曲目リスト

ディスク： 1

1	Concerto No.1, Op.1: Vivace
2	Concerto No.1, Op.1: Andante
3	Concerto No.1, Op.1: Allegro Vivace
4	Concerto No.4, Op.40: Allegro Vivace
5	Concerto No.4, Op.40: Largo
6	Concerto No.4, Op.40: Allegro Vivace
7	Rhapsody on a Theme of Paganini, Op. 43: Intro: Allegro Vivace
8	Rhapsody on a Theme of Paganini, Op. 43: Var I: (Precedente)
9	Rhapsody on a Theme of Paganini, Op. 43: Tema: L'istesso Tempo
10	Rhapsody on a Theme of Paganini, Op. 43: Var II: L'istesso Tempo
11	Rhapsody on a Theme of Paganini, Op. 43: Var III: L'istesso Tempo
12	Rhapsody on a Theme of Paganini, Op. 43: Var IV: Piu Vivo
13	Rhapsody on a Theme of Paganini, Op. 43: Var V: Tempo Precedente
14	Rhapsody on a Theme of Paganini, Op. 43: Var VI: L'istesso Tempo
15	Rhapsody on a Theme of Paganini, Op. 43: Var VII: Meno Mosso, a Tempo Moderato
16	Rhapsody on a Theme of Paganini, Op. 43: Var VIII: Tempo I
17	Rhapsody on a Theme of Paganini, Op. 43: Var IX: L'istesso Tempo
18	Rhapsody on a Theme of Paganini, Op. 43: Var X: Poco Marcato
19	Rhapsody on a Theme of Paganini, Op. 43: Var XI: Moderato
20	Rhapsody on a Theme of Paganini, Op. 43: Var XII: Tempo Di Minuetto
21	Rhapsody on a Theme of Paganini, Op. 43: Var XIII: Allegro
22	Rhapsody on a Theme of Paganini, Op. 43: : Var XIV: L'istesso Tempo
23	Rhapsody on a Theme of Paganini, Op. 43: Var XV: Piu Vivo Scherzando
24	Rhapsody on a Theme of Paganini, Op. 43: Var XVI: Allegretto
25	Rhapsody on a Theme of Paganini, Op. 43: Var XVII: [Allegretto]
26	Rhapsody on a Theme of Paganini, Op. 43: Var XVIII: Andante Cantabile
27	Rhapsody on a Theme of Paganini, Op. 43: Var XIX: A Tempo Vivace
28	Rhapsody on a Theme of Paganini, Op. 43: Var XX: Un Poco Piu Vivo
29	Rhapsody on a Theme of Paganini, Op. 43: Var XXI: Un Poco Piu Vivo
30	Rhapsody on a Theme of Paganini, Op. 43: Var XXII: Un Poco Piu Vivo (Alla Breve)
31	Rhapsody on a Theme of Paganini, Op. 43: Var XXIII: L'istesso Tempo
32	Rhapsody on a Theme of Paganini, Op. 43: Var XXIV: A Tempo Un Poco Meno Mosso

ディスク： 2

1	Concerto No. 2, Op. 18: Moderato; Allegro
2	Concerto No. 2, Op. 18: Adagio Sostenuto
3	Concerto No. 2, Op. 18: Allegro Scherzando
4	Concerto No. 3, Op. 30: Allegro Ma Non Tanto
5	Concerto No. 3, Op. 30: Intermezzo: Adagio
6	Concerto No. 3, Op. 30: Finale: Alla Breve

商品の説明

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Unlike most composer/pianists, Rachmaninoff's instrumental prowess was fully commensurate with his creative gifts. He embraces his youthful First Concertos as if he had encountered an old lover, consummating his passion with stupefying fingerwork in the first movement cadenza. Conversely, the composer seems bored in the Third. He laconically dispatches its torrents of notes, opts for the easier ossias in difficult passages, and makes cuts in the first and third movements. And pianists like Arturo Michelangeli and Earl Wild have recorded more incisive, demonic Rach Fourths. No question about the Paganini Rhapsody and Second Concerto, where Rachmaninoff's fierce authority and luscious, molten tone permeate every bar. The transfers, however, could have been better. --Jed Distler

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メーカーにより製造中止になりました ‏ : ‎ いいえ
製品サイズ ‏ : ‎ 12.45 x 14.22 x 1.02 cm; 45.36 g
メーカー ‏ : ‎ RCA
EAN ‏ : ‎ 0090266165827
商品モデル番号 ‏ : ‎ 090266165827
オリジナル盤発売日 ‏ : ‎ 1994
レーベル ‏ : ‎ RCA
ASIN ‏ : ‎ B000003FGS
ディスク枚数 ‏ : ‎ 2

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雲とナカジマ

1929年録音

2014年10月22日に日本でレビュー済み

ミスタースポックみたいな顔。

いまの天皇陛下みたいな顔でもある。

良い顔だ。

やはり、多くの人の命を預かる人たちは、

おだやかでないとね。

内容？

良いよ。もちろん。

「録音の音質がよくなれば自分の音楽が、聴く人によりよく伝わると考える音楽家が多いが、それは誤りだ」ディートリッヒ・フィッシャー＝ディースカウ

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Anete Rubin

WONDERFUL PERFORMANCE !

2021年7月10日にブラジルでレビュー済み

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WONDERFUL PERFORMANCE !

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VG

Una joya

2020年12月18日にメキシコでレビュー済み

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Tener una ejecución del mismo autor, aunque sea una grabación vieja, no tiene precio.

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Amazon Customer

A real privilege

2017年8月19日にカナダでレビュー済み

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It's always a real privilege to listen to those famous concerts by one of the great Russian composers of the 20th Century. But here there's a bonus, because there's no second party interpretation of the composer feelings, but the raw and genuine sentiments of the composer himself while offering us his superb piano.

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Vincent

Prodotto originale ma non adatto a chi vuole solo ascoltare musica

2019年7月7日にイタリアでレビュー済み

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Registrazione originale di Rachmaninoff, però non trovo sia adatta per chi vuole ascoltare la musica. La registrazione, essendo vecchia, presenta il brusio di fondo tipico delle vecchie trasmissioni, i più nostalgici potrebbero apprezzarla ma i ragazzi della nuova generazione o gli ascoltatori di musica pulita, non penso gradiranno.

1人のお客様がこれが役に立ったと考えています

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W. Swales

‘Must hear’ virtuoso performances played by a child prodigy from ‘the golden age’ of piano music

2016年7月30日に英国でレビュー済み

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There is a long unbroken line of virtuoso pianists stretching right back to the nineteenth century. Virtuoso pianists include (in no particular order): Liszt; Chopin; Schubert; Schumann; Grieg; Strauss; Rachmaninov; Saint-Saens; Prokofiev; Paderewski; Horowitz; Popper; Backhaus; Ravel; Faure; Hoffman; Zeisler; Gershwin; Grainger; Lhevinne; Novaes; Solomon; Kissin; Lupu; Hess; Brendel; Gould; Bolet; Uchida; Lang Lang; and Grovener – each virtuoso interpreting music in their own very personal way to bring us their own ‘magic’.

Shining out like a shaft of gold in a world filled with gloom and despondency (two world wars and a stock market crash) was SERGEI RACHMANINOV – a child prodigy who – like Liszt and Chopin – took composing and piano playing to a whole new level of drama and excitement – the like of which we have seen little of since.

Here we have a musical genius bringing us his wonderful compositions – played with stunning virtuosity. Who cannot resist his wonderful flowing ‘Lilacs’ – and who cannot resist his ‘Prelude in C sharp minor’?

Accompanied by ‘The Philadelphia Orchestra’ conducted by Eugene Ormandy and Leopold Stokowski, on this ‘double album’ CD we have 78 recordings of Rachmaninov playing his four Concertos and his 24 variations of ‘Rhapsody on a theme by Paganini’ with fabulous wit and passion.

Sadly, the performances were recorded on primitive sound-capture equipment which had limited frequency response and limited dynamic range so there is surface noise; cramped dynamics; ‘thinness’ of sound; and distortion on the loud passages to contend with because of the limitations imposed by the recording medium of the day (the tape recorder and the microgroove LP record had yet to be invented when these recordings were made) – but hearing Rachmaninov’s wonderful virtuosity makes up for the serious shortfall in sonic fidelity.

As you are obviously a fan of the great man’s fabulous masterpieces, have you ever thought ‘wouldn’t it be wonderful to be able to hear Rachmaninov playing his masterworks in astonishing high fidelity?’

And then you might ponder I would love to hear Rachmaninov play ‘Lilacs’ and ‘Prelude in C sharp minor’ in fabulous high-fidelity - ‘what a pity that you can’t - ah well.’

Well I have a wonderful little surprise for you, because it IS possible to hear Sergei performing on a concert grand piano - with FULL frequency response and FULL dynamic range – and not only Rachmaninov – it is also possible to hear Grieg; Strauss; Saint-Saens; Prokofiev; Scriabin; Mahler; Bartok; Stravinsky; Bizet; Granados; Debussy; Faure; Arrau; Serkin; Paderewski; Horowitz; Popper; Hoffman; Gershwin; Granger; Rubenstein and Hess.

‘Goodness – that can’t possibly be true?’ I hear you whisper - and you are right to question the validity of my bold statement – so although we have only just met, as your curiosity is aroused – and so that we may get to know each other a little better - I shall explain how this IS possible.

In 1904 the German company Welte Mignon made an astonishing leap in technology and invented the world’s first ‘reproducing piano’ – a piano that shocked the world because THIS piano did not crudely ‘play the notes’ as instruments such as the ‘Pianola’ did.

Through mechanised DIGITAL decoding (yes really), THIS formidable piano was capable of playing classical music with FULL expression - capturing the full dynamic range of the captured performance – including independent operation of the ‘damper’ and ‘soft’ pedals - all faithfully and accurately ‘recorded’ on a paper ‘music roll’ so as to facilitate playback of every tonal expression, which is so important to beautiful piano playing.

This amazing piano had astonishing control of articulation and dynamics – so much so that European composers from ‘the golden age’ who were keen to leave a timeless legacy of their talent and virtuosity flocked to Austria and America to make ‘reproducing piano’ ‘music roll’ recordings - and before you could say ‘Sergei Rachmaninov’ the Welte Mignon reproducing piano began to grace the homes of high society – and soon other reproducing pianos began to appear – the most notable of these being the ‘Ampico’ (1911); and the ‘Duo-Art’ (1914) (they occasionally come up on eBay should you wish to own one).

Every virtuoso interprets music in a very personal way so what this means is that you hear ‘live’ performances at an incredible level of fidelity from virtuosos such as Strauss and Rachmaninov so you get to hear the masters, rediscover forgotten pieces; and revitalise neglected ones.

People hearing a ‘reproducing piano’ ‘live’ for the first time are usually stunned into jaw-dropping silence as the piano ‘comes to life’ in a really spooky way. Children gasp; women sob; and grown men cry at the wonderful virtuoso performances as they listen to the delicate detail and full tonal and dynamic ‘expression’ - just as Rachmaninov and his contemporaries ‘recorded’ their masterworks onto ‘reproducing piano’ ‘music rolls’ almost a CENTURY ago.

In 1917 the ‘October Revolution’ took place in Russia which prompted Rachmaninov (and others) to flee Russia for America. Now as luck would have it, the American Piano Company had just released their ‘Ampico B’ reproducing piano – and Rachmaninov was approached to ‘record’ ‘music rolls’ to promote this uncanny instrument – a formidable instrument of great beauty capable of reproducing every accent; every nuance; every shade; every crescendo; and every diminuendo from the softest pianissimo to the loudest fortissimo.

By playing a ‘reproducing piano’ ‘music roll’ on a ‘reproducing piano’, what this means is that instead of hearing noisy archaic recordings of Rachmaninov and his contemporaries recorded on primitive recording equipment with mediocre sound-capture and playback capability, what you hear is an ACOUSTICAL RECREATION of a virtuoso performance played the way that Rachmaninov and his contemporaries WANTED you to hear it; as it SHOULD be heard; on a REAL concert grand piano – each and every time you play the CD.

Gasp in awe - you really ARE listening to Rachmaninov playing the PIANO.

Hearing is BELIEVING!

To quote Mahler “The reproducing piano reproduces the living soul of the artist and has not an equal”.

The ‘reproducing piano’ is the device that bridges the 35 year wait for modern electronic recording equipment to be invented (which sadly saw the demise of the reproducing piano – Dame Myra Hess being one of the last virtuosos to make ‘reproducing piano’ ‘music roll’ recordings).

These amazing pianos are now very rare, and to hear one ‘live’ requires research to find ‘mechanical music’ museums that have taken the time and trouble to properly restore them so that you can hear one ‘as it should be heard’ – but thanks to the wonderful people who painstakingly restore these stunning instruments, married to the marvels of modern digital recording technology, you can now hear, experience, and enjoy the virtuosity of Rachmaninov and other great composers and virtuoso pianists playing their own compositions, and the compositions of the greats.

Decca have released TWO Ampico ‘reproducing piano’ ‘music roll’ recordings of Rachmaninov on two CDs - spanning Rachmaninov’s ‘reproducing piano’ recordings from 1919 to 1933 (both available from Amazon) - and they are MAGNIFICENT.

On the ‘Ampico Piano recordings (1919 – 1929)’ you will hear Rachmaninov’s renowned ‘Prelude in C sharp minor’; his beautiful ‘Melodie in E major’; his fabulous ‘Prelude in G minor’; and his tone poem ‘Lilacs’. And if that is not joy enough, you also hear and experience Rachmaninov performing two wonderful ‘feel good’ pieces by Fritz Kriesler.

On the ‘Ampico Piano recordings (1919 – 1933)’ you will hear Rachmaninov play Beethoven’s ‘Turkish March’ with the vim and gusto Rachmaninov is renowned for (you may need to have the floor reinforced to handle the force he delivers on the loud passages) – and then have a box of tissues on standby as you hear the great man perform Gluck’s ‘Melodie dell Orfio’ from ‘Orpheus’ with light poetic delicacy.

Other gems include Rachmaninov playfully ‘snagging the thread’ as he performs Mendelssohn’s ‘Spinning Song’, prior to giving a wonderful interpretation of Chopin’s ‘Waltz in E flat major’ from the ballet ‘Chopiniana’ (the very first ‘romantic’ ‘ballet of mood’ which depicts how a woman rejected by a poet as he chooses between two women, conquers her emotions – now available fully restored on ‘Kirov Classics’ BluRay) – and get those tissues out again as you listen to Rachmaninov play Rubenstein’s’ ‘Barcarole’.

As we seem to have got to know each other a little better, I shall now share a secret with you (shhh – come a little closer so that I can whisper it – but whatever you do - don’t tell anyone – it’s a secret).

The DAL-SEGNO record company have painstakingly compiled and recorded some of the finest composers and pianists that ever lived on a wonderful catalogue of ‘reproducing piano’ ‘music roll’ CDs (available on Amazon - search for ‘dal segno records’).

These include performances from Strauss; Grieg; Paderewski; Rachmaninov; Prokofiev; Scriabin; Mahler; Bartok; Stravinsky; Saint-Saens; Bizet; Granados; Debussy; Faure; Gershwin; Granger; Arrau; Serkin; Lhevinne; Novaes; Horowitz; Rubenstein; and Hess – and this is only scratching the surface of their amazing accomplishment.

Dal Segno have released two special ‘samplers’ from their remarkable catalogue to encourage our children to appreciate timeless compositions performed by virtuoso performers. These are ‘Music for babies’ and ‘Music for children’.

Both CDs are truly magical. Smile and dance as you listen to Percy Granger playing melodies from Tchaikovsky’s ‘The Nutcracker’; dream in wistful reverie as you listen to Claude Debussy play ‘The girl with the flaxen hair’; sing along with gusto as George Gershwin plays ‘I’m forever blowing bubbles’ to lift the spirits and gladden the heart; or join Strauss on an epic boat journey that takes you right across Europe as he plays the wonderfully celebrated ‘mind picture’ ‘On the beautiful blue Danube’.

Volume 8 of ‘The great pianists’ features ARTHUR RUBENSTEIN performing Chopin; Rimsky Korsakov; Debussy; Brahms; De Falla; Prokofiev; and Abeniz; on a ‘reproducing piano’ – and Dal Segno’s ‘double album’ CD ‘FREDERIC CHOPIN – the original piano roll recordings’ features Rubenstein and other notables playing Chopin on a ‘reproducing piano’.

No noise – no ‘cramping’; no distortion; no sound ‘thinness’ – just shear bliss as you listen to the masters play on one of the most remarkable inventions of the 20th century – the ‘reproducing piano’ (be warned – once you hear a reproducing piano it is VERY addictive).

Simply purchase the Rubenstein along with the Decca recordings and the other two Dal Segno CD’s and own some of the finest music ever composed for piano played in the highest fidelity by the world’s greatest virtuoso pianists.

And if you wish to go the extra mile, treat yourself or a loved one to ‘Kirov Classics’ on BluRay or DVD (available on Amazon). Here you will find the ballet ‘Chopiniana’ faithfully restored in full colour which contains Chopin’s ‘A major prelude’ in full.

It doesn’t get any better!

Happy listening

6人のお客様がこれが役に立ったと考えています

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THE 4 PIANO CONCERTOS

曲目リスト

ディスク： 1

ディスク： 2

商品の説明

Amazonレビュー

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レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。

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THE 4 PIANO CONCERTOS

曲目リスト

ディスク： 1

ディスク： 2

商品の説明

Amazonレビュー

登録情報

カスタマーレビュー

この商品をレビュー

上位レビュー、対象国： 日本

レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。

他の国からのトップレビュー

上位レビュー、対象国：日本