing and writing wise. The ballads on this album are up there with the best piano men songs in history. It also has some great qwirkie tracks like Step Right Up. That's the best thing about this CD is it plays great as a whole or you can program just the ballads and you have one of the greatest late night albums in history.
As for the remastered version from Japan go's it is a great improvement over the current domestic version. Which has never been remastered. The vocals are more upfront and the bass is much warmer.actually it improves everything across the board. Could not be happier with this purchase!
As for the remastered version from Japan go's it is a great improvement over the current domestic version. Which has never been remastered. The vocals are more upfront and the bass is much warmer.actually it improves everything across the board. Could not be happier with this purchase!
McGill
5つ星のうち5.0
His masterpiece - chances are you already know that.
2010年5月22日にアメリカ合衆国でレビュー済みAmazonで購入
I don't think I can conjure up anything great to say about "Small Change" that hasn't already been said. And that's a sad thing because there are so many great things to say about this masterpiece and Waits deserves way more recognition then he gets (which is still a lot, admittedly).
Okay, so here goes. First off, if you like Tom Waits and you don't have this album, just buy it. You've probably heard some of the songs anyway but trust me having this thing around really gets you through emotional catastrophes, and those of Homeric proportions. What I'll do now is simply go through the ones you'll want to hear over and over again.
"Tom Traubert's Blues" - This is that "Waltzing Matilda, go waltzing Matilda with me" song that always gets a lot of pre-performance applause once the audience members hear the familiar opening chords. It's big time, string-powered stuff that brings up a lot of sadness and feeling and whatnot, but really it's just a beautiful song that Waits himself has said is about "throwing up in a foreign country."
"Step Right Up" - You know those guys who stand on soapboxes and hawk cheap jewelry and junk at you as you walk down the sidewalk? That's what Tom does here. The hawking, not the walking. The song is all repeated bass line, drums and Waits' voice--his voice is something else entirely, don't let me get into it--and at about seven minutes or so w/r/t length, it might get tiresome for listeners unfamiliar with Mr. Waits' style, voice and... the _____________ that makes his music what it is. But it's a fun one and humorous at times.
"The Piano Has Been Drinking" - You've probably heard this one. It's four chords that sound kind of drunk and glass-eyed and runs primarily on the lyrics. It's funny, sad, heartbreaking, etc. Kind of those laughs that you sort of feel bad about laughing, y'know? Here Waits describes what sounds like a ratty lounge with shag carpeting, annoying patrons, disdainful waitresses, a vertically-challenged owner and other stuff you'd probably want to avoid but all of which Waits finds recognizable and harrowing all at the same time. Now go on YouTube and find his performance of this song on "Fernwood Tonight," a spinoff talk-show with a script and wacky hosts. They're not really funny but Waits is hilarious and if you like his on-stage antics then you'll like this video, I guarantee. There are also some rare versions of this song that sound a little more harrowing and skeptical floating around on the net, all of which are very interesting as well.
"I Wish I Was in New Orleans" - Now I know I'm nobody okay, sure I get it, but for about as long as I can remember I've hated piano because it was too, I don't know, traditional or something for me. Well, this song got me playing piano. For enjoyment. And I taught myself. Okay, enough self-promotion. This song is magic. It's slow and sort of Louis Armstrong-sounding (Tom's voice on "Small Change" definitely brings Satchmo to mind) and it's simply a great song. Piano, strings, saxophone, bass, drums. Oh, and the Voice.
"Pastries and a G-String" - Don't know what to say about this one except it's funny and it's sort of like "Step Right Up" in the way that's primarily about the Voice. There's that, a drumset and not much else. Mildly inappropriate for children, but what the hell.
"Invitation to the Blues" - A lot of people will tell you "Tom Traubert's Blues" is Waits' epic, grand concert hall magnum opus song or whatever, but really, I think "Invitation..." is better. Generally speaking, I feel that if "Tom Traubert's Blues" is Waits' ballroom diamond, then this track here is the one he plays at the nightclubs and gets everyone feeling pretty much the same way the other one does. Beautiful song. And it's not even really my favorite Waitsian song, it's just one of those longer songs that usually gets a lot of attention.
"I Can't Wait to Get Off Work (And See My Baby)" - The song that got me addicted. Up to that point I'd enjoyed Waits' music very much but when I heard this song, I was hooked. Everything I wanted to hear in music exists in that song. Well, okay, I don't know, but it's a sweet, simple, relatively short track comprised of piano, the Voice, and maybe some bass. Yes, some bass, but lightly; it doesn't stick out and form the backbone of the song as in "Step Right Up." The song is about Waits' experience working in a pizza joint a loooooooooooooong time ago.
I skipped a few tracks for convenience but they're all good--"Bad Liver and a Broken Heart," "The One That Got Away," "Jitterbug Boy," and the title track--and simply, if you're a fan of Waits, chances are you probably already have this one and are imagining yourself bashing my brains in because I didn't duplicate exactly what you think about each of the tracks or I skipped your favorite or I said "Invitation" was better than "Tom Traubert," and if you don't know the songs on this album and would like to hear more of Waits, buy this one for sure. If you're completely new to Waits, go to confession first and then buy this album because first of all it's a great place to start and secondly you're wasting time already.
Okay, so here goes. First off, if you like Tom Waits and you don't have this album, just buy it. You've probably heard some of the songs anyway but trust me having this thing around really gets you through emotional catastrophes, and those of Homeric proportions. What I'll do now is simply go through the ones you'll want to hear over and over again.
"Tom Traubert's Blues" - This is that "Waltzing Matilda, go waltzing Matilda with me" song that always gets a lot of pre-performance applause once the audience members hear the familiar opening chords. It's big time, string-powered stuff that brings up a lot of sadness and feeling and whatnot, but really it's just a beautiful song that Waits himself has said is about "throwing up in a foreign country."
"Step Right Up" - You know those guys who stand on soapboxes and hawk cheap jewelry and junk at you as you walk down the sidewalk? That's what Tom does here. The hawking, not the walking. The song is all repeated bass line, drums and Waits' voice--his voice is something else entirely, don't let me get into it--and at about seven minutes or so w/r/t length, it might get tiresome for listeners unfamiliar with Mr. Waits' style, voice and... the _____________ that makes his music what it is. But it's a fun one and humorous at times.
"The Piano Has Been Drinking" - You've probably heard this one. It's four chords that sound kind of drunk and glass-eyed and runs primarily on the lyrics. It's funny, sad, heartbreaking, etc. Kind of those laughs that you sort of feel bad about laughing, y'know? Here Waits describes what sounds like a ratty lounge with shag carpeting, annoying patrons, disdainful waitresses, a vertically-challenged owner and other stuff you'd probably want to avoid but all of which Waits finds recognizable and harrowing all at the same time. Now go on YouTube and find his performance of this song on "Fernwood Tonight," a spinoff talk-show with a script and wacky hosts. They're not really funny but Waits is hilarious and if you like his on-stage antics then you'll like this video, I guarantee. There are also some rare versions of this song that sound a little more harrowing and skeptical floating around on the net, all of which are very interesting as well.
"I Wish I Was in New Orleans" - Now I know I'm nobody okay, sure I get it, but for about as long as I can remember I've hated piano because it was too, I don't know, traditional or something for me. Well, this song got me playing piano. For enjoyment. And I taught myself. Okay, enough self-promotion. This song is magic. It's slow and sort of Louis Armstrong-sounding (Tom's voice on "Small Change" definitely brings Satchmo to mind) and it's simply a great song. Piano, strings, saxophone, bass, drums. Oh, and the Voice.
"Pastries and a G-String" - Don't know what to say about this one except it's funny and it's sort of like "Step Right Up" in the way that's primarily about the Voice. There's that, a drumset and not much else. Mildly inappropriate for children, but what the hell.
"Invitation to the Blues" - A lot of people will tell you "Tom Traubert's Blues" is Waits' epic, grand concert hall magnum opus song or whatever, but really, I think "Invitation..." is better. Generally speaking, I feel that if "Tom Traubert's Blues" is Waits' ballroom diamond, then this track here is the one he plays at the nightclubs and gets everyone feeling pretty much the same way the other one does. Beautiful song. And it's not even really my favorite Waitsian song, it's just one of those longer songs that usually gets a lot of attention.
"I Can't Wait to Get Off Work (And See My Baby)" - The song that got me addicted. Up to that point I'd enjoyed Waits' music very much but when I heard this song, I was hooked. Everything I wanted to hear in music exists in that song. Well, okay, I don't know, but it's a sweet, simple, relatively short track comprised of piano, the Voice, and maybe some bass. Yes, some bass, but lightly; it doesn't stick out and form the backbone of the song as in "Step Right Up." The song is about Waits' experience working in a pizza joint a loooooooooooooong time ago.
I skipped a few tracks for convenience but they're all good--"Bad Liver and a Broken Heart," "The One That Got Away," "Jitterbug Boy," and the title track--and simply, if you're a fan of Waits, chances are you probably already have this one and are imagining yourself bashing my brains in because I didn't duplicate exactly what you think about each of the tracks or I skipped your favorite or I said "Invitation" was better than "Tom Traubert," and if you don't know the songs on this album and would like to hear more of Waits, buy this one for sure. If you're completely new to Waits, go to confession first and then buy this album because first of all it's a great place to start and secondly you're wasting time already.