北北西に進路を取れ 特別版 [DVD]
仕様 | 価格 | 新品 | 中古品 |
DVD
"もう一度試してください。" | 通常版 |
—
| — | ¥288 |
DVD
"もう一度試してください。" | スペシャル・エディション | ¥3,480 | ¥1,760 |
今すぐ観る | レンタル | 購入 |
フォーマット | 色, ワイドスクリーン, ドルビー |
コントリビュータ | ケーリー・グラント, ジェームズ・メイスン, アルフレッド・ヒッチコック, エバ・マリー・セイント |
言語 | 英語 |
稼働時間 | 2 時間 16 分 |
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商品の説明
商品紹介
事件は、ある人物に間違われることから始まった…。
広告代理店を経営するロジャー・ソーンヒルは、いきなりニューヨークのホテルから、二人の男に連れ出される。ある人物と勘違いされ、いわれのない仕事への協力を強いられる。それを断ったとたん、事故に見せかけ殺されそうになる。逃げるロジャー。しかし行く先先で新たな事件に巻き込まれていく。果たして、彼が間違われた男の正体とは…。そしてこの事件の真相とは…。
恋とスリルに満ちたサスペンスが展開するアルフレッド・ヒッチコック監督の傑作。
映像特典(約46分)…1.メイキング(39:27)、2.スチール・コレクション(44枚)、3.オリジナル劇場予告編:北北西に進路を取れ(2:15)、4.オリジナル劇場予告編:ヒッチコック版(3:16)、5.オリジナルTVスポット(1:04)
Amazonより
広告代理店経営者のロジャー(ケイリー・グラント)は、ある日タウンゼント(ジェームズ・メイスン)ら宝石密輸団からキャプランというスパイと間違えられ、殺人の濡れ衣を着せられてしまう。逃亡しながら事件の真相をつかもうとする彼に、謎の美女(エヴァ・マリー・セイント)が絡み…。
サスペンス映画の巨匠アルフレッド・ヒッチコック監督の集大成といっても過言ではない、巻き込まれ型サスペンス映画の大傑作。汽車やセスナ機など乗り物はもちろんのこと、細かな小道具などを実に効果的に用い、4人の大統領の顔が彫られたサウスダコタのラシュモア山麓でのクライマックスまで、まったくもって飽きさせないスリリングかつロマンティック、そしてユーモア精神をも忘れない名演出の数々に、もはや見とれるしかない。映画のおもしろさとは何かと問われたら、黙ってこの映画を見せるべし。(的田也寸志)
レビュー
製作・監督: アルフレッド・ヒッチコック 脚本: アーネスト・レーマン 撮影: ロバート・バークス 音楽: バーナード・ハーマン 出演: ケイリー・グラント/エヴァ・マリー・セイント/ジェイムズ・メイソン/ジェシー・ロイス・ランディス/マーティン・ランドー/レオ・G.キャロル
-- 内容(「CDジャーナル」データベースより)
登録情報
- アスペクト比 : 1.78:1
- 言語 : 英語
- 梱包サイズ : 18.03 x 13.76 x 1.48 cm; 83.16 g
- EAN : 4988135549334
- 監督 : アルフレッド・ヒッチコック
- メディア形式 : 色, ワイドスクリーン, ドルビー
- 時間 : 2 時間 16 分
- 発売日 : 2004/9/23
- 出演 : ケーリー・グラント, エバ・マリー・セイント, ジェームズ・メイスン
- 字幕: : 日本語, 英語
- 販売元 : ワーナー・ホーム・ビデオ
- ASIN : B0002T20OI
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 299,023位DVD (DVDの売れ筋ランキングを見る)
- - 10,787位外国のミステリー・サスペンス映画
- - 29,312位外国のドラマ映画
- カスタマーレビュー:
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
追録または新録をお願いしたいものです
カットされますが吹き替え部分だけ再生する仕様もあればありがたいです
他の国からのトップレビュー
This is a 2-DVD set. On the first DVD is the movie itself, presented in its original widescreen format. You can watch it three ways: as the movie, as the movie with commentary by screenwriter Ernest Lehman, or as the movie with no sound but the Bernard Herrmann score. The film runs 2 hours and 16 minutes, which is the original length according to the IMDb. The commentary by Lehman is informative, though he doesn't offer as many detailed insights about the art of screenwriting as one would like.
On the second DVD contains a mass of special features. There are two theatrical trailers, a standard one plus one narrated humorously by Hitchcock himself, and there is one TV advertisement for the film. There is a stills gallery which runs for a few minutes. There are two features on North by Northwest, totalling over an hour between them; of these two, the "Making of" feature, which takes you through the production of the picture in chronological order, is the more substantial, the other one being more or less a collection of fan appreciation clips from directors and Hitchcock family members who admire the film. There is a nearly hour-long feature on Hitchcock's cinematic style, which is informative and which has some reference to North by Northwest as well as to many of Hitchcock's other films. Finally, there an hour-and-a-half PBS special on the career and roles of Cary Grant, with lots of biographical information about Grant and numerous appreciations of his work by various people. It's quite good, but would have been better without one uncalled-for four-letter word used in an interview by one of Grant's former wives. (Presumably PBS bleeped the word when the special was originally aired.)
The print of the movie is very good. The colour is beautiful, the sound is excellent, and so on.
The movie itself, a suspense thriller along the line of Saboteur (itself one of Hitchcock's greatest films) is polished and highly entertaining, as good (albeit not as high-tech and splashy) as the 1960s James Bond films. The plot, characterization and dialogue are all excellent. Grant is at his best, showing both his comic and serious sides with equal facility; Mason is perfect as the smooth, cultivated, but subtly menacing villain; Eva Marie Saint is excellent as the emotionally torn woman working for -- whose side? (You'll have to watch the movie to find out.) Not only are the three leads great: there are several wonderful supporting characters, including Leo G. Carroll, Martin Landau, and Jessie Royce Landis. There are also smaller supporting bits by people one knows well: Edward Platt ("the Chief" from Get Smart) as a lawyer, Robert Shayne ("Inspector Henderson" from Superman) as a drinking buddy in a hotel lounge, Ken Lynch as a cop, etc.
The sets and photography (both indoor and location) are wonderful. The special effects are pretty good, as well, though to me the celebrated plane crash scene, though well-shot, is a lot less interesting than its reputation indicates, and the Mt. Rushmore scenes are of mixed quality, some looking very real and some very much giving away the fact that they were shot on a studio set (the rock is too shiny and smooth and toothbrush-scrubbed white, and the sense of being at a real height and in danger of falling is not as convincingly portrayed as in some other Hitchcock films). But overall, the film is a great visual pleasure -- as is so often the case with Hitchcock's films.
I purchased this product for only about $18 from Amazon.ca. Many single DVD-Rs of lesser films cost more than that, and they have no special features. There is nothing to fault in this product. Five stars.
NXNW is rightly acclaimed as a classic and most definitely still delivers as an engaging and fun relic of its time, abundant in 1959 elegance, style, droll wit, & class. In many ways this (and its Hitchcock/Cary Grant predecessor To Catch a Thief [Blu-ray ]) were truly the first James Bond movies, as becomes glaringly apparent after even casual comparison. Sean Connery's Bond was monumental, but it's just hard to imagine how the entire Bond series would have fared without having the suave, debonair Cary Grant there to blaze the trail as "The Cat" John Robbie in "TCAT" and of course as Roger Thornhill in "NXNW".
Now let's concede up front: you MUST disconnect your plausibility radar and just go along for the ride with NXNW and all its howling impossibilities. Let's not even dig into them too much EXCEPT TO suggest that if you're looking to bump off a rival spy, are you REALLY going to try to lure him onto a dusty Indiana highway and try to puree him with the propeller of a biplane? How does it happen that Thornhill (Grant) and the rival agents (James Mason, Martin Landau, Eva Marie Saint) all wind up on the 20th Century Limited after Thornhill goes on the lam from the UN? For that matter, how likely is it that Thornhill even gets OUT of the UN after getting framed for the murder there? --NEVER MIND! You simply have to surrender to the night-at-the-movies popcorn FUN of it, and enjoy the rollercoaster of thrills, chills, romance & spy intrigue Hitchcock serves up here. Sure, it's easy to chuckle at the stratospheric "suspension of disbelief" necessary to properly enjoy NXNW but really I think it's a deliberate part of the fun and not meant to stand up to serious scrutiny.
Cary Grant, in his fourth and final outing with Hitchcock delivers a knockout performance as the Madison Avenue adman on the run Roger Thornhill. James Mason shines here also as the oh-so-elegant (but deadly) "enemy agent" Phillip Van Damme, with outstanding support from his menacing secretary Leonard, played with beady-eyed malice by Martin Landau. Eva Marie Saint obviously owns the role of Eve Kendall, glamorous double-agent torn between her duty to maintain her cover and her growing love for Roger, but I personally still can't fully "buy" Eva as a "femme fatale" as depicted in NXNW. No complaints about her performance--she's excellent, and again, her name goes into immortality for this role, BUT I still think another actress would have been more credible as the "morally flexible" Eve Kendall than Eva Marie was able to project. By her appearance and temperament, I think Eva was much better matched to her "good girl" roles, as in " On the Waterfront (Criterion Collection) [Blu-ray ]", which played to her strengths much more than NXNW would allow. Hitch already had two better qualified actresses "in his company" already in Ingrid Bergman (" Notorious [Blu-ray ]") and obviously Grace Kelly ("To Catch a Thief"). STILL--I'm just offering my opinion here; Eva was great and more than nailed the part.
As other reviewers affirm, in many ways "NXNW" was the pinnacle of Hitchcock's career. All the stars converged for this one; OUTSTANDING cast, script, cinematography, locations and all those intangibles necessary to create a CLASSIC which no one can deliberately conjure into being. Let me pay special tribute here to that high-style Frank Lloyd Wright/"Mid-Century Modern" style chateau all the principals converge on prior to their "face-off" grand finale on Mt Rushmore! If such a house doesn't actually exist, well, it should! I'm willing to cast my vote for NXNW as Hitchcock's greatest film, but I respect anyone who prefers " Vertigo " or " Psycho (1960) " or maybe even another. No one's personal favorite is ever "wrong".
HOWEVER--here, in this luxuriant 50th Anniversary blu-ray, we're privileged to enjoy what may prove to be the BEST restoration & presentation of this classic movie EVER. The colors, picture and sound are all STUNNING and exceed the already high standard set by the previous DVD release of NXNW. I see this as an absolute "demo quality" blu-ray disc, a tour-de-force of what the format can deliver to re-ignite our appreciation of these old movies through OBSESSIVELY fastidious restoration and renewal. (Another knockout example of classic movie restoration that will scorch your eyeballs with its beauty: Pillow Talk (Blu-ray + DVD + Digital Copy) .)
Blu ray EXTRAS abound here as well, including a fascinating documentary on the life & career of Cary Grant; obviously relevant and well worth viewer's time & interest. The NXNW documentary hosted by Eva Marie is the same one provided on the original DVD, but it is likewise a worthy and a great bonus feature to enjoy after seeing the movie again. My only gripe is that the sole commentary track, by writer Ernest Lehman, while certainly worthy of inclusion, isn't enough by itself. A film of the stature of NXNW deserves one or more commentary tracks by some historians or directors who can offer insight into the historical context of the Cold War, Hitchcock's intentions/techniques, NXNW's influence on its times and later films, etc. Stay tuned to see whether a 4K "Special Sixtieth Anniversary Edition" doesn't hit the Amazon pre-orders in 2019 to pick our pockets anew!
Until such a re-release appears on the horizon, THIS 50th Anniversary Edition certainly remains the ABSOLUTE "Gold Standard" for seeing and re-discovering the excellence and fun of NXNW. If you've never seen NXNW before, maybe watch a Netflix or Amazon download (or check out a DVD from your local library); established fans of NXNW however, MUST see this exquisite blu-ray reissue to be awed by just what the blu-ray format is capable of with a movie you THINK you've already fully experienced and appreciated.
Finally: in a world overrun with movie kitsch and "Gone With The Wind" Barbies, and other assorted junk, there are only TWO movie props I would like to have for myself: FIRST (and most essential) the gold phone in the lobby of the Plaza Hotel Cary uses to call up to George Kaplan's room. Second (and something I WOULD actually wear), how about one of the "red caps", the scarlet cabbie-style hats scurrying in herds in the Chicago train station where Cary & EMS disembark from the 20th Century. WHERE can I find either (or both) of those for my personal "NXNW" appreciation shrine?
Respecto a los extras, el disco incluye 2 reportajes con opiniones de Guillermo del Toro, Martin Scorsese y William Friedkin relacionados con el análisis de la técnica cinematográfica de Hitchcock en Con la muerte en los talones, y con la influencia del director británico en sus cinematografías respectivas. Además, Eva Marie Saint recuerda la realización de la película y su relación con Cary Grant y Hitchcock. Por último tenemos una hora y media de la vida de Cary Grant, con entrevistas a sus esposas, compañeros de reparto e imágenes de sus películas. Trailers, fotos y el audiocomentario del guionista completan la lista de extras.
Para resumir, esta edición en Blu-Ray bien merece un lugar en nuestra estantería por sus cualidades técnicas, la cantidad de extras y la posibilidad de volver a ver un clásico como nunca antes pudimos disfrutar.