チューバ、バリトンサックス、ギター、ドラムのリズムセクションに上モノが絶妙に絡みつく、いつ聞いても陽気でハッピーになれるアルバム。随所に聞けるクリエイティヴなアプローチは一曲一曲飽きることがなくニューオーリンズの音楽要素にジャズ、ファンク、ゴスペルが融合されてこのバンドのカラーが強く現れている。Please let me stay a little longerで聞けるゲストのアコーディオン奏者デヴィッド・ヒダルゴとのからみも抜群にイイ。
Das ist eine der besten CD's der Dirty Dozen Brass Band. Das sollten sich 'mal die krachledernen Typen von La Bandera Brass anhören. Schade, dass das Cover auf der gesendeten CD geändert worden ist.
The Dirty Dozen Brass Band is more than yet another terrific group; because of all they've done to preserve true NOLA jazz, while infusing it with modern influences, they're also an important group. Funeral For A Friend finds them in the middle of their comfort zone and the result is a splendid and soul-satisfying CD. At 40:14 it's a wee bit skinny for the price, but the quality more than compensates.
The jazz funeral is one of many things NOLA got right. Family and friends march towards the cemetery, accompanied by a dignified, solemn brass dirge. Famously, the walk back home morphs into a strut as grief departs and makes way for jubilation. This is not a frivolous, ad hoc party, this party is crucial. Participants celebrate the life of the departed, his or her passage to a better place, and their own suddenly more precious lives.
The DDBB could have faked this music any time, it's familiar ground, but this CD is a tribute to one of its own, Anthony "Tuba Fats" Lacen. You can hear the authenticity in every note, the mourning, the delight, and even a supernatural presence - chilling. The liner notes advise listeners to "Play It Loud," and it's a good idea, the nature of the moment calls for complete immersion.
Just A Closer Walk With Thee gives you the whole dynamic - lament and foot stomp. I Shall Not Be Moved gets a rousing, hallelujah treatment tough enough to set the gators dancing while Please Let Me Stay A Little Longer, (a standout), blends guitar and accordion with baritone sax into a very jumpy jambalaya. What A Friend We Have In Jesus showcases the slow march; pretty, sad, reverential. Jesus On The Mainline - with choir - is a rabble-rouser, real revival stuff, and it's got a second act that is downright rapturous - amazing!
John The Revelator, (another standout), is slinky and infectious; skeletons might enjoy dancing to this one. The four remaining tracks are all hymns, alternating between furious and melancholy. It's a long emotional ride in a short amount of time. The closer, Amazing Grace, (1:00), is played straight, and wraps this masterpiece with a bow. Highly recommended.
This album is just oozing with emotion. It is quite obvious that these guys cared for Tuba Fats when you listen to this album. Great songs, great covers. If you like New Orleans music, you owe it to yourself to buy this CD.
As a minister, I enjoy worshiping the God of all creation with music; good music. What I enjoy most about the way the Dirty Dozen Brass Band gang play these old hymns is their laid back-n-loose musical interpretation. No pomp-n-circumstance here.