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George Benson / BREEZIN - ten time Grammy Award winning American musician/guitarist/vocalist. This one-time child prodigy topped the Billboard 200 in 1976 with the triple-platinum album, Breezin.-With the 1976 release Breezin, his debut album for Warner Brothers, Benson began to put his vocal on tracks such as This Masquerade. Breezin topped the Pop, Jazz and R&B album charts in Billboard.- At the 19th Grammy Awards (1976) Breezin' won Best Pop Instrumental Performance for Benson and Best Engineered Album, Non-Classical for Al Schmitt, while "This Masquerade" won Record of the Year for producer Tommy LiPuma and Benson-Benson uses a rest-stroke picking technique similar to that of gypsy jazz players such as Django Reinhardt. -In recent years, Benson received a star on the Hollywood Walk of Fame.
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Before this album was released in 1976, George Benson was known largely for his Wes Montgomery/Charlie Christian-inspired licks and his stints with Jack McDuff and Miles Davis. Breezin' was a million-selling, Grammy Award-winning LP and made Benson an "overnight" star. The reasons for that success were Tommy LiPuma's topnotch production, Claus Ogerman's ethereal arrangements, and Benson's soulful vocals on Leon Russell's ballad "This Masquerade." Backed by Fourplay drummer Harvey Mason, master percussionist Ralph MacDonald, bassist Stanley Banks, rhythm guitarist Phil Upchurch, and keyboardists Ronnie Scott and Jorge Dalto, Benson and the crew laid down the moods and grooves we now call "contemporary jazz." From the soft-rock of "Six to Four," the midtempo backbeat of the title track, and the Latin-tinged tunes "Affirmation," "So This Is Love?" and "Lady," Benson's fleet-fingered Ibanez guitar lines make the rare leap from straight-ahead to the mainstream. Added to the CD reissue are three bonus tracks not on the LP: a snappy and soulful rendition of "Down Here on the Ground," from the movie Cool Hand Luke, a Bob James-like funk number "Shark Bite," and the single-edit version of "This Masquerade." George Benson was never the same after this record and neither was jazz. --Eugene Holley, Jr.
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