マニアの間では、隠れた人気のラッシュ。
レコードからCDの買い直し。
やはり、素晴らしい音楽性であり、今でも全く色褪せていない(今よりクオリティが高い)。
パーマネント・ウェイブス
¥910 ¥910 税込
仕様 | 価格 | 新品 | 中古品 |
CD, 2015/6/8
"もう一度試してください。" | [CD, 2015/6/8] |
—
| ¥2,791 | — |
CD, 1997/7/25
"もう一度試してください。" | 1枚組 | ¥910 | — | ¥434 |
CD, 1970/1/31
"もう一度試してください。" | 1枚組 |
—
| — | ¥647 |
CD, 1991/10/25
"もう一度試してください。" | 1枚組 |
—
| — | ¥780 |
CD, 限定版, 2009/6/24
"もう一度試してください。" | 限定版 |
—
| — | ¥3,747 |
CD, インポート, from US
"もう一度試してください。" | インポート, from US |
—
| — | ¥6,980 |
この商品を見た後にお客様が購入した商品
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曲目リスト
1 | ザ・スピリット・オブ・レイディオ |
2 | 自由意志 |
3 | ヤコブの梯子 (旧約聖書創世紀より) |
4 | アントレ・ヌ (私たちの間に) |
5 | 異なる糸 |
6 | 自然科学 : 1.潮だまり / 2.超空間 / 3.永遠の波 |
商品の説明
メディア掲載レビューほか
1980年発表のアルバムを再発売。「ザ・スピリット・オブ・レイディオ」「自由意志」「異なる糸」他。 (C)RS
登録情報
- メーカーにより製造中止になりました : いいえ
- 梱包サイズ : 14.09 x 12.63 x 1.37 cm; 80.32 g
- メーカー : イーストウエスト・ジャパン
- EAN : 4988029229540
- 時間 : 36 分
- レーベル : イーストウエスト・ジャパン
- ASIN : B00005HE55
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 197,494位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 37,851位ロック (ミュージック)
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2020年2月8日に日本でレビュー済み
これを知らずしてロックは語れない。
当時はツェッペリンより相性が断然良くてドーナッツ盤、迷わず買いました。
今はドラマーが亡くなりショックで頭の中は常にこれらの曲がぐるぐるしてます。。
胸のすく、素晴らしい曲の数々。もうこんなバンドは出ないでしょう。
当時はツェッペリンより相性が断然良くてドーナッツ盤、迷わず買いました。
今はドラマーが亡くなりショックで頭の中は常にこれらの曲がぐるぐるしてます。。
胸のすく、素晴らしい曲の数々。もうこんなバンドは出ないでしょう。
2001年12月12日に日本でレビュー済み
Amazonで購入
Zeppelin風アプローチのハードロックからYes風大曲主義のアルバム造りへと進化してきた彼らの一つの集大成的なアルバムであり、そこへ新たな要素である”ポップス”をブレンドした。
代表曲は今なお演奏されている1,2であるが、最後の大曲的な作品となった6も聴き逃してはならない。
トータル30分程度のアルバムだが、曲作り、演奏面とも彼らのエッセンスが濃密に凝縮されている。RUSHのどのアルバムよりも聴かなければいけないアルバムであると信じる。
代表曲は今なお演奏されている1,2であるが、最後の大曲的な作品となった6も聴き逃してはならない。
トータル30分程度のアルバムだが、曲作り、演奏面とも彼らのエッセンスが濃密に凝縮されている。RUSHのどのアルバムよりも聴かなければいけないアルバムであると信じる。
2002年2月5日に日本でレビュー済み
「2112年」から「Hemisphere」の3作でプログレ・ハード・ロックを極め尽くしたと判断したのか、7作目となる本作品からはヘビーさを抑え、若干ポップな感じが加わった。1,2曲目の「ザ・スピリッツ・オブ・レイディオ」「自由意志」はとても明るく前向きな曲で、歌詞もわかりやすくなり、ハードで重厚なラッシュ・サウンドを追い続いていたファンには裏切り行為と写った。
「ヤコブの梯子」や3つのパートからなる組曲「自然科学」はややうす味なものの従来のアプローチで曲作りがなされており、少しは溜飲が下がるが、前作までの「意外性に満ちた驚き」を感じることができない。
全体的に薄作りで、また収録時間も短く物足りなさが残るのは残念。
ジャケットに写ったパンチラ姉さんがイマイチなのも減点材料か!!(笑)。
「ヤコブの梯子」や3つのパートからなる組曲「自然科学」はややうす味なものの従来のアプローチで曲作りがなされており、少しは溜飲が下がるが、前作までの「意外性に満ちた驚き」を感じることができない。
全体的に薄作りで、また収録時間も短く物足りなさが残るのは残念。
ジャケットに写ったパンチラ姉さんがイマイチなのも減点材料か!!(笑)。
他の国からのトップレビュー
CV Couple
5つ星のうち5.0
The Magical Mixing Laboratory--the hype is real
2008年5月27日にアメリカ合衆国でレビュー済みAmazonで購入
When I first started seeing "Gold" CDs in the mid-80s I thought it was just another way to get me to pay more money for basically the same quality as aluminum-substrate CDs. In other words, I thought it was all...hype.
I even had a Tower Records employee tell me, "The only difference is that the gold doesn't oxidize as fast." (Given the intellectual level of the average Tower employee, that he used "oxidize" was impressive enough.) Which, while true, it also tells me that the guy had either never heard one of the discs or didn't have access to even mid-level audio equipment.
So I've been laboring under a 25+ yr delusion that Gold CDs were a marketing ploy.
Well, I've justed listened to Mobile Fidelity's "Permanent Waves", Special Limited Edition no. 3042. (I read somewhere that only 5000 are made, if so I got lucky since I almost passed it up.)
Not only was a I wrong, I was DEAD WRONG. I feel like such an idiot. I could have--SHOULD HAVE--all of MoFi's Rush editions. Now they are going for $100 and up (if nothing more than an investment!). The wife--sadly, like most women, a Rush-hater--ain't gonna go for dropping that kind of cash.
As for the sound quality I concur absolutely with many of the reviewers: this is simply the best sounding "Permanent Waves" I've ever heard, and I've owned FOUR previous editions (LP, Cassette, un-Remastered CD and Remastered ["The Rush Remasters"] CD) and this blows them ALL away.
The sound quality is breathtaking. I used the "STRAIGHT" setting on my Yahama HTR-6050 Receiver so that none of its decoders would alter the sound out-put from my Toshiba HD-A30 (yes, it's an HD-DVD player, it's also a d*mn good CDDA player). Only in concert (esp on this last tour) have these songs sounded better.
Geddy's bass: clean and punchy; sharp and fat at the same time (Rush fans should know exactly what I mean), something rarely fully captured on disc ("Power Windows," even pre-remastering, was an excellent example--and don't I wish I had that Mo-Fi version of that!).
Alex's guitar: Mr. Lifeson's guitar ranges from shimmering (the 12-string on "Natural Science"), to the emotive scream of "Spirit of Radio's" solo, to the measured, martial pace of the mid-section of "Jacob's Latter." (The last being the only Rush song ever called "beautiful" by a Rolling Stone reviewer--not that we Rush fans CARE what Rolling Stone thinks anyway.)
Neil's percussion: probably the most amazing thing about this disc is the complete fidelity to his "old" kit, with its plethora of percussive devices both familiar and bizarre.
The tympanis on "Jacob's Ladder", to give one example, reverberate so cleanly it was almost as if I could reach out and touch them. His snare snaps back with a wicked authority so many drummers aim for and so very, very few achieve.
The only better sounding disc I've ever heard are SACD's, e.g. Coltrane's "Lush Life" and Janine Jansen's "Four Seasons". Of course, even this disc doesn't equal an SACD, but it's closer than anything else.
I could write 10,000 words about this gem of a remastered disc. But Amazon only allows 1000 and I doubt most folks would want to read it.
For an album I've listened to on at least a weekly basis since 1983, if not daily, I was further surprised as how many "new" things I discovered from this single listen. (Needless to say, there'll be many more.) The opening tidal pools of "Natural Science" to the closing crash of the in-coming tide reminded me so much of La Jolla Shores it was eerie.
Hugh Syme's piano work on "Different Strings" is also beautifully rendered. I don't know if he was playing a Steinway grand--it certainly sounded like it. Whatever it was, few of my "classical" piano CDs sound this pure. The fidelity is so good that at the end of this track I can hear what I believe Alex's pick tapping a pick-up. It's THAT good.
If you're a Rush fan and an audiophile (and aren't the two really synonyms?), you simply MUST have this disc.
Let's hope this disc sells enough copies to warrant yet more Rush albums from MoFi's Magical Mixing Laboratory. They deserve it--and so do we.
I only hope that more Rush CDs are coming from MoFi's Magic Mixing Laboratory.
The cover art also wasn't quite what I expected. It looked like it was done with a low-end HP copier/scanner. I think we deserve better for the $26.99 paid. Hopefully, future Rush releases (if there are any) will correct this flaw. The only flaw in the release.
Finally, HUGE props to Shawn R. Britton (of MoFi) who did the remastering job.
I even had a Tower Records employee tell me, "The only difference is that the gold doesn't oxidize as fast." (Given the intellectual level of the average Tower employee, that he used "oxidize" was impressive enough.) Which, while true, it also tells me that the guy had either never heard one of the discs or didn't have access to even mid-level audio equipment.
So I've been laboring under a 25+ yr delusion that Gold CDs were a marketing ploy.
Well, I've justed listened to Mobile Fidelity's "Permanent Waves", Special Limited Edition no. 3042. (I read somewhere that only 5000 are made, if so I got lucky since I almost passed it up.)
Not only was a I wrong, I was DEAD WRONG. I feel like such an idiot. I could have--SHOULD HAVE--all of MoFi's Rush editions. Now they are going for $100 and up (if nothing more than an investment!). The wife--sadly, like most women, a Rush-hater--ain't gonna go for dropping that kind of cash.
As for the sound quality I concur absolutely with many of the reviewers: this is simply the best sounding "Permanent Waves" I've ever heard, and I've owned FOUR previous editions (LP, Cassette, un-Remastered CD and Remastered ["The Rush Remasters"] CD) and this blows them ALL away.
The sound quality is breathtaking. I used the "STRAIGHT" setting on my Yahama HTR-6050 Receiver so that none of its decoders would alter the sound out-put from my Toshiba HD-A30 (yes, it's an HD-DVD player, it's also a d*mn good CDDA player). Only in concert (esp on this last tour) have these songs sounded better.
Geddy's bass: clean and punchy; sharp and fat at the same time (Rush fans should know exactly what I mean), something rarely fully captured on disc ("Power Windows," even pre-remastering, was an excellent example--and don't I wish I had that Mo-Fi version of that!).
Alex's guitar: Mr. Lifeson's guitar ranges from shimmering (the 12-string on "Natural Science"), to the emotive scream of "Spirit of Radio's" solo, to the measured, martial pace of the mid-section of "Jacob's Latter." (The last being the only Rush song ever called "beautiful" by a Rolling Stone reviewer--not that we Rush fans CARE what Rolling Stone thinks anyway.)
Neil's percussion: probably the most amazing thing about this disc is the complete fidelity to his "old" kit, with its plethora of percussive devices both familiar and bizarre.
The tympanis on "Jacob's Ladder", to give one example, reverberate so cleanly it was almost as if I could reach out and touch them. His snare snaps back with a wicked authority so many drummers aim for and so very, very few achieve.
The only better sounding disc I've ever heard are SACD's, e.g. Coltrane's "Lush Life" and Janine Jansen's "Four Seasons". Of course, even this disc doesn't equal an SACD, but it's closer than anything else.
I could write 10,000 words about this gem of a remastered disc. But Amazon only allows 1000 and I doubt most folks would want to read it.
For an album I've listened to on at least a weekly basis since 1983, if not daily, I was further surprised as how many "new" things I discovered from this single listen. (Needless to say, there'll be many more.) The opening tidal pools of "Natural Science" to the closing crash of the in-coming tide reminded me so much of La Jolla Shores it was eerie.
Hugh Syme's piano work on "Different Strings" is also beautifully rendered. I don't know if he was playing a Steinway grand--it certainly sounded like it. Whatever it was, few of my "classical" piano CDs sound this pure. The fidelity is so good that at the end of this track I can hear what I believe Alex's pick tapping a pick-up. It's THAT good.
If you're a Rush fan and an audiophile (and aren't the two really synonyms?), you simply MUST have this disc.
Let's hope this disc sells enough copies to warrant yet more Rush albums from MoFi's Magical Mixing Laboratory. They deserve it--and so do we.
I only hope that more Rush CDs are coming from MoFi's Magic Mixing Laboratory.
The cover art also wasn't quite what I expected. It looked like it was done with a low-end HP copier/scanner. I think we deserve better for the $26.99 paid. Hopefully, future Rush releases (if there are any) will correct this flaw. The only flaw in the release.
Finally, HUGE props to Shawn R. Britton (of MoFi) who did the remastering job.
Greg
5つ星のうち5.0
Quick and on the mark
2019年1月5日にカナダでレビュー済みAmazonで購入
Exactly as advertised
david donachie
5つ星のうち5.0
chirstmas gift.
2021年1月6日に英国でレビュー済みAmazonで購入
This was a gift.
ckbuter
5つ星のうち5.0
Five Stars
2014年9月10日にカナダでレビュー済みAmazonで購入
One of their best albums. My personal favorite.