Full House
仕様 | 価格 | 新品 | 中古品 |
CD, インポート, 2013/6/4
"もう一度試してください。" | インポート | ¥801 | ¥780 |
CD, インポート, 2001/7/30
"もう一度試してください。" | インポート |
—
| ¥1,409 | ¥4,282 |
CD, インポート, 1999/7/1
"もう一度試してください。" | インポート |
—
| ¥3,575 | ¥580 |
CD, インポート, 1987/1/1
"もう一度試してください。" | 通常盤 |
—
| — | ¥12 |
CD, オリジナルレコーディングのリマスター, インポート, 2001/11/13
"もう一度試してください。" | オリジナルレコーディングのリマスター, インポート |
—
| — | ¥880 |
CD, 限定版, オリジナルレコーディングのリマスター, 2008/8/20
"もう一度試してください。" | オリジナルレコーディングのリマスター, 限定版 |
—
| — | ¥1,300 |
CD, インポート, 1994/1/31
"もう一度試してください。" | インポート |
—
| — | ¥1,402 |
CD, ゴールドCD, インポート, 1997/6/2
"もう一度試してください。" | ゴールドCD, インポート |
—
| — | ¥12,025 |
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商品の説明
Amazonレビュー
Recorded live in performance, the 1962 Full House particularly benefits from remastering. Musical nuances come through with clarity and the sense of being in the midst of the highly appreciative audience is heightened. Wes Montgomery was first and foremost a live player, able to build long, sinewy solos, and the excitement only builds when tenorist Johnny Griffin jumps in. Fiery and articulate, Griffin was at the top of his game as his excellent solos on Montogomery痴 "Cariba" and Dizzy Gillespie痴 "Blue 'n' Boogie" testify. Add the Miles Davis rhythm section of Jimmy Cobb on drums, Paul Chambers on bass and the elegant Wynton Kelly on piano and you have some truly sparkling live jazz from the classic era. --Wally Shoup
登録情報
- メーカーにより製造中止になりました : いいえ
- 梱包サイズ : 13.6 x 12.6 x 0.6 cm; 59 g
- メーカー : Ace Records
- EAN : 0090204650323
- レーベル : Ace Records
- ASIN : B000026H8S
- ディスク枚数 : 1
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2022年10月22日に日本でレビュー済み
Amazonで購入
ウエス・モンゴメリーの曲が3曲。タイトル曲「フル・ハウス」を含み、どれもかっこいい。彼の作曲能力の高さを示している。アルバム全体を通して楽しく最後までわくわくしながら聴くことができる。ジャズアルバムの中でも人気が高いと思う。
2024年1月30日に日本でレビュー済み
Amazonで購入
ベースにポール・チェンバーが入つている。ウエス・モンゴメリのギターは他の楽器の演奏に埋没しない。
ただただ驚嘆する。
ただただ驚嘆する。
2021年2月26日に日本でレビュー済み
Amazonで購入
ギターの手びきが最高だ。ノリがいいよ。
2013年3月16日に日本でレビュー済み
Amazonで購入
まずまずといったところでしょうか。
何回も聞いていくと、味わいが出てくるかもしれません。
何回も聞いていくと、味わいが出てくるかもしれません。
2020年10月17日に日本でレビュー済み
Amazonで購入
大好きなアルバムですが、傷がついてしまったので、再度購入しました
2016年4月22日に日本でレビュー済み
Amazonで購入
アナログも買ってしまいました。それだけの内容です。アルコールとジャズ、いいですね。
2022年10月30日に日本でレビュー済み
ウェス・モンゴメリー(g.)、ジョニー・グリフィン(ts.)、ウィントン・ケリー(p.)、
ポール・チェンバース(b.)、ジミー・コブ(ds.)、1962年6月録音。
ウェス・モンゴメリーのライヴには、65年録音の『ハーフノートのウェス・モンゴメリー』というもう一つの名盤があるが、どちらか一枚選べと言われたら、ボクは迷わず『フル・ハウス』を選ぶ。どちらもリズム・セクションはウィントン・ケリー・トリオだからあまり違わないと思われるかもしれないが、違いは大きい。まず『フル・ハウス』にはテナー・サックスのジョニー・グリフィンが参加している。彼のパワフルなテナーが加わるだけで、俄然、ファンキーになり、演奏の熱量が増す。そしてウィントン・ケリー。『フル・ハウス』の録音は62年6月だが、前年の61年3月にはマイルス・デイヴィスとともにSomeday My Prince will come.を録音し、同年6月にはマイルスとともに、ブラックホークにおけるライヴを録音している。さらに前年の60年にはマイルス・デイヴィスのKind of Blueに参加しており、この時期のウィントン・ケリー・トリオはジャズ史に残る名盤を次々と録音していたと言える。この事実だけでも、ウィントン・ケリー・トリオが当時最高のリズム・セクションであったと言えるだろう。最高のピアノ・トリオとジョニー・グリフィンのパワフルなテナーに支えられ、ウェス・モンゴメリーがオクターヴ奏法を駆使してギターを弾きまくる。これでつまらない作品になるはずがない。ジャズ・ファンのみならず、すべてのギター音楽ファンにも大推薦の名盤だ。
ポール・チェンバース(b.)、ジミー・コブ(ds.)、1962年6月録音。
ウェス・モンゴメリーのライヴには、65年録音の『ハーフノートのウェス・モンゴメリー』というもう一つの名盤があるが、どちらか一枚選べと言われたら、ボクは迷わず『フル・ハウス』を選ぶ。どちらもリズム・セクションはウィントン・ケリー・トリオだからあまり違わないと思われるかもしれないが、違いは大きい。まず『フル・ハウス』にはテナー・サックスのジョニー・グリフィンが参加している。彼のパワフルなテナーが加わるだけで、俄然、ファンキーになり、演奏の熱量が増す。そしてウィントン・ケリー。『フル・ハウス』の録音は62年6月だが、前年の61年3月にはマイルス・デイヴィスとともにSomeday My Prince will come.を録音し、同年6月にはマイルスとともに、ブラックホークにおけるライヴを録音している。さらに前年の60年にはマイルス・デイヴィスのKind of Blueに参加しており、この時期のウィントン・ケリー・トリオはジャズ史に残る名盤を次々と録音していたと言える。この事実だけでも、ウィントン・ケリー・トリオが当時最高のリズム・セクションであったと言えるだろう。最高のピアノ・トリオとジョニー・グリフィンのパワフルなテナーに支えられ、ウェス・モンゴメリーがオクターヴ奏法を駆使してギターを弾きまくる。これでつまらない作品になるはずがない。ジャズ・ファンのみならず、すべてのギター音楽ファンにも大推薦の名盤だ。
他の国からのトップレビュー
Rudy R.
5つ星のうち5.0
Special guitar player
2021年2月20日にカナダでレビュー済みAmazonで購入
Jazz guitar
Konsument 08/15
5つ星のうち5.0
Unfassbar guter Gig in der besten Version
2021年11月23日にドイツでレビュー済みAmazonで購入
Mastering-Ingenieur Hoffman hatte seinerzeit den zweiten Satz Bänder verwendet, auf deren Umverpackung „do not use“ vermerkt war. Die anderen Bänder enthielten wohl künstlichen Hall, wie es damals Geschmack und üblich war. So kommt es, dass es angeblich keine vergleichbare Version gibt. Diese klingt irre, ich habe drei andere … alle gut. Dies ist -wieder Geschmacksache- mit Abstand die beste.
Gianluca
5つ星のうち5.0
l'apice di Wes Montgomery
2021年4月26日にイタリアでレビュー済みAmazonで購入
Per fortuna sono una persona previdente. Mi piace la tecnologia ma credo che spesso i "vecchi metodi" tornino sempre buoni. In questo caso la cara vecchia accoppiata carta & penna.
Si perchè per un breve (purtroppo) periodo ho scambiato parecchi commenti qui su Amazon con Lorenzo 79, commenti ricchi di suggerimenti, di proposte. Poi Amazon ha cancellato i commenti tra utenti, ma tutto ciò che Lorenzo mi aveva indicato è salvo grazie appunto a carta & penna. Wes Montgomery è stato argomento dei nostri commenti e tra gli album che Lorenzo mi aveva indicato c'era appunto questo "Full House", strepitoso live realizzato a Berkeley nel 1962.
Beh, alla luce di quello che possiedo di Montgomery, se dovessi passare dalla parte del suggeritore, non esiterei a indicare questo album come il punto imprescindibile per cogliere tutto l'estro e la fantasia di questo musicista.
Che si trova anche in ottima compagnia... la sezione ritmica di Miles Davis, ossia Wynton Kelly, Paul Chambers e Jimmy Cobb, e poi un certo tenorista che di nome fa Johnny Griffin. E giusto citarli tutti perchè tutti hanno il loro peso nella riuscita di questo capolavoro, a cominciare da un Wynton Kelly in puro stato di grazia. E poi un Griffin che mantiene a freno la sua voce felina in favore di un eloquio più rilassato e lirico, incredibilmente incisivo. E poi c'è la magica chitarra di Montgomery, intensa, lirica, veloce, delicata, spagnoleggiante, blueseggiante a seconda della situazione. Sempre e comunque incisiva. Ma quel che piace sottolineare del lavoro di Mongomery e il come non si ponga mai come voce predominante, come non si atteggi mai a star del gruppo, ma metta la sua voce al servizio del suono d'insieme lasciando il giusto spazio ai suoi colleghi. Ma come detto prima, quando i colleghi sono musicisti di quel livello credo che la cosa venga piuttosto naturale.
"Full house" è un lavoro magnifico, dotato di feeling e di energia pura dove il tutto è governato da una raffinatezza unica. Imperdibile.
Si perchè per un breve (purtroppo) periodo ho scambiato parecchi commenti qui su Amazon con Lorenzo 79, commenti ricchi di suggerimenti, di proposte. Poi Amazon ha cancellato i commenti tra utenti, ma tutto ciò che Lorenzo mi aveva indicato è salvo grazie appunto a carta & penna. Wes Montgomery è stato argomento dei nostri commenti e tra gli album che Lorenzo mi aveva indicato c'era appunto questo "Full House", strepitoso live realizzato a Berkeley nel 1962.
Beh, alla luce di quello che possiedo di Montgomery, se dovessi passare dalla parte del suggeritore, non esiterei a indicare questo album come il punto imprescindibile per cogliere tutto l'estro e la fantasia di questo musicista.
Che si trova anche in ottima compagnia... la sezione ritmica di Miles Davis, ossia Wynton Kelly, Paul Chambers e Jimmy Cobb, e poi un certo tenorista che di nome fa Johnny Griffin. E giusto citarli tutti perchè tutti hanno il loro peso nella riuscita di questo capolavoro, a cominciare da un Wynton Kelly in puro stato di grazia. E poi un Griffin che mantiene a freno la sua voce felina in favore di un eloquio più rilassato e lirico, incredibilmente incisivo. E poi c'è la magica chitarra di Montgomery, intensa, lirica, veloce, delicata, spagnoleggiante, blueseggiante a seconda della situazione. Sempre e comunque incisiva. Ma quel che piace sottolineare del lavoro di Mongomery e il come non si ponga mai come voce predominante, come non si atteggi mai a star del gruppo, ma metta la sua voce al servizio del suono d'insieme lasciando il giusto spazio ai suoi colleghi. Ma come detto prima, quando i colleghi sono musicisti di quel livello credo che la cosa venga piuttosto naturale.
"Full house" è un lavoro magnifico, dotato di feeling e di energia pura dove il tutto è governato da una raffinatezza unica. Imperdibile.
Mark M. Lee
5つ星のうち5.0
Fantastic album - elite jazz guitar
2019年9月27日にアメリカ合衆国でレビュー済みAmazonで購入
I feel compelled to submit a five star review because the recording is so great and I think this pressing is excellent. I must add though the shipping/packing was poor, album arrived with corners all bent up. They just slipped the album in a jiffy pak with no support at all. lucky the vinyl wasn't broken.
Mark M. Lee
2019年9月27日にアメリカ合衆国でレビュー済み
このレビューの画像
S. Lornie
5つ星のうち5.0
Superb!
2017年8月29日に英国でレビュー済みAmazonで購入
As someone who likes to listen to jazz every now and again, I am not too familiar with popular artists of the genre. When I stumbled across the guitar maestro Wes Montgomery, I felt like I had discovered something special. A feeling that was solidified when I purchased his live record, Full House.
Full House is the first official live release from the jazz guitarist. The record was released in 1962 and was recorded in concert at Tsubo in Berkeley, California. The band was a quintet made up of the members Johnny Griffin (saxaphone), Wynton Kelly (Piano), Paul Chambers (bass), Jimmy Cobb (drums) and of course, Wes Montgomery on guitar. The result is a buttery smooth sounding jazz record that easily makes my must have list, without question.
The style of jazz played here is pretty typical of the period that it was recorded in. You'll find the quintessential swing grooves, moments which transition into a mix of more complex beats and rhythms as well as some more mellow bluesier moments. The striking variety of styles works well, mostly due to the superb professionalism from each band member. Even though there are many solos and near endless jams through out, the songs never go to a point where it is just there to serve their egos. Unlike what would eventually turn into fazz fusion (and prog rock), Wes and his band keep things on a set path, tempo and rhythm only taking it far enough for things to sound impressive but not overly complex or dull.
The real icing on the cake is the top notch production. The band put on a stellar performance, but that isn't anything if the record sounds awful. Full House has been superbly produced with each band member sounding as clear as day and given the perfect amount of room to breathe to avoid treading on anyone's toes. This could be down to the choice of remaster I picked up, but I have a suspicion that this record has just aged beautifully. After all, even The Beatles have moments of sounding off due to the lack of advanced recording technology in the 1960s.
There are a few options for those wanting a copy of Fullhouse. You can pick up the same copy I did which features the original track list, you can purchase this on LP or you can hunt down the extended sessions which features the entire live performance. Either way, Wes Montgomery's Full House is a beautifully preserved record that features some world class playing and is worth buying for not just jazz enthusiasts, but for people who can appreciate a great musical performance.
Published by Steven Lornie of Demonszone
Full House is the first official live release from the jazz guitarist. The record was released in 1962 and was recorded in concert at Tsubo in Berkeley, California. The band was a quintet made up of the members Johnny Griffin (saxaphone), Wynton Kelly (Piano), Paul Chambers (bass), Jimmy Cobb (drums) and of course, Wes Montgomery on guitar. The result is a buttery smooth sounding jazz record that easily makes my must have list, without question.
The style of jazz played here is pretty typical of the period that it was recorded in. You'll find the quintessential swing grooves, moments which transition into a mix of more complex beats and rhythms as well as some more mellow bluesier moments. The striking variety of styles works well, mostly due to the superb professionalism from each band member. Even though there are many solos and near endless jams through out, the songs never go to a point where it is just there to serve their egos. Unlike what would eventually turn into fazz fusion (and prog rock), Wes and his band keep things on a set path, tempo and rhythm only taking it far enough for things to sound impressive but not overly complex or dull.
The real icing on the cake is the top notch production. The band put on a stellar performance, but that isn't anything if the record sounds awful. Full House has been superbly produced with each band member sounding as clear as day and given the perfect amount of room to breathe to avoid treading on anyone's toes. This could be down to the choice of remaster I picked up, but I have a suspicion that this record has just aged beautifully. After all, even The Beatles have moments of sounding off due to the lack of advanced recording technology in the 1960s.
There are a few options for those wanting a copy of Fullhouse. You can pick up the same copy I did which features the original track list, you can purchase this on LP or you can hunt down the extended sessions which features the entire live performance. Either way, Wes Montgomery's Full House is a beautifully preserved record that features some world class playing and is worth buying for not just jazz enthusiasts, but for people who can appreciate a great musical performance.
Published by Steven Lornie of Demonszone