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NO COMPRENDO

Les Rita Mitsouko 形式: CD
4.5 5つ星のうち4.5 40個の評価
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新品 中古品
CD 1枚組
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￥4,915 ￥2,584
CD, CD, インポート, 2000/5/16 CD, インポート
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￥6,329 ￥880
CD, 2020/2/10 1枚組
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曲目リスト

1 Les Histoires D'a
2 Andy
3 C'est Comme Ca
4 Vol de Nuit
5 Someone to Love
6 Stupid Anyway
7 Un Soir Un Chien
8 Bad Days
9 Tonite
10 Nuit D'ivresse
11 Andy (English Verison)

商品の説明

France.

登録情報

  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 12.4 x 14.2 x 1.3 cm; 106.03 g
  • メーカー ‏ : ‎ VIRGI
  • EAN ‏ : ‎ 0766486922341, 0077778664420
  • 製造元リファレンス ‏ : ‎ 077778664420
  • オリジナル盤発売日 ‏ : ‎ 2000
  • レーベル ‏ : ‎ VIRGI
  • ASIN ‏ : ‎ B000006T7F
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.5 5つ星のうち4.5 40個の評価

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星5つ中4.5つ
5つのうち4.5つ
40グローバルレーティング

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上位レビュー、対象国： 日本

LU LU
5つ星のうち5.0 新しい発見！
2020年12月11日に日本でレビュー済み
Amazonで購入
突然聴きたくなり、購入。今でも新しい発見があります。
役に立った
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ゆたどん
5つ星のうち5.0 バリバリの80年代
2014年1月25日に日本でレビュー済み
Amazonで購入
初めて聞いた時は大学生。フレンチポップ？って感じだったけど、1曲目からぶっ飛び。2曲目のアンディは心地よし。それ以降順調に流れて行くのだが、やっぱり1曲目、2曲目の衝撃が大きいな。
初めて聞いた時はレコードだったけど、今回あらためてCDを購入。
30年前を懐かしく思い、なおかつ今聞いても新鮮。
4人のお客様がこれが役に立ったと考えています
役に立った
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stella
5つ星のうち5.0 なんで今まで…
2011年9月13日に日本でレビュー済み
Amazonで購入
私80年代に青春期を過ごした40も半ばのオッサンでありますが、当時かなりUKモノにハマって、いわゆるニューウェイブからカフェバーミュージックあたりまで結構聴きました。が彼らの存在は先日彼女に薦められるまで 恥ずかしながら知りませんでした。音的にはアバンギャルドなフレンチ風ごった煮ポップスって感じでしょうか。あの頃のお洒落なUKモノや、戸川純(笑)好きだった人なんかにも オススメかも。
4人のお客様がこれが役に立ったと考えています
役に立った
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carteron
5つ星のうち5.0 super
2024年3月30日にフランスでレビュー済み
Amazonで購入
tres bon album
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S. M. Willberger
5つ星のうち5.0 Super!
2019年3月18日にドイツでレビュー済み
Amazonで購入
Super!
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Client d'Amazon
5つ星のうち5.0 Super!
2016年10月23日にカナダでレビュー済み
Amazonで購入
Vraiment bon!
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Rod
5つ星のうち5.0 Still Holds Over 25 Years Later
2014年5月28日にアメリカ合衆国でレビュー済み
Amazonで購入
It was the winter of 1986 and I had just graduated high school that summer. I took an Xmas vacation from Ohio to Daytona Beach. There was a club there called the 701 South. It was there that I heard "Andy" for the 1st time (I discovered New Order at that time too). It was so fresh, so bold, so much fun. The lyrics were in French and I couldn't understand them but I didn't care. I went to the record store the next day and asked for "Andy", assuming/hoping that was the title. It was like 87th on the charts or something like that and I knew Les Rita Mitsouko had to be correct. There was 1 copy of No Comprendo available on cassette. The album rocks. There is something new around the corner in every song. A new style, a new effect, a new instrument. Again mostly all of it is in French - at times she reminds me of Joan Jett but really she has no equal. I call it French alternative new wave rock. There is an English version of "Andy" on the album. I still have that cassette but with no players anymore, I haven't listened to it in many years. Listening to the CD, it is still fresh and solid after all this time. I have bought other Les Rita Mitsouko albums also as it has proven to be a great escape - I like not understanding the lyrics. I now play it for my 10 year old daughter and she liked it. If you've made it this far to where you are reading this review, just go get it already :)
5人のお客様がこれが役に立ったと考えています
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Isi '85
5つ星のうち5.0 C'mon Andy say "Yes"
2009年8月17日に英国でレビュー済み
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I would have loved to have been a fan of Les Rita Mitsouko when this album dropped. Let me explain.

'Marcia Bailia' became a surprise hit on the French singles chart in 1985. The single had the complete package, it was an upbeat song with a sad but celebratory theme. The instrumentation was modern and ingenious, and the group were stunning too; Catherine Ringer with her Louise Brooks bob-haircut, and Fred Chichin with his skinny frame and funny charm. This was complemented by one of the eighties most original and extravagant videos. It was brilliant. The debut album from with 'Marcia Bailia' was lifted, was arty and leftfield with a mixture of sparse poppy numbers and longer organ-heavy drones. 'Marcia Bailia' was the obvious standout because it was both brighter and more developed than the rest of the album.

'The No Comprendo' then, must have come as a surprising and frankly slamming follow up. The core change is the tempo and the emphasis on strong rhythms. The music featured works as both a logical follow up to the debut and as a completely new and bold direction. The double a-side and first single 'Andy' / 'Un Soir un Chien' plays like a mission statement. The former takes 'Marcia Bailia's synth-horns and giddy feel but locks it to a brittle Prince-like framework with funky bass flourishes and chanted backing vocals. The song practically pile-drives the listener asking them either to dance or at least say "oiu"! 'Un Soir un Chien' moves along on a loungey groove, happy to take its time to develop. It offers Catherine's sweet but strained and utterly-unique vocal performances, which is would later become de rigueur for the group. She dominates the arrangement and it's a formula that is repeated on each of their following albums ('Le Petit Train', 'Les Amants', 'La Sorcière et l'Inquisiteur').

In spite of what I've written so far what's so special about this album and the group is the perfect meshing and switching between live band sounds and the ability to utilise synths, drum machines and effects for such alien sounding results. It also helps that the album is expertly structured. The three main singles - which are upbeat and importantly quite different from one another - give way to the centre of the album, which is dominated by slower numbers ('Vol de Nuit', 'Stupid Anyway', and 'Un Soir un Chien'). While none of these conform to the Chanson genre, they do go a way to emphasising its fundamentals. Catherine's voice (on most tracks) is free to establish a mood however contrary the backing track may initially sound. It's unfair to state and restate Catherine's contributions, but if this review manages anything, I hope it gets close to expressing my adoration and respect from her vocal style. She manages to sing like a stylised Kate Bush or a throaty Bjork while being completely unique.

Another new element is a more pronounced Rock direction. On 'C'est Comme Ca', 'Someone to Love' and 'Bad Days', the guitars and bass guitars are full in the mix. Each manages to straddle that distinction between dance music and rock so perfectly in a manner sort of like New Order or Devo. 'C'est Comme Ca' in particular gets to have its cake and eat it with an energetic Catherine vocal, and a rhythm that flirts between a danceable and rocking, topped off with a superb rock 'n' roll guitar solo.

Returning once more to 'Marcia Bailia', the album closes with a cousin of the hit in the shape of 'Nuit d'ivresse'. The song shares the Latin-tinged acoustic guitar and a light and bright feel. It makes a lovely closer, flipping the more downbeat and paranoid leanings of the middle of the album and finishing on a vibe as joyous as that of 'Andy'.

'The No Comprendo' is such a better album than the first one and is such a more immediate album, but it is so different. In defence of the début, it too is original and touches on styles that the group would never or rarely pursue again; 'La Fille Venue du Froid' is particularly good. But 'The No Comprendo' is the sound of a band on the way up, drunk on success, more ambitious but more aware of their new found pop audience. They could have easily become a one hit wonder, yet the album presents all their strengths and complements them with immediate hooks and great rhythms.

If it's a question of "if you buy only one" Les Rita Mitsouko album, then it has to be this, but I doubt you'll stop with this, they are just so fabulous.
6人のお客様がこれが役に立ったと考えています
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