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Lovelife

4.5 5つ星のうち4.5 69個の評価

仕様
価格
新品 中古品
CD, 2007/5/29 1枚組
¥1,680 ¥693
CD, インポート, 1996/3/5 インポート
¥2,300 ¥622
CD, インポート インポート
¥5,067
CD 1枚組
¥5,569
CD [CD]
¥6,280
CD [CD]
¥11,360
CD, 2024/1/12 CD

K-POPストア
K-POPアーティスト情報をまとめてチェック K-POPストアはこちら

曲目リスト

1 Ladykillers
2 Heavenly Nobodies
3 500
4 I've Been Here Before
5 Papasan
6 Single Girl
7 Ciao
8 Tralala
9 Last Night
10 Runaway
11 The Childcatcher
12 Olympia

商品の説明

Amazonレビュー

If you haven't caught up with Lush for a while, you may be astonished when you put this on. Songs. Hooks. Choruses. Singing--more or less in tune. Looks like Lush stopped glanced up from gazing at their shoes and saw that there was an audience wanting to be entertained. So they dug out their old new wave albums and got themselves inspired. The opener, "Ladykiller," is just that: a stone killer that sets the lyrical mood for the whole record--relationships gone sour, the way "boys" act, and how women can be strong. Real life or what? Musically, it's as though a picture has just finally come into focus. Lush always denied their poppy side. Here they've given it full rein, and the effect is glorious, catchy as hell, filled with clever arrangements, and only "Last Night" has any kind of spook quotient. Wonderful stuff. The new wave of new wave of new wave? No, just a new lease on life for Lush. Welcome back. --Chris Nickson

登録情報

  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 13.97 x 12.55 x 1.14 cm; 81.65 g
  • メーカー ‏ : ‎ Wea/Warner Bros.
  • EAN ‏ : ‎ 0093624617020
  • 製造元リファレンス ‏ : ‎ MFR093624617020#VG
  • レーベル ‏ : ‎ Wea/Warner Bros.
  • ASIN ‏ : ‎ B000002N4Z
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.5 5つ星のうち4.5 69個の評価

カスタマーレビュー

星5つ中4.5つ
5つのうち4.5つ
69グローバルレーティング

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他のお客様にも意見を伝えましょう

上位レビュー、対象国: 日本

2003年8月17日に日本でレビュー済み
この作品以前のLUSHは4ADを代表するが如く叙情的甘美的透明感溢れる作品傾向にありました、
事実アルバムプロデューサーにはcocteau twinsが参加していました。
ところが今作品からはそのような透明感溢れる音源は影を潜めある意味王道に沿った感じがします、
それまでの成功と評価をかなぐり捨て今回の作品に掛ける意気込みは並大抵のものではなかったはずです。
メロディー豊かな聴き易い音楽転換を図った作品、とにかく馴染み易い!
サウンドは重厚で当時流行のフィードバックノイズも混ぜ出来栄えは上々です。
以前からLUSHをご存知の方は批判やご不満があるかと思いますが
これも時代の流れと彼女たちの選んだ道とご理解いただきたい。
是非聴いてみてくださいこのここまで万人受けするロックはそうそうできないはず
老いも若きも…、きっと誰もがみんな喜んで聴き入れる事が出来るはずですから。
13人のお客様がこれが役に立ったと考えています
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他の国からのトップレビュー

すべてのレビューを日本語に翻訳
Quer
5つ星のうち5.0 Lush évolue vers un son plus pop & s'éloigne des influences Cocteau Twins .
2018年3月5日にフランスでレビュー済み
Amazonで購入
1996 , Lush sort son 3 ème album , en pleine vague Oasis & Blur , Lovelife qui offre aux auditeurs des compositions de qualité dotées d'une production en phase avec la concurrence de l'époque où le chant lead de Miki Berenyi se trouve mixée plus en avant qu'auparavant & sans effet .

L'auditeur navigue essentiellement entre de la pure pop ( 500 (Shake Baby Shake) , have been here before , CIAO avec Jarvis Cocker , Tralala ... ) & quelques compositions plus énervées à base de guitares légèrement saturées ( Single girl , Ladykillers ... ) avec à la fin de l'album un constat qui s'impose :
En 1996 le son vaporeux de 1992 , concocté par le Cocteau Twins Robin Guthrie , est désormais un lointain souvenir & la musique de Lush ne fait plus rêver mais elle distrait efficacement .

Lovelife est un disque recommandable , plus conventionnel dans la forme au désespoir de certains des premiers fans & surtout la fin de la première période d'existence du groupe sur une note tragique ( suicide du batteur ) .
1人のお客様がこれが役に立ったと考えています
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Kim the incorrigible
5つ星のうち5.0 All You Need Is Lovelife.....
2017年1月25日に英国でレビュー済み
Amazonで購入
2016 will probably be forever remembered as the year the grim reaper, scythe in hand, sliced through the entertainment world with reckless impetuosity. The music world didn't get off lightly. Bowie, Prince, Cohen, the toll seemed endless, each regrettable passing almost overshadowing the fact that much great music was also born in that tragic year. A ray of light in 2016 was the Lazarus like rebirth of 'Lush' with the eagerly welcomed 'Blind Spot' e.p. How satisfying it was to discover that this band could come back after a 20 year break and sound so good and so vital. 1996's 'Lovelife' was the last offering from 'Lush' before the devastating suicide of drummer Chris Acland prompted the band's chosen hiatus. An album that divides opinions, 'Lush's' flirtation with a Britpop style sound begs the question, would they have carried on along this route had fate not conspired against them? Many a disciple of 'Lush's' earlier 'shoe gaze' period tend to view this album as some kind of sellout. Personally I love both sides of the band and if 'Lovelife' was created to give them a payday, then why the hell not? They'd certainly earned it. All the great singles are here, 500, 'Single Girl', 'Ladykillers', the latter proving that feminism isn't necessarily a po faced domain, it's sharp knowing wit and table turning payoff raising smiles all around. Songwriting duties are shared between singer/ guitarists Emma Anderson and Miki Berenyi, and if in competition it's indeed a healthy and creative one. Anderson's high point comes by way of I've Been Here Before', one of those home truth moments that have you nodding in agreement and empathy. An enduring favourite for 'Lovelife' fans is Berenyi's 'The Childcatcher'. It's a great song, but also every bit as sinister as it sounds. What really makes this a great record though is the band's effortless mastery of a good tune. Catchy riffs, economic usage of horns, strings, and above all great vocals. What more could you wish for? Detractors that accuse 'Lush' of jumping aboard the Britpop gravy train would do well to remember that 'Sleeper','Elastica', 'Echobelly et al would have given their right arms for any of the songs on offer here. The timely appearance of Jarvis Cocker on 'Ciao!' marks a brilliantly inspired moment, Berenyi and Cocker's barbed vocal trade offs luring the listener in like a Lee Halewood and Nancy Sinatra for the 'New Labour' generation.The long awaited appearance of the 'Blind Spot' e.p. is a return to their roots of sorts, so perhaps 'Lovelife' was just a passing phase. 20 years down the line we may never really know, but one thing is certain and that is that this album has stood the test of time.
5人のお客様がこれが役に立ったと考えています
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Ari Mitrani
5つ星のうち5.0 Pop et Rock
2021年2月15日にフランスでレビュー済み
Amazonで購入
Mélodies pop / puissance rock
saxon1968
5つ星のうち5.0 Great sound
2020年4月20日に英国でレビュー済み
Amazonで購入
What a great band Lush were,
Fantastic lyrics and music, if you know Lush then there is no point in me going on,
you will know Lovelife is a little bit more upbeat than their previous albums and no
worse for it, Lush didn't make a bad album so you can't go wrong really.
Take yourself back to the days when bands cared and just made great songs.
3人のお客様がこれが役に立ったと考えています
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Duane R. Miller Jr.
5つ星のうち5.0 I pulled more songs from this CD then Split for my personal Best of LUSH on my ipod playlist!
2014年2月9日にアメリカ合衆国でレビュー済み
Amazonで購入
To me SPLIT, will always be my favorite LUSH CD. If you never got to see them Live, you never found out how stunning they sounded Live! They were truly phenominal! This was one of only a few bands that sounded even better Live. I saw them 4 times, for Spooky twice in 1992. Once at Slim's in SF , and once at Lollapalooza II at Shoreline in Mt. View, CA.:
l also saw the Split 1994 and Lovelife 1996 tours at The Fillmore in SF. I missed the Gala tour because I was moving to LA for a year from SF. I was disapointed when I fist heard this CD, because the guitars were not as shoe gazey. But I was truly surprised that 9 of Lovelife's 12 tracks made my ipod best of, and only 8 of 12 tracks from Split made it. I guess this CD did have a bunch of Best of LUSH songs on it, and that great CD's can really grow on you!
4人のお客様がこれが役に立ったと考えています
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