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Mondonville: Grand Motets
Jean-Joseph Cassanea de Mondonville
(作曲),
William Christie
(指揮),
Les Arts Florissants
(オーケストラ),
Sophie Daneman
(演奏),
Maryseult Wieczorek
(演奏),
Paul Agnew
(演奏),
Francois Piolino
(演奏),
Maarten Konigsberger
(演奏),
Francois Bazola
(演奏)
&
6
その他 形式: CD
曲目リスト
1 | Dominus Regnavit: Dominus Regnavit |
2 | Dominus Regnavit: Et Enim Firmavit |
3 | Dominus Regnavit: Parata Sedes |
4 | Dominus Regnavit: Elevaverunt Flumina |
5 | Dominus Regnavit: Testimonia Tua |
6 | Dominus Regnavit: Gloria Patri |
7 | In Exitu Israel: March And Chorus 'In Exitu' |
8 | In Exitu Israel: Mare Vidit |
9 | In Exitu Israel: Jordanis Conversus Est Retrosum |
10 | In Exitu Israel: Montes Exsultaverunt |
11 | In Exitu Israel: Quid Est Tibi, Mare |
12 | In Exitu Israel: A FAcie Domini |
13 | In Exitu Israel: Qui Timent Dominum |
14 | In Exitu Israel: Non Nortui Laubabunt Te |
15 | De Profundis: De Profundis Clamavi |
16 | De Profundis: Fiant Aures Tuae |
17 | De Profundis: Quia Apud Te |
18 | De Profundis: A Cusodia Matutina |
19 | De Profundis: Quia Apud Dominum |
20 | De Profundis: Et Ipse Redimet Israel |
21 | De Profundis: Requiem Eternam |
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 1 x 12.5 x 14.2 cm; 110 g
- メーカー : Erato
- EAN : 0706301779125
- レーベル : Erato
- ASIN : B000005E5D
- 原産国 : アメリカ合衆国
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 712,528位ミュージック (ミュージックの売れ筋ランキングを見る)
- カスタマーレビュー:
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5つのうち4.7つ
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他の国からのトップレビュー
Miguel Ángel
5つ星のうち5.0
La música
2023年7月13日にスペインでレビュー済みAmazonで購入
El producto lo recogí hoy. El embalaje es correcto, si bien el sobre era demasiado grande y aparecía doblado. El producto ha llegado en perfecto estado.
Amazoner
5つ星のうち5.0
Erfrischend anders
2018年2月8日にドイツでレビュー済みAmazonで購入
Die Musik Mondonvilles ist deutlich fortschrittlicher als diejenige seiner französischen Zeitgenossen (Rameau, Lully). Die Motetten sind toll orchestriert, Tempi und Rhythmi sind erfrischend anders. Dirigat, Orchester, Chor und Solisten sind ohne Fehl und Tadel. Klare Kaufempfehlung.
Yves Le Maigat
5つ星のうち5.0
Superbes Grands Motets de J.J.Cassanéa de Mondonville.
2017年6月26日にフランスでレビュー済みAmazonで購入
Bien reçu ce CD en excellent état. .Les interprétations des chants et des musiques sont sublimes. Ces oeuvres peu connues en France gagneraient à figurer dans les plus grands concerts et méritent une plus grande diffusion. A conseiller vivement aux amateurs de musique classique religieuse du 18ème siècle.
I. Rocco
5つ星のうち5.0
Excellent
2015年5月31日にイタリアでレビュー済みAmazonで購入
An excellent recording and fantastic music by well known Label. Warm sounding with a lot of particular details and nuances. Highly recommended.
Gio
5つ星のうち5.0
I can't imagine...
2008年8月29日にアメリカ合衆国でレビュー済みAmazonで購入
...why everybody hasn't become a rabid fan of French Baroque music, especially in the last decade with performers of the quality of Bill Christie's Les Arts Florissants! It's lively, it's direct to the senses, it's rich in variety, and even when it's deeply spiritual it's never lugubrious or ponderous. If YOU are one of the unconverted, this CD of the Grands Motets of Jean-Joseph de Mondonville (1711-1772) might be the performance that will open your ears. In addition to the usual charms of French Baroque, Mondonville's music is at times brilliantly colorful, fall-down funny, gracefully balletic, sensual, and staunchly noble, all in good turn.
Mondonville was always a crowd pleaser by choice, far more popular in his time than more "elite" composers like Rameau, but these Grands Motets are not fluff by any means. They are as deeply rooted in the theory and tradition of the music of the French royal chapel as any of the scores of Grand Motets stretching back to the youth of Louis XIV and continuing to the French Revolution. Essentially, to be a "Grand Motet", the sacred Latin text had to be set in grand style, with chorus, orchestra, and soloists, almost always in six or more contrasting sections avoiding the repetition of da capo forms. The text was supreme and had to be set intelligibly as well as expressively. The great model was always Lully, even 100 years later. The orchestra of Les Arts Florissantes has been augmented for this recording, with 13 violins, 6 violas, 6 cellos, 2 double basses, flutes, oboes, bassoons, organ, and harpsichord - grand forces indeed for music to be performed in a chapel! The six vocal soloists, led by soprano Sophie Daneman, are all Christie stalwarts and singers of superb technique. By the middle of the 18th C, the Grand Motet had in fact emerged from the chapel to compete with the opera for large public audiences in Paris, on the program of the "Concert Spirituel", where Mondonville became music director in 1755.
Mondonwille was apparently fond of musical word-painting, and ready to stretch his orchestrations to accomplish special effects: flood sounds, earthquakes, descents and ascents of angels. The first motet on this disk, Domis regnavit, throws formality to the winds in its boisterous portrayal of waves crashing at the Lord's command. And just imagine what Mondonville makes of this text from the motet In Exitu Israel: "The mountains skipped like rams / and the little hills like lambs."
Everything that needs to be said about the quality of this performance is expressed in the name William Christie. In Bill We Trust!
Les Arts Florissantes, by the way, is partially but critically supported by funds from the French Ministry of Culture, the Regional Council of Basse-Normandie, and the city of Caen. Governmental support of the arts is age-old and proper, the best use the state can make of public money in long-term investment. Bill Christie is an American, but he has spent his career enriching the lives of Europeans because of the dire failure of American governments to support music and the other arts significantly.
Mondonville was always a crowd pleaser by choice, far more popular in his time than more "elite" composers like Rameau, but these Grands Motets are not fluff by any means. They are as deeply rooted in the theory and tradition of the music of the French royal chapel as any of the scores of Grand Motets stretching back to the youth of Louis XIV and continuing to the French Revolution. Essentially, to be a "Grand Motet", the sacred Latin text had to be set in grand style, with chorus, orchestra, and soloists, almost always in six or more contrasting sections avoiding the repetition of da capo forms. The text was supreme and had to be set intelligibly as well as expressively. The great model was always Lully, even 100 years later. The orchestra of Les Arts Florissantes has been augmented for this recording, with 13 violins, 6 violas, 6 cellos, 2 double basses, flutes, oboes, bassoons, organ, and harpsichord - grand forces indeed for music to be performed in a chapel! The six vocal soloists, led by soprano Sophie Daneman, are all Christie stalwarts and singers of superb technique. By the middle of the 18th C, the Grand Motet had in fact emerged from the chapel to compete with the opera for large public audiences in Paris, on the program of the "Concert Spirituel", where Mondonville became music director in 1755.
Mondonwille was apparently fond of musical word-painting, and ready to stretch his orchestrations to accomplish special effects: flood sounds, earthquakes, descents and ascents of angels. The first motet on this disk, Domis regnavit, throws formality to the winds in its boisterous portrayal of waves crashing at the Lord's command. And just imagine what Mondonville makes of this text from the motet In Exitu Israel: "The mountains skipped like rams / and the little hills like lambs."
Everything that needs to be said about the quality of this performance is expressed in the name William Christie. In Bill We Trust!
Les Arts Florissantes, by the way, is partially but critically supported by funds from the French Ministry of Culture, the Regional Council of Basse-Normandie, and the city of Caen. Governmental support of the arts is age-old and proper, the best use the state can make of public money in long-term investment. Bill Christie is an American, but he has spent his career enriching the lives of Europeans because of the dire failure of American governments to support music and the other arts significantly.