Alternative to Love
仕様 | 価格 | 新品 | 中古品 |
CD, インポート, 2005/3/14
"もう一度試してください。" | インポート |
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| ¥1,788 | ¥234 |
CD, 2005/3/9
"もう一度試してください。" | 1枚組 |
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| — | ¥580 |
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商品の説明
Amazonレビュー
Brendan Benson is the kind of guy who still sits by the AM radio late at night, spinning the tuning dial from one end to the other in a hopeless search for the perfect pop song. Little does he know he's considerably helped his own plight by making an album full of them. Unlucky in both love and money, the Detroit singer-songwriter has plenty to chew on with his third disc. Using wistful bubblegum melodies and crisp '60s harmonies, in tunes like "Feel Like Myself" and "Cold Hands (Warm Heart)" he lashes out at former lovers and A&R men with equal venom. "I always wind up screwed without a kiss," he hisses on the Phil Spector inspired "The Pledge." But, in the end the man who counts Jack White and Beck as devoted fans, knows impending success is the best payback. "Maybe I've been caught red-handed, making off like a lucky bandit/ This wasn't how I planned it," he gloats on the title track. It's really hard to argue. --Aidin Vaziri
登録情報
- 製品サイズ : 13.97 x 1.27 x 12.7 cm; 226.8 g
- メーカー : V2 North America
- EAN : 0638812723826
- 製造元リファレンス : MFR638812723826#VG
- レーベル : V2 North America
- ASIN : B0007MEYIU
- ディスク枚数 : 1
- カスタマーレビュー:
カスタマーレビュー
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
前作までに漂っていたプライベート録音ならではの手作り感はそのままに、よりサウンド的に強化され、向こう受けするような垢抜けた感じが前面に出てきた。決して彼のピュアな感性を損なわず、メジャー感をかもし出した本作は、ブレンダンの成長と、ミキサーとして協力したチャド・ブレイク(スザンヌ・ヴェガ等との仕事で有名)の貢献の賜物だろう。
どの曲もいとおしくて、口ずさみながら胸がキュンとなるような感じがたまらない。ビートルズ的なメロディがこれほどまでにピュアに、そしてヴィヴィッドに伝えられるアーティストは、今の時代、彼しかいないのではないか。
60年代を思わせる洒落たジャケットとともに、春を迎える今、じっくり聴いて欲しい素晴らしい作品です。
80年代パワー・ポップを連想させる聴かせるツボを押さえてのギター・サウンドがたまらない。
正にポップ街道まっしぐら。
貫禄さえ感じさせる雰囲気で圧倒的なハーモニーを聞かせてくれます。
期待を裏切ることない、キャッチーさを極めた輝くばかりの美しいアルバムです。
間違いなく、彼の最高傑作。即買いです。
他の国からのトップレビュー
Brendan is undoubtedly very talented. This recording is as fine a collection of pure power pop masterpieces as you'll ever find. There isn't a duff track here.
"Spit it out" sets the tone perfectly and three tracks later "Alternative to Love" is steadily maintaining things at 'full steam ahead' speed. "The pledge" is actualy, a very good Spector-esque wall of sound number that provides welcome respite - I like it. The last furlong; "Get it together" through to the wonderful "Between us" had me reaching for my air guitar and may actually force me to plug in my 335 and switch on my Vox. Sterling silver stuff. If you like Matthew Sweet, you'll love this.
However, despite the occasional style shifts, this is not Benson's own personal 'Kid A' moment - the music is power-pop through and through, with the requisite chiming guitars, gentle palm-muting, and angelic harmonies. Such formulaic arrangements would normally fall into the abyss of ultimate blandness under most people's watch, but Benson's sturdy songwriting and attention to detail thankfully prevent this. The Elliot Smith-alike intro to 'Flesh and Bone' and the pleasingly ramshackle closer 'Between Us', which harks back to Benson's earlier work on 'One Mississippi' are both welcome additions - subtle variations on the overall mood without feeling out-of-place or like token experiments in genre.
Lyrically, despite the odd entertaining barb such as 'you give a whole new meaning to the same crap' (on 'Spit it Out'), Benson can come across as too mawkish and earnest. Though it's nice to hear a record so free of cynicism in this modern age, there's only so many ways you can write about being jilted, and Benson can sound contrived and awkward at times, as on the otherwise excellent 'Feel Like Myself', where he intones 'I won't forget/gonna make you regret/the day you were born/I'll leave you forlorn'. However, he creditably avoids slipping into mawkishness throughout the album, dodging the old power-pop cliches even when writing about the same old subjects. In short, he's no Dylan, but the lyrics really aren't the focus here, pretty much serving as something for Benson to hang his irresistible melodies on.
And that's the problem. Benson is apparently incapable of writing a bad melody, and the first thing you come away with after listening is the sense that he could craft great, tuneful pop albums for the next decade or five. Thing is, is he capable of doing more than that? Because in this day and age, when genre-blending artists are commonplace, grinding yourself further into a niche is the last thing you want to do, and it would be sad for Benson not to be more highly recognized for the top-rate pop songwriter this album proves he is.