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Keiser: Croesus

Reinhard Keiser (作曲), Rene Jacobs (指揮), Akademie fur Alte Musik Berlin (オーケストラ), 形式: CD
4.7 5つ星のうち4.7 9個の評価
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曲目リスト

ディスク： 1

1 Sinf Avanti L'opera Croesus
2 Act I, Scene I. Coro: Croesus Herrsche, Croesus Lebe
3 Act I, Scene I. Recitativo: Ihr Edlen Lydier
4 Act I, Scene I. Aria: Prangt Die Allerschonste Blume
5 Act I, Scene II. Aria: Hoffe Noch, Gekranktes Herz!
6 Act I, Scene II. Recitativo: Du Weisst, Wie Cyrus' Macht
7 Act I, Scene II. Arietta: Empfinden Gleiche Schmerzen
8 Act I, Scene III. Aria: Lieben, Leiden, Bitten, Flehen
9 Act I, Scene III. Recitativo: Prinz Atis, Wie Dir Ist Bewusst
10 Act I, Scene IV. Aria: Wahre Treu Kann Nicht Auf Erden
11 Act I, Scene V. Aria: Er Erweckt In Meinem Herzen
12 Act I, Scene VI. Recitativo Con Aria: Verliebter Prinz/Sobald Dich Nur Mein Auge Sah
13 Act I, Scene VI. Recitativo: Was Zeigt Der Prinz, Geliebter Knabe?
14 Act I, Scene VI. Aria Con Recitativo: Durch Der Haare Guldne Stricke
15 Act I, Scene VII. Recitativo: Der Konig Will Euch Gerne Sprechen/Duetto: Du Musst Scheiden
16 Act I, Scene VIII. Duetto: Ich Sa Auf Wilde Wellen
17 Act I, Scene IX. Duetto: Blindes Feu'r, Das Mich Verzebret/Quartetto: Clerida, Du Haltst Gefangen
18 Act I, Scene X. Aria: Traure Nicht/Recitativo: Wo Ich Bei Diesen Fackeln
19 Act I, Scene X. Recitativo: Orsanes, Musst Du Denn Dem Stummen Atis Weichen
20 Act I, Scene XI. Recitativo Con Aria: Hort, Wie Die Eulen/Liebes-Schmerzen Geschlossener Herzen
21 Act I, Scene XII. Recitativo: Darf Cyrus Dann Den Frieden Brechen?
22 Act I, Scene XIV. Recitativo: Muss Ich In Meinem Herzen
23 Act I, Scene XIV. Aria: Liebe, Treibst Du Denn Nur Spiel
24 Act I, Scene XV. Recitativo Con Aria: Seht, Wie Die Elementschen Affen/Das Blinkern Und Flinkern
25 Act I, Scene XV. Chaconne: Ballett Von Harlekinen
26 Act I, Scene XVI. Aria: Lass Ich Meine Siegenden Waffen Nur Sehen
27 Act I, Scene XVI. Recitativo: Ihr Helden, Folget Dann
28 Act I, Scene XVI. Ballet Von Persischen Soldaten
29 Act I, Scene XVII. Recitativo: Der Perser Schwert Und Pfeile
30 Act I, Scene XVIII. Ritornello Con Aria: So Jauchzet Mein Frohlicher Mut!
31 Act I, Scene XVIII. Recitativo: Hier Ist Die Reichste Beute

ディスク： 2

1 Act II, Scene I. Ritornello
2 Act II, Scene I. Duetto: Kleine Voglein, Die Ihr Springet
3 Act II, Scene II. Recitativo: Orsanes Treulos?
4 Act II, Scene III. Recitativo: Seht, Wie Herr Elcius Ist Ein Politicus...
5 Act II, Scene III. Ballett Von Bauren Und Bauren-Kindern
6 Act II, Scene IV. Duetto: Freundliche Liebe, Wie Freust Du Mein Herz!
7 Act II, Scene V. Recitativo: Kann Meine Treu Orsanen Nicht Bewegen?...
8 Act II, Scene V. Aria: Ihr Stummen Fische Seid Dem Gleich
9 Act II, Scene V. Recitativo: Du Stellest Dich, Als Horest Du Nicht
10 Act II, Scene V. Aria: Soll Dann So Grosser Hohn
11 Act II, Scene VI. Recitativo: Sobald Ich Werd' Erholt Zu Dieser Wurde
12 Act II, Scene VI. Duetto: Die Regierungslast Zu Tragen/Chor: Waffen, Hilfe, Hilfe, Waffen!
13 Act II, Scene VII. Recitativo: Wir Sind Verlor 'N!
14 Act II, Scene VIII. Recitativo: Holdseligste Elmir
15 Act II, Scene VIII. Aria: Liebe, Sag', Was Fangst Du An?
16 Act II, Scene IX. Recitativo: Hier Bring Ich Atis' Ebenbild
17 Act II, Scene IX. Aria: Alle Freude Leicht Verstiebet
18 Act II, Scene X. Recitativo: Was Seh Ich!
19 Act II, Scene XI. Aria: Ich Lieb' Und Bin Geliebet
20 Act II, Scene XI. Recitativo: Prinzessin, Darf Ein Sklav'
21 Act II, Scene XI. Aria: Ist Niemand Bewusst
22 Act II, Scene XI. Recitativo: Wie! Darfst Du Nochmals Solche Reden Wagen?
23 Act II, Scene XI. Aria: Mir Gefallt In Seinem Munde
24 Act II, Scene XII. Recitativo: Hor' Dann, Dies Ist Der Dienst
25 Act II, Scene XIII. Recitativo Con Aria: Brill, Brill Feder Und Tinte/Kommt Ihr Herren...
26 Act II, Scene XIV. Aria: Niemand Kann Aus Diesen Ketten
27 Act II, Scene XIV. Recitativo: Knie Nieder, Und Wirf Dich Zur Erden
28 Act II, Scene XIV. Aria: Ihr Tapfern Soldaten, Frohlocket Nun Wieder
29 Act II, Scene XIV. Entree, Passepied Der Feuerwerker

ディスク： 3

1 Act III, Scene I. Aria: Die Flamme Steigt
2 Act III, Scene I. Recitativo: Find' Ich Orsan So Fruh/Act III, Scene II. Aria...
3 Act III, Scene II. Recitativo: Ermin, Wie Ist Es Abgegangen?
4 Act III, Scene III. Recitativo: Der Himmel Sei Gepreist/Aria: Fuhlst Du Noch Der Liebe Kerzen
5 Act III, Scene III. Recitativo: Schonstes Kind, Du Irrest Dich
6 Act III, Scene IV. Recitativo: Der Abgesandte Bringt Vom Feinde
7 Act III, Scene IV. Aria: Waffnet, Was Kann Waffen Tragen
8 Act III, Scene V. Aria: Elmir! Wo Bleibest Du?
9 Act III, Scene V. Recitativo: Prinzessin!
10 Act III, Scene V. Aria: Mich Vergnuget Dieses Hohnen
11 Act III, Scene VI. Recitativo: Unsinniger, Find Ich Dich Hier?
12 Act III, Scene VI. Recitativo: Mich Ungluckseligen!/Aria: Wertes Gluck, Verlass Mich Nicht!
13 Act III, Scene VII. Ritornello Con Aria: Soll Des Goldes Glanz Recht Glimmen
14 Act III, Scene VII. Recitativo: Prinzessin!
15 Act III, Scene VII. Aria: Sollte Der Mich Herzlich Lieben
16 Act III, Scene VIII. Arietta: Zarte Jungfern
17 Act III, Scene VIII. Recitativo: Hier, Wey Je Nich Dat Neye Lied
18 Act III, Scene VIII. Aria: Schmink', Ein Kleinod Dieser Zeit/Recitativo: Hier Hab Ich Schnupftobak
19 Act III, Scene IX. Duetto: Nein, Nein, Nun Will Ich Nicht Mehr Lieben
20 Act III, Scene X. Recitativo: Prinz, Weisst Du, Dass Ermin Mit Mir Von Liebe Spricht?
21 Act III, Scene X. Aria: Dieses Schmahen, Das Ich Leide
22 Act III, Scene XII. Aria: Gotter, Ubt Barmherzigkeit!
23 Act III, Scene XIII. Recitativo: Fort, Fuhrt Ihn Auf Den Scheiterhaufen!
24 Act III, Scene XIII. Recitativo: Umsonst, Macht Neues Feuer
25 Act III, Scene XIII. Aria: Solon, Weiser Solon
26 Act III, Scene XIII. Recitativo: Welch Eine Gottheit Ruft Er An?
27 Act III, Scene XIII. Gluckliche Stunden, Erfreulicher Tag

商品の説明

Amazonレビュー

Reinhard who? You may well ask. The passing years haven't been too kind to the man who, in his obituary (he died in 1739), was described as "the greatest opera composer in the world". And he was up against the likes of Handel, so the competition wasn't exactly soft. Unlucky for him, his music went out of fashion the moment he died, and then the prudes of the 19th century dismissed him on the basis of alleged dubious morality. So most of his operas (he composed more than 60) have been lost. Enter René Jacobs, knight in shining armour with a zeal for righting musical injustices. And we are certainly in his debt for this: Croesus is a masterly work. Admittedly you won't find the sublime arias with which Handel liked to adorn his operas but it's a good story (all the riches and glory in the world won't necessarily make you happy) which contains all the ingredients--heroic drama, star-crossed lovers and comedy--for a great night at the theatre. It also avoids the stop-go feeling of some baroque opera, precisely because it's not held up by long, eloquent arias in the Handelian mould. The singers and instrumentalists are, without exception, excellent, particularly Roman Trekel in the title role, the wonderful Dorothea Röschmann as Elmira (who loves Croesus's son, Atis) and Werner Güra in the role of Atis. It's no accident that this recording was made shortly after performing the work live--it really fizzes. If you like baroque opera in any shape or form then give this a go. Three discs for the price of two and an exemplary booklet containing texts, translations and an all-important synopsis. --Harriet Smith

登録情報

  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 12.7 x 14.61 x 3.81 cm; 365.14 g
  • メーカー ‏ : ‎ Harmonia Mundi
  • EAN ‏ : ‎ 0794881611720
  • レーベル ‏ : ‎ Harmonia Mundi
  • ASIN ‏ : ‎ B00004ZD64
  • ディスク枚数 ‏ : ‎ 3
  • カスタマーレビュー:
    4.7 5つ星のうち4.7 9個の評価

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くまのぷうさん
5つ星のうち4.0 ハンブルグオペラ
2004年3月9日に日本でレビュー済み
　カイザーというひと、ぜんぜん知りませんでしたが、これを聴く限り、テレマンにも比べられるほど才気あふれる感じ。
　全体は軽めの調子で幅広い表現です。
　演奏もしっくり曲になじんでいます。
1人のお客様がこれが役に立ったと考えています
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すべてのレビューを日本語に翻訳
Edwaldo Camargo Rodrigues
5つ星のうち5.0 Ópera rara e surpreendente.
2020年9月6日にブラジルでレビュー済み
Amazonで購入
Totalmente satisfatório, a começar da apresentação, em álbum de fino acabamento acompanhado por libreto em três idiomas. Intérpretes, orquestra e regente compõem um conjunto harmônico e perfeitamente integrado. Perfeito domínio técnico. Trata-se de uma obras-prima do barroco musical.
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Tradingman
5つ星のうち5.0 Unglaublich - Kennen Sie Reinhard Kaiser
2015年1月17日にドイツでレビュー済み
Amazonで購入
Musik vom anderen Stern. Ein herausragendes Stück Operngeschichte. Zu Unrecht so wenig bekannt. Ein Muß und eine Empfehlung an Jeden, der sich in der Barockmusik heimisch fühlt. Nach dem zweiten Mal hören ist die CD praktisch unentbehrlich. Ein Leben ohne Crösus?...unvorstellbar!
2人のお客様がこれが役に立ったと考えています
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Eric Erwin
5つ星のうち5.0 Another 'must buy' for lovers of Baroque opera
2007年7月15日にアメリカ合衆国でレビュー済み
Amazonで購入
With "Croesus" Renè Jacobs creates another masterful and delightful recording of an important Baroque opera, written by a wonderful but now forgotten composer. Reinhard Keiser directed and composed for the influential Hamburg public opera house from 1696 until 1707, and in his career is credited with writing about 80 operas, most of which are now lost. "Croesus" was one of his most influential and popular works. It was from Keiser that Handel got his chance to make a big splash with his first Italian opera ("Almira") in Hamburg, and after hearing this recording listeners will immediately detect the tremendous influence that Keiser had on the young Saxon. (Handel later borrowed many Keiser melodies and ideas for his own works). While the recitatives and arias are sung in German, the numerous arias, duets and ensembles (forty-four on 3 discs!) are a rich fusion of the Italian da capo style with the German preference for drama over vocal fireworks. Several arias are accompanied by horns as well as strings and woodwinds, a device Handel would later use to great effect in operas like "Rinaldo" and "Radamisto." Listeners will understand why Christopher Hogwood, in his 1984 biography of Handel, described Keiser as the "most gifted opera composer in Germany" because of his "sensitive flow of drama." Unlike operas in the Italian style, Keiser's music and arias are much more firmly matched to the action, and the arias emphasize feeling and emotion over vocal agility. The arias themselves are quite beautiful and melodic, and vary in length between a minute and a half and five or so minutes. Thankfully, the recording engineers separated the recitatives and arias on different tracks so that you can hear only the arias if you wish. Modern listeners who are put-off by Baroque opera because of counter-tenors in the leading roles and wild vocal improvisations will find much more to like in this recording. The male lead character is a baritone (sung by Roman Trekel), and Dorothea Roschmann sings the female lead ("Elmira") with deep and loving sensitivity... both singers are allowed to shine under Jacob's masterful direction. There is only one counter-tenor role: it is sung by the veteran Graham Pushee, and his voice fits well within Keiser's dramatic emphasis. There are numerous tenor, soprano, and baritone roles in the opera as well, all sung by gifted artists. There is not one weak or irritating voice in the lot! Another sparkling gem on this recording is the incidental music: the exciting overture (lots or horns and timpani here!), several ballets (the ballet of the soldiers is especially nice), and the use of almost modern-like use of the orchestra to provide sounds effects for the action. The opening of the second act features birds singing outside of a peasant hut, which are then slowly and gradually joined by the violins and recorders accompanying their songs, followed by a charming duet sung by a peasant woman and her husband which builds upon the previous melodies. Highly recommended, and a fantastic addition to anyone's collection!
3人のお客様がこれが役に立ったと考えています
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birdwalker
5つ星のうち5.0 perhaps six stars
2012年5月1日にアメリカ合衆国でレビュー済み
Amazonで購入
The singing on this (so-far) rarity, with the exception of one miniscule role, ranges from extremely good to superb; the instrumental performance is consistently superb. The story line is intriguing -- haughty rulers are each taught a lesson, coupled with a new twist on the lovers-temporarily-at-odds theme; the libretto itself could use a little tweaking: e.g., a humorous scene interrupts the tense third act, but not in the usual relaxation-of-tension way that one might find in Shakespeare. As for Keiser's orchestration, it is always fascinating.

The best way I can find to describe this Baroque opera's musical aspect to someone who has not heard it, is to imagine a collaboration between Bach and Handel, with Bach writing at least 90% of the recitatives and Handel at least 80% of the arias. (Those who are familiar with this opera: please feel free to criticize, but that's as close as I can come.) For lovers of Bach and Handel, this is delightfully easy listening, with some wonderful surprises. There are so many examples of the Baroque Italian opera, whether in Italy or in England; here is a truly excellent recording of Baroque opera in Germany (and in German).

Boxed set includes three discs in a tri-fold case and a separate booklet for the complete libretto in German with French and English translations on facing pages. Note: for some reason, disc 1 does not play in my computer, but is fine in my CD player. No problem with discs 2 and 3 in the computer; I didn't try them in the CD player.
4人のお客様がこれが役に立ったと考えています
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