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Richard Strauss - Capriccio / Schirmer, Carsen, Opera deParis 2004 [DVD] [Import]

Renee Fleming (出演), Rainer Trost (出演) 形式: DVD
5つ星のうち4.4 21
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コントリビュータ Rainer Trost, Annamaria Dell'Oste, Anne Sofie von Otter, Gerald Finley, Francois Roussillon (監督), Barry Banks, Renee Fleming, Ulf Schirlmer, Dietrich Henschel, Franz Hawlata 表示を増やす
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  1. R.シュトラウス 歌劇《カプリッチョ》 パリ・オペラ座 2004年 [DVD]
  2. Capriccio [DVD]
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登録情報

  • アスペクト比 ‏ : ‎ 1.78:1
  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 言語 ‏ : ‎ ドイツ語
  • 製品サイズ ‏ : ‎ 13.9 x 1.4 x 19.2 cm; 135 g
  • EAN ‏ : ‎ 0824121001506
  • メディア形式 ‏ : ‎ クラシック
  • 発売日 ‏ : ‎ 2005/10/6
  • 出演 ‏ : ‎ Renee Fleming, Rainer Trost, Gerald Finley, Dietrich Henschel, Franz Hawlata
  • 字幕: ‏ : ‎ スペイン語, フランス語, ドイツ語, イタリア語, 英語
  • 販売元 ‏ : ‎ TDK
  • ASIN ‏ : ‎ B000B6N6F4
  • ディスク枚数 ‏ : ‎ 2
  • カスタマーレビュー:
    5つ星のうち4.4 21

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上位レビュー、対象国： 日本

すべてのレビューを日本語に翻訳
Just another opera fan
5つ星のうち4.0 High quality production, with some flaws
2022年4月14日に日本でレビュー済み
Capriccio is a late romantic opera that is sort of behind its times in terms of its musical language. Furthermore, its libretto deals with a philosophical question, whether text or music are more important for the stage, so it will probably never be a really popular opera. However, once you get drawn into to its musical language, it's hard not to become addicted to it. And the libretto is, unlike with many other operas, witty and meaningful.
I have two versions of it on DVD, this one with Renee Fleming in the lead role, and another one with Kiri Te Kanawa and the SF Opera that was recorded 11 years earlier. In terms of the cast, I find Te Kanawa clearly superior to Fleming, who sounds narrower and more forced than the effortlessly singing Te Kanawa. (This does not take away from Renee Fleming as a pleasant stage presence.) On the other hand, the male voices, especially Rainer Trost as Flamand, and the picture and sound quality are superior in this production. Overall, I would still choose the older production with Te Kanawa, since the staging, set in the time for which it was intended, is more straightforward, and better expresses the humorous aspects of the libretto. As other reviewers also remarked, the ending of the Paris production, relocated to the Nazi period, where the protagonists watch themselves perform on stage, is somewhat forced.
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G.C
5つ星のうち5.0 opera filmé
2024年2月17日にフランスでレビュー済み
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Renée fleming, spécialiste de son rôle, est ici à son apogée.
production la plus parfaite dans son ensemble de cet opéra de Strauss
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Mike
5つ星のうち5.0 Un'incisione di riferimento
2014年5月28日にイタリアでレビュー済み
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L'ultima opera di R. Strauss, nella ricorrenza del 150° anniversario dalla nascita, ma ripresa quasi dieci anni fa a Parigi è stata ed è considerata di riferimento per la messinscena oltre che per il cast di interpreti vocali. Quella di Strauss è una musica decisamente crepuscolare, ma comunque di impostazione tonale e ben lontana da quella delle avanguardie imperanti all'epoca della sua prima rappresentazione, in piena seconda guerra mondiale (1942), d'altronde una caratteristica del suo Autore. E' stata definita una conversazione musicale in un solo atto, in quanto si configura come teatro nel teatro con finale aperto. L'ambientazione opportunamente scelta dal regista Carsen è quella del primo Novecento e non il Settecento previsto da Strauss, autore anche del libretto (insieme al famoso direttore Krauss). Gli interpreti vocali, come dicevo, sono di assoluta eccellenza, a partire dai tre protagonisti, la Fleming, il tenore Trost e il baritono Finley. Anche gli altri comprimari sono comunque di notevole spessore a partire dalla von Otter, ma soprattutto vorrei menzionare il basso Hawlata nella impegnativa parte dell'impresario La Roche, e la notevole coppia di cantanti italiani Banks-Dell'Oste (tenore/soprano). La regia di Carsen è, ripeto, di riferimento e la conduzione di Schirmer con i complessi parigini all'altezza dei solisti vocali. Nonostante i 10 anni dalla registrazione, il video è di notevole qualità tecnica pur non essendo in HD. Ciliegina sulla torta non indifferente i sottotitoli in italiano: un ringraziamento sentito alla TDK!
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CEF
5つ星のうち5.0 Capriccio
2014年4月2日にドイツでレビュー済み
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Eine distinguierte Verfilmung voll Charme und Witz aus Paris. Eine großartige Hauptdarstellerin, gleichzusetzen mit den größten ehemaligen Darstellerinnen der Madeleine. Nur die Kostüme fand ich schlecht und billig - und das aus Paris!
1人のお客様がこれが役に立ったと考えています
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Semirade
5つ星のうち5.0 A Gem!
2010年5月3日にアメリカ合衆国でレビュー済み
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This opera is very short - sort of a "Pagliacci" length. The music is stunning - Strauss is one of those composers whose music I'd expect in the after-life (I don't really believe there is one - so I'm getting my listening in now)!
This is Fleming's forte - perhaps the greatest Strauss singer I've ever heard! Her voice is thoroughly at ease from top to bottom, without the slightest suggestion of strain or intonation difficulties.
The rest of the supportive cast is flawless, as are the costumes, sets and direction. This is seamless in its' perfection!
Rarely does one find a recording - let alone a video of an opera that is beyond critique - something is always seemingly errant - either in tone - stretch or simply because the cast is unbelievable in age, or looks - but not so here! This is a gem of flawless perfection, and I'm not so easy to please!
Fleming has an extraordinary technique, with an extraordinary instrument. Sometimes, if I really try, I can fault a few of her choices, either wishing her to use less chest voice, or a fuller tone, for dramatic effect she may opt for a different sound than I would choose for the piece. This and her Desdemona are not to be surpassed!
A thing of beauty is a joy forever! I will replace it if I wear it out from listening/playing. My library can't be found without it!
6人のお客様がこれが役に立ったと考えています
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Amazon Customer
5つ星のうち5.0 A wonderful recording; shame about some silliness.....
2012年9月12日に英国でレビュー済み
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I love this recording and often play it through the sound system. I think Renee Fleming is better here than at the Met and Flamand and Olivier are just about perfect. Add to that a very good Clairon and a magnificent perfomance by Franz Hawlata as La Roche and you have just about the best cast it is possible to have.

Then, there is is the production! It works being set in 1942 and the spectre of the SS hovering in the theatre probably mirrors how Strauss himself felt as he was writing this wonderful piece. But (oh no, now the but!) - it is silly having the Countess wandering around the Palais Garnier and then taking her seat in a box to watch herslf perform the closing scene. Why did the TV team do this, as the rest is obvioulsy recorded at a live performance? It jars and is a bit silly - but, this is my only reservation for what is truly a wonderfully sung and acted production.

As I suggested earlier, I think this is better than the Met production, which isn't quite as well sung - in fact, I was a tad disappointed with the Met's Capriccio when I watched the bluray. One of the other reviewers mentioned regret that Soderstrom's Glyndebourne foray isn't available - I feel the same about the last Covent Garden production, set in the 1920s, with fabulous costumes and Dame Kiri. I was there and I wish the BBC had taped it - but, they didn't, so alongside the Met production, this one from Paris will do very well. I hope you enjoy it as much us.
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