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Rip, Rig & Panic/Now Please Don't You Cry, Beautiful Edith

5つ星のうち4.6 43
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新品 中古品
CD, CD, インポート, 1990/3/20 輸入盤
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￥5,099 ￥583
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曲目リスト

1 No Tonic Press
2 Once In A While
3 From Bechet, Byas, And Fats
4 Mystical Dreams
5 Rip, Rig, And Panic
6 Black Diamonds
7 Slippery, Hippery, Flippery
8 Blue Rol
9 Alfie
10 Why Don't They Know
11 Silverlization
12 Fallout
13 Now Please Don't You Cry, Beautiful Edith
14 Stompin' Grounds
15 It's A Grand Night For Swinging

商品の説明

Amazonレビュー

Roland Kirk was perhaps foremost a tenor sax player, but one should add to that flute, stritch and manzello, and one should also add that often he would play them all at once! So even before encountering his music one can marvel at just how he managed that? How did he breathe, control the instruments, how did he get them into his mouth? Then when the suitably intrigued listener finally does hear the music the marvel is multiplied a hundred-fold: this two-in-one album is one of the most exciting and stunning that you'll hear. Kirk mixes bop, funk, R&B, avant-garde and genres yet to be named into a soup of sound which avoids being the unruly mess one might expect and instead is truly enthralling. And for those who may be put off by the avant-garde, rest assured that Kirk had the gift of being both cutting-edge and solidly accessible. Taken separately Rip, Rig and Panic and Now Please Don't You Cry Beautiful Edith are desirable purchases, but now together on a single CD, they are truly essential. --Phil Brett

登録情報

  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 13.97 x 12.55 x 1.14 cm; 96.96 g
  • メーカー ‏ : ‎ POLYG
  • EAN ‏ : ‎ 0042283216426
  • 商品モデル番号 ‏ : ‎ 042283216426
  • オリジナル盤発売日 ‏ : ‎ 1990
  • SPARSコード ‏ : ‎ DDD
  • レーベル ‏ : ‎ POLYG
  • ASIN ‏ : ‎ B000004747
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    5つ星のうち4.6 43

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星5つ中4.6つ
5つのうち4.6つ
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TS
5つ星のうち5.0 カークとバイヤードとはとても相性がいい。
2024年3月5日に日本でレビュー済み
このアルバムとともに、バイヤード名義のプレステッジの二人の共演とともに忘れ難い好演。
役に立った
 レポート
kp2
5つ星のうち4.0 単純にカラフル
2003年11月18日に日本でレビュー済み
Amazonで購入
ニューウェーブバンドがその名前を拝借した「Rip, Rig and Panic」のCD。
由来のせいで、いかついフリーキーな内容を想像してしまいますが、
単純にジャズとして楽しいです。
どの曲もコンパクト。
カーク必殺技（ただしよれ気味）の一人で同時に複数の管楽器を操るハーモニーとか、
テーマとソロを別の楽器で吹き分けたりとか、単純にカラフルです。
特に3曲目のソロは秀逸だと思います。
数ある演奏楽器の中に「サイレン」との記載があって、何？とか思いましたが、
確かに鳴ってます。サイレン。
2in1というお得感もあり、更にドラムはエルビン・ジョーンズだし、買う価値ありです。
もう一枚の「Now Please Don't You･･･」も悪くない出来です。
LonnieListonSmithがピアノを弾いています。
「Alfie」も入ってます。
21人のお客様がこれが役に立ったと考えています
役に立った
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すべてのレビューを日本語に翻訳
The jazz guy
5つ星のうち5.0 one of Kirks greatest recordings
2021年5月19日にカナダでレビュー済み
Amazonで購入
This is two of Kirks most stunning recordings featuring some of the best jazz musicians of the times.The first features a backing trio of Jaki Byard, Richard Davis and the untouchable Elvin Jones. The music is as good as any quartet you will ever listen to but when you hear Rahsaan pull out the bag of tricks you begin to wonder how is it possible that one man is playing the saxophone on these recordings with no overdub-live off the floor. You are witnessing a musical miracle--Rahsaan Roland Kirk and the musical legacy he left on planet earth. But when you get through the first 7 tunes be prepared for shock and awe because I like the second recording more.. Backed by Lonnie Smith ( who I know as an organ player) piano, Ronald Boykins and Grady Tate this quartet plays some of the most tasteful music I have heard anywhere. When Eric Burdon left The animals and started War he played as much Roland Kirk as he could find for his sax player because like anyone else-he found Roland Kirk to be an untouchable musician!! Roland may not have been the first to play multiple horns simultaneously but he developed a technique of playing ascending and descending lines at once, he could also play three melodies with three horns in his mouth. He claimed he could play over 100 instruments and I have no doubt he would sound professional on any one of them. Roland Kirk was a jaw dropping talent and there was only one of him---he just sounds like an entire big band section!! This is two of Kirks works that stands the test of time, you will not hear any sax player that sounds like Roland Kirk any time or place.
1人のお客様がこれが役に立ったと考えています
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Sentinel
5つ星のうち5.0 Sheer Bliss
2021年1月18日に英国でレビュー済み
Amazonで購入
As you may know, Kirk is able to play more than one horn at once! However, he is more than a novelty act, as this cd, a double album, demonstrates. It's full of some joyful, swinging jazz, bubbling with personality & commitment. I have an extensive jazz collection, yet it's ages since I last enjoyed an album as much. Sound is good, so the other musicians come through well: a lovely warm bass, thrashing drums, rippling piano. The call & response between keyboards & horns is nicely developed, and this album is a joy to listen to throughout.
'Rip Rig' is a wonderfully chaotic sounding album (though top rated by Gramophone & Penguin Jazz Guides), while 'Beautiful Edith' is more disciplined & beautifully ballad-driven. Slightly schizophrenic contrast, but that's often the nature of Kirk's work. Well worth investigating.
4人のお客様がこれが役に立ったと考えています
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Darko
5つ星のうち5.0 Atypique !
2013年4月1日にフランスでレビュー済み
Amazonで購入
Dans la série des artistes atypiques ayant enregistré au Van Gelder Studio, impossible de ne pas citer Roland Kirk et son "Rip, Ring and Panic". Musicien aveugle et multi-instrumentiste toujours plein d'idées, il partageait avec plusieurs de ses contemporains, dont Charles Mingus ou Eric Dolphy, un goût immodéré pour les sonorités bizarres. C'est ainsi qu'on le retrouve ici jouant du sax ténor, mais également du manzello et du Stritch, sortes de sax soprano peu usités, de la flûte et, plus étrange encore, faisant usage de castagnettes et de sirènes !

La version ici présente de "Rip, Rig and Panic" regroupe en fait deux albums de Roland Kirk. Outre le célèbre "Rip Rig and Panic", enregistré au Van Gelder Studio d'Englewood Cliffs le 13 janvier 1965 avec Jaki Byard au piano, Richard Davis à la basse et Elvin Jones à la Batterie, figure en bonus l'album "Now Please don't you cry, beautiful Edith", enregistré au même endroit le 2 mai 1967 avec cette fois ci Lonnie Liston Smith au piano, Ronld Boykins à la basse et Grady Tate la batterie.

Du hard bop inventif et jubilatoire, qui n'empêche pas Roland Kirk de rendre hommage à ses maitres : Lester Young dans "No Tonic Pres" (Pres étant le surnom de Lester Young), Sidney Bechet, Don Byas ou Fats Waller dans le bien nommé "From Bechet, Byas and Fats". Curieusement dans ce morceau, comme dans "Black Diamond", on a plutôt l'impression d'entendre le Coltrane de "My favorite Thing" que Sidney Béchet ?!? En tout cas, un album de très haut niveau à l'écoute duquel on ne s'ennuie pas une minute. Le second disque, plus intimiste, peut-être également plus classique, avec un excellent pianiste, vaut également le détour.

Bravo Captain Kirk !
4人のお客様がこれが役に立ったと考えています
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Rüdiger Laur
5つ星のうち5.0 RIP, RIG, AND PANIC; Now please don't you cry beatiful Edith
2012年5月17日にドイツでレビュー済み
Amazonで購入
Wer alte Aufnahmen von John Coltrane mag, dem wird auch diese CD gefallen. Das erste Album von 1965 mit "Rip, Rig, and Panic", beinhaltet sehr lebendigen und spaßigen Jazz dieser Zeit. Die Reihenfolge der Stücke ist so abgestimmt, dass Titel mit überwiegend improvisierten Teilen sich abwechseln mit eingehenden Melodien.

Auf dem zweiten Album von 1967 "Now please don't you cry beautiful Edith" geht es etwas weniger lebhaft zu. Hier wechseln Blues Elemente mit eher starren geplanten Passagen. Immer wieder finden sich Stellen, bei denen Roland Kirk seine besondere Spezialität extrem lang anhaltender Töne zum Besten gibt.

Die CD ist ein wunderbarer Höhrgenuß und nur zu empfehlen. Viel Spaß dabei.
2人のお客様がこれが役に立ったと考えています
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Alistair McHarg
5つ星のうち5.0 An Ideal Port Of Entry Into Rahsaanapolis
2007年5月27日にアメリカ合衆国でレビュー済み
Amazonで購入
This CD combines two of Roland Kirk's most celebrated albums, one volcanic, the other luscious. Rip, Rig and Panic is renowned because of the astounding line-up, Jaki Byard on piano, Richard Davis on bass, and the redoubtable Elvin Jones kickin' skins. (Jones has never sounded better.) The other, Now Please Don't You Cry, Beautiful Edith, sounds like lounge jazz by comparison. The lineup is strong, but simply not in the same league as Rip, Rig and Panic. Still, the album contains some of Rahsaan's most appealing work, including the title track. In this respect it provides listeners, especially, newcomers, a good overview of the diverse landscapes of Rahsaanapolis.

This said, it would require a truck equipped with extra heavy-duty suspension to deliver the box set providing a comprehensive tour of Rahsaanapolis. Kirk was a man of profound contradictions, relentless experimentation, and an unquenchable appetite for music. He has been largely overlooked by jazz historians (to say nothing of the public!) and unfairly tagged as a novelty act because of his propensity for playing multiple horns simultaneously and actually making his own reed instruments out of bits and pieces of other reed instruments. Rock producer Billy Graham once said of Kirk, "He wasn't just angry, he was Nina Simone angry." True, and yet he was capable of playing music so fragile and beautiful it might reduce a serial killer to tears - check out I Talk With The Spirits.

One of Kirk's many contradictions was that, despite his intense need to push music into uncharted territory - frequently in several directions at once - listening to him was always a Master's Class in music history. No jazz musician has ever been so aware of his roots, or anxious to share them with you. Who else could take you from Sidney Bechet, Don Byas, and Fats Waller all the way to Burt Bacharach and Hal David - and have the trip make sense? At one point in the breathtaking album Rahsaan Rahsaan, Kirk says, "Thank you, Bird" in such a casual, comfortable tone of voice it's as though Charlie Parker had just left the room. In a sense, that's exactly what did happen, because the musicians Kirk studied came alive in his music, in his respect for them and in his confidence as he interpreted them and developed their ideas.

It's tempting to point out that Kirk was blind, and perhaps, like others before him, his stunning ear was partly attributable to this. But for Kirk, a heightened ability to listen was only the starting point. Kirk played everything he touched, and he played with unparalleled intensity. His flute playing was memorable, but his tenor sax work was simply off the map. Kirk belongs in the pantheon with Lester Young, Charlie Parker, Eric Dolphy, and John Coltrane - indeed, he's already there, it's just that the mainstream hasn't noticed yet. I'm not aware of any Rahsaan Roland Kirk CD that isn't worth the price of admission, but for veterans and first time visitors to Rahsaanapolis alike, this CD is especially select.
28人のお客様がこれが役に立ったと考えています
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