ライヴ・イン・トーキョー
仕様 | 価格 | 新品 | 中古品 |
CD, ダブルCD, インポート, 2001/5/29
"もう一度試してください。" | ダブルCD, インポート |
—
| ¥4,511 | — |
CD, CD, インポート, 1998/2/14
"もう一度試してください。" | CD, インポート |
—
| ¥14,750 | ¥980 |
CD, 1997/3/31
"もう一度試してください。" | 2枚組 |
—
| — | ¥880 |
CD, 限定版, 2007/4/4
"もう一度試してください。" | 限定版 |
—
| — | ¥1,320 |
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曲目リスト
ディスク: 1
1 | ヴァーティカル・インヴェーダー |
2 | セヴンス・アロー(メドレー) |
3 | T.H.(メドレー) |
4 | ドクター・オリノス・コウサ(メドレー) |
5 | スルクク(メドレー) |
6 | ロースト(メドレー) |
7 | アーリー・マイナー(メドレー) |
8 | ディレクションズ(メドレー) |
ディスク: 2
1 | オレンジ・レディ |
2 | ユリディス(メドレー) |
3 | ザ・ムアーズ(メドレー) |
4 | ティアーズ(メドレー) |
5 | アンブレラ(メドレー) |
商品の説明
メディア掲載レビューほか
MASTERSOUND JAZZシリーズ第2弾。ファースト・アルバム発売後の1974年の来日公演の模様を収録した2枚組。 (C)RS
登録情報
- メーカーにより製造中止になりました : いいえ
- 梱包サイズ : 14.09 x 12.63 x 1.37 cm; 80.32 g
- メーカー : ソニー・ミュージックレコーズ
- EAN : 4988009913995
- レーベル : ソニー・ミュージックレコーズ
- ASIN : B000024DYH
- ディスク枚数 : 2
- Amazon 売れ筋ランキング: - 396,559位ミュージック (ミュージックの売れ筋ランキングを見る)
- カスタマーレビュー:
カスタマーレビュー
星5つ中4.7つ
5つのうち4.7つ
全体的な星の数と星別のパーセンテージの内訳を計算するにあたり、単純平均は使用されていません。当システムでは、レビューがどの程度新しいか、レビュー担当者がAmazonで購入したかどうかなど、特定の要素をより重視しています。 詳細はこちら
26グローバルレーティング
虚偽のレビューは一切容認しません
私たちの目標は、すべてのレビューを信頼性の高い、有益なものにすることです。だからこそ、私たちはテクノロジーと人間の調査員の両方を活用して、お客様が偽のレビューを見る前にブロックしています。 詳細はこちら
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2012年2月17日に日本でレビュー済み
Amazonで購入
私は、これを札幌で見たものです。当時は色々なバンドが新しく、素晴らしい音楽をして、何時もワクワクしてました。最近はマイルスが死んでザビヌルも行って、寂しく思いながら、これを買ってなかったのを思い出して、買いました。Vitousの評判が低いみたいなので、一発やって欲しいと思います。皆さんどうですか?
2010年1月22日に日本でレビュー済み
Amazonで購入
伝説のファーストアルバムの影に隠れたライブの名盤!
とか思って買うと少しがっかりします。
『アイ・シング・ザ・ボディ・エレクトリック』(B面がライブ)を持ってるなら不要かと。
とか思って買うと少しがっかりします。
『アイ・シング・ザ・ボディ・エレクトリック』(B面がライブ)を持ってるなら不要かと。
2011年6月29日に日本でレビュー済み
"'Medley: Vertical Invader/Seventh Arrow/T.H./Doctor Honoris Causa'"
"'Orange Lady'"
が◎。
リマスター→良好
"'Orange Lady'"
が◎。
リマスター→良好
他の国からのトップレビュー
C. Chonka
5つ星のうち5.0
The genesis of a great fusion band
2020年5月16日に英国でレビュー済みAmazonで購入
I bought this in 2011 and I liked it then. I listened to it again in 2020 and I love it! This recording is the genesis of a truly great jazz fusion band and it is interesting how WR developed over the years. I saw them in 1974 and they were superb then and I have most of their recordings. It is good to renew my interest in WR by going back to different recordings and noticing the changes which weren't always for the best but like all great jazz bands and artists they continued to evolve and produce interesting and sometimes outstanding music. I love live music and this gig is absolutely breathtaking! If you like electric Miles you will like this! The interplay and sensitivity and sheer virtuosity combine to make a landmark recording. Another great live performance from this band is WEATHER REPORT Live in Offenbach.
Mike Borger
5つ星のうち5.0
Weather Report Cooks Hot in Japan!
2009年1月20日にアメリカ合衆国でレビュー済みAmazonで購入
Weather Report really cooks in this concert that is both groundbreaking and barrier shattering. The music is definitely seventies Miles Davis styled fusion, but that's the only thing this album has in common with what you have heard from that era. It is interesting that keyboardist Joe Zawinul has stated that he had the whole electric jazz idea in mind when he joined Miles Davis to record the classic album "In a Silent Way." If you listen to this album and understand that this is a Zawinul driven band completely separate from any Miles David ensemble, it is obvious that Zawinul's claims about "In a Silent Way" are well founded and justified by facts and the passage of time.
There is a lot to recommend the music found at this live concert event. For one thing, Weather Report's sound was often forged at concert dates and then recorded in the studio. The real essence of Weather Report, one could observe, is that of constant live composition and improvisation that thrives on the spontaneity of the moment. Weather Report was founded on the notion that everyone solos while no one solos, and it was an ongoing collaborative effort.
That was in sharp contrast to most of the music of the time. Whether listening to popular music, blues, or jazz of that time period, the majority was primarily based on song composition. That is, the music was first a song with the structure of verse, chorus, or bridge - and it was recorded or performed live in that format. Weather Report pioneered the ongoing sound that was based on a riff or melodic fragment, rhythm or bass line - and was ongoing without clear definition of compositional structure. That was a real contribution to the evolution of music in general and jazz in particular, one that is still being explored today in the musical idioms that followed.
In addition to all the analyzable elements, this album rocks! There is a lot to recommend this album for rock, funk, soul, and jazz audiences - and every bit of it moves and grooves and just kicks hard. There is a lot of experimental, even avant garde sound here as well. The sonic experimentation is awesome, and those with renewed interest in classic synthesizer sound will be thrilled and amazed.
Wayne Shorter excels as always in the saxophone department. His sense of melody, harmony, rhythm, and improvisational flair are unequalled. He truly tells a musical story with every song, every solo. His collaboration with Joe Zawinul's keyboard work is legendary and does not disappoint here. He also succeeds in taking many of the songs in unexpected directions as he spins his musical contributions throughout the concert.
This is a really excellent album. If you are a Weather Report fan already, it is worth the price of admission to get a really different and unique listen to the ensemble in its formative stages. He live performance is equally interesting and outright fun. Get this CD today for a great Weather Report ride!
There is a lot to recommend the music found at this live concert event. For one thing, Weather Report's sound was often forged at concert dates and then recorded in the studio. The real essence of Weather Report, one could observe, is that of constant live composition and improvisation that thrives on the spontaneity of the moment. Weather Report was founded on the notion that everyone solos while no one solos, and it was an ongoing collaborative effort.
That was in sharp contrast to most of the music of the time. Whether listening to popular music, blues, or jazz of that time period, the majority was primarily based on song composition. That is, the music was first a song with the structure of verse, chorus, or bridge - and it was recorded or performed live in that format. Weather Report pioneered the ongoing sound that was based on a riff or melodic fragment, rhythm or bass line - and was ongoing without clear definition of compositional structure. That was a real contribution to the evolution of music in general and jazz in particular, one that is still being explored today in the musical idioms that followed.
In addition to all the analyzable elements, this album rocks! There is a lot to recommend this album for rock, funk, soul, and jazz audiences - and every bit of it moves and grooves and just kicks hard. There is a lot of experimental, even avant garde sound here as well. The sonic experimentation is awesome, and those with renewed interest in classic synthesizer sound will be thrilled and amazed.
Wayne Shorter excels as always in the saxophone department. His sense of melody, harmony, rhythm, and improvisational flair are unequalled. He truly tells a musical story with every song, every solo. His collaboration with Joe Zawinul's keyboard work is legendary and does not disappoint here. He also succeeds in taking many of the songs in unexpected directions as he spins his musical contributions throughout the concert.
This is a really excellent album. If you are a Weather Report fan already, it is worth the price of admission to get a really different and unique listen to the ensemble in its formative stages. He live performance is equally interesting and outright fun. Get this CD today for a great Weather Report ride!
Autonomeus
5つ星のうち5.0
Sensational early Weather Report!
2001年8月8日にアメリカ合衆国でレビュー済みAmazonで購入
On the heels of the slew of 2-disc electric Miles, Sony has released from the vaults the full live Weather Report concert from November 1971 in Tokyo! With Shorter and Zawinul fresh out of Miles' band, this is definitely in that vein -- funky avant jazz fusion, not the catchier radio-friendly "Birdland" of a few years later. I SING THE BODY ELECTRIC has always been one of my 2 favorite Weather Report records, along with MYSTERIOUS TRAVELLER, and if you like I SING you're sure to like LIVE IN TOKYO as it's the source of the live portions of that record.
You can clearly hear why the sections that were lifted for I SING THE BODY ELECTRIC were chosen -- they include some of the tightest, punchiest moments of the concert. The highlights of what was left out include Zawinul imitating Miles' muted trumpet with synthesizer in a duet with Gravatt on drums, a dramatic shift from frenetic electric piano to dramatic acoustic piano on one of the first disc medleys, and Shorter cutting loose on the live version of "The Moors." Zawinul's impressionistic "Orange Lady" and Shorter's bop piece "Eurydice," which lead off the second disc, are the least compelling.
This is not "free jazz" -- no need to be quite that intimidated. While LIVE IN TOKYO lacks strong melodies, can be harmonically complex, and is definitely rhythmically complex, Weather Report sticks with Miles in NOT following Ornette Coleman, Cecil Taylor and the late Coltrane. This quintet can be intensely funky, but they don't stick with the groove as the group would later -- that's part of what makes the overall effect more abstract. Great to hear, after 30 years!
You can clearly hear why the sections that were lifted for I SING THE BODY ELECTRIC were chosen -- they include some of the tightest, punchiest moments of the concert. The highlights of what was left out include Zawinul imitating Miles' muted trumpet with synthesizer in a duet with Gravatt on drums, a dramatic shift from frenetic electric piano to dramatic acoustic piano on one of the first disc medleys, and Shorter cutting loose on the live version of "The Moors." Zawinul's impressionistic "Orange Lady" and Shorter's bop piece "Eurydice," which lead off the second disc, are the least compelling.
This is not "free jazz" -- no need to be quite that intimidated. While LIVE IN TOKYO lacks strong melodies, can be harmonically complex, and is definitely rhythmically complex, Weather Report sticks with Miles in NOT following Ornette Coleman, Cecil Taylor and the late Coltrane. This quintet can be intensely funky, but they don't stick with the groove as the group would later -- that's part of what makes the overall effect more abstract. Great to hear, after 30 years!
C. N. Ullmann
5つ星のうち5.0
one of the best Weather Report LPs
2013年12月15日に英国でレビュー済みAmazonで購入
This is my favourite Weather Report album, very intense music making here. These live pieces are a bridge between the Miles Davis days and the more well known Weather Report sound with its mixture of acoustic and electronic sounds.
Kevin D. Hurst
5つ星のうち4.0
Complete!
2010年5月9日にアメリカ合衆国でレビュー済みAmazonで購入
I always wanted this complete concert as I never got the twofer lp. Some of this is on I Sing The Body Electric and originally the twofer was released in Japan and only was available in the USA as an Import which was worth it!- kh