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Rodelinda [DVD]

Dorothea R?schmann (出演), Michael Chance (出演), Brian Large (監督) 形式: DVD

3.9 16個の評価

DVD
￥4,512

フォーマット	クラシック
コントリビュータ	Felicity Palmer, Umberto Chiummo, Brian Large, Nicola Haym, Dorothea R?schmann, Michael Chance, Paul Nilon, Ivor Bolton 表示を増やす
言語	イタリア語
UPC	675754830427
GTIN (Global Trade Identification Number)	00675754830427

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言語 ‏ : ‎ イタリア語
梱包サイズ ‏ : ‎ 18.03 x 13.76 x 1.48 cm; 83.16 g
EAN ‏ : ‎ 0675754830427
監督 ‏ : ‎ Brian Large
メディア形式 ‏ : ‎ クラシック
発売日 ‏ : ‎ 2005/4/26
出演 ‏ : ‎ Dorothea R?schmann, Michael Chance, Paul Nilon, Felicity Palmer, Umberto Chiummo
字幕: ‏ : ‎ 英語, 日本語, ドイツ語, イタリア語
販売元 ‏ : ‎ Farao Records
ASIN ‏ : ‎ B00082ZSAM
脚本 ‏ : ‎ Nicola Haym
ディスク枚数 ‏ : ‎ 2

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3.9 16個の評価

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Abert

Handel as it should be done.

2015年4月6日に英国でレビュー済み

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This 2004 live Munich performance conducted by. Ivor Bolton of Handel's Rodelinda is an eye opener for this viewer and no less. I report that I own three DVDs of this opera: 1998 London and 2012 New York ; then recently this 2004 Munich production.
So in short three generations of Rodelindas - and two versions by Andreas Scholl as Bertarido.
I was not impressed by the 1998 Glyndebourne version for I consider the great Antonacci miscast as Rodelinda. I was even less impressed by the 2011 Met production that had Fleming, whose wide repertoire in opera has its weakest link in Handel. Topped by a well past prime Scholl.
This 2004 Munich production is visually weakest of the three productions, yet musically towers over the other two by clear head and shoulder.
Ivor Bolton knows exactly what drama in Handel operas means. His singers share his vision totally in that the entire cast drove towards the ultimate expression of the drama in musical terms as Handel would have it. And all the singers delivered.
In the title role Dorothea Roschumann is miles ahead of rene Fleming (MET) in the title role. She is also more resplendent vocally than the capable Antonacci in glyndebourne.
Michael Chance was no longer in his vocal prime by 2004. No worry. This intelligent singer knows how to deploy his goods in all the arias of Bertarido, if his recitatives betrays slightly his actual vocal state. In similar vein but slightly lessor extent is Robson. Both counter tenors know Handel inside out and delivered definitive performances even if compare Chance with a 1998 Scholl, whose voice was great but not as outstanding dramatically.
I find the underrated Paul Nilon to be incomparable as Grimoaldo. This is what Handel would have wanted of in his dramatic tenor roles. Grimoaldo, same as Bajazet, is a major Handel tenor role. Nilon delivered a hundred percent.
Felicity Palmer is stentorian even in advanced age, and Chiummo out performing himself than any where else under Bolton.
The only bad news is the dark screening. Otherwise, singing with a cigarette and singing in the rain do not detract from the terrific cast's performance.

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Manfred

Barockes Feuerwerk für die Ohren

2014年7月5日にドイツでレビュー済み

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Sängerisch und musikalisch ein Genuß. Bei den gebotenen Leistungen stört mich Szenenablaus (s. 1. Bewertung) überhaupt nicht, man ist eher versucht mitzuklatschen. Die Inszenierung ist passend und zeitgemäß, ohne zu verstören. Insgesamt das Niveau, das man von einem der führenden Opernhäuser Deutschlands erwarten kann. Mir hat es mehr als gefallen.

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RAS

Excellente production

2014年1月13日にフランスでレビュー済み

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C'est la 3e version de Rodelinda que je vois en DVD, et du point de vue musical et lyrique c'est celle que je préfère. La musique dirigée par Bolton ainsi que les chanteurs sont magnifiques. A signaler deux contre-ténors (remplaçant les castrats de l'époque de Händel) pas ennuyeux du tout et les autres chanteurs sont très bien également. Je trouve que cette production surpasse la méga-production du MET avec Fleming et Scholl, ce qui est une réussite pour l'opéra de Munich. Certes, cette mise en scène de David Alden ne va pas plaire à ceux qui ont un gout plus traditionnel. A ceux-là, je recommanderais plutôt la captation du MET. Cette version-ci a pour elle une très grande cohérence dans la démarche qu'elle a adoptée. L'action se passe dans le milieu de la mafia des années '30 et le livret accompagnant donne les raisons de ce choix. Si on veut moderniser l'histoire de la reine de Lombardie, on ne peut pas la déplacer dans le milieu des monarchies actuelles. Seul dans le monde de la mafia les rivalités et les successions se règlent avec l'implacabilité des dynasties anciennes. La mise en scène est très en clair-obscur, elle évoque une ambiance "noire" (comme dans un roman dit noir). Cet éclairage particulier laissant souvent de larges pans de la scène dans l'ombre n'est pas ici une erreur comme dans beaucoup d'opéras filmés, mais s’intègre bien dans le déroulement de l'histoire. Le son est très bon aussi. Il n'y a malheureusement pas de sous-titres en français, il faut se débrouiller avec l'allemand, l'anglais, l'italien ou le japonais.

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E. Lyons

Roschmann is perfect!

2007年12月14日にアメリカ合衆国でレビュー済み

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I love this opera, and recordings of it are in short supply, so I actually bought this DVD (and the Glyndebourne one as well) just to hear some different renditions of this wonderful music. Both DVDs are good, but Roschmann's singing is a revelation! Anna Caterina Antonacci, on Glyndebourne's DVD, is a bit stretched by the tessitura of the part, but Roschmann has the coloratura, volume, and luminous shimmering tone that sets her apart from any other voice I have heard in the role. Her acting is also less stilted, although I think that has more to do with the productions they are in (the Glyndebourne is set in a sort of 1920's silent film Hollywood milieu). The Glyndebourne production is better overall, and better cast overall (Scholl is much better than Chance is here), but this one is still essential. The production here (Dir. David Alden) is really not THAT bad, and he doesn't betray the basic plot or emotions that the libretto calls for, but it is just a little silly sometimes (Garibaldo forces Bertarido into the trunk of a car after the duet "Io t'abraccio"). This silliness never touches Roschmann, however, who Alden respects and gives dignified stage direction. Anyway, even if the production were awful, it would still merit five stars for Roschmann's Rodelinda recorded in CD quality sound.

Felicity Palmer's singing of Eduige's arias is exciting, and she acts the part well, especially given some of the silly stage business (she seems to have a sort of violent relationship with Garibaldo). Chance's voice sounds very weak and quiet to me, especially in comparison to Palmer and Roschmann, but he acts very well and sings with style. Alden has him play the part as some kind of middle aged mafia don who is "on the run" for the moment, and he carries out some difficult stage business well ("con rauco marmorio" in Act two becomes a drunken lament as he slowly dances with a bottle in one hand--he is drowning his sorrows over Rodelinda's supposed infidelity...anyway, it's a difficult little piece of business that he pulls off well). Chiummo's Garibaldo is excellent on both the Glyndebourne DVD and this one. He is an enthusiastic performer who seems to love this role.

Again, any fan of this opera should get this DVD if only for the audio track. It is worth 5 stars for the musical side alone.

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Mr. R. S. Cook

Accessible Handel

2020年1月8日に英国でレビュー済み

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One of H's greatest hits Rodelinda groans with beautiful songs or 'airs' of satisfying drama. I bought a 'hits' compilation with T Stich Randall back in the 60s and it comes rushing back over the decades as I re acquaint myself. This version has Dorothea Roschmann in her late 20s with presumably her voice at its peak. Widely agreed the best Rodelinda. For me, certainly, such a solid and versatile voice with wonderful hints of mezzo richness. This version also is intact with 'Morrai Si' in place. I saw a recent recording omits it, possibly because whoever was in role didn't fancy it, a challenging aria. So glad I finally have a copy, an excellent used dvd from Germany, perfect.

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Rodelinda [DVD]

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