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4個の商品：￥6,953から

曲目リスト

1	Beast And Dragon, Adored
2	Two Sides Of Monsieur Valentine
3	I Turn My Camera On
4	My Mathematical Mind
5	Delicate Place
6	Sister Jack
7	I Summon You
8	Infinite Pet
9	Was It You
10	They Never Got You
11	Merchants Of Soul

商品の説明

内容紹介

Spoon make some of the catchiest, most confident rock group around. Their 5th full-length album GIMME FICTION, is nothing short of dizzying soulful masterpiece, easily the most expansive work in their career. A sprawling, exhilarating, filter-free album of keenly focused artistic vision and ambition.

Product Description

Spoon make some of the catchiest, most confident rock 'n' roll of any group around. Their fifth full-length is nothing short of a dizzying, soulful masterpiece, easily the most expansive work in their career. "Gimme Fiction" is a sprawling, exhilarating, filler-free album of keenly focused artistic vision and ambition.

登録情報

メーカーにより製造中止になりました ‏ : ‎ いいえ
製品サイズ ‏ : ‎ 14 x 12.7 x 0.89 cm; 66.05 g
メーカー ‏ : ‎ Merge Records
EAN ‏ : ‎ 0036172956524
商品モデル番号 ‏ : ‎ 1999160
レーベル ‏ : ‎ Merge Records
ASIN ‏ : ‎ B00082ZRN0
ディスク枚数 ‏ : ‎ 1

Amazon 売れ筋ランキング: - 557,052位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 13,663位ヘヴィーメタル
- - 121,115位ロック (ミュージック)
- - 177,039位輸入盤

カスタマーレビュー:
4.5 63個の評価

カスタマーレビュー

5つのうち4.5つ

63グローバルレーティング

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0%

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レビューのソート基準

上位レビュー、対象国：日本

レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。

とろ

卓越した音楽性

2005年12月3日に日本でレビュー済み

Spoonはアメリカのインディ・シーンで活躍する4人組のバンド。
インテリジェントなガレージロックとも言うべき独特のサウンドを展開する。

ギター、ベース、ドラム、ヴォーカルの4パートを基本とし、
曲によってはピアノ、ストリングスが加わる。
それらすべてのパートが独立性の高いプレイを展開しつつも、
お互いが有機的に絡み合い、音楽全体が脈動する。
その緊張感は最高にスリリングだ。

終盤やや失速気味なのが残念だが、それでも、
ロックンロールの伝統と革新が交錯する快作だということができるだろう。

9人のお客様がこれが役に立ったと考えています

役に立った

いちのすけ

シンプル＆スタイリッシュ

2005年8月1日に日本でレビュー済み

1994年に、ブリット・ダニエル（vo/g）と
ジム・イーノ（ds）を中心に米テキサスで結成された4人組。
5thの本作が日本デビューとなるが
活動歴10年超のベテラン・インディバンドだ。
ミディアム・テンポ主体。
渋いギター・カッティングと
シンプルなリズムとのコンビネーションで生み出す
クールな昂揚感が、かっこいい。
バックボーンとするニューヨーク・パンクの躍動感、
隠し味のニュー・ウェイヴ・テイストを織り込んだ
センス抜群のロック・サウンド。
シンプルでミニマル、
ブルージーでスタイリッシュ。
ダニエルの優れたソングライティングは
曲に深みとPOP感覚、豊かなバラエティを
もたらしている。
聴くほどに味わい深く
シンプルゆえに、飽きがこない
優れたサウンド・センスに酔える。
共同プロデュースは、
トレイル・オブ・デッドを手がけた
マイク・マッカーシー。
ダニエルは
インターポールのリミックスも手がけている。

7人のお客様がこれが役に立ったと考えています

役に立った

fact of life

がんばったけど前作には勝てず

2005年12月11日に日本でレビュー済み

Amazonで購入

5枚目のアルバム、前回のKill the Moonlight、そしてGirls Can TellとSpoonの音が研ぎ澄まされていっただけに今回はがっかりしました。Kill the Moonlightがあまりにもアルバムとして、そして一曲ずつの完成度が高かったためでしょうか。このアルバムの曲は、イメージがある程度しっかりしていますが、Kill the Moonlight から次へ進むためのばらばらの試作品という感じで本人らも行き詰まった感じがあるのかなあと思いました。それでも、2005年に発売されたアルターネティブロック系では一番よかったほうがかな。支離滅裂ですが。早く東京に来てくれないでしょうか。

3人のお客様がこれが役に立ったと考えています

役に立った

他の国からのトップレビュー

すべてのレビューを日本語に翻訳

David W Connell

Five Stars

2017年12月18日にカナダでレビュー済み

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I've seen these guys live and WOW - i just want more

レビューを日本語に翻訳する

J. Hubner

Spoon, adored

2012年2月25日にアメリカ合衆国でレビュー済み

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It was December of 2004 and it was a Saturday night. The Christmas tree was up and lit and my wife and two daughters were asleep. We were a mere two months away from the birth of my son. I was up and kind of restless, so I decided to watch some tv. I found myself stopping on PBS and checking out Austin City Limits. There was a band playing I'd never heard of. There was something different about them. An air of cool came through the television speakers. A slickness that I hadn't heard in a new band for a long time. The satellite guide said the band was called Spoon. Interesting. So after watching their performance for 25 minutes and being entranced by the minimalist guitar lines, airy keys and metronome-like timekeeping of the drummer I headed downstairs and looked them up. They weren't as new as I thought. They'd been around since the mid-90's. They were from Austin, TX and by that point had a handful of releases to their name. Jesus, was I that out of the loop? Why hadn't I heard of them? I subscribed to Spin. I was informed, or so I thought. So without even thinking I ordered their two most recent albums, `Girls Can Tell' and `Kill the Moonlight'. Within 3 days they arrived and after listening to them both in succession I was immediately hooked. The slickness was still there. The powerful, yet still subtle drumming of Jim Eno was the backbone of `Girls Can Tell'. I immediately recognized `Everything Hits At Once', the lead off track on `Girls Can Tell' as the first song I heard them play on ACL. `Girls' was decidedly mellower and more of a conventional album than `Kill the Moonlight'. `Moonlight' had an air of recklessness to it. More of a `use whatever we have in the studio' feel. Reversed drum machines, loops, shorter songs. It was experimental and minimalist, yet still very much filled with an overwhelming pop sensibility. I'd read that their earlier stuff was much more in the post punk neighborhood, with names like the Pixies and Wire thrown around. I didn't hear that at all with these two albums.

I'd found a new favorite band, but had no idea what they were doing at the point where I had discovered them. Imagine my excitement when after locating their website I'd found out they were recording a new album. I followed them on their site everyday, eating whatever scraps they threw my way. Demos for new songs. Tracks from older releases. I devoured them like a starving fan. Then in May of 2005, they released `Gimme Fiction'. It was a breath of fresh air. Their sound had evolved from `Kill the Moonlight'. The sound was less minimal and experimental. It was more lush and classic sounding. First track, `The Beast and Dragon, Adored', came on like a 70's-era John Lennon and Plastic Ono Band slow burner. Big, ominous piano chords played over a slick, monolithic drum beat, slow burning it's way into the mind. Singer/guitarist Britt Daniel's vocal coming across like scratched vinyl and a sleepy badger, not quite whispering and not quite shouting the line, "The beast and dragon, adored, you been gone so long, where you been for so long, I went to places unknown". Lyrics not quite making any sense, yet you get the feeling he knows exactly what's going on. Words as mysterious as the slow grooving track itself. The album is full of puzzle box lyrics, minimalist guitar skronk, big drums and slick bass lines. The instrumentation is more straightforward throughout, yet the post punk spirit lives in between the lines.

There's a decidedly funkier vibe, too. Tracks like `I Turn My Camera On', `My Mathematical Mind', `I Summon You' and opener `The Beast and Dragon, Adored' have a groove that wasn't present in previous albums. There's more of a 70's soul vibe and less of the Wire/Gang of Four jaggedness. The songs are allowed to breathe. Dare I say, Britt brought the sexy? Well, he did. He also brought some top notch songcraft. `Sister Jack' should have been a number 1 hit, with it's jangly guitar and sing along chorus. It's a perfect summer car jam. It turns your frown upside down. `I Summon You' is an ominous, mysterious track that becomes deeper and more meaningful with each listen. `They Never Got You' sounds like a b-side from John Lennon's `Walls and Bridges'. Beautiful descending keyboard part in the second half makes you wish the song would go on for another few minutes. `The Two Sides of Monsieur Valentine' is a beat up pop song with a narrative about, well someone swordfighting the duke and making love to the queen. Look up the video and it will all make perfect sense.

`Gimme Fiction' solidified my absolute adoration for Spoon. Britt Daniel is a songwriter to be reckoned with. With this album they re-invented themselves without losing any of their integrity and that original fire that inspired them to be musicians in the first place. They inspired me to create with this record. I feel `Gimme Fiction' was a re-starting point for me in my own songwriting and engineering of songs. I truly think I needed this record to push myself forward.

But over all else, this is just a damn great record of the highest order. A classic, warm 70's-inspired record. A basement and bean bag listen. One of the best of the last decade. No joke. Now go listen.

15人のお客様がこれが役に立ったと考えています

レビューを日本語に翻訳する

Karen D.

"GIMME FICTION" A GREAT SLOW-BUILDER FROM BRILLIANT & ECLECTIC SPOON!!

2016年4月10日にアメリカ合衆国でレビュー済み

Amazonで購入

SPOON'S "GIMME FICTION" sounds like a perfect bridge between The Replacements and Jakob Dylan and The Wallflowers (even though SPOON came after both).

SPOON continue to "change-it-up" each record & each is desirable in its' own right, They all most definitely leave no question that it's SPOON & so, musical ecstasies!

"Spare" seems to me to be what SPOON does best. They draw the most from each note, each chord. While "Kill the Moonlight" is very spare, "They Want My Soul" is beautifully lush. (I haven't collected in order.) Sounds totally opposite, but they've found a way to do both without sounding like completely different bands. That's a unique quality that should be drawn from, since SPOON have this creative originality, thanks to lead vocalist, guitarist, singer-songwriter, Britt Daniel, a musical genius!

On "GIMME FICTION", the sound is cohesive & flows seamlessly. The lyrics are complex, intricate & dark, but,keeping the music more upbeat than dirge-like, it "balances" for really interesting songs. It's music that you can listen to over & over with increasing delight each time and, often, taking something diffferent away (a different perspective) each time you listen, which I find pretty fascinating!!

"GIMME FICTION" did take more than one listen to grow on me, but grow on me it has! I do like the songs on "GIMME FICTION" the most "pop-like" track being "Sister Jack" & particularly love "I Summon You", "The Infinite Pet", and "They Never Got You". "GIMME FICTION" is another superb CD from SPOON!

2人のお客様がこれが役に立ったと考えています

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S. Anstandig

Gimme Spoon!

2008年6月9日にアメリカ合衆国でレビュー済み

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I bought 2 albums by spoon, first GA GA GA GA GA, and then Gimme Fiction. If I did it again, I'd problem buy them in the reverse order, but I would have still purchased both. The reason I say this is that Gimme Fiction is a good introduction to Spoon's sound. And while I'm not an expert on Spoon, I'd say this is more 'classic' Spoon. GA GA GA, while still very good seems more experimental to me. I would probably give GA GA GA a 4/5 stars, but I recommend both! From Gimme Fiction, you might recognize "Turn my Camera on" from the radio, and "Mathematical Mind" if you've seen 'Stranger than Fiction.' Give Spoon a try, it's great to hear something different now and than. And while you may recognize who some of their influences may be, they have definitely created a unique sound.

3人のお客様がこれが役に立ったと考えています

レビューを日本語に翻訳する

El Capitan

marvin gaye meets wire: yes, yes, yes, yes, yes!

2005年5月13日にアメリカ合衆国でレビュー済み

Amazonで購入

No one talks about the thing that makes this edition special, the tracks on the bonus disc!

1. Carryout Kids

2. You Was It

3. I Summon You (Demo)

4. Sister Jack (Piano Demo)

Both of the demos have been available from Spoon's website for some months -- maybe weeks -- before the album's release. And honestly, the album version of "Sister Jack" is going to take me a while to used to, I liked the stripped-down piano demo that much. "Carryout Kids" begins with Britt Daniel singing to a piano that sounds like something that would come off Schroeder's piano (Peanuts). "You Was It" is a crazy fuzzed out trip and worth every bleary second.

The tracks from the album, I think everyone's said all there is to say. I'll just say two thumbs up. Britt Daniels said in an interview last year that this album as "Marvin Gaye meets Wire." I'd say he hit the mark.

2人のお客様がこれが役に立ったと考えています

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Gimme Fiction

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曲目リスト

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