May Be Filed as Prog-rockers, but this Album Has Many Fine Twists and Turns. Possible Cult Hit.
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Angry young men used to pick up guitars and write short, sharp songs about how bad the world is. Orange Can, though--essentially, brothers James and Jason Aslett--grew up in a South London council flat, immersed in the hazy chemical climate of post-Acid House Britain. Entrance Highrise is, accordingly, the sound of a revolution in the head. Sprawled on the jagged line between the euphoric bliss of the Stone Roses debut and the meandering anything-goes spirit of the Beta Band, Orange Can take the psychedelic form to its fried conclusions. The opening "HighRise" blends blissed out drones into a steam-powered, hulking Led Zeppelin-esque riff monster, and elsewhere, the likes of "Come OnEasies", "Wasted Days" and the battered but euphoric "We Love You" may simply be songs about drugs. -- Louis Pattison
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May Be Filed as Prog-rockers, but this Album Has Many Fine Twists and Turns. Possible Cult Hit.
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