This recording of Bach's St Matthew Passion is up against tough competition: practically every early music group on the planet has given this work a go. Almost simultaneously with the release of this version, for example, Harmonia Mundi brought out its Philippe Herreweghe recording with the incomparable Andreas Scholl as the countertenor soloist and a sublime Ian Bostridge as the Evangelist. But the HM recording is not as great as the sum of its parts--which is true of most interpretations of this mammoth work--and, though the soloists are less remarkable, the BIS recording betters it in some ways. The crisp, clear choral singing has a little more drama, such as when the choir bays for Barabbas' freedom, the sparks really fly. And the sound of the Kobe Shoin Women's University Chapel (which was acoustically engineered to be a concert venue) is absolutely beautiful, and manages to be kind without being muddy. The stereo effect--so necessary for the double-choir writing--is also handled with real panache. Gerd T�rk is a very fine Evangelist, and under Masaaki Suzuki's sensitive direction holds the enterprise together with an engaging sense of wonder.--Warwick Thompson
Es completamente comprensible que el mundo Oriental sea compatible con el Occidente, si y sólo si tomamos en cuenta a Bach . Ambos mundos tan cargados de tradición, algo que habita en el medievalismo de Bach. Masaaki Suzuki lo ha puesto en evidencia tan claramente que, si ponemos atención al coro inicial, podremos notar de un sólo golpe que quienes cantan son los ángeles respirando como lo exige el Zen.
¡Fabulosa interpretación. Fabulosa EXPERIENCIA DE ILUMINACIÓN!