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Mercy / See-Saw

ドン・コヴェイ形式: CD

4.3 17個の評価

CD
￥680 より

仕様

価格

新品

中古品

CD, インポート, 2000/11/3

"もう一度試してください。"

インポート

—

￥680

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ドン・コヴェイ
4
CD
9個の商品：￥1,470から

曲目リスト

ディスク： 1

1	Mercy, Mercy
2	I'll Be Satisfied
3	Come On In
4	Can't Stay Away
5	Can't Fight It Baby
6	You're Good For Me
7	Take This Hurt Off Me
8	Daddy Loves Baby
9	Come See About Me
10	You Must Believe In Me
11	Please Don't let Me Know
12	Just Because

ディスク： 2

1	See-Saw
2	The Boomerang
3	Everything Gonna
4	Fat Man
5	Precious You
6	Iron Out the Rough Spots
7	Please Do Something
8	I Never Get Enough Of Your Love
9	The Usual Place
10	A Woman's Love
11	Sookie Sookie

登録情報

製品サイズ ‏ : ‎ 14.38 x 0.97 x 12.75 cm; 113.4 g
メーカー ‏ : ‎ Koch Records
EAN ‏ : ‎ 0099923818625
レーベル ‏ : ‎ Koch Records
ASIN ‏ : ‎ B00004YLGH
ディスク枚数 ‏ : ‎ 1

Amazon 売れ筋ランキング: - 374,630位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 2,971位クラシックソウル
- - 4,509位ブルース・カントリー (ミュージック)
- - 108,404位輸入盤

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4.3 17個の評価

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GARY HARDING

A GEM ,

2018年7月1日に英国でレビュー済み

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Excellent as Expected , quick delivery no problems.👍

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Phil Rogers

If ya love the Stones, you'll love this more

2004年6月18日にアメリカ合衆国でレビュー済み

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I thought the reviewer who wrote how Jagger stole his thunder from Don Covay was a little tacky until I actually heard the CD - Covay sounds like Mick, without any of the tension. And that translates into way, way better. And Covay provides all the vocals, and is the master of many types of singing and personas. Look at his picture - he is just that smooth and ever so cool sounding. He be harmonizing and/or improvising with himself from opposite sides of the stereo field. Stops a few centimeters short of becoming "slick", if you dig what I mean.
I still like the Stones, but henceforth I'll probably always be laughing a little inside when I listen to them. One must note though, that Mick's voice is as similar to Don's as early Nick Drake's voice was to Donovan's. Neither was slavishly imitating - it was probably more honoring someone whose style the imitator truly loved. It's uncanny how Covay's various vocal inflections are mirrored by Mick, just as Donovan's were by Nick.
Anyway . . . this music is astoundingly good, and it is energising, even empowering. The intensity and verve is relaxing, and grabs your guts in an inviting, friendly way. It's smoky, deep, a little dark at times, and never coldly metallic. Lord knows the band members provide good home cookin' . . .

9人のお客様がこれが役に立ったと考えています

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joan carles

Five Stars

2015年12月22日に英国でレビュー済み

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Ron Heck

Simply amazing

2005年11月6日にアメリカ合衆国でレビュー済み

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I'm really tired of people writing "Wow, he sounds like Mick Jagger!" After a few listens he really doesn't. This music is MUCH more than just a curiosity piece or a gimmick. I'm also a little annoyed at people complaining about the anthology being out of print. That was missing a few of these songs and absolutely all of these are essential.

With those complaints out of the way, I just want to say that this disc is one of the best I own. The guitar playing and lyrics are everything you've ever wanted to hear in soul music and R&B. It's that good.

5人のお客様がこれが役に立ったと考えています

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Lozarithm

Exemplary Double-Bill

2006年8月17日に英国でレビュー済み

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By the time Don Covay signed to Atlantic, he was already known as a recording artist and a songwriter. Now one of the decade's greatest soul singers, he had sung in gospel and doo-wop groups, chauffeured for Little Richard, played and recorded with the Little Richard Revue, and written songs that were hits for Gladys Knight and the Pips, Wanda Jackson, Hank Ballard, Chubby Checker, Solomon Burke, Tommy Tucker and others.

His breakthrough came in 1964 on the Rosemart label when Mercy, Mercy hit the Billboard pop charts. Recorded in May with his band the Goodtimers, augmented by Bernard Purdie on drums and Jimi Hendrix on guitar (he also appeared on the flipside, Can't Stay Away, recorded a week later), it paved the way for a string of chart successes and led to Rosemart's distributor, Atlantic Records, buying out his contract and releasing an album later in the year.

Mercy! included both sides of the single; the follow-up Take This Hurt Off Me/Please Let Me Know; You're Good For Me, which had come out on the Landa label; and other unreleased recordings from the same New York October 1964 sessions with the Goodtimers, led by producer Horace Ott. Stylistically varied and accomplished, it was a hugely influential album and immediately inspired a number of the British beat groups of the time, his songs being seized by the Small Faces, the Spencer Davis Group, Georgie Fame, the Rolling Stones and a whole crowd more, as well as closer to home compatriots such as Booker T and the MG's and his former mentor Little Richard (I Don't Know What You Got But It's Got Me also featured Jimi Hendrix).

This two-on-one CD from Koch Records is not only beautifully mastered in panoramic stereo, but adds the complete follow-up album (although only 11 of the 12 tracks comprise the second half of this CD, the twelfth track was merely a repeat of Mercy, Mercy, which opens side one).

See-Saw included the singles The Boomerang (Don had a penchant for dance craze numbers), Please Do Something/A Woman's Love, See-Saw/I Never Get Enough Of Your Love, Iron Out The Rough Spots and Sookie-Sookie and four new tracks. Most of it was recorded in New York with the Goodtimers, some of it at the October 1964 sessions which formed the bulk of Mercy!, but also marvelously features some songs recorded at the Stax Studios in June 1965 with Booker T and the MG's and the Memphis Horns. These are See-Saw, I Never Get Enough Of Your Love, Iron Out The Rough Spots, Please Do Something, A Woman's Love and Sookie-Sookie. The album easily equaled Mercy! and gave him more big hits, See-Saw being revived to great effect by Aretha Franklin three years later (she also won a Grammy with his Chain Of Fools).

Don Covay remained successful and influential throughout the sixties and disco-hungry seventies, but this important chapter in his career is fully illustrated on these exemplary albums.

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Mercy / See-Saw

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