お届け先を選択

Michael Gielen Conducts

4.8 5つ星のうち4.8 5個の評価

仕様
価格
新品 中古品
CD, リミックス含む, インポート, 2003/1/28 インポート, リミックス含む
¥8,439 ¥1,900
CD 1枚組
¥8,447

【まとめ買いフェア開催中】よりどり2点以上で5%OFF
アウトドア用品、ファッション、食品・飲料、母の日ギフト、父の日ギフト関連商品など、10万点を超える対象アイテムからよりどり2点以上で5%OFF。 セール会場はこちら

曲目リスト

1 I. Bedachtig, Nicht Eilen
2 II. in Gemachlicher Bewegung. Ohne Hast
3 III. Ruhevoll
4 IV. Sehr Behaglich
5 Prelude to a Drama

登録情報

  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 12.7 x 14.61 x 1.14 cm; 80.32 g
  • メーカー ‏ : ‎ Swrmusic
  • EAN ‏ : ‎ 0040888304623
  • オリジナル盤発売日 ‏ : ‎ 2003
  • レーベル ‏ : ‎ Swrmusic
  • ASIN ‏ : ‎ B000083ENC
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.8 5つ星のうち4.8 5個の評価

カスタマーレビュー

星5つ中4.8つ
5つのうち4.8つ
5グローバルレーティング

この商品をレビュー

他のお客様にも意見を伝えましょう

上位レビュー、対象国: 日本

日本からの0件のレビューとお客様による1件の評価があります

他の国からのトップレビュー

すべてのレビューを日本語に翻訳
RJAdams
5つ星のうち5.0 A Mahler Fourth to Treasure
2015年7月30日にアメリカ合衆国でレビュー済み
Amazonで購入
There are not many outright disappointing recordings of this most joyful symphony of Mahler. I was curious how the German Argentinian conductor Michael Gielen would come across. By reputation he has been a specialist in the second Viennese school of composers such as Schoenberg, Berg, and Webern. He shares with his contemporary Pierre Boulez a reputation for clarity. So, would this be a performance in which all the notes and instrumental lines stand revealed? Yes, indeed, it is. Would there also be lyricism, narration, and appreciation of the sonorous splendor and structure in the score beyond the printed notes, qualities that some exponents of musically complex scores downplay in the pursuit of clarity and light? I find all of that here as well.

Comparing this performance with Reiner CSO, Bernstein Amsterdam, Gatti RPO, Zander Telarc, I prefer Gielen. He captures the score brilliantly and is abetted by detailed but atmospheric sound in a beautiful, burnished acoustic. Gielen heeds and gives voice to all of Mahler's feelings, his joy, angst, tenderness, doubt, fearfulness, humor, spookiness, innocence, and exaltation. This performance really gives us the best of all possible worlds. The soprano soloist in the fourth movement is very good if not the best ever recorded performance, but there is nothing distracting in the performance that on second or subsequent hearings would wear poorly, as is the case with the Reiner or Bernstein recordings.

The Schreker "Prelude" is a wonderful bonus and strikes me, after several hearings, as one of the very best late romantic works I had never heard about until this disc came by. I would put it on a par with almost anything by Richard Strauss, and it projects an ominous atmosphere not unlike the latter's opera Elektra.

In sum, highly recommended. Gielen has risen in my estimation, through this recording and others of music from Beethoven to Schoenberg, as an enlightening and musical presence on the podium, one who delivers story, beauty, and clarity. The orchestra lacks nothing in tonal splendor or virtuosity.
7人のお客様がこれが役に立ったと考えています
レポート
Mr. Mark A. Meldon
5つ星のうち4.0 Very good, almost excellent, but soprano a little weaker than some
2009年12月13日に英国でレビュー済み
Amazonで購入
Michael Gielen has complete cycle of Mahler's symphonies available (rather expensively) on Hanssler Classics, recorded, in an exciting fashion, with the South West German Radio Symphony Orchestra. This cycle's version of Mahler 4 is so very nearly top-of-the heap amongst the dozens of recordings of what is perhaps Mahler's most popular symphony. It is indeed a charming and delightful work, less dramatic and, well, noisy, than many other of his symphonies. That's the surface impression, but it is actually a complex and highly-structured work, something that becomes clearer with repeated listening.

Gielen's orchestra might not be quite from the top-rank, but they play very well indeed, and this is one of my favourite versions of this lovely piece. Very much a "modernist" take on the symphony (rather similar to Boulez and Abbado), Gielen presses on, adding excitement to this sometimes too-softly played work. All goes well, if a touch roughly, until the fourth movement. I'm afriad that the soprano, Christine Whittlesley, is just wrong for my taste. She sounds to hard and cruel for the words. It's not a disaster, but a disappointment.

Boulez is excellent 
Mahler Symphony 4 , as is Chailly  Mahler: Symphony No.4 / Berg: Seven Early Songs , and, for a very different approach,you could try Welser-Most Mahler Symphony No. 4 /Franz Welser-Most  among the (fairly) recent versions.

I'm very pleased to have this CD as Gielen includes an impressive extra in the form of Franz Schreker's "Prelude to a Drama", which is well-worth hearing.

Recommended, as long as you can put up with the slightly scary soprano!
1人のお客様がこれが役に立ったと考えています
レポート