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Piano Concertos 1 & 3

Béla Bartók (作曲), Sergey Prokofiev (作曲), Charles Dutoit (指揮), 形式: CD
4.4 5つ星のうち4.4 23個の評価
仕様
価格
新品 中古品
CD, CD, インポート, 1998/6/15 CD, インポート
—
￥3,148 ￥174
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曲目リスト

1 I. Allegro brioso
2 II. Andante assai
3 III. Allegro scherzando
4 I. Allegretto
5 II. Adagio religioso -[poco più mosso] - tempo I
6 III. Allegro vivace - [presto]
7 I. Andante - Allegro
8 II. Tema (Andantino) & Variations
9 III. Allegro ma non troppo - meno mosso - Allegro

商品の説明

Amazonレビュー

The Prokofiev No. 1, with its intense driving opening and closing and its dreamy slow movement, is one of the most spectacularly inventive works ever to be offered as a graduation exercise; the future Soviet conformist won the Rubinstein prize, but the press called for his incarceration as a lunatic; perhaps his finest concerto, the Piano Concerto No. 3, is a less flashy work, but even dreamier and even more delightful--Prokofiev could be a charmer when he wanted to. As could Bartók--his Third Concerto starts with experimental pyrotechnics of the sort we associate with its two predecessors, and moves in its finale, without betraying their radical promise, to a Romantic Big Tune to end all such. What these three concertos have in common--their combination of aggressive athletic solo writing with a bitter-sweet emotional content--is precisely what makes Martha Argerich one of their ideal interpreters. The sensitive intelligence of her playing is matched by its ruthless brilliance of sound and energy; Charles Dutoit's discreet management of orchestral sound make these very much soloist-dominated performances, unlike some recordings of the Prokofiev 1 and Bartók 3 where the temptations offered by the orchestration are too much for some conductors. --Roz Kaveney

登録情報

  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 12.7 x 14.61 x 1.27 cm; 99.79 g
  • メーカー ‏ : ‎ EMI Classics
  • EAN ‏ : ‎ 0724355665423
  • 商品モデル番号 ‏ : ‎ 3 3 00556654
  • レーベル ‏ : ‎ EMI Classics
  • ASIN ‏ : ‎ B00000C2J8
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.4 5つ星のうち4.4 23個の評価

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Vers la flamme
5つ星のうち5.0 Grande Argerich
2015年10月23日にスペインでレビュー済み
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Martha Argerich al piano acompañada de Charles Dutoit al frente de la Orquesta Sinfonica de Montreal grabaron en octubre de 1997 este excelente disco con los conciertos de piano y orquesta nums. 1 & 3 de Prokofiev junto al concierto no.3 de Bartok. Magnifica acustica con amplia escena sonora desde la iglesia de St. Eustache de Montreal.
Entusiasta y colorista mas que febril o provocadora en Prokofiev, soñadora y enigmatica en Bartok, siempre con una tecnica y estilo impecables; asi es como se comporta Argerich en estas sutiles interpretaciones. El inmejorable acompañamiento con el pulcro y detallista Dutoit y la suntuosa orquesta es otra de las grandes bazas del disco. Aunque puede encontrar todavia mas adrenalina en el clasico de Graffman/Szell (Sony) con los de Prokofiev, la cuidadosa puesta en escena y refinamiento aqui presentes dejan tambien una gran impresion. Lo mejor del disco llega en unos asombrosos terceros conciertos, y con el de Bartok la cumbre del arte de esa grande del piano que es Argerich.
1人のお客様がこれが役に立ったと考えています
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A/Burrows
5つ星のうち5.0 Martha Argerich on top form in Prokofiev's 1st and 3rd Piano Concertos!!!!
2015年4月15日に英国でレビュー済み
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I bought this Martha Argerich CD to hear her playing of Bartok's Piano Concerto No.3, which she recorded along with Prokofiev's 1st and 3rd Piano Concertos for EMI in 1997. She does play the Bartok beautifully of course, but the real highlights are actually the two Prokofiev Piano Concertos and in particular the 1st. I do have other versions by Michel Beroff, Boris Berman and the recent Bavouzet Chandos recording, but it is Martha Argerich's that really stands out for me. Her stunning and sensitive playing throughout (especially the second movement) is very captivating to listen to along with sensitive accompaniment by Charles Dutoit and the Montreal Symphony Orchestra.

Stunning playing by her as well in Prokofiev's Piano Concerto No.3, again with Charles Dutoit and MSO. I do have her 1967 version of the 3rd Piano Concerto, which she did with Claudio Abbado and the Berlin Philharmonic for DG, and that is a fine recording but I do prefer this 1997 one for EMI.
4人のお客様がこれが役に立ったと考えています
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Neil Cotiaux
5つ星のうち5.0 Unsurpassed Emotional Shading
2006年6月15日にアメリカ合衆国でレビュー済み
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Why is it that on long drives Piano Concerto No.1 is the piece that wins out among the CDs? Answer: Argerich's sublime shadings. This tightly-composed, wonderfully colored concerto gives Argerich the platform to alternate rapidly among boldness (her fingerwork needn't be defiant to be compelling), extraordinarily deft runs, episodes of darkness and reverie in turn and a well-paced close. For his part, Prokofiev deserves enormous credit for striking just the right balance between piano and orchestra, injecting appropriate touches of coloration without going overboard. And, in my opinion, Dutoit handles the balance between his soloist and his orchestra just fine. Truth be told, I haven't gotten around to listening to Concerto No.3 yet, so riveting is No.1.

Finally, thanks to the producers of NBC's late, lamented Sunday evening news program "First Camera", who had the audacity to use the opening of No.1 as their theme and made me want to hear more. "Sixty Minutes" ultimately buried the program but music lovers with no prior exposure to this wonderful work are the richer for it.
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Loverssss
5つ星のうち4.0 I feel that the sound engineering could also be better. EMI seems not to hire the best engineers ...
2015年9月17日にカナダでレビュー済み
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This recording demonstrates typical relationship between Dutoit and Argerich in that Dutoit always tries to pull Argerich down to earth, in a way. This is greatly demonstrated in her signature work, Prokofiev 3rd concerto. In certain sections of the first movement, the relentlessness and explosiveness of Argerich gets subsided and the synchronicity between the orchestra and the soloist becomes a tad unnatural. I am not sure if I am the only person observing this having listened to the phenomenal recording between Abbado and Argerich released by DG. Overall, I feel that the sound engineering could also be better. EMI seems not to hire the best engineers when it comes to her recordings. Just listen to the mugginess of her 1965 Chopin recording' Anyway, I would say Bartok 3 is a top notch as well as Prokofiev 1, but Prokofiev is slightly less energetic and charismatic than we are used to hearing from Argerich. My two cents.
1人のお客様がこれが役に立ったと考えています
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Bill Glen
5つ星のうち5.0 One of the great recordings
2014年2月15日に英国でレビュー済み
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I cannot put this disc down. The fire and poetry of Argerich are self-evident and through my marantz system with Kef speakers the sound is rich in bass and crystal clear. One of the highlights in sound and of these wonderfully phrased readings is the second movement of Prokofiev's first concerto. This is a winning partnership between soloist, conductor and orchestra and I would also recommend their Chopin concerti disc.
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