Byrds Play Dylan
仕様 | 価格 | 新品 | 中古品 |
CD, リミックス含む, インポート, 2008/2/1
"もう一度試してください。" | インポート, リミックス含む | ¥1,692 | ¥693 |
CD, インポート, 1996/2/9
"もう一度試してください。" | インポート |
—
| ¥1,404 | ¥438 |
CD, インポート, 1994/4/25
"もう一度試してください。" | インポート |
—
| ¥1,404 | ¥1,298 |
CD, 1994/3/21
"もう一度試してください。" | 1枚組 |
—
| ¥2,980 | ¥440 |
CD, CD, 追加トラック, 2001/9/25
"もう一度試してください。" | CD, 追加トラック |
—
| ¥6,880 | ¥644 |
CD, インポート, 2002/6/12
"もう一度試してください。" | インポート |
—
| — | ¥500 |
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商品の説明
Amazonレビュー
As a historical document, this record is priceless. Just as some parents are wont to gauge their children's development by posing them yearly with a department-store Santa Clause, fans can witness both the development of this seminal Southern California band and the evolution of what was to become called folk rock by listening to them tackle the various stages and permutations of Bob Dylan--sometimes even, as with "Mr. Tambourine Man," before Dylan released the songs himself. Urged originally by their then manager and producer Jim Dickson to interpret the folk bard's work, the Byrds never seemed to grow weary of the exercise, even recording the rather simplistic and anachronistic "Paths of Glory" when they reunited briefly in 1990. However, the bulk of the recording was done between 1965 and 1971, and not only shows the Roger McGuinn-led band arching toward psychedelia on their dark and gothic rendition of Dylan and Rick Danko's "This Wheel's on Fire," but also documents the apex of their flirtation with country music during Gram Parson's tenure with the band in 1968. Both their choice Dylan covers--"Nothing Was Delivered," and "You Ain't Goin' Nowhere"--and the buttons, bows, and leather chaps that they dressed the songs up in during Parsons time with the band is a revealing snapshot of the Byrds in transition. After all is said and done, the debate is still running on who got more out of this synergistic relationship. After listening to this collection, one is tempted to believe Dylan did. Were it not for the Byrds taking their fey and poppy version of "Mr. Tambourine Man" to the top of the charts in 1965, the man some of us refer to as Mr. Jones would have not come to the public's attention quite so soon. But the Byrds did much more than merely interpret Bob Dylan songs. Really, the band soared much higher performing their own material, and whether they melded jazz, raga, country, or psychedelic rock, they showed a fearlessness, an agility, inventiveness, and purpose that belied the constant personnel shifts. --Jaan Uhelszki
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 14.27 x 12.5 x 0.84 cm; 108.86 g
- メーカー : Sony
- EAN : 0696998543027
- レーベル : Sony
- ASIN : B000068CYL
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 879,448位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 71,291位ポップス (ミュージック)
- - 202,033位ロック (ミュージック)
- - 338,403位輸入盤
- カスタマーレビュー:
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
1994年3月21日発売。税抜価格¥2,233】
本作品発売後全20曲で同タイトルで発売された別作品が有るが初CD化の本作品も初発表アナログLPが全11曲だけだったことを知る者にとっては貴重盤です。
デヴュー・シングルは12弦ギター以外未熟ということで名うてセッションマン(レオン・ラッセル他)でレコーディングされてしまったがメンバーはその後腕を磨いて活躍します。ディランと本アーティストは影響しあってディランはその後救済コンサート、覆面バンドに参加もしたりノーベル賞も授与し驚きました。
本作品32P冊子内冒頭ロジャー・マッギンのメッセージに今回CD化で日本向けに3曲オマケしたというのは有難い。
解説も面白いしディランの歌詞対訳付きというバーズのディスコグラフィーはとても役立ちました。
~団塊古稀爺
他の国からのトップレビュー
Wichtigstes Mitglied der Band war m. E. der Gitarrist Roger McGuinn (eigentlich James bzw. Jim McGuinn). Dazu kamen so bekannte Musiker wie David Crosby, Gene Parsons, Gram Parsons und Gene Clark.
Die 20 Songs auf der CD versetzen einen mit ihrem Sound noch immer ein wenig in die damalige Szene. Für mich ein klassisch zeitloses Album, das ich immer gerne höre. Sehr empfehlenswert für alle Byrds- und Dylan-Fans.
As we all know, The Byrds first flew onto the scene with a version of Dylan's "Mr. Tambourine Man" containing the jangling sounds of Roger(nee' Jim) McGuinn's 12-string Rickenbacker and harmonies inspired by The Beatles which invented the term "folk-rock". For those insiders, McGuinn was the only Byrds member to play an actual instrument on that session while other instrumentation was provided by members of "The Wrecking Crew"-a group of various session players from Los Angeles who worked on Phil Spector's recordings, Beach Boys, and other noted recordings throughout the 60's and into the early 70's. However, the Byrds harmonies besides McGuinn, were Gene Clark and David Crosby. It was Crosby who supposedly got hold of an outtake of Dylan's "Tambourine" with Rambling Jack Elliot harmonizing in the chorus. Then the Byrds' debut single of that shot up to number one following up with the titled debut album which in addition contained 3 more Dylan songs-"Chimes Of Freedom"; "All I Really Want To Do" and "Spanish Harlem Incident". Why Dylan himself even guests w/The Byrds onstage at Ciro's. A shot of which appeared on the back cover of that debut album.
From 1965 until they split in 1973, the Byrds would cover the odd Dylan song or few on almost every album they recorded. This collection takes just about all of Dylan's songs they've ever covered. Out of the 20 tracks featured here, four of them are duplicates. Therefore you get both studio + live versions of "Mr. Tambourine Man" and "Chimes Of Freedom"; two studio takes of "The Times They Are A-Changin'" and two versions of "Lay Lady Lay", which is actually the same recording with one slight difference-The single version had gospel-style background provided by producer Bob Johnston without the group's consent and the alternate version stripped of the background singers featured on the 1990 Byrds Box Set[Just like Phil Spector did with the Beatles' LET IT BE album].
The two other covers featured in live form only are "Positively 4th Street" and "It's All Right, Ma(I'm Only Bleeding)". The former originally appeared on UNTITLED and the latter appears on that album's expanded edition.
"It's All Over Now, Baby Blue"*, the early take of "The Times"* and "Just Like A Woman" appear on expanded editions of TURN! TURN! TURN!* and Byrdmaniax, respectively. "Lay Down Your Weary Tune' originally appeared on TURN!, which Dylan never released himself until the 1985 BIOGRAPH set and "Paths Of Victory", another Dylan rarity, is the newest recording to be featured here and one of four newly recorded Byrds tracks for the 1990 boxed set featuring 3 original Byrds-McGuinn, Crosby and Chris Hillman.
Three songs of Dylan's Basement Tapes were respectively covered in their new found country-rock phase. The first two are from 1968's SWEETHEART OF THE RODEO-"You Ain't Going Nowhere" and "Nothing Was Delivered"[The only Byrds album to feature Gram Parsons, whom with Chris Hillman formed the Flying Burrito Brothers Band shortly after the album's release]. Third of all, was the bob Dylan collaboration with Rick Danko[Bassist of The Band], "This Wheel's On Fire" which was the lead-off track of 1969's DR. BYRDS AND MR. HYDE. This version could easily menace the Band's version[I like both versions] with the dentist-drill distorted guitar leads of Clarence White while McGuinn's 12-string is souped up with tremolo not to mention the sonic-boom climax. Can't help but like the bass playing of John York on here besides[He's no Rick Danko otherwise].
But let's not forget "My Back Pages" from YOUNGER THAN YESTERDAY. This is one of my favorite interpretations of this Dylan tune. Not even the Hollies could come close to this one as they did on their all-Dylan covers album a year later causing member Graham Nash to exit just as David Crosby himself left the Byrds before linked up with Steve Stills of the Buffalo Springfield then making rock history which they every now and then with or without Neil Young. Different story, folks.
Anyway, if you want to hear the Byrds doing Dylan at their best-It's all right here!
Ce qui ne rend pas justice à cette édition - du moins pour ceux qui comme moi sont des fans du groupe - c'est le manque de renseignements suffisants, mais...je chipote sans doute.