Music Inspired By Lord Of The Rings
仕様 | 価格 | 新品 | 中古品 |
CD, インポート, リミックス含む, 2018/6/8
"もう一度試してください。" | インポート, リミックス含む |
—
| ¥3,092 | ¥3,070 |
CD, インポート, 1996/4/30
"もう一度試してください。" | インポート |
—
| — | ¥3,056 |
CD, CD, オリジナルレコーディングのリマスター, 2002/2/7
"もう一度試してください。" | CD, サウンドトラック |
—
| — | ¥4,999 |
CD, インポート, 1996/6/21
"もう一度試してください。" | インポート |
—
| — | ¥21,260 |
曲目リスト
1 | Leaving Shire |
2 | Old Forest & Tom Bombadil, The |
3 | Fog On The Barrow-Downs |
4 | The Black Riders & Flight To The Ford |
5 | At The House Of Elrond & The Ring Goes South |
6 | A Journey In The Dark |
7 | Lothlorien |
8 | Shadowfax |
9 | The Horns Of Rohan & The Battle Of The Pelennor Fields |
10 | Dreams In The House Of Healing |
11 | Homeward Bound & The Scouring Of The Shire |
12 | The Grey Havens |
登録情報
- 梱包サイズ : 13.97 x 12.7 x 1.02 cm; 500 g
- メーカー : One Way Records Inc
- EAN : 0046633365420
- レーベル : One Way Records Inc
- ASIN : B000002R8K
- ディスク枚数 : 1
- カスタマーレビュー:
他の国からのトップレビュー
Myke
5つ星のうち5.0
A Himalayan soundtrack!
2024年1月4日にアメリカ合衆国でレビュー済みAmazonで購入
In 1984 whilst trekking around Nepal's Annapurna wonderland, our leader, Richard was blown away that I knew the very fitting music he was playing by Bo Hansson.
ALLEN MESSER
5つ星のうち5.0
Bo Hannson- Lord of the rings
2023年10月18日に英国でレビュー済みAmazonで購入
A Great album been looking for this for a long time I missed getting it years ago. Very pleased to get this one
Thomas Wesslowski
5つ星のうち5.0
super
2023年7月25日にドイツでレビュー済みAmazonで購入
super Musik
Paul Rock
5つ星のうち3.0
Jarre entra en el siglo XXI con una nueva experiencia minimalista
2022年10月29日にスペインでレビュー済みAmazonで購入
Este trabajo - menor - sirvió de telón de fondo para su nuevo Live en China, en este siglo XXI. Que en el caso de este trabajo, comenzaba a dar sus primeros pasos, en cuanto a su música y un enfoque completamente distinto, al que había sido habitual y una constante en su música desde los 80's, con Zoolook (1984). Bajo mi punto de vista, su trabajo más creativo e innovador, de todos los que le seguirían posteriormente. Hasta este y el anterior de Metamorphosis (uno de los mejores compositivamente hablando, para quien esta opinión suscribe). Sin embargo, este de Geometría del Amor, no consigue romper ni enganchar, con ningún tema en concreto. Siendo más musica ambient, para un lounge bar retro futurista, que para una escucha activa y espacial, en el amplio sentido del concepto. Es música minimalista, con una estructura más jazzistica y electrónica de los 60's y 70's; que de lo que se venía haciendo hasta ese momento, con la musica Techno/Dance y/o ChillOut. Jarre siempre ha sido un creativo y un alquimista. Pero aquí, este trabajo se quedó en un interesante experimento que no encontro su lugar. Ni siquiera con su propia leyenda y calidad musical. Igualmente volvió a la misma idea con su siguiente álbum: Teo & Tea. Y no recuperó su nivel hasta hacer los reboot de sus míticos y - obras maestras - soberbios trabajos de 1976 y 1978: Oxigene y Equinoxe. En el 2017 y 2019: Oxigeno 14 ~ 21 y Infinity (Equinoxe)
Este álbum es para escuchar tenerlo en ambient, sobre todo. Y para incondicionales del genio de la electrónica Jean Michel Jarre.
Aceptable trabajo
Este álbum es para escuchar tenerlo en ambient, sobre todo. Y para incondicionales del genio de la electrónica Jean Michel Jarre.
Aceptable trabajo
Dodoart
5つ星のうち5.0
A strangely hypnotic masterpiece
2015年2月19日に英国でレビュー済みAmazonで購入
It never ceases to amaze me why Bo Hansson's wonderful musical interpretation of JRR Tolkien's heroic masterpiece has never been used in any relevant movie? We all know he was inspired to record the material purely through his love of the book, but I feel his music is as relevant as Howard Shore's contribution to Peter Jackson's incredible movie trilogy.
Bo Hansson's version may not have the majestic grandeur of Howard Shore's orchestral work - I mean everything about the trilogy is of epic scale, but what Bo captures is that eerie sense of foreboding. Listen to 'Fog on the Barrow Downs' - though sparse in content, just organ, muted guitar and simplistic affects like howling wolves and a strange but continuous reverberating sound of unknown origin - and you'll get a sense of how Bo had the ability to create an unpleasant feel of apprehension, where all is not good on Middle Earth.
Originally released in 1970 - then re-released in 1972 on the Charisma label - which then put it under the genre of progressive music. It has been said of the similarities to Camel's instrumental work - such as 'The Snow Goose'....Yea! I can see where they're coming from, but what we really have, is a unique, intense and atmospheric set of instrumental compositions, where the organ and other keyboard variants (Bo's instrument of choice) are prominent throughout.
I originally purchased the record sometime in '74/'75 and remember being attracted by the design of the record cover. Additionally, it came with a superb photo of JRR Tolkien sitting among the roots of trees in a forest (maybe Mirkwood) - and Finally, some thirty five odd years later (the year of Bo's sad passing) I acquired the CD, where my fascination with the great man's musical take - on such a classic book, is as passionate as ever.
As a suggestion, when they re-release the film trilogy - yet again, which they will do, why don't they - as a fitting tribute, use elements of Bo Hansson's work in the soundtrack? It'll work for me.
And may I suggest, the next time you open up the book, just put on the late musicians 'totally relevant to the cause' musical contribution. It will add - immensely, to the reading pleasure.
To this day, I still feel this music is the perfect accompaniment to Tolkien's visionary tale.
Bo Hansson's version may not have the majestic grandeur of Howard Shore's orchestral work - I mean everything about the trilogy is of epic scale, but what Bo captures is that eerie sense of foreboding. Listen to 'Fog on the Barrow Downs' - though sparse in content, just organ, muted guitar and simplistic affects like howling wolves and a strange but continuous reverberating sound of unknown origin - and you'll get a sense of how Bo had the ability to create an unpleasant feel of apprehension, where all is not good on Middle Earth.
Originally released in 1970 - then re-released in 1972 on the Charisma label - which then put it under the genre of progressive music. It has been said of the similarities to Camel's instrumental work - such as 'The Snow Goose'....Yea! I can see where they're coming from, but what we really have, is a unique, intense and atmospheric set of instrumental compositions, where the organ and other keyboard variants (Bo's instrument of choice) are prominent throughout.
I originally purchased the record sometime in '74/'75 and remember being attracted by the design of the record cover. Additionally, it came with a superb photo of JRR Tolkien sitting among the roots of trees in a forest (maybe Mirkwood) - and Finally, some thirty five odd years later (the year of Bo's sad passing) I acquired the CD, where my fascination with the great man's musical take - on such a classic book, is as passionate as ever.
As a suggestion, when they re-release the film trilogy - yet again, which they will do, why don't they - as a fitting tribute, use elements of Bo Hansson's work in the soundtrack? It'll work for me.
And may I suggest, the next time you open up the book, just put on the late musicians 'totally relevant to the cause' musical contribution. It will add - immensely, to the reading pleasure.
To this day, I still feel this music is the perfect accompaniment to Tolkien's visionary tale.