Auf den Punkt gebracht:
Es gibt keine bessere Aufnahme der romantischen ! Alle Harmonien empfalten in der Langsamkeit ihr volles Potential. Man kann wirklich sagen, dass man mit Chelibidache einfach 50 % mehr Bruckner hört. Mehr Schönheit, mehr Innigkeit, mehr Reichtum des Klangs. Besonders die Eröffnung mit dem berühmten Hornsolo bringt mich immer wieder zum träumen..... einfach schön.
Und obwohl die Tempi wirklich sehr breit und ausgedehnt sind, kommt es mir inzwischen sogar recht normal und angemessen vor und die Details die man NUR IN DIESER AUFNAHME ENTDECKT danken einem auch das Gewöhnen.
Besonders bei der Coda des Finales greift die Philosophie des Maestros voll und ganz: " das Tempo entscheidet über die Vielfalt und nicht umgekehrt !". Durch jenen Grundsatz kann hier wirklich eine Spannung erzeugt und erlebt werden, die seines Gleichen sucht.
FÜR JEDEN BRUCKNER FAN EIN MUSS!!!

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joezmaje001

Espectacular

2015年2月11日にスペインでレビュー済み

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Escuchar una interpretación tan cargada de emoción, técnica impecable y sentimiento, es un gran placer para los sentidos, un regalo para soñar y dejarse llevar por su música.

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Pierre-Louis BONNARD

Formidable

2013年9月2日にフランスでレビュー済み

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Après avoir entendu des extraits sur France Musique, j'ai acheté ce disque, et je ne le regrette pas.
Merveilleuse interprétation de Sergiu Celibidache, grand "interprète" de Bruckner.
Enregistrement public en analogique donnant une certaine chaleur à l'audition.
Une pure merveille...

2人のお客様がこれが役に立ったと考えています

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GraemeG

Incomparable performance...

2011年3月31日に英国でレビュー済み

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I shall partly - but respectfully - disagree with Colin's review on this recording. In general, Celibidache isn't much slower than `the average' in the first three movements of the symphony. The finale is something else entirely. It's true that at the start of the exposition you think `Oh no, this will never work at such a slow tempo.' But Robert Simpson in his book The Essence of Bruckner [1992] has it right. This is revelatory. Suddenly, it all works. The finale of this piece, which until now has never managed to match the grandeur and awe of the first movement, is gradually revealed as a masterpiece in its own right. Celibidache builds the tension until the coda, when all time and space seem suspended in a dimensionless void, while the pulsing strings throb beneath the majestic columns of brass. The effect is utterly mesmerising. By the last chord, you just know this is how it was always meant to go, and no traditional rushed-through performance will ever sound satisfactory again. This is the definitive Bruckner 4.

10人のお客様がこれが役に立ったと考えています

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Joseph Kline PhD, MD, MBA

Celibidache performs a superb Fourth!

2014年3月28日にアメリカ合衆国でレビュー済み

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Bruckner's Symphony No. 4 is commonly regarded as the most popularly accessible of the composer's nine symphonies and for good reason. It is endowed with beautifully-shaped melodic lines, rich harmony that's less "thick" than Brahms, novel highlighting of instrumental line, carefully-crafted crescendo's, and glorious, long-awaited climaxes. With these characteristics, it is not surprising that the large number of recordings available can sound so different. There seems to be so many aspects open to interpretation, and conductors have filled most of the available niches.

In the 1988 reading by Celibidache, we have a somewhat slow, careful approach. You hear so much about Celibidache and his slow tempi. They certainly seem to characterize his concept of music, and we are not disappointed in Symphony No. 4. Yet, the tempi are not so slow that interest is lost. For me, his choice of tempi in the present work actually increase my interest. In some instances, lingering a little longer provides more time to enjoy the music. It is as though Celibidache lifts a veil of conventionality and allows us to hear more into the music. I have had similar experience on the keyboard. Playing something at a slower tempo reveals beauty that speed obscures. You find yourself appreciating the piece MORE rather than less. That being said, not all of the tempi are particularly slower, and if they are they're not THAT slow.

Dynamics may be less pronounced than heard in other recordings, but they are present. This isn't a reading that grabs you and shakes you, but make no mistake, the symphony is emotionally intense. By the conclusion of each movement, particularly the 4th movement, you feel as though you have had a unique experience with familiar music. Moreover, by the conclusion of the reading, you no longer regard the Fourth Symphony as simply a the pretty, easy to get-to-know one but rather as one of his major works.

The recorded sound is excellent. Instrument sonorities cause no surprises, and the instrument are recorded quite clearly. The background is very quiet.

I found myself captivated by this recording. I half expected to find it boring given the negative comments you hear about tempo. NOT SO! Celibidache has becomes one of my absolute favorite recordings of the Fourth. I heatedly recommend that you ignore the nay-sayers, and buy it at once.

8人のお客様がこれが役に立ったと考えています

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Bruckner: Symphony no 4 / Celibidache, Munich PO

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