Woman in White

内容紹介

Sir Andrew Lloyd Webber’s Musical Sensation Premiered at the Palace Theatre on 15 September 2004. "Freely Adapted" from the Classic Wilkie Collins Novel, this is Another Grand Production of Lloyd Webber's Really Useful Company. The Principles Include Maria Friedman, Angela Christian, Martin Crewes, Jill Paice and the Original "Phantom", Michael Crawford! Unlike Past Cast Albums, this One was Recorded Live on Opening Night, Thanks to the Presence of a Full Recording Studio Actually in the Palace Theatre! all the Passion of the Live Performances Are Captured on this Set, Sans the Applause. Only the Final Scene and Crawford's Performance of "You Can Get Away with Anything" were Re-recorded Due to Extraneous Noise, However, Crawford's Actual Live Performance Has Been Added as a Bonus Track to the Set. It's Another Monumental Lloyd Webber Extravaganza, Sure to Please Theatre Goers around the Globe! Includes the Complete Libretto!

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The Woman in White, Andrew Lloyd Webber's first musical in four years, debuted in London in September 2004. "Freely adapted" from Wilkie Collins's gothic mystery-romance, it tells the story of a young art teacher, Walter Hartright (Martin Crewes), who encounters a mysterious woman dressed in white desperate to tell a secret. But she disappears, and Walter continues on to his assignment teaching a pair of sisters, Marian Holcombe (Maria Friedman) and Laura Fairlie (Jill Paice). Romance develops, but is threatened by the arrival of some shady characters, Sir Percival Glyde (Oliver Darley) and Count Fosco (Michael Crawford).

The score, featuring lyrics by David Zippel (City of Angels), recalls the composer's Aspects of Love, Phantom of the Opera, and Sunset Boulevard, as well as Victorian-themed shows Sweeney Todd and even The Mystery of Edwin Drood. It has some lovely moments, such as "Trying Not to Notice," "All for Laura," "Evermore without You," and "If Not for Me for Her," though for sheer beauty it's no Light in the Piazza. And as with any ALW nearly through-sung musical, a number of the themes recycle themselves to the point where you'll dread the mere mention of certain characters' names. Friedman and Paice give the strongest performances, while Crawford--in his much-anticipated reunion with Lloyd Webber after Phantom--doesn't have a lot to do other than the muggy showpiece "You Can Get Away with Anything." Note that The Woman in White was recorded before a live audience, but "You Can Get Away with Anything" had to be rerecorded in a studio because it was the only number with an audible audience reaction. Crawford's original live performance, however, is included as a coda at the end of the second disc. It's great to have the complete libretto, except that it specifies scene titles while the CD packaging shows track listings and song titles, which means that figuring out where you are takes some detective work. When The Woman in White opened on Broadway in November 2005, Friedman, Paice, and Angela Christian (Anne Catherick) reprised their roles from the London production, while Michael Ball replaced Crawford. --David Horiuchi