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Sefronia

ティム・バックリィ Guy Marchand 形式: CD

4.5 44個の評価

仕様

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新品

中古品

CD, CD, インポート, 2017/9/29

"もう一度試してください。"

CD, インポート

￥1,893

￥2,748

CD, CD, リミックス含む, 1995/8/15

"もう一度試してください。"

CD, インポート

—

￥2,307

￥530

CD, インポート, リミックス含む, 2017/10/13

"もう一度試してください。"

インポート, リミックス含む

—

￥2,589

￥2,934

CD, インポート, 1997/12/15

"もう一度試してください。"

インポート

—

￥5,045

￥1

"もう一度試してください。"

1枚組

—

￥500

CD, 2017/10/28

"もう一度試してください。"

(正規品)(新品)(未開封)

—

￥2,100

CD, インポート

"もう一度試してください。"

インポート

—

￥3,392

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曲目リスト

1	Dolphins
2	Honey Man
3	Because of You
4	Peanut Man
5	Martha
6	Quicksand
7	I Know I'd Recognize Your Face
8	Stone in Love
9	Sefronia-After Asklopiades, After Kafka
10	Sefronia-The King's Chain
11	Sally Go Round the Roses

商品の説明

内容紹介

Tim Buckley's 8th studio album, released in September 1973. Includes the first-ever cover of the Tom Waits composition, "Martha." Recorded and produced in LA, featuring funk and soul studio vets and Buckley's rich and amazing voice.

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After the lacklustre response to his groundbreaking early 1970s albums, Tim Buckley was forced back to the drawing board. His second attempt at a comeback was the over-egged Sefronia. Produced by pop producer, Denny Randell, this 11-track album did nothing to rescue his critical reputation. It's clear from the outset that Buckley was not really on peak form. Apparently suffering from a cold at the time, his much-loved voice wasn't at his best and this collection of ballads is made even more frustrating by the occasional flashes of inspiration. Overall, the tracks, which include an interesting choice of covers (Fred Neil's "Dolphins" and Tom Wait's "Martha"), are too submerged in Randell's slick production to really shine. Pedestrian, rather than otherworldly, it undoubtedly takes a while for the listener to feel at home here. However it's not easy: his distinctiveness was waning and the material doesn't really cut it. When his ramshackle muse does hang together, like on the evocative, "Quicksand" and the sweet "I Know I'd Recognise Your Face", we're almost in Happy/Sad territory but overall the songs (bar the covers) aren't worthy of the voice of that blood and blues-scarred past. --Reuben Dessay

登録情報

メーカーにより製造中止になりました ‏ : ‎ いいえ
製品サイズ ‏ : ‎ 16.1 x 14.61 x 0.99 cm; 83.91 g
メーカー ‏ : ‎ Manifesto Records
EAN ‏ : ‎ 0076700407012, 0767004070124, 0766481578628
オリジナル盤発売日 ‏ : ‎ 1995
レーベル ‏ : ‎ Manifesto Records
ASIN ‏ : ‎ B000005DDZ
ディスク枚数 ‏ : ‎ 1

カスタマーレビュー:
4.5 44個の評価

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5つのうち4.5つ

44グローバルレーティング

星2つ

星1つ

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The Persecutor

Il miglior disco della terza fase creativa

2022年8月22日にイタリアでレビュー済み

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Ottavo e penultimo disco in studio di Tim Buckley, è sicuramente il migliore della sua ultima fase creativa. Dopo il primo periodo che si può definire folk-melodico ("Tim Buckley" del 1966 e "Goodbye and Hello" del 1967), è venuta la fase 'sperimentale' (da "Happy Sad" del 1969 a "Starsailor" del 1970), che è quella generalmente più apprezzata dalla critica. Poco considerati sono invece gli ultimi tre dischi, quelli cioè del periodo cosiddetto 'commerciale', da "Greetings from L.A." del 1972 all'ultimo "Look at the Fool" (1974), spesso tacciati di scarsa ispirazione e compromesso con il music business. Può esserci del vero, ma questo "Sefronia" (1973) è un album assolutamente apprezzabile, con almeno tre brani eccellenti: "Because of You", "Quicksand" e "Sefronia - After Asklepiades, After Kafka".
Questa riedizione della Edsel è ottimamente rimasterizzata; la custodia è in cartoncino, e include un libretto di 12 pagine contenente i testi dei brani e materiale vario. Consigliato, anche se non è il capolavoro di Tim Buckley.

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Steven Haarala

Odd, and odder

2015年6月12日にアメリカ合衆国でレビュー済み

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This 1973 release was Tim Buckley's 8th and next-to-last album. It is an odd piece of work for many reasons. First, out of 11 songs, 6 were not written by Tim. This does not, however, affect the quality of the album. The material was well chosen. Second, it is an almost even mix of warm, earnest songs and downright sexy funk. He is good at both, so again, no problem. And third, some of the ideas expressed defy interpretation, or at least unambiguous interpretation.

"Dolphins" is one of the earnest songs, a ballad. The dolphins are a metaphor for an ideal world, as opposed to the real world which Tim feels "will never change the way it's been", and, he adds, "I only know that peace will come when all our hate is gone". This ideal world would also include a woman from the past to whom Tim sings "I wonder do you ever think of me?" Conversely, "Peanut Man", one of my favorites, is a fun R&B track in which Tim tells the peanut man (?), "Drops of perspiration Johnny/Coming over me, hey buddy/Pour another glass of cola/Pass it to me". That last line is sung in a high falsetto that is just hilarious. Returning to earnestness, "Martha" is a beautiful, bittersweet orchestral number that reminds me just a little bit of The Beatles' "Martha, My Dear": "Guess that our bein' together was never meant to be/But Martha, Martha, I love you, can't you see and...those were the days of poetry and prose/And Martha all I had was you and all you had was me". "Stone In Love" takes us back to lowdown sex-funk: "I can almost taste it...and I was born not to waste it Lord/Oh, now baby; I got midnight fever".

By far, the strangest song is "Sefronia", which is actually in 2 parts, "After Asklepiades After Kafka" and "The King's Chain". What Tim was trying to convey is anybody's guess, but there are references to possible voodoo ("Sefronia shook the black cat's bone at me"), slavery and S&M ("She pried the whip out of her master's hand/And lashed at her own skin"), Africa ("...you hike in shells and feathers/Up the African beach"), and primitive sexuality ("Let me sip weakness from your dark nipples"). The instrumental arrangement for "Sefronia" takes a back seat to the unconventional, meandering vocal melody. After all this, the final track, "Sally Go Round The Roses", is tame, even though it does say, "Honey, the saddest thing in the whole wide world/Is to find your woman been with another girl", a pretty daring statement for 1973. But the mellow funk of the arrangement is rather soothing.

Tim Buckley has to be the most under-appreciated musical artist who ever lived. Clearly he had limitless ideas, both musical and thematic, which he wanted to express, even at the cost of commercial failure. If he were alive in the present time, maybe life would have worked out differently for this gifted, intelligent, creative and bold singer/songwriter.

9人のお客様がこれが役に立ったと考えています

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Thorgod

Underrated in its own time, still is!

2015年9月5日に英国でレビュー済み

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A much berated album when released and still not over popular, but in truth it was only because of its commercial songs, (not a respectable thing to do in this period of music), it was not exepted, this and the fact that neither was Tim Buckley that successful before his total acceptance in the late seventies.
The album builds on his jazz and folk roots, yes moving onward towards the inevitable conclusion of commercial pop, but still with a sound that can haunt and inspire the listener. All the songs have great rhythm sections with gentle powerful vocals as to be expected.

He was wonderful to see live, pulling the audience into his world, so if you get chance to obtain a live album it will be good at worst. He is one of the very few musicians of his decade to make me so happy and proud to be a part of it.

Having many friends and followers of music whom where late to the Tim Buckley sound, this album has never been a favourite, maybe if you did come across it out of its release contest it is of putting. But if you were there awaiting its release then it falls into place, please give this a chance to shine as it was meant to. So many people came to Buckley late to be Hip, this is not what he is about, he is there for the love of what he believed in, his music.

11人のお客様がこれが役に立ったと考えています

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Andreas

Genie und Kommerz

2011年8月10日にドイツでレビュー済み

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"Sefronia" ist ein Zwitterwesen im Oevre von Tim Buckley. Es gibt sehr kommerzielle Nummern wie etwa den routiniert heruntergespielten Rocker "Honey Man" und es gibt zarte Balladen, die den beeindruckenden Stimmumfang Buckleys zum Ausdruck bringen uns stilistisch sich an das Frühwerk anlehnen (darin muss ich dem ersten Rezensenten widersprechen). Und nicht zu vergessen ein paar Ohrwürmer, besonders "Dolphins", die so wunderschön sind, dass sich jede Erörterung ob das nun Kunst oder Kitsch wäre, erübrigt.
Nicht nur für Fans!

2人のお客様がこれが役に立ったと考えています

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Vincent C.

A découvrir, vraiment

2003年6月10日にフランスでレビュー済み

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4.5 étoiles plutôt ! L'album marque la période rock du chanteur (funky par certains côtés), avec certes des reprises (d'où le côté commercial décrié par certains, qui à l'époque ne devaient pas connaître grand-chose au génie de Buckley :), mais il faut voir la dextérité avec laquelle elles sont faites, et les chansons originales s'en trouvent améliorées. A noter "Martha", écrite par Tom Waits, très belle. "Dolphins" est envoûtant, et "Sally go 'round the roses" nous montre l'étendue vocale de Tim.
A côté, des morceaux spéciaux : "Sefronia", qui sort de l'ordinaire, et qu'on ne se lasse pas d'entendre avec ses sonorités et paroles étranges. "Quicksand" et "Honey Man", où Tim nous prouve qu'il maîtrise sa voix d'une manière hallucinante ; "Stone in love", une chanson à la construction simple (un riff de guitare et demi) mais hypnotisante.
En gros, avec un son vraiment agréable, ce CD mal connu se doit d'être écouté. Il a de grandes chances d'être aimé !

6人のお客様がこれが役に立ったと考えています

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Sefronia

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