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Faro Anie

4.5 5つ星のうち4.5 22個の評価
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CD, CD, 2005/10/28 CD
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CD, CD, インポート, 2018/3/2 CD, インポート
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￥4,716 —
CD, インポート, 2008/3/12 インポート
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CD, インポート, 2002/11/5 インポート
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  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 梱包サイズ ‏ : ‎ 13.8 x 12.8 x 1.2 cm; 111.13 g
  • メーカー ‏ : ‎ Castle Music UK
  • EAN ‏ : ‎ 0766488887020, 5050159153428
  • 製造元リファレンス ‏ : ‎ 13066
  • レーベル ‏ : ‎ Castle Music UK
  • ASIN ‏ : ‎ B0000669KY
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.5 5つ星のうち4.5 22個の評価

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星5つ中4.5つ
5つのうち4.5つ
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上位レビュー、対象国： 日本

Makoto Ichikawa
5つ星のうち5.0 John Renbournのフォークブルースのアルバム
2009年4月29日に日本でレビュー済み
　"White House Blues", "Buffalo Skinners", "Kokomo Blues"とフォーク･ブルース色が段々強くなることに、｢John Renbournはフォーク･ブルースのアルバムを作りたかったのかな？｣と気づきました。"Willy o'Winsbury","The Cuckoo"はPentangle時代を思わせる曲ですが、他の曲を含めて考えるとその気づきは確かなようです。このため、イギリス的な音楽の雰囲気は薄れているといえます。
　レコーディングに参加しているメンバーは下記です。

Peter Dyer: Harmonica ("Come on in My Kitchen", "Kokomo Blues")
Dorris Henderson: Vocal("White House Blues", "Kokomo Blues", "Back on the Road Again")
Terry Cox: Drums ("Faro Annie", "Shake Shake Mama")
Sue Draheim: Fiddle ("Willy o'Winsbury", "Little Sadie", "Country Blues")
Danny Thompson: Bass ("Faro Annie", "Shake Shake Mama")
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すべてのレビューを日本語に翻訳
Gianluca
5つ星のうち5.0 tra folk e blues in compagnia di John Renbourn
2022年7月30日にイタリアでレビュー済み
Amazonで購入
Ho già recensito parecchie cose di John Renbourn qui su Amazon e ogni volta mi sono ripetuto in elogi e descrizioni. Ma che ci volete fare.... siamo davanti a una figura leggendaria del folk rock inglese, un musicologo ancor prima che un musicista, uno storico della musica. Questo album è il suo quinto lavoro da solista, anno di grazia 1972, e prosegue quel raffinato, intenso e poetico viaggio all'interno della tradizione folk inglese con la solita aggiunta di influenze blues e indiane, le altre due profonde passioni di questo immenso musicista.
Non credo sia necessario aggiungere altro, in parte perchè chi si avvicina a un musicista come Renbourn si presume conosca il suo percorso, in parte perchè questa musica è di una tale bellezza e raffinatezza che si commenta da sola.
Io dico solo che tutto quello che quest'uomo ha fatto tra gli anni 60 e 70 è praticamente imprescindibile per ogni amante del folk inglese. Quindi anche questo lavoro.
Basta cosi....
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gordon phinn
5つ星のうち5.0 A Must Have Classic Renbourn.
2020年8月10日にカナダでレビュー済み
Amazonで購入
Classic Renbourn, a good remaster with no extra cuts unfortunately. Any Brit folk fan needs this, believe me.
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Marcia
5つ星のうち5.0 Faro Annie is one of John's best solo albums
2015年7月2日に英国でレビュー済み
Amazonで購入
This album is just wonderful. John Renbourn was so talented and the quality of recordings just kept coming thick and fast. He had already recorded both as a solo artist but also as a member of the group Pentangle and at the time of recording this album in August 1971 Pentangle were beginning to crumble.

This new solo project was a great diversion from the group, although actually it isn’t just John on the recording. For a start there is also Terry Cox and Danny Thompson from the group pentangle on bass and drums. Also present is Dorris Henderson providing backing vocals. She had recorded two albums with John in the Mid Sixties. Helping out was current girlfriend Sue Draheim on fiddle and backing vocals, and Peter Dyer on harmonica.

John felt the direction for the album should be a sort of back to basics kind of thing after recent Pentangle albums and his last solo offering The lady and Unicorn. In some ways that is true with its blues folk and jazz mixture. But at the same time with its Cox and Thompson contribution and the Henderson vocals replacing the Jacque McShee ones, it isn’t that far off a Pentangle sound.

Don’t get me wrong, Faro Annie has a unique atmosphere to it unlike any other album and so it does stand up on its own.
The album has all Traditional pieces except a cover of the Robert Johnson song Come on in my kitchen which has its more traditional blues feel to it. There is another song that isn’t from Traditional source and that is the title track Faro Annie, written by John himself and arranged by him, Thompson Drahiem and Cox
The album has a Folk and blues feel to it and there is heavy use of the sitar played by Renbourn.
The album begins with the Traditional blues song White House Blues and then goes into Buffalo Skinners another Traditional piece made famous by Woody Guthrie. Both get a fabulous rendition and arrangement here that has uniqueness in its sound. The blues continues with a piece made famous by Fred McDowell and James Arnold who came from a place called Kokomo. This is Kokomo blues a Traditional piece from the Mississippi area.
Track four, Little Sadie is another piece that has Traditional origin and made famous by James Kokomo Arnold.
Shake Shake Mama is by Bert Jansch and John Renbourn but it has its roots in old American blues.
Willy O Winsbury and The Cuckoo are variants of British Traditional pieces. Then there is Country blues, a piece arranged by Jansch and Renbourn but it has its roots in American folk blues and the Appalachian Tradition. It had been made famous by old time singer Moran Lee Dock Boggs.

The strong references to what could easily have been long forgotten old time American blues is important here as John keeps it alive. John gives us his unique style of course and the album has great originality in its sound.

This is a most satisfying album indeed and is highly recommended to anyone interested in John Renbourn,
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Pierre C. Larroque
5つ星のうち5.0 Simply John Renbourn !
2013年12月17日にアメリカ合衆国でレビュー済み
Amazonで購入
Possibly before Pentangle, just a fantastic early John Renbourn album.
All tunes are exquisitely played, and the melodies subtle.
Pierre Larroque
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Captain K
5つ星のうち4.0 The Gentle Voice of British Folk
2014年8月16日にアメリカ合衆国でレビュー済み
Amazonで購入
John Renbourn was an English folk guitarist who teamed with Bert Jansch to form the celebrated group Pentangle; this solo effort was released when the latter band was in its heyday. Renbourn's playing style, and his gentle but melodious voice, were characterized by a quietness that carries over here. Meaning, if you're looking for excitement, go elsewhere. But the simple beauty of Renbourn's work is undeniable and this is one of the better examples, along with the Pentangle classic "Cruel Sister."
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