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Day of Niagara: Inside the...

ジョン・ケイル形式: CD

1.8 4個の評価

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01. Volume I : Day Of Niagara

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Inside the Dream Syndicate is a very cruddy-sounding recording of very important music. How important is this music? Imagine a great work of art, among the most influential work in any given genre--Marcel Duchamp's sculpture The Large Glass, say, or William Burroughs's Naked Lunch, something that took years to create and which showed people an entirely new direction for art. Imagine that the artist or his estate didn't wish for this work to be seen and the only way you could see it were via smudged Xeroxes of a photo taken of the original sculpture or manuscript; wouldn't you still want to see it? The work made from 1962-1965 by the Theatre of Eternal Music ("Dream Syndicate" is a term used to represent this phase of that group) was that important to modern classical music, and has not been heard until now due to the fact that musician La Monte Young will not officially release the recordings unless he gets sole composer credit. Violinists John Cale (later of the Velvet Underground) and Tony Conrad (the pioneering filmmaker) claim the works were collaborative; Young's wife and artistic collaborator Marian Zazeela sides with Young; percussionist Angus MacLise (an early member of V.U.) is dead so he cannot comment on the affair. The music? It's wonderful to finally hear it, a thick sheet of piercing, assaultive drone sound made with two voices, hand percussion, and two intensely screechy violins harmonizing together, in just-intonation pitches held for long moments. It sounds like Indian classical music transported to an alien realm. Thank God it can now be heard, in however flawed a manner. --Mike McGonigal

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メーカーにより製造中止になりました ‏ : ‎ いいえ
梱包サイズ ‏ : ‎ 14.09 x 12.63 x 1.37 cm; 80.32 g
EAN ‏ : ‎ 0600401074121
ASIN ‏ : ‎ B00004SR1R
ディスク枚数 ‏ : ‎ 1

Amazon 売れ筋ランキング: - 613,640位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 134,997位ロック (ミュージック)

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1.8 4個の評価

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上位レビュー、対象国：日本

レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。

無汁氏

強烈な倍音みたいなのだけを延々と

2020年2月27日に日本でレビュー済み

タイトルで全てなんですが、歪ませたギターを12インチ4発のキャビネットの前で落として、そのままフィードバック（キーンって鳴るハウリングみたいなやつ）を起こしたのを30分と少し聞かされる様な、なかなかレベルが高い作品です。いや、高いのか低いのかどうかも判別が難しいです。
或いは弦楽器の倍音成分だけを抽出したものを延々聞かされるというか。VUのHeroinとかBlack Angel's Death Songの倍音だけ抜き出した感じです。しかも音質があれより劣っています。

もしかしたら自分の持ってる音源は何らかのエラーが起きてしまったものなのかな？と疑念を抱くほどですが、海外のレビューを読む限り、どうもこれで正常っぽいです。
ひどい頭痛に悩まされる、みたいな海外レビューがありましたが、それもわからなくもないです。
誰かを誘拐して監禁した際に気を狂わせる為に使えるとも思いました。

でも、ケルトっぽいメロディが始まるんじゃないかという瞬間が時々起きるんです。そうするともう少し聞いちゃって、だんだん耳の奥が痛くなるんです。

逆にこれを葬式の時に流してくれとか言っておけば、相当な天才だと思われそうな気もします。

役に立った

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すべてのレビューを日本語に翻訳

Christopher Costabile

Skip this and buy one of Young's official releases

2007年8月11日にアメリカ合衆国でレビュー済み

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Let me begin by saying I am an ardent fan of Young and everything associated with him. Like many others, I am sure, I am blown away by the concepts governing his music, his work with just intonation, as well as his overall career arc and evolution as an artist. That being said, I personally think this disc falls nearly within the category of "atrocious."

The story goes (and this is the concise version) that at some point while under Young's mentorship, Arnold Dreyblatt (whose own music is generally fantastic, I might add) made a copy of one of Young's many archived performance tapes from the '60s without Young's knowledge. Dreyblatt played it for a friend, copies were made, etc. etc., and thus we today have what is essentially a bootlegged version of "Day of Niagara."

Although Young admits that he may have consented to a proper release of this performance had he been given sole authorship credit (the reason it is out of print is because he never consented), he has also posted a thorough critique on the MELA Foundation website in which he meticulously points out the many flaws inherent in the tape (Cale's viola cuts out temporarily, several seconds of the performance are missing due to an engineering error made when copying the tape, etc.). In addition to the fact that Young claims the sound on his original master tape is enormously preferable to this CD version, he points out that there are several other taped performances of this same ensemble during that time period which feature both better sound quality and a superior performance.

Regardless of whether or not Young's claims are verifiable (I assume that they are), I personally believe this is a performance which was never meant to see the light of day, and probably never SHOULD have seen the light of day. Although it must have been amazing to witness this live in the rehearsal space, the sound quality of this recording is in no way sufficient for accurately rendering the sonorities which must be perceived to make this music effective. The subtleties which must have been present in the harmonics generated by the drones, as well as the nuances of each member's performance, are all but imperceptible on this recording. The listener is left wallowing in one messy, distorted drone for a half hour, which is hardly representative of the quality of music conceived and created by Young or his bandmates during this time period.

I am giving this release two stars merely for its historical value, although the merit of its existence, even in that regard, is sketchy at best. My advice is to skip this and shell out the big money for the out-of-print "Second Dream of the High-Tension Line Stepdown Transformer," which has impeccable sound quality and is a far better example of La Monte Young's pioneering work with just intonation and long, sustained tones.

13人のお客様がこれが役に立ったと考えています

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S. L. Alleman

Not very accessible at all

2006年3月18日に英国でレビュー済み

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I would love to give this a higher rating but its incredibly monotonous. It just goes on and on and on. One concert of theirs went on for days- the amount of drugs needed is unfathomable. I prefer Reich's earlier stuff as far as minimalism goes since he had the sense to have shorter tracks. This will leave you sleeping with a headache.

3人のお客様がこれが役に立ったと考えています

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Jorge Soto Gonzalez

not the best music document of this periode but very interesting in ...

2014年10月3日にアメリカ合衆国でレビュー済み

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not the best music document of this periode but very interesting in a his own way. Tony Conrad and John Cale cd's of the same periode are much better.

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Day of Niagara: Inside the...

商品の説明

商品の説明

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カスタマーレビュー

この商品をレビュー

上位レビュー、対象国： 日本

レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。

他の国からのトップレビュー

上位レビュー、対象国：日本