図らずも70年代のロフトジャズの発火点となった
オーネットの自宅兼スタジオ「アーティスト・ハウス」での実況録音。
Friends and Neighborsのタイトル通り、友だちと近所の人を招いて行ったものらしい。
(インナースリーヴには、ドン・チェリーやファラオ・サンダース、ジャケットにはオーネットとヘイデンの息子の顔も)。

メンバーは当時のレギュラーであるデューイ・レッドマン(ts)、チャーリー・ヘイデン(b)、エド・ブラックウェル(ds)。
珍しいゴスペルタッチのタイトルチューンでは、「友だちと近所の人」にコーラスさせて、
自らはお得意のアヴァンギャルドなヴァイオリンをかきむしるなど、ハッピームードいっぱい。
油の乗りきったカルテットの演奏を堪能できる一枚。
壊れ気味にファンクするヘイデンのベースもスゴイ。

2人のお客様がこれが役に立ったと考えています

役に立った

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Jim Reyno

Great fun!

2019年7月11日にカナダでレビュー済み

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It's like a free jazz kitchen party! Maybe the best trumpet Ornette ever played. Check the liner notes - is that Gil Evans in the crowd? Looks like him.

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R. Rooksby

Let's Play

2017年8月18日に英国でレビュー済み

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Considered a minor work by some, but I really like it. Raw, spontaneous, energising free jazz played without pomp or pretension. It is what it is, and if you like Ornette you'll love it.

1人のお客様がこれが役に立ったと考えています

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The Mighty Tyrone

Reissue Magic

2013年10月14日にアメリカ合衆国でレビュー済み

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A wonderful live lp finally given a proper rerelease after many years, this was recorded in Ornette's loft in 1970.
It features his classic sidemen Charlie Haden, Dewey Redman, and Ed Blackwell.

Clearly a must-have for anyone into Free Jazz or Mr Coleman.

4人のお客様がこれが役に立ったと考えています

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halloomee

Four Stars

2017年7月7日に英国でレビュー済み

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Excellent live cd from genius Ornette Coleman.

Highly recommended.

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David Keymer

NOT ESSENTIAL BUT HIGHLY RECOMMENDED

2015年6月19日にアメリカ合衆国でレビュー済み

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COLEMAN, Ornette. Friends and Neighbors: Ornette Live at Prince Street. Flying Dutchman. 2013; rec. love 1970OC, alto sx, tpt, viol; Dewey Redman, ten sx; Charlie Haden, b; Ed Blackwell, dr.
In 1970, Ornette Coleman invited friends and neighbors to join him in his loft on the Lower East Side of Manhattan for an impromptu concert by his then-band --–Dewey Redman on tenor sax, Charlie Haden on bass, Ed Blackwell, drums. A&R man Bob Thiele was there: Ornette had just signed a one-album deal with him and Thiele released the set on his Flying Dutchman label as “Friends and Neighbors.” It has largely been overlooked in subsequent discussions of Ornette’s work and while it isn’t one of the great sets but it’s a good set by a killer band. Redman, who performed with Coleman from 1968-72, was a good foil for Coleman: both played free jazz and Redman’s muscular tenor tone contrasted well both with Coleman’s thinner, slightly off-pitch alto and even more with his screeching, near-frenzied violin. There are six tunes on this album, none among his best, but all are good. By this point in his career, Coleman was a prolific composer who crafted vehicle after vehicle for his startling horn work. So … good Redman and Coleman, adequate tunes, and a dream rhythm section in Haden (whose bass is undermiked here) and Blackwell. If there ever was doubt how great a drummer Blackwell was, this album would dispel it. Listen to his propulsive, explosive, drumming on ”Long Time no See.” I know that Blackwell grew up in New Orleans but I never quite understood references to his “New Orleans style.” Now, maybe I do –I suspect it refers to the elements of marching band drumming in his playing. Combined with his free approach to rhythm (essential when playing behind Coleman, who wanted his options open even in mid-song –he changed key or tempo as the mood hit him). The result was a propulsive, explosive element that raised Blackwell’s drumming well above the expected, making this music exciting, exploratory and joyous. The title song on the album is played twice, once with Ornette’s guests singing along, the second time with no vocals. Ornette plays violin on this tune, both versions. The middle of the tune is Ornette’s violin and Redman’s tenor sax intertwining in solo, the drums and bass pushing them along. A side note: the photographs from the original release show that one of the “friends” who was there that night was Gil Evans. We know that four years later, Evans would release an album of his own arrangements of Jimi Hendrix’s music. Eric Dolphy recorded Third Stream music on Atlantic Records. And Ornette wrote his own music for strings and orchestra (The Croyden Concert, Skies of America). Wouldn’t it have been interesting to hear Evans arrangements of Ornette tunes, with Ornette soloing on them?

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Friends And Neighbors:Live At Prince Street

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