Nuggets: Original Artyfacts From The First Psychedelic Era 1965-1968
仕様 | 価格 | 新品 | 中古品 |
CD, 2006/6/25
"もう一度試してください。" | 1枚組 |
—
| — | ¥1,080 |
CD, CD, リミックス含む, 2012/11/27
"もう一度試してください。" | CD, インポート |
—
| — | ¥1,280 |
CD, インポート, 1998/9/15
"もう一度試してください。" | 通常盤 | ¥8,000 | — | ¥8,000 |
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曲目リスト
ディスク: 1
1 | I Had Too Much To Dream (Last Night) |
2 | Dirty Water - The Standells |
3 | Night Time |
4 | Lies - The Knickerbockers |
5 | Respect |
6 | A Public Execution |
7 | No time like the right time - Blues Project |
8 | Oh Yeah |
9 | Pushin' Too Hard |
10 | Moulty |
11 | Don't Look Back |
12 | An invitation to cry - The Magicians |
13 | Liar, Liar |
14 | You're Gonna Miss Me |
15 | Psychotic Reaction |
16 | Hey Joe |
17 | Romeo & Juliet |
18 | Sugar And Spice |
19 | Baby Please Don't Go |
20 | Tobacco Road |
21 | Let's Talk About Girls |
22 | Sit Down, I Think I Love You |
23 | Run, Run, Run |
24 | My World Fell Down |
25 | Open My Eyes |
26 | Farmer John |
27 | It's-A-Happening |
ディスク: 2
1 | Talk Talk - The Music Machine |
2 | Last Time Around |
3 | Nobody But Me |
4 | Journey To Tyme |
5 | No Friend Of Mine |
6 | Outside Chance |
7 | Action Woman |
8 | Spazz |
9 | Sweet Young Thing |
10 | Incense And Peppermints |
11 | I Ain't No Miracle Worker |
12 | 7 And 7 Is |
13 | Time won't let me - The Outsiders |
14 | Going All The Way |
15 | I'm Gonna Make You Mine |
16 | The Trip |
17 | Can't Seem To Make You Mine |
18 | Why Do I Cry |
19 | Laugh, Laugh |
20 | The Little Black Egg - The Night Crawlers |
21 | I Wonder |
22 | I See The Light |
23 | Who Do You Love |
24 | Double Shot (Of My Baby's Love) |
25 | Live |
26 | Steppin' Out |
27 | Diddy Wah Diddy |
28 | Strychnine |
29 | Little Girl |
30 | (We ain't got) Nothing yet - Blues Magoos |
31 | Shape Of Things To Come |
ディスク: 3
1 | Let It Out (Let It All Hang Out) |
2 | Fight Fire |
3 | At The River's Edge |
4 | Jack Of Diamonds |
5 | Follow Me |
6 | It's Cold Outside |
7 | Beg, Borrow And Steal |
8 | She's About A Mover |
9 | Little Bit O'Soul |
10 | Put The Clock Back On The Wall |
11 | Falling Sugar |
12 | Run, Run, Run |
13 | I Need You |
14 | Knock, Knock |
15 | Primitive |
16 | Psycho |
17 | So What! |
18 | You Must Be A Witch |
19 | A question of temperature - The Baloon Farm |
20 | Maid Of Sugar-Maid Of Spice |
21 | You Ain't Tuff |
22 | Sometimes Good Guys Don't Wear White |
23 | She's My Baby |
24 | Story Of My Life |
25 | I'm Five Years Ahead Of My Time |
26 | Mirror Of Your Mind |
27 | Bad Little Woman |
28 | Double Yellow Line |
29 | Optical Sound |
30 | Journey To The Center Of The Mind |
ディスク: 4
1 | Are You Gonna Be There (At The Love-In) |
2 | Too Many People |
3 | (Would I still be) Her big man - The Brigands |
4 | Are You A Boy Or Are You A Girl |
5 | Wooly Bully |
6 | I Wan't Candy |
7 | Louie Louie |
8 | One Track Mind |
9 | Out Of Our Tree |
10 | I Think I'm Down |
11 | What Am I Going To Do |
12 | Codine |
13 | Johnny Was A Good Boy |
14 | Stop-Get A Ticket |
15 | Complication |
16 | The Witch |
17 | Get Me To The World On Time |
18 | Mr. Pharmacist |
19 | Open Up Your Door |
20 | Just Like Me |
21 | You Burn Me Up And Down |
22 | I Live In The Springtime |
23 | Mindrocker |
24 | Hold Me Now |
25 | Love's Gone Bad |
26 | Why Pick On Me |
27 | Bad Girl |
28 | Blackout Of Gretely |
29 | Voices Green And Purple |
30 | Blues Theme (from the motion picture "The Wild Angels") - Davie Allan & The Arrows |
商品の説明
Amazonレビュー
That the most famous garage-rock record of all time, the Kingsmen's "Louie Louie," is buried on the last CD of this four-disc box is very much in keeping with the spirit of the (often) one-hit wonders that people Nuggets. Here, "Louie Louie" is just another great song. An elaboration on the 1972 double LP, which is included in its original sequence, this set piles on dozens more great moments of inspiration, guts, chutzpah, and sometimes sheer commercial calculation. How else to explain the advice "Look at yourself" from the likes of the Strawberry Alarm Clock, whose idea of mind expansion seems limited to putting together two very vaguely related nouns--"Incense and Peppermints"--so their swinging Farfisa-led track will have something, anything, for verbal content? There's loads of such wisdom on display here, prefab and otherwise, usually delivered as rabidly as possible. (Try the Remains' "Don't Look Back," Mouse and the Traps' "Maid of Sugar--Maid of Spice," or the Music Machine's "Talk Talk," which was actually a hit.) And remember: "The sky is falling / The ocean is calling / The world ... is spinning 'round ... and 'round." For sure. --Rickey Wright
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 30.48 x 15.88 x 3.81 cm; 453.59 g
- メーカー : Rhino / Wea
- EAN : 0782185497256, 0081227546625
- 製造元リファレンス : 5497256
- レーベル : Rhino / Wea
- ASIN : B00000AFWZ
- ディスク枚数 : 4
- Amazon 売れ筋ランキング: - 180,515位ミュージック (ミュージックの売れ筋ランキングを見る)
- カスタマーレビュー:
カスタマーレビュー
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
愛聴しています。
昔はカッコいい音楽が多かったな。
編集はロック評論家でパティ・スミス・グループのギタリストでもあったレニー・ケイ。
当時忘れられかけていた「ガレージパンク」「サイケデリックロック」を再発見&再評価し、
マニアックな60年代ロックのジャンルが世に広く認められるキッカケとなった名盤です。
オリジナル盤はエレクトラレコードが1972年に出したアナログの2枚組で
1976年にサイアーレコードがジャケットを変更して再発したもの。
その後アメリカのライノが「ナゲッツ」の名前を引き継ぎLPで大量の再発シリーズを展開、
80年代には新編集のCDシリーズ3枚、90年代には拡大版4枚組ボックスや
そこからセレクトした20曲入りベストがオリジナルジャケを使って再発されるなど、
「ナゲッツ」の名を関したLP・CDが大量に出回り、端から見るとややこしいことになっていた。
本CDはオリジナルジャケットを使い選曲・曲順もオリジナル通りの全27曲。
これが本当の「ナゲッツ」だ!という決定版再発になっております。
内容はとにかくカッコいいから聞いてくれ!ってかんじです。
チョコレート・ウォッチ・バンド、カウント・ファイブ、スタンデルズ、マウス&トラップス、
エレクトリック・プルーンズ、ニッカボッカーズ、ナッズ、13thフロア・エレベーターズ、
シャドウズ・オブ・ザ・ナイト、シーズ、ブルース・マグース、ミュージック・マシーン、アンボイ・デュークス、
60年代後半のアメリカを華麗に彩った一発屋バンド達の必殺シングルがズラリ!
あの時代特有のわけわかんないパワーに圧倒されます。
よくわかった。例えば2-30ブルースマグースなんてコレを後にディープパープルに
パクられてるし、そういった発見もまた楽しかった。まあ、時代がこれを作ったって言ったら
まさにサイケエラのこの時代多くのバンドがしのぎを削っていたわけで、後続組に多大なる
影響を及ぼしたのかがよくわかる。レニーケイの72年時の想いがよく伝わってきた。またバンド相互の
影響力もあり、ブリティッシュ組の影響力も大きい。60年代とはかくも実験精神に富んでいた。
ファーラウトの一言だ!
さすがライノだけあってブックレットやアートワークも非常にイイ仕事。
これだけ所有欲を満たしてくれるCDもめずらしい。
これがロックのグリニッジ標準時みたいなもの。
ぜひ惑星探査機に載せてもらって宇宙人にも聴かせたい。
他の国からのトップレビュー
Noi meno fortunati ci dobbiamo accontentare delle versioni in cd ma le delizia rimane intatta. Non amo molto le compilation, ma questa è un caso a parte, questo è davvero un documento imprescindibile per ogni amante del rock.
Assemblata da Lenny Kaye (storico chitarrista del Patti Smith Group) fotografa in modo esemplare i primi movimenti psichedelici nati nel 1965 e si ferma al 1968. Non ci sono i soliti nomi noti; non troverete i Grateful Dead i Quicksilver o i Jefferson Airplane.
Kaye pesca nel torbido, porta alla luce band diventate iconiche ma che non hanno mai avuto grande rilievo commerciale e di pubblico (fatta forse eccezione per i Seeds e i 13th Floor Elevator guidati da personaggi carismatici come Sky Saxon e Roky Erickson).
E allora incontriamo i Count Five, Electric Prunes, Remains, Blues Mogoos, Standells e la Chocolate Watch Band, tutti gruppi che hanno realizzato grandi canzoni senza sfornare l'album della consacrazione.
Ed è un piacere ascoltare questi pezzi che oltre che di psichedelia profumano di pop o di garage sound, sentire come suonino ancora freschi ed energici.
Un plauso poi al curatissimo libretto interno, arricchito oltre che dalle note originali da una accurata presentazione delle band proposte.
Un documento storico che non ha bisogno di molte altre parole.
My favorites are "I had too much to dream" (The Electric Prunes), "Don't look back" (The Remains), "You're gonna miss me" (13th Floor 'vators), "Psychotic reaction" (Count Five), "Baby please don't go" (Amboy Dukes) and "Sit down I think I love you" (Mojo Men), though nearly the whole disc is uniformly excellent. As others have noted, it's part early-psychedelic, part early-punk, part bubblegum, and part-whatever. The disc as a whole is a vivid example of how mid-sixties garage music at its best sounded innovative, independent -- though tapping into an already-existing "tradition" -- and a little dangerous or disreputable. If you grew up listening to Husker Du, Camper Van Beethoven, mINUTEMEN, and Meat Puppets, along with some old school (Beatles, Byrds, Television, and Big Star), you might like this disc a lot.
Some details: "Too much to dream" is an explosive and melodic opening track, with lots of energy and backwards guitars. "Dirty water" has a catchy aggressive riff to match the unsettling lyrics, but it's a little too repetitive. "Night time" is great and its opening reminds me of "The Letter" by the Box Tops. "Lies" is a neat Beatles copy, sounding like somewhere between WITH THE BEATLES and HARD DAYS NIGHT; it's a catchy, riffy, hookfest, although it is a little more repetitive than the real Beatles generally were and also lacks contrast. "Respect" is awesome, full of strut and energy and passion; you just have to put Aretha Franklin out of your mind for two minutes. "Public execution": Dylan's great, but the world does not need Dylan imitators. "No Time" is a groovy soulful effort. "Oh yeah" is derivative and annoying. "Pushin' too hard" sounds like (is) really early punk: spare, aggressive, great. "Moulty" is vaguely charming but kind of laughable and does not bear consistent listening. "Don't look back" sounds like Mick Jagger backed by mINUTEMEN: awesome (I don't even care for Mick Jagger, but...) "Invitation" is a good transition to slow and brooding blues. "Liar, liar" (Castaways) has a decent psychedelic / garage band organ sound, but the melody and backing vocals are a little trite and sound dated. It's not bad but I'm not taken with it.
"You're gonna miss me" is probably my favorite on the disc. Imagine John Cougar Mellencamp getting in a time machine, taking an acid-uppers cocktail, not being lame, and trying to record his SCARECROW album and you've got this. "Psychotic reaction" sounds like the freak-out Yardbirds but stands on its own as something that should be played really loud. "Hey Joe" is urgent, passionate, and full of power. If you can forget Hendrix for two minutes you will love this version. "Romeo and Juliet" is a neat little throwaway, making me think of Elvis Costello for some reason. "Sugar and Spice" sounds like Buddy Holly coming back from the dead and recording a song in a guest appearance on RUBBER SOUL. "Baby please don't go" is a heavy duty rocker, a blues tune with a guitar sound that I could mistake for Bob Mould. "Tobacco Road" is a little annoying (too cutesy?) but many will find it catchy.
Things pick up again with "Let's talk about girls" and its insistent, manic beat, a blues song transformed into some pyschorock greatness. "Sit down I think I love you" is extremely poppy and impossible to resist. "Run, run, run" is too, sort of 80s new-wavish verses and 60s bubblegum chorus. "My world fell down" sounds like a PET SOUNDS throwaway with some Crowded House tendencies: it's very likeable. When "Open my eyes" begins it sounds like dreadful 70s rock-sludge but then turns into super pop. "Farmer John" strikes me as filler or containing virtues too inaudible for me to detect. "It's a-happening" just sounds too dated; while all of the songs here are collected because they fit a kind of (loose) classification, most of them are good enough to transcend their time and genre, but not this last one.
Overall, this one-disc, 27-tune compilation has a lot to love in it.