既発売の2枚が1枚として発売されたもの。アナログ盤と違って詰め込みによる音質低下も無いので有り難い。
音はピラミッド型のずっしりしたもの。圧巻の重低音が楽しめるお薦め盤。
Symphony 3 " Organ "
Eugene Ormandy
(アーティスト, 指揮),
C. Saint-Saens
(アーティスト),
Philadelphia Orchestra
(オーケストラ),
Camille Saint-Saëns
(作曲),
Michael Murray
(演奏)
&
2
その他 形式: CD
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ページ 1 以下のうち 1 最初から観るページ 1 以下のうち 1
曲目リスト
1 | Adagio; Allegro Moderato; Poco Adagio |
2 | Allegro Moderato, Presto; Maestoso; Allegro; Molto Allegro |
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 14.2 x 12.4 x 1.19 cm; 98.09 g
- メーカー : Telarc
- EAN : 0089408005121
- 商品モデル番号 : 2022805
- オリジナル盤発売日 : 1990
- レーベル : Telarc
- ASIN : B000003CSK
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 163,466位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 7,537位交響曲・管弦楽曲・協奏曲
- - 40,322位輸入盤
- カスタマーレビュー:
カスタマーレビュー
星5つ中4.4つ
5つのうち4.4つ
全体的な星の数と星別のパーセンテージの内訳を計算するにあたり、単純平均は使用されていません。当システムでは、レビューがどの程度新しいか、レビュー担当者がAmazonで購入したかどうかなど、特定の要素をより重視しています。 詳細はこちら
111グローバルレーティング
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2013年11月12日に日本でレビュー済み
Amazonで購入
初出当時のLP盤を所有してますが、やっと今回CD盤を購入。
LP盤はド迫力な再生でしたが、ややCD盤はマイルドな印象を受けましたがそれでも迫力ものです。
当時、重量級ターンテーブル+高額トーンアーム+MCカートリッジ(テラーク盤「1812年」をトレース出来なかったと話題になった某O社製)+
MC昇圧トランスの組み合わせで聴いてましたね。
現在、E社の独創的なメカシステムのCDプレーヤーで聴いてますがやはり迫力ありますね。
近々SACD盤をオーダーします。
話は変わりますが、最近同曲のスヴェトラーノフ/スウェーデン放送響のCD盤が録音・演奏(スヴェトラ節全開で・・・)ともに素晴らしい!
LP盤はド迫力な再生でしたが、ややCD盤はマイルドな印象を受けましたがそれでも迫力ものです。
当時、重量級ターンテーブル+高額トーンアーム+MCカートリッジ(テラーク盤「1812年」をトレース出来なかったと話題になった某O社製)+
MC昇圧トランスの組み合わせで聴いてましたね。
現在、E社の独創的なメカシステムのCDプレーヤーで聴いてますがやはり迫力ありますね。
近々SACD盤をオーダーします。
話は変わりますが、最近同曲のスヴェトラーノフ/スウェーデン放送響のCD盤が録音・演奏(スヴェトラ節全開で・・・)ともに素晴らしい!
2013年3月18日に日本でレビュー済み
Amazonで購入
昔LPで購入しましたが、さすがにプレーヤーが古くなったのでCDで買いなおしました。テラークシリーズの音は個人的に大好きなので大満足しています。ただLP時代から言われている事ですが、若干作られたような音質なので純粋にクラシックを生に近い形で聴きたい方には不満があるかもしれません。
2017年9月5日に日本でレビュー済み
Amazonで購入
オールホーンのゴトウシステムで聴きましたが、
普通の録音でした。
普通の録音でした。
2013年11月10日に日本でレビュー済み
Amazonで購入
シャルルミュンシュ/ボストン響の豪快さや、マルティノン/フランス国立の気品良さ等が理解できた上で、やはり私はこの、テラーク盤のユージン・オーマンディー指揮/フィラデルフィア管の名演を推奨したいです。 オーマンディーの楽曲表現は「輝き」と「ヒューマニズム」に満ちています。 また、フィラデルフィア管弦楽団とオルガン奏者が、指揮者の求める世界に応え、美麗な響きを創り上げています。 心が元気になります。
2009年5月15日に日本でレビュー済み
"オーマンディが80歳を超えたころに録音したのが、このオルガン交響曲だ。
私は当初、テラーク盤輸入LPで購入した。(当時4000円もした!かなり高額であったことを覚えている。今でも愛蔵している!)
その後、LPより取扱いの簡単なCDで再度購入したのがこれだ!
個人的意見だが、同演奏は、CDより、やはりLPのほうが聴感上のFレンジの抜け具合や芯のある重低音の存在感等、はるかに優っていると思うのだが…、もとい、ちょっと脱線したが、その音場空間の音の広がりとオーケストラの左右の広がりや奥行き感、ホールトーン、スケールとマッシヴなパワー感(特に2楽章後半のオルガンの重低音には大変驚いた!)は、想像をはるかに超えて圧倒的! 再生するオーディオシステムそのものが問われてくるような代物…。何という恐ろしいCDでありLPであろうか!
そして故長岡鉄男氏の評論等で、オーディオファンにも特に有名。
演奏も素晴らしいの一言!。弦楽器や木管・金管のアンサンブルなど特筆に値する。
この曲を録音したメジャーレーベルは数多いが、マイクを乱立させて録音し、しかもオルガンだけ別場所収録なんてざらなだけに、テラーク盤の聖フランシス教会での同時録音は大変貴重な記録といえる。しかもオーマンディ&フィラディルフィアサウンドを極上のプレゼンスで聴くことができるなんて、なんて贅沢なんだろうと思う。
私は当初、テラーク盤輸入LPで購入した。(当時4000円もした!かなり高額であったことを覚えている。今でも愛蔵している!)
その後、LPより取扱いの簡単なCDで再度購入したのがこれだ!
個人的意見だが、同演奏は、CDより、やはりLPのほうが聴感上のFレンジの抜け具合や芯のある重低音の存在感等、はるかに優っていると思うのだが…、もとい、ちょっと脱線したが、その音場空間の音の広がりとオーケストラの左右の広がりや奥行き感、ホールトーン、スケールとマッシヴなパワー感(特に2楽章後半のオルガンの重低音には大変驚いた!)は、想像をはるかに超えて圧倒的! 再生するオーディオシステムそのものが問われてくるような代物…。何という恐ろしいCDでありLPであろうか!
そして故長岡鉄男氏の評論等で、オーディオファンにも特に有名。
演奏も素晴らしいの一言!。弦楽器や木管・金管のアンサンブルなど特筆に値する。
この曲を録音したメジャーレーベルは数多いが、マイクを乱立させて録音し、しかもオルガンだけ別場所収録なんてざらなだけに、テラーク盤の聖フランシス教会での同時録音は大変貴重な記録といえる。しかもオーマンディ&フィラディルフィアサウンドを極上のプレゼンスで聴くことができるなんて、なんて贅沢なんだろうと思う。
2023年8月13日に日本でレビュー済み
Amazonで購入
アナログ盤を愛聴していたので期待して聴いたが音のつくり方が古い。というよりも完全にCD化に失敗した例だ。オケの位置が奥に引っ込み過ぎていて、アナログ盤にあった力感が全く感じられない。演奏は一世を風靡したオーマンデイの超名演だ、リマスターし直して本来のサウンドを取り戻してもらいたい。
2017年9月19日に日本でレビュー済み
Amazonで購入
パワフル感はどの作品よりあるのではないでしょうか。個人的には暴力的というか豪快な音です。概ね期待通りでした。
他の国からのトップレビュー
Beppe
5つ星のうち3.0
Non ne vale la pena
2023年8月1日にイタリアでレビュー済みAmazonで購入
Nulla da dire sull'esecuzione e la ripresa generale dell'orchestra ma niente di che. L'organo, poi, è veramente inconsistente (e da Telarc non me lo aspettavo). Tutt'altra cosa il cd 80274, sempre di Telarc, dove la ripresa del Casavant è degna: accompagna l'orchestra con la sua doverosa presenza "possente".
A parte la strana scarsezza del suono dell'organo, aggiungo che il tempo di conduzione mi appare, a volte, un po' troppo frettoloso.
Insomma, niente di che.
A parte la strana scarsezza del suono dell'organo, aggiungo che il tempo di conduzione mi appare, a volte, un po' troppo frettoloso.
Insomma, niente di che.
Rafael
5つ星のうち5.0
Bien grabado, buena toma de sonido.
2023年1月27日にスペインでレビュー済みAmazonで購入
Espectacular.
Joseph Kline PhD, MD, MBA
5つ星のうち5.0
A stunning achievement on SACD that easily vies for top honors
2014年5月11日にアメリカ合衆国でレビュー済みAmazonで購入
No musical work should benefit more from an SACD recording than Saint-Saens Symphony No. 3 (Organ Symphony). Saint-Saens' best-known symphony is of blockbuster status aside from being sublimely beautiful music. Here, Eugene Ormandy and the Philadelphia Orchestra join with organist Michael Murray for a performance of this truly unique work that isn't just a symphony nor a concerto per se. Ormandy chooses a tempo for the first movement that is on the slow side. The second movement picks up the pace. The Adagio is sublime. I didn't realize the Philadephia violins could sound that lush. When the maestoso brings in the Organ, nothing could sound so glorious. The sonics of the Organ Symphony, particularly in this section, are demonstration class. The balance between organ and orchestra, like in Guillou/DeWaart, are perfect. The finale demonstrates every positive element within this stunning achievement. I don't believe a finer Organ Symphony has ever been recorded.
Michael Murray fills out the remander of the disc with French organ pieces. The organ and recording are both superb. If you love organ music, you won't want to leave the disc after just the Organ Symphony. Murray is quite the organist and makes a very impressive showing.
This is probably the most impressive SACD disc I have heard. It should be in everyone's collection. VERY HIGHLY RECOMMENDED.
Addendum (7-4-15): I am adding this comparative analysis to all of my eight reviews of performances of the Organ Symphony. Please see my individual reviews for greater detail. I have provided conductor/orchestra/organist/label for each review capsule so you can find each recording more easily. The comments are, of course, my educated opinions only, so take them as you will. I have loved this symphony for 40 years and listened to many of the finest recordings. I’ve saved what I think is the best recording for the end, if you just want to cut to the chase. I hope you will find the comparisons helpful.
Badea/RPO/Murray/Telarc: This Telarc recording is an account of few new insights interpretively but no crippling errors of omission or commission, either. It is not, however, the most inspired of readings. What we end up with is one of the most exciting sound reproductions that I have heard. The performance is beautiful but less inspiring. Recommended for purposes of hearing what recorded sound SHOULD be.
Dutoit/Philharmonia/Hurford/Decca Originals: Dutoit's reading is intense and dynamic, but he takes the fast movements break-neck speed. You can almost smell the smoke rising from the violins by the conclusion of the symphony. Even so, Dutoit's reading is second only to that of Ormandy/Philadelphia/Murray on Telarc. Ormandy's recording is now available as an SACD that is absolutely one of the finest SACD's that I have heard. Recommended, but certainly second to Ormandy.
Munch/Boston SO/Zamkochian/RCA: This performance is the consensus favorite for the symphony. It is extraordinary in its depth and richness. It has an intensity heard best in the forte passages, and yet sounds rather relaxed during the softer ones. Performance-wise, I could live with this being my only recording and be exceptionally happy. Unfortunately, the sonics are another story. Softer passages sound dated even on SACD, and loud tutti sections are quite congested. Bottom Line: the Munch/BSO/ Zamkochian performance is second to none but the sonics preclude a slam-dunk for top pick. Highly recommended for the performance.
DeWaart/SanFrancisco SO/Guillou/Philips: This is a lush performance of the Organ Symphony with spot-on tempi, great orchestral balance, and unsurpassed balance between organ and orchestra. This symphony has one long melodic line after another, and DeWaart keeps a long view that prevents any sense of meandering. The organ is stunningly recorded. Brass blaze with glory. Strings are lush. Timpani are extremely well-defined. The clarity of the recording provides an excellent window into finer details. It is difficult to imagine how anything could have been improved upon. The disc is filled out with a strong performance of Widor's Allegro from his Symphony No. 6. This account of the Organ Symphony has everything going for it. There are no obvious weaknesses. If you have excellent subwoofers, they will get the workout of their life. Very Highly Recommended!
Nezel-Seguin/Montreal Metropolitan Orchestra/Belanger/ATMA: Nezel-Seguin's account of the Organ Symphony is surprisingly competitive in a crowded field. Tempi are reasonable, dynamics are excellent, organ-orchestral balance is very good, instrumental timbres are superb, and the CD provides for a deep soundstage. I am not particularly enamored with Belanger's choice of registration which caused the organ to be less prominent occasionally. My reservations aside, this was a very impressive performance by this relatively unknown group of musicians, but it is outclassed by Murray/Ormandy/Philadelphia. Still, the disc is so enjoyable, I would recommend it highly as an alternative to Murray/Ormandy and for the enjoyable pieces for solo organ.
Mata/Dallas SO/Guillou/Dorian: This one has its share of both positives and negatives. On one hand, Mata's tempi are rather conventional, the Dallas Symphony play superbly, and the recording is vivid and has great clarity. Unfortunately, the negatives are equally strong, beginning with the balance between organ and orchestra that shifts inexplicably from recessed in the coda of the 2nd movement to predominant in the preceding section. The choice of organ registration is poorly matched to the orchestra. In the finale of the 4th movement, the brass are excessively highlighted. The brass play gloriously, but the spotlight detracts from the music. This recording has enough negative attributes to preclude a strong recommendation.
Levine/Berlin PO/Preston/DG: This disc also includes Dukas' Sorcerer's Apprentice, and each receives stunning performances. The organ is rarely prominent in this particular recording until the last movement. Pity. Not until the 4th movement do we finally hear confirmation of an organ actually having a place at the table - and a big place it is until the final measures when the organ inexplicably recedes again into the background. The final movement is just glorious. The preceding three SHOULD have been as well. Despite the short-schrifted organ role in the Organ Symphony, this disc is highly recommended for the beautiful orchestral playing, the symphony's 4th movement.
Ormandy/Philadelphia SO/Murray/Telarc: No musical work should benefit more from an SACD recording than Saint-Saens Organ Symphony. Ormandy chooses a tempo for the first movement that is on the slow side. The second movement picks up the pace. The Adagio is sublime. I didn't realize the Philadelphia violins could sound that lush. And the organ could not sound more glorious! The sonics of this recording are demonstration class. The balance between organ and orchestra, like in Guillou/DeWaart, is perfect. The finale demonstrates every positive element within this stunning achievement. I don't believe a finer Organ Symphony has ever been recorded. Michael Murray fills out the remainder of the disc with French organ pieces. The organ and recording are both superb. If you love organ music, you won't want to leave the disc after just the Organ Symphony. The performance stands up well to Munch’s fabulous account but beats it hands down on sonics. This is probably the most impressive SACD disc I have heard. It should be in everyone's collection. VERY HIGHLY RECOMMENDED.
Michael Murray fills out the remander of the disc with French organ pieces. The organ and recording are both superb. If you love organ music, you won't want to leave the disc after just the Organ Symphony. Murray is quite the organist and makes a very impressive showing.
This is probably the most impressive SACD disc I have heard. It should be in everyone's collection. VERY HIGHLY RECOMMENDED.
Addendum (7-4-15): I am adding this comparative analysis to all of my eight reviews of performances of the Organ Symphony. Please see my individual reviews for greater detail. I have provided conductor/orchestra/organist/label for each review capsule so you can find each recording more easily. The comments are, of course, my educated opinions only, so take them as you will. I have loved this symphony for 40 years and listened to many of the finest recordings. I’ve saved what I think is the best recording for the end, if you just want to cut to the chase. I hope you will find the comparisons helpful.
Badea/RPO/Murray/Telarc: This Telarc recording is an account of few new insights interpretively but no crippling errors of omission or commission, either. It is not, however, the most inspired of readings. What we end up with is one of the most exciting sound reproductions that I have heard. The performance is beautiful but less inspiring. Recommended for purposes of hearing what recorded sound SHOULD be.
Dutoit/Philharmonia/Hurford/Decca Originals: Dutoit's reading is intense and dynamic, but he takes the fast movements break-neck speed. You can almost smell the smoke rising from the violins by the conclusion of the symphony. Even so, Dutoit's reading is second only to that of Ormandy/Philadelphia/Murray on Telarc. Ormandy's recording is now available as an SACD that is absolutely one of the finest SACD's that I have heard. Recommended, but certainly second to Ormandy.
Munch/Boston SO/Zamkochian/RCA: This performance is the consensus favorite for the symphony. It is extraordinary in its depth and richness. It has an intensity heard best in the forte passages, and yet sounds rather relaxed during the softer ones. Performance-wise, I could live with this being my only recording and be exceptionally happy. Unfortunately, the sonics are another story. Softer passages sound dated even on SACD, and loud tutti sections are quite congested. Bottom Line: the Munch/BSO/ Zamkochian performance is second to none but the sonics preclude a slam-dunk for top pick. Highly recommended for the performance.
DeWaart/SanFrancisco SO/Guillou/Philips: This is a lush performance of the Organ Symphony with spot-on tempi, great orchestral balance, and unsurpassed balance between organ and orchestra. This symphony has one long melodic line after another, and DeWaart keeps a long view that prevents any sense of meandering. The organ is stunningly recorded. Brass blaze with glory. Strings are lush. Timpani are extremely well-defined. The clarity of the recording provides an excellent window into finer details. It is difficult to imagine how anything could have been improved upon. The disc is filled out with a strong performance of Widor's Allegro from his Symphony No. 6. This account of the Organ Symphony has everything going for it. There are no obvious weaknesses. If you have excellent subwoofers, they will get the workout of their life. Very Highly Recommended!
Nezel-Seguin/Montreal Metropolitan Orchestra/Belanger/ATMA: Nezel-Seguin's account of the Organ Symphony is surprisingly competitive in a crowded field. Tempi are reasonable, dynamics are excellent, organ-orchestral balance is very good, instrumental timbres are superb, and the CD provides for a deep soundstage. I am not particularly enamored with Belanger's choice of registration which caused the organ to be less prominent occasionally. My reservations aside, this was a very impressive performance by this relatively unknown group of musicians, but it is outclassed by Murray/Ormandy/Philadelphia. Still, the disc is so enjoyable, I would recommend it highly as an alternative to Murray/Ormandy and for the enjoyable pieces for solo organ.
Mata/Dallas SO/Guillou/Dorian: This one has its share of both positives and negatives. On one hand, Mata's tempi are rather conventional, the Dallas Symphony play superbly, and the recording is vivid and has great clarity. Unfortunately, the negatives are equally strong, beginning with the balance between organ and orchestra that shifts inexplicably from recessed in the coda of the 2nd movement to predominant in the preceding section. The choice of organ registration is poorly matched to the orchestra. In the finale of the 4th movement, the brass are excessively highlighted. The brass play gloriously, but the spotlight detracts from the music. This recording has enough negative attributes to preclude a strong recommendation.
Levine/Berlin PO/Preston/DG: This disc also includes Dukas' Sorcerer's Apprentice, and each receives stunning performances. The organ is rarely prominent in this particular recording until the last movement. Pity. Not until the 4th movement do we finally hear confirmation of an organ actually having a place at the table - and a big place it is until the final measures when the organ inexplicably recedes again into the background. The final movement is just glorious. The preceding three SHOULD have been as well. Despite the short-schrifted organ role in the Organ Symphony, this disc is highly recommended for the beautiful orchestral playing, the symphony's 4th movement.
Ormandy/Philadelphia SO/Murray/Telarc: No musical work should benefit more from an SACD recording than Saint-Saens Organ Symphony. Ormandy chooses a tempo for the first movement that is on the slow side. The second movement picks up the pace. The Adagio is sublime. I didn't realize the Philadelphia violins could sound that lush. And the organ could not sound more glorious! The sonics of this recording are demonstration class. The balance between organ and orchestra, like in Guillou/DeWaart, is perfect. The finale demonstrates every positive element within this stunning achievement. I don't believe a finer Organ Symphony has ever been recorded. Michael Murray fills out the remainder of the disc with French organ pieces. The organ and recording are both superb. If you love organ music, you won't want to leave the disc after just the Organ Symphony. The performance stands up well to Munch’s fabulous account but beats it hands down on sonics. This is probably the most impressive SACD disc I have heard. It should be in everyone's collection. VERY HIGHLY RECOMMENDED.
Dr. H. A. Jones
5つ星のうち5.0
A sumptuous orchestral experience
2010年10月17日に英国でレビュー済みAmazonで購入
I have several versions of this popular work in the collection on both LP and CD but this is my favourite. There are recordings that are more recent and therefore a tad clearer, like that by Daniel Barenboim and the Chicago Symphony. Peter Hurford is masterful on the organ for Charles Dutoit and the Montreal Symphony on Decca, my second choice. But for an overall sumptuous sound combined with clarity in the orchestral detail, my vote at No.1 would be for Ormandy and the Philadelphia Orchestra.
Negri Andrea
5つ星のうち4.0
Saint-Saens: Symphony No. 3 "Organ"
2014年5月1日にイタリアでレビュー済みAmazonで購入
La registrazione e' effettuata nella chiesa di St.Francis de Sales a Philadelphia.Definita «Organo» per il fatto di comprendere il re degli strumenti in versione solistica (un fatto decisamente insolito per il repertorio orchestrale tardo romantico), la Sinfonia n. 3 di Camille Saint-Saëns è un’opera di proporzioni colossali sotto tutti i punti di vista e – per questo – amatissima sia dai melomani sia dagli audiofili. Questa versione che vede assoluti protagonisti l’organista Michael Murray e il grande direttore Eugene Ormandy è da sempre considerata una delle versioni di assoluto riferimento sia per l’altissimo livello interpretativo sia per la straordinaria qualità sonora ottenuta dagli ingegneri del suono della Telarc.