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Piano Music
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ページ 1 以下のうち 1 最初から観るページ 1 以下のうち 1
曲目リスト
1 | Fantasia in C minor, BWV906 |
2 | Fifteen Two-Part Inventions, BWV772-786: Invention 1 in C Major |
3 | Fifteen Two-Part Inventions, BWV772-786: Invention 2 in C minor |
4 | Fifteen Two-Part Inventions, BWV772-786: Invention 3 in D Major |
5 | Fifteen Two-Part Inventions, BWV772-786: Invention 4 in D minor |
6 | Fifteen Two-Part Inventions, BWV772-786: Invention 5 in E Flat Major |
7 | Fifteen Two-Part Inventions, BWV772-786: Invention 6 in E Major |
8 | Fifteen Two-Part Inventions, BWV772-786: Invention 7 in E minor |
9 | Fifteen Two-Part Inventions, BWV772-786: Invention 8 in F Major |
10 | Fifteen Two-Part Inventions, BWV772-786: Invention 9 in F minor |
11 | Fifteen Two-Part Inventions, BWV772-786: Invention 10 in G Major |
12 | Fifteen Two-Part Inventions, BWV772-786: Invention 11 in G minor |
13 | Fifteen Two-Part Inventions, BWV772-786: Invention 12 in a Major |
14 | Fifteen Two-Part Inventions, BWV772-786: Invention 13 in A minor |
15 | Fifteen Two-Part Inventions, BWV772-786: Invention 14 in B Flat Major |
16 | Fifteen Two-Part Inventions, BWV772-786: Invention 15 in B minor |
17 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 1 in C Major |
18 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 2 in C minor |
19 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 3 in D Major |
20 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 4 in D minor |
21 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 5 in E Flat Major |
22 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 6 in E Major |
23 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 7 in E minor |
24 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 8 in F Major |
25 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 9 in F minor |
26 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 10 in G Major |
27 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 11 in G minor |
28 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 12 in a Major |
29 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 13 in A minor |
30 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 14 in B Flat Major |
31 | Fifteen Three-Part Sinfonias (Inventions), BWV787-801: Sinfonia 15 in B minor |
32 | Chromatic Fantasia and Fugue in D minor, BWV903: Fantasia |
33 | Chromatic Fantasia and Fugue in D minor, BWV903: Fugue |
商品の説明
Fantaisie en ut mineur, BWV906 - 15 Inventions à 2 voix, BWV772 à BWV786 - 15 Sinfonias à 3 voix, BWV787 à BWV801 - Fantaisie Chromatique & Fugue, BWV 903 / Angela Hewitt, piano
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 14.17 x 12.78 x 0.94 cm; 104.33 g
- メーカー : Hyperion (UK)
- EAN : 0034571167466
- 製造元リファレンス : CDA66746
- オリジナル盤発売日 : 1994
- レーベル : Hyperion (UK)
- ASIN : B000002ZUY
- 原産国 : アメリカ合衆国
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 386,358位ミュージック (ミュージックの売れ筋ランキングを見る)
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2017年11月19日に日本でレビュー済み
Amazonで購入
近年の「ゴールトベルク変奏曲」や「フーガの技法」といったヒューイットの録音と比較すると、それほどの出来ではないように思えます。演奏に不満があるわけではなく、あくまでもピアノの音質に因ります。再録音を望みます。
2013年5月13日に日本でレビュー済み
Amazonで購入
ペダルの使用は最小限にし、ノンレガートを多用をした切れ味のあるバッハ。
声部1つ1を弾きわけているので、楽譜を見ながら聴くとおもしろい。
これをお手本演奏にするのもいいと思う。
ただ気になったのが、バッハにしてはどうなの?というデュナーミクがいくつかあった。
声部1つ1を弾きわけているので、楽譜を見ながら聴くとおもしろい。
これをお手本演奏にするのもいいと思う。
ただ気になったのが、バッハにしてはどうなの?というデュナーミクがいくつかあった。
他の国からのトップレビュー
Geoff
5つ星のうち5.0
JS Bach -Angela Hewitt
2022年1月19日に英国でレビュー済みAmazonで購入
Bought mainly for the Inventions and Sinfonias often regarded as mainly teaching material as did Bach himself but actually highly entertaining and miracles of form and content.All the performances on this disc are excellent.
Ann M. Collett
5つ星のうち5.0
Angela Hewitt plays Bach
2017年8月1日にカナダでレビュー済みAmazonで購入
A beautifully recorded Bach selection from the finest Bach pianist of any century - Angela Hewitt. Highly recommended.
Alan Lekan
5つ星のうち5.0
The first of Hewitt's monumental Bach cycle
2006年3月25日にアメリカ合衆国でレビュー済みAmazonで購入
In 1994 a mostly unknown 'Canadian' pianist signed with Hyperion Records to begin recording the whole of Bach's keyboard works. Eleven years - and some 14 discs later - the dream was complete, but the pianist was now well known and respected as one of the great Bach interpreters of her generation. This CD was the first of these recordings and the logical place to begin.
The program here ranges from the more simple of Bach's compositions (Two-Part Inventions) to some of the more trecherous, virtuostic masterpieces (the two fantasias). Written by Bach for his son and students around 1723, the Two-Part and Three-Part Inventions form the foundational know-how and skills of Bach's countrapuntal keyboard art. For centuries now these works have been essential for any piano student learning the "basics" of figuration, melodic line, smooth legato, clarity of two and three voices and so on. The Three-Part pieces are fairly advanced pieces possessing complex voicing and passagework. As such they are pre-requisite for learning the more complex preludes and fugues of "The Well-Tempered Clavier." Like the pieces in the WTC, both sets of Inventions show Bach as both a master educator and deft lyricist with their range of emotive qualities. There is delicacy, pensiveness, vivacity, virtuosity and sorrow expressed in these miniatures - all while building the foundational skills (like seamless legato w/o use of the pedal) necessary for performing the major piano repertoire. Pianists worldwide owe a world of gratitude for Johann Sebastian Bach for such foundational compositions which have been reverently played by many of the great composers who followed Bach.
I'm not sure if it is more Bach's multi-faceted compositions or Miss Hewitt's varied and expressive playing of them, but these so-called "piano excercises" sound anything but that. Likely, it is both of the above factors. It was in this first recording that Hewitt showed the music world her ever-so delicate, poised and artistic pianistic mannerisms, transforming these student pieces into delightful little concert performances in themselves. Her readings are worthy role models for students focusing on the long, clear, lyrical line that is essential to Bach's music as well as rewarding to admirers of Bach's art. Perhaps what Miss Hewitt most brings to this music is her tasteful, expressive nuances: a subtle rubato, an enticing dynamic shading and an artistic variety of tone summoned forth from her Steinway Grand. Such qualities create more of an unfolding story within each piece than showcasing mere "finger dexterity exercises." Gramophone recognized this more sensitive tunement to the musical aspects too and gave this CD a solid recommendation.
If the Inventions are the "main course" of this set, then the two virtuoistic Fantasias which open and close the program are the delectable "appetizer" and "dessert" on the menu. Both show Bach as master of the extemporaneous "Style Fantasticus" that he most likely gleaned in his youth from his visit to hear the great organist, Buxtahude. Even in Bach's day supposedly, the great Chromatic Fantasia in D-minor was among his most popular piece as it is today. Both are exciting, daunting works played to perfection by Hewitt. As noted by Gramophone, "her readings of the fantasias are as eloquent and stimulating as any yet recorded by a harpsichordist." Also in support of the pianist is a fine recording ambiance by Hyperion that is hard to fault. Its rather ironic that this first CD of Hewitt's Bach recordings was the last of her entire discography I acquired. But even after hearing all her glorious performances of Bach's music - from the WTC and Goldbergs to the Toccatas, Suites and Keyboard Concertos - hearing these earliest and more straightforward pieces still brings great refreshment and satisfaction that is so common in Bach's music - and so common too in Angela Hewitt's masterful and colorful playing of them. Compositions - 5 stars, Performance - 5 stars, Sound - 4.5 stars.
The program here ranges from the more simple of Bach's compositions (Two-Part Inventions) to some of the more trecherous, virtuostic masterpieces (the two fantasias). Written by Bach for his son and students around 1723, the Two-Part and Three-Part Inventions form the foundational know-how and skills of Bach's countrapuntal keyboard art. For centuries now these works have been essential for any piano student learning the "basics" of figuration, melodic line, smooth legato, clarity of two and three voices and so on. The Three-Part pieces are fairly advanced pieces possessing complex voicing and passagework. As such they are pre-requisite for learning the more complex preludes and fugues of "The Well-Tempered Clavier." Like the pieces in the WTC, both sets of Inventions show Bach as both a master educator and deft lyricist with their range of emotive qualities. There is delicacy, pensiveness, vivacity, virtuosity and sorrow expressed in these miniatures - all while building the foundational skills (like seamless legato w/o use of the pedal) necessary for performing the major piano repertoire. Pianists worldwide owe a world of gratitude for Johann Sebastian Bach for such foundational compositions which have been reverently played by many of the great composers who followed Bach.
I'm not sure if it is more Bach's multi-faceted compositions or Miss Hewitt's varied and expressive playing of them, but these so-called "piano excercises" sound anything but that. Likely, it is both of the above factors. It was in this first recording that Hewitt showed the music world her ever-so delicate, poised and artistic pianistic mannerisms, transforming these student pieces into delightful little concert performances in themselves. Her readings are worthy role models for students focusing on the long, clear, lyrical line that is essential to Bach's music as well as rewarding to admirers of Bach's art. Perhaps what Miss Hewitt most brings to this music is her tasteful, expressive nuances: a subtle rubato, an enticing dynamic shading and an artistic variety of tone summoned forth from her Steinway Grand. Such qualities create more of an unfolding story within each piece than showcasing mere "finger dexterity exercises." Gramophone recognized this more sensitive tunement to the musical aspects too and gave this CD a solid recommendation.
If the Inventions are the "main course" of this set, then the two virtuoistic Fantasias which open and close the program are the delectable "appetizer" and "dessert" on the menu. Both show Bach as master of the extemporaneous "Style Fantasticus" that he most likely gleaned in his youth from his visit to hear the great organist, Buxtahude. Even in Bach's day supposedly, the great Chromatic Fantasia in D-minor was among his most popular piece as it is today. Both are exciting, daunting works played to perfection by Hewitt. As noted by Gramophone, "her readings of the fantasias are as eloquent and stimulating as any yet recorded by a harpsichordist." Also in support of the pianist is a fine recording ambiance by Hyperion that is hard to fault. Its rather ironic that this first CD of Hewitt's Bach recordings was the last of her entire discography I acquired. But even after hearing all her glorious performances of Bach's music - from the WTC and Goldbergs to the Toccatas, Suites and Keyboard Concertos - hearing these earliest and more straightforward pieces still brings great refreshment and satisfaction that is so common in Bach's music - and so common too in Angela Hewitt's masterful and colorful playing of them. Compositions - 5 stars, Performance - 5 stars, Sound - 4.5 stars.
Frank J. Pilholski
5つ星のうち5.0
Wonderful Ba ch reading
2014年4月11日にアメリカ合衆国でレビュー済みAmazonで購入
I heard a version of the piece by Simone Dinnerstein on the radio which I liked. Did some research and took Gramophone's recommendation. Glad it did. Really love the nuances of Angela's Hewitt's interpretation. Have listened to it over and over and keep finding things to love about it even more.
K. K. Schofield
5つ星のうち5.0
Bach Fantasias and Inventions
2009年5月8日に英国でレビュー済みAmazonで購入
This is the second time I have bought this CD. When I went to play it after a recent review, I found it had mysteriously disappeared. Since I must have this performance, I have bought it again. I believe that this was Angela Hewitt's first recording for Hyperion, and I had not heard of her until I first heard an extract from the recording. I have bought all of her Cds that have appeared since. She appears to be able to combine the best elements of the harpsichord (without its annoying jangliness) with the clarity of the modern piano. The performances are impeccable. The Inventions are all too often heard as training pieces for budding pianists. Here they are heard as music. I can't wait for her next release.