新品:
￥1,800￥1,800 税込
ポイント: 18pt
(1%)
新品:
￥1,800￥1,800 税込
ポイント: 18pt
(1%)
配送料 ¥350 5月31日-6月1日にお届け
発送元: 正道商店
販売者: 正道商店
中古品 - 良い
￥500￥500 税込
中古品 - 良い
￥500￥500 税込
配送料 ¥340 5月30日-6月1日にお届け
発送元: ビデオビックス(ネット買取やってます。高価買取中です！）
販売者: ビデオビックス(ネット買取やってます。高価買取中です！）
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サンセット大通り スペシャル・コレクターズ・エディション [DVD]
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| フォーマット | ドルビー, ワイドスクリーン, ブラック&ホワイト |
| コントリビュータ | ウィリアム・ホールデン, ナンシー・オルソン, グロリア・スワンソン, ビリー・ワイルダー, チャールズ・ブラケット, D.M.マシューマン・Jr, エリッヒ・フォン・シュトロハイム |
| 言語 | 英語, 日本語 |
| 稼働時間 | 1 時間 50 分 |
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商品の説明
Amazonより
名匠ビリー・ワイルダー監督がハリウッドの内幕を冷酷なまでのタッチで描いた一大傑作。売れない映画脚本家ジョー（ウィルアム・ホールデン）の死体が、サイレント映画時代の大女優ノーマ（グロリア・スワンソン）の家のプールで発見された。なぜ、彼が殺されるに至ったか、やがてドラマは回想形式となり、その中からハリウッドの魑魅魍魎（ちみもうりょう）とした実態が明らかになっていく。
自らの没落と老醜に気づくことなく、かつての名声の夢の中に生きるノーマの姿を、カメラは冷たくとらえ続けていく。しかし、そこに悪趣味な要素など微塵もなく、むしろ格調高さに満ちあふれているところが凡百の内幕ものとの差異であろう。それはまた真の名女優グロリア・スワンソンでなければ体現できない格調であり誇りでもある。アカデミー賞脚本・美術・装置・作曲賞を受賞。しかし、それら以上にもっとも優れているのは、これぞ映画としか言い表せないヒロインの演技である。（的田也寸志）
レビュー
製作・脚本: チャールズ・ブラケット 監督・脚本: ビリー・ワイルダー 脚本: D.M.マシューマンJr. 撮影: ジョン・サイツ 音楽: フランツ・ワックスマン 出演: ウィリアム・ホールデン/グロリア・スワンソン/エリッヒ・フォン・シュトロハイム/ナンシー・オルソン/フレッド・クラーク/ロイド・ゴーフ/ジャック・ウェブ/セシル・B.デミル/ヘッダ・ホッパー/バスター・キートン/アンナ・Q.ニルソン/H.B.ワーナー 声の出演: 白井正明/七尾伶子/吉沢久嘉/沢田敏子
-- 内容（「CDジャーナル」データベースより）
登録情報
- アスペクト比 : 1.78:1
- 言語 : 英語, 日本語
- 梱包サイズ : 18.03 x 13.76 x 1.48 cm; 83.16 g
- EAN : 4988113753371
- 監督 : ビリー・ワイルダー
- メディア形式 : ドルビー, ワイドスクリーン, ブラック&ホワイト
- 時間 : 1 時間 50 分
- 発売日 : 2005/10/21
- 出演 : ウィリアム・ホールデン, グロリア・スワンソン, エリッヒ・フォン・シュトロハイム, ナンシー・オルソン
- 字幕: : 英語, 日本語
- 言語 : 英語 (Dolby Digital 5.1)
- 販売元 : パラマウント ジャパン
- ASIN : B000B84MMS
- ディスク枚数 : 1
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国： 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2019年7月6日に日本でレビュー済み
Amazonで購入
作品の持つ緊張感、脚本の素晴らしさ、そしてウイリアムホールデンの若々しい溌剌とした感じ。デビュー間もない頃でしょうか、それとも本格的デビューですかね。脚が長くて肩幅が広くて、カッコいい男優ですね。デッカくて大きいのが魅力です。おどろおどろした女の情念の凄さも怖い。名作。
2022年10月6日に日本でレビュー済み
『サンセット大通り』(Sunset Boulevard)('50)
出演∶グロリア·スワンソン、ウィリアム·ホールデン、エリッヒ·フォン·シュトロハイム、ナンシー·オルソン、フレッド·クラーク、ジャック·ウェッブ、ロイド·ガフ、ヘッダ·ホッパー、バスター·キートン、セシル·Ｂ·デミル、Ｈ·Ｂ·ワーナー、レイ·エヴァンス、ジェイ·リヴィングストーン
監督∶ビリー·ワイルダー
映画界(TV界)､芸能界の内幕を描いた一種"露悪的"でセンセーショナルな映画作品·TVドラマは､古今東西数々あると思うが､おそらくこの『サンセット大通り』が"元祖"では……？
単にセンセーショナルで俗悪な作品とは違う。すでに脚本家として名を成し､監督としても犯罪サスペンス映画の古典的傑作『深夜の告白』などで認められていたビリー·ワイルダーの才能に裏打ちされた非凡で､人間ドラマの深さと娯楽性を併せ持った大傑作。
過去の栄光が忘れられない女優の妄執に導かれた戦慄のドラマと､そのような人間を生み出す土壌で当たり前のように生きる人々を戯画化した風刺に満ちたドラマが背中合わせの世界だ。
[物語] L.A.､サンセット大通りのある豪邸のプールに男の射殺死体が一つ浮かんでいた。
…話は､数か月前に遡る……。
ジョー·ギリス(ホールデン)は､売れない若手脚本家だ。新作を書いては､ハリウッドの撮影所のプロデューサーに売り込むが､ボツの嵐…。そんな彼が車のローンが払えず､借金取りに追われて車で逃げ込んだ先は､幽霊屋敷のように荒れた豪邸の中だった。
その広大な屋敷には､無声映画時代に一世を風靡して引退した大年増の女優ノーマ·デズモンド(スワンソン)が､元映画監督で今は忠実な執事のマックス(シュトロハイム)と二人で暮らしていた。すでに世間に忘れられた存在のノーマだったが､自分は今でも人気があり､いつでもスターに返り咲けるものと思い込んでいた。執事マックスは現実を知りながらも､ノーマの思い込みを正すことなく､彼女の誇大な妄想を助長していた。
迷い込んできたジョーが脚本家だと知ったノーマは､カムバックのために自ら書き続けていた『サロメ』の脚本をプロのジョーに添削させて完成させるべく､彼を雇って屋敷に住まわせようとする。借金取りに追われるジョーは､ノーマの脚本が箸にも棒にもかからない駄作と知りつつ､半ば進んで屋敷に取り込まれるのだった｡
かくして､ノーマ､ジョー､マックスの奇妙な同居生活が始まる。適当にノーマに調子を合わせながら暮らすジョーだったが､女王様気質のノーマは次第にジョーに異性としての執着を抱き始め､彼の"浮気"を疑って自殺を図るなど､常軌を逸した行動に走り始める。
ある日､プロデューサーの下で､"売り込み脚本"の下読み·選別をしている脚本部員の女性ベティ·シェーファー(オルソン)が､ジョーのボツ原稿の中に才能の片鱗を見出し､新作脚本の共同執筆を持ち掛ける。
真っ当な脚本仕事に戻れるチャンスに､ジョーは夜ごと屋敷を抜け出してはベティと共同の創作活動に熱中し始め､やがてマジ恋に発展していく。執事マックスは､それを知っていたが､ノーマには決してバレないようにと忠告するだけであった。そして悲劇は起こる……
無声映画時代から1950年代までハリウッドの中心にいたプロデューサー·監督のセシル·B·デミルや､スラプスティック喜劇の大スターだったバスター·キートンらが､本人役で登場する"楽屋落ち"的な内容もあり､ヘタをすると､安っぽいキワモノ映画に堕する危険もありそうな作りだが､決してそうはならない。
"キワモノ"にならなかったのは､主演のグロリア·スワンソンに負うところが大であろう。実際に無声映画時代のスター女優だった彼女が､この難役を引き受け､彼女自身を(悪意を込めて)戯画化したような役柄を､大真面目に怪演してみせたわけだ。この１作だけでも映画史にその名を刻む価値がありそうだ。
スワンソンは生涯に６度も結婚し､あのジョン·F·ケネディ大統領の父上殿の愛人だったこともあるというツワモノだ｡(父上がカトリック教徒で離婚できなかったので別れたとか……) もしかしたら､この映画のノーマ·デズモンドの上を行く"超大物"かもしれない(笑)
執事マックス役のエリッヒ·フォン·シュトロハイムは､サイレント映画の巨匠と呼ばれた元映画監督で､スワンソンともコンビで映画を作っていたとか。まさに､映画のマックスと同じ経歴の持ち主で､この不気味な人物を淡々と演じた彼もまた恐るべき"怪優"だ。
あと､これは想像だが､売れない脚本家ジョーのキャラクターは､脚本家として映画人生をスタートさせたワイルダー監督自身の若き日の姿が反映されているのではないだろうか？
この年のアカデミー賞で､主演男女優賞(ホールデン&スワンソン)､助演男女優賞(シュトロハイム&オルソン)ほか､10部門以上ノミネートされたそうだ(受賞は､脚本賞など３部門のみ)。受賞を逃したのは残念な気がするが……でも､受賞していたら､出来すぎで却ってウソっぽかったかも…(笑)
出演∶グロリア·スワンソン、ウィリアム·ホールデン、エリッヒ·フォン·シュトロハイム、ナンシー·オルソン、フレッド·クラーク、ジャック·ウェッブ、ロイド·ガフ、ヘッダ·ホッパー、バスター·キートン、セシル·Ｂ·デミル、Ｈ·Ｂ·ワーナー、レイ·エヴァンス、ジェイ·リヴィングストーン
監督∶ビリー·ワイルダー
映画界(TV界)､芸能界の内幕を描いた一種"露悪的"でセンセーショナルな映画作品·TVドラマは､古今東西数々あると思うが､おそらくこの『サンセット大通り』が"元祖"では……？
単にセンセーショナルで俗悪な作品とは違う。すでに脚本家として名を成し､監督としても犯罪サスペンス映画の古典的傑作『深夜の告白』などで認められていたビリー·ワイルダーの才能に裏打ちされた非凡で､人間ドラマの深さと娯楽性を併せ持った大傑作。
過去の栄光が忘れられない女優の妄執に導かれた戦慄のドラマと､そのような人間を生み出す土壌で当たり前のように生きる人々を戯画化した風刺に満ちたドラマが背中合わせの世界だ。
[物語] L.A.､サンセット大通りのある豪邸のプールに男の射殺死体が一つ浮かんでいた。
…話は､数か月前に遡る……。
ジョー·ギリス(ホールデン)は､売れない若手脚本家だ。新作を書いては､ハリウッドの撮影所のプロデューサーに売り込むが､ボツの嵐…。そんな彼が車のローンが払えず､借金取りに追われて車で逃げ込んだ先は､幽霊屋敷のように荒れた豪邸の中だった。
その広大な屋敷には､無声映画時代に一世を風靡して引退した大年増の女優ノーマ·デズモンド(スワンソン)が､元映画監督で今は忠実な執事のマックス(シュトロハイム)と二人で暮らしていた。すでに世間に忘れられた存在のノーマだったが､自分は今でも人気があり､いつでもスターに返り咲けるものと思い込んでいた。執事マックスは現実を知りながらも､ノーマの思い込みを正すことなく､彼女の誇大な妄想を助長していた。
迷い込んできたジョーが脚本家だと知ったノーマは､カムバックのために自ら書き続けていた『サロメ』の脚本をプロのジョーに添削させて完成させるべく､彼を雇って屋敷に住まわせようとする。借金取りに追われるジョーは､ノーマの脚本が箸にも棒にもかからない駄作と知りつつ､半ば進んで屋敷に取り込まれるのだった｡
かくして､ノーマ､ジョー､マックスの奇妙な同居生活が始まる。適当にノーマに調子を合わせながら暮らすジョーだったが､女王様気質のノーマは次第にジョーに異性としての執着を抱き始め､彼の"浮気"を疑って自殺を図るなど､常軌を逸した行動に走り始める。
ある日､プロデューサーの下で､"売り込み脚本"の下読み·選別をしている脚本部員の女性ベティ·シェーファー(オルソン)が､ジョーのボツ原稿の中に才能の片鱗を見出し､新作脚本の共同執筆を持ち掛ける。
真っ当な脚本仕事に戻れるチャンスに､ジョーは夜ごと屋敷を抜け出してはベティと共同の創作活動に熱中し始め､やがてマジ恋に発展していく。執事マックスは､それを知っていたが､ノーマには決してバレないようにと忠告するだけであった。そして悲劇は起こる……
無声映画時代から1950年代までハリウッドの中心にいたプロデューサー·監督のセシル·B·デミルや､スラプスティック喜劇の大スターだったバスター·キートンらが､本人役で登場する"楽屋落ち"的な内容もあり､ヘタをすると､安っぽいキワモノ映画に堕する危険もありそうな作りだが､決してそうはならない。
"キワモノ"にならなかったのは､主演のグロリア·スワンソンに負うところが大であろう。実際に無声映画時代のスター女優だった彼女が､この難役を引き受け､彼女自身を(悪意を込めて)戯画化したような役柄を､大真面目に怪演してみせたわけだ。この１作だけでも映画史にその名を刻む価値がありそうだ。
スワンソンは生涯に６度も結婚し､あのジョン·F·ケネディ大統領の父上殿の愛人だったこともあるというツワモノだ｡(父上がカトリック教徒で離婚できなかったので別れたとか……) もしかしたら､この映画のノーマ·デズモンドの上を行く"超大物"かもしれない(笑)
執事マックス役のエリッヒ·フォン·シュトロハイムは､サイレント映画の巨匠と呼ばれた元映画監督で､スワンソンともコンビで映画を作っていたとか。まさに､映画のマックスと同じ経歴の持ち主で､この不気味な人物を淡々と演じた彼もまた恐るべき"怪優"だ。
あと､これは想像だが､売れない脚本家ジョーのキャラクターは､脚本家として映画人生をスタートさせたワイルダー監督自身の若き日の姿が反映されているのではないだろうか？
この年のアカデミー賞で､主演男女優賞(ホールデン&スワンソン)､助演男女優賞(シュトロハイム&オルソン)ほか､10部門以上ノミネートされたそうだ(受賞は､脚本賞など３部門のみ)。受賞を逃したのは残念な気がするが……でも､受賞していたら､出来すぎで却ってウソっぽかったかも…(笑)
2015年1月30日に日本でレビュー済み
Amazonで購入
これほど素晴らしいストーリー素晴らしいキャスト何といっても主役のグロリアスワンソンがすばらしい！
彼女のこの時のキャリアを見ればこの作品で主役を出ることにいかに度胸が必要だったのだろう。この作品で見事カムバックしたグロリアスワンソン。
構図、物語、演技どれも一流です。
名作。
彼女のこの時のキャリアを見ればこの作品で主役を出ることにいかに度胸が必要だったのだろう。この作品で見事カムバックしたグロリアスワンソン。
構図、物語、演技どれも一流です。
名作。
2006年5月4日に日本でレビュー済み
Amazonで購入
私は、このＤＶＤを買ったまま、半年以上、たなざらしにしていたのだが、１か月ほど前の新聞記事で、この作品が、米脚本家組合の「歴代の優れた映画脚本ベスト１０１」の第７位に入っていることを知り、どんな映画なのかと興味を掻き立てられ、ようやく観てみる気になったのである。
結論からいうと、この映画は、本当に凄い！！全米のプロの脚本家約９，５００人が認めただけあって、私の予想をはるかに上回る、凄絶な脚本であり、作品であるのだ。映画オリジナルの脚本で、これだけの作品を書き上げたビリー・ワイルダー外２名の共同執筆家陣には、どれだけの称賛を与えても、称賛し過ぎということはないだろう。
ちなみに、同じ１９５０年に公開された、同じ芸能界の内幕物である「イヴの総て」がその上の第５位に入っており、特典映像の「メイキング」によると、アカデミー賞争いでも、本作のテーマがハリウッドの反感を買って冷遇され、作品賞と監督賞は「イヴの総て」に競り負けているのだが、率直にいって、この「サンセット大通り」の凄絶な作品を目の当たりにしてしまうと、傑作であるはずの「イヴの総て」が、生温く、軽い作品に見えてしまうのだ。また、第１位には「カサブランカ」が入っているのだが、そのシリアスで深い内容において、明らかに、それをも上回っていると断言しておきたい。
これだけの作品については、その真価は自分で確認してもらった方がいいと思うので、あらすじについては触れないが、脚本もさることながら、往年の大女優を演じる主演のグロリア・スワンソンの、これ以上はないと思えるほどの圧倒的な名演技については、声を大にして、絶賛しておきたい。この作品がハリウッドに正当に評価されていたのなら、疑いなく、アカデミー賞主演女優賞だろう。特に、ラスト数分間の、鬼気迫る凄絶な名演技は、映画史上に燦然と輝く名場面とともに、永遠に語り継がれていくに違いない。
結論からいうと、この映画は、本当に凄い！！全米のプロの脚本家約９，５００人が認めただけあって、私の予想をはるかに上回る、凄絶な脚本であり、作品であるのだ。映画オリジナルの脚本で、これだけの作品を書き上げたビリー・ワイルダー外２名の共同執筆家陣には、どれだけの称賛を与えても、称賛し過ぎということはないだろう。
ちなみに、同じ１９５０年に公開された、同じ芸能界の内幕物である「イヴの総て」がその上の第５位に入っており、特典映像の「メイキング」によると、アカデミー賞争いでも、本作のテーマがハリウッドの反感を買って冷遇され、作品賞と監督賞は「イヴの総て」に競り負けているのだが、率直にいって、この「サンセット大通り」の凄絶な作品を目の当たりにしてしまうと、傑作であるはずの「イヴの総て」が、生温く、軽い作品に見えてしまうのだ。また、第１位には「カサブランカ」が入っているのだが、そのシリアスで深い内容において、明らかに、それをも上回っていると断言しておきたい。
これだけの作品については、その真価は自分で確認してもらった方がいいと思うので、あらすじについては触れないが、脚本もさることながら、往年の大女優を演じる主演のグロリア・スワンソンの、これ以上はないと思えるほどの圧倒的な名演技については、声を大にして、絶賛しておきたい。この作品がハリウッドに正当に評価されていたのなら、疑いなく、アカデミー賞主演女優賞だろう。特に、ラスト数分間の、鬼気迫る凄絶な名演技は、映画史上に燦然と輝く名場面とともに、永遠に語り継がれていくに違いない。
2016年1月10日に日本でレビュー済み
映画の中で、往年のハリウッドの大スター、大女優であるノーマ・デズモンド５０歳が己のカムバックをかけて執筆した脚本「サロメ」。この脚本を、ひょんなことから出会うことになった脚本家ジョー・ギリスが、映画６作分の長さがあると評した。が、まさしく本作「サンセット大通り」こそ６作分の内容が詰まっていると言えよう。ドラマ、ヒストリー、ミステリー、ラブストーリー、サスペンス、ホラーの６作分が。
出だしが暗示する結末。思いがけない執事と大女優との関係。米国の小説によくある主人公による語りと、その後の最後の展開。一番最後のシーンに紗をかけなければホラー全開だったかも。
挿入話であるチンパンジーの埋葬はなぜ必要だったのだろう。ノーマ・デズモンド役のグロリア・スワンソンは、実際チャップリンの映画に出演していたと後で知った。どおりで。
出だしが暗示する結末。思いがけない執事と大女優との関係。米国の小説によくある主人公による語りと、その後の最後の展開。一番最後のシーンに紗をかけなければホラー全開だったかも。
挿入話であるチンパンジーの埋葬はなぜ必要だったのだろう。ノーマ・デズモンド役のグロリア・スワンソンは、実際チャップリンの映画に出演していたと後で知った。どおりで。
2020年11月21日に日本でレビュー済み
Amazonで購入
確かに凄い映画ではありました。
忘れられた大スターと売れない脚本家の歪んだ関係。緊張感の続くストーリーが強烈です。
でも今より平均寿命が短い時代の作品だなーと思いました。
現代（2020年）では５０歳代なんて、バリバリの現役で、例え「あの人は今」の境遇になったとしても、ここまで痛々しくなるだろうか。
宮崎美子が６０歳代でビキニ姿を披露する（披露できる）現代日本では、ややピンとこない映画かなと思いました。
大スターが落ちぶれて老醜をさらすというのは、何かステロタイプな感じですよね、多分、この映画の公開当時なら現実をえぐるような印象があったのだと思います。
弱肉強食のハリウッドならば、２１世紀の今でも変わってないのかもしれないですが。
忘れられた大スターと売れない脚本家の歪んだ関係。緊張感の続くストーリーが強烈です。
でも今より平均寿命が短い時代の作品だなーと思いました。
現代（2020年）では５０歳代なんて、バリバリの現役で、例え「あの人は今」の境遇になったとしても、ここまで痛々しくなるだろうか。
宮崎美子が６０歳代でビキニ姿を披露する（披露できる）現代日本では、ややピンとこない映画かなと思いました。
大スターが落ちぶれて老醜をさらすというのは、何かステロタイプな感じですよね、多分、この映画の公開当時なら現実をえぐるような印象があったのだと思います。
弱肉強食のハリウッドならば、２１世紀の今でも変わってないのかもしれないですが。
2016年2月18日に日本でレビュー済み
個人的に白黒映画ならナンバーワンかもしれない
古い映画だし。と思ってたらかなり引き込まれていた。
しかし、サイレント映画のスターだけに演技が上手い。声無しでしないといけないだけにやはり狂気性なんかスゴイ出ている。
いやはやここまでとは･･････。
古い映画だし。と思ってたらかなり引き込まれていた。
しかし、サイレント映画のスターだけに演技が上手い。声無しでしないといけないだけにやはり狂気性なんかスゴイ出ている。
いやはやここまでとは･･････。
2015年8月8日に日本でレビュー済み
映画界の舞台裏を描く形を取ったゴシックホラー。
ふと迷い込んだ豪邸で待ち受けていたのは過去の栄光にしがみつく女優と謎めいた執事。主人公は彼女に取り殺されてしまう。
だが本当の恐怖はその後の場面。報道のカメラを映画のカメラと思い込む女優の狂気は「シャイニング」のジャックに通じる。
ふと迷い込んだ豪邸で待ち受けていたのは過去の栄光にしがみつく女優と謎めいた執事。主人公は彼女に取り殺されてしまう。
だが本当の恐怖はその後の場面。報道のカメラを映画のカメラと思い込む女優の狂気は「シャイニング」のジャックに通じる。
他の国からのトップレビュー
Alain Prud'Homme
5つ星のうち5.0
Livraison rapide
2023年9月18日にカナダでレビュー済みAmazonで購入
Excellent film (8 nominations aux oscars)
Claudio A.
5つ星のうち5.0
Splendore e Decadenza: Viale del Tramonto
2024年1月5日にイタリアでレビュー済みAmazonで購入
“Viale del Tramonto” è un viaggio affascinante attraverso la decadenza di Hollywood e della società americana del tempo. La regia magistrale di Billy Wilder cattura con maestria le sfumature sociali, esplorando il lato oscuro del successo e la disillusione di un’epoca. La protagonista, Norma Desmond, incarna la fragilità di chi è stato dimenticato dalla società, offrendo uno sguardo penetrante sulle pressioni e le aspettative del mondo dello spettacolo. La sceneggiatura brillante si intreccia tra la narrazione cinematografica e la critica sociale, evidenziando la rapida trasformazione della cultura hollywoodiana nel periodo del passaggio dal muto al sonoro. La metafora del tramonto di Norma Desmond riflette non solo la fine di una carriera cinematografica, ma anche il declino di una società che stava affrontando cambiamenti radicali. La dipendenza da una forma di celebrità anacronistica, incarnata da Norma, diventa simbolo di un’industria che spesso dimentica il suo passato per abbracciare l’innovazione a discapito delle persone coinvolte. “Viale del Tramonto” rimane una pietra miliare del cinema che sfida e stimola la riflessione sulla natura mutevole della celebrità e sulla società che la nutre.
Jose Benito Barragan Garrido
5つ星のうち5.0
And now Mr. DeMille......
2022年8月7日にスペインでレビュー済みAmazonで購入
Sunset Boulevard es de las pocas(poquísimas) películas que se pueden ver como 84 veces.. Y nunca cansarte o aburrirte. Junto con The Apartment es de lo mejor que hizo el genio de Wilder.. Y esa banda sonora de Franz Waxman.. Guaa!! El Blu-ray italiano es el UK versión con unos extras (muchos) más que interesantes. Envio Amazon rápido y eficaz. // And now Mr DeMille.. She is ready for her close-up. 🎥🎥🎥
Amazon Customer
5つ星のうち5.0
SUNSET BOULEVARD [1950 / 2013] [Special Collector’s Edition] [Blu-ray]
2018年2月2日に英国でレビュー済みAmazonで購入
SUNSET BOULEVARD [1950 / 2013] [Special Collector’s Edition] [Blu-ray] All Right, Mr. DeMille . . . I’m Ready For My Close-up! Billy Wilder’s Meticulously Restored Cinematic Glory!
Director Billy Wilder's ‘SUNSET BOULEVARD’ ranks among the most scathing satires of Hollywood and the cruel fickleness of movie fandom. Intense, enthralling, and unforgettable, ‘SUNSET BOULEVARD’ stars Gloria Swanson as Norma Desmond, a faded silent-movie star, and William Holden stars as Joe Gillis, a down-on-his-luck screenwriter whom she enlists to help her make her triumphant "return to the screen." This mesmerising Hollywood classic won three Academy Awards®. Narrated by William Holden.
FILM FACT: Awards and Nominations: 1950 New York Film Critics Circle Awards: 2nd place: Best Film. 3rd place: Best Director for Billy Wilder. 3rd place: Best Actress for Gloria Swanson. 1951 Academy Awards®: Win: Best Writing, Story and Screenplay for Billy Wilder, Charles Brackett and D.M. Marshman Jr. Win: Best Art Direction-Set Decoration in Black-and-White for Hans Dreier, John Meehan, Ray Moyer and Sam Comer. Win: Best Music, Scoring of a Dramatic or Comedy Picture for Franz Waxman. Nominated: Best Actor in a Leading Role for William Holden. Nominated: Best Actress in a Leading Role for Gloria Swanson. Nominated: Best Actor in a Supporting Role for Erich von Stroheim. Nominated: Best Actress in a Supporting Role for Nancy Olson. Nominated: Best Director for Billy Wilder. Nominated: Best Cinematography in Black-and-White for John F. Seitz. Nominated: Best Film Editing for Arthur P. Schmidt and Doane Harrison. Nominated: Best Picture for Charles Brackett. 1951 Golden Globes: Win: Best Motion Picture in a Drama. Win: Best Director for Billy Wilder. Win: Best Actress in a Drama for Gloria Swanson. Win: Best Original Score for Franz Waxman. Nominated: Best Supporting Actor for Erich von Stroheim. Nominated: Best Screenplay for Billy Wilder, Charles Brackett and D.M. Marshman Jr. Nominated: Best Cinematography in Black-and-White for John F. Seitz. 1951 Writers Guild of America: Win: Best Written American Drama for Billy Wilder, Charles Brackett and D.M. Marshman Jr.
Cast: William Holden, Gloria Swanson, Erich von Stroheim, Nancy Olson, Fred Clark, Lloyd Gough, Jack Webb, Franklyn Farnum, Larry J. Blake, Charles Dayton, Cecil B. DeMille, Hedda Hopper, Buster Keaton, Anna Q. Nilsson, H.B. Warner, Ray Evans, Jay Livingston, Fred Aldrich (uncredited), Joel Allen (uncredited), Gertrude Astor (uncredited), Anne Bauchens (uncredited), Edward Biby (uncredited), Danny Borzage (uncredited), Ken Christy (uncredited), Ruth Clifford (uncredited), John Cortay (uncredited), Archie R. Dalzell (uncredited), Eddie Dew (uncredited), Peter Drynan (uncredited), Julia Faye (uncredited), Al Ferguson (uncredited), Gerry Ganzer (uncredited), Rudy Germane (uncredited), Kenneth Gibson (uncredited), Joe Gray (uncredited), Sanford E. Greenwald (uncredited), Creighton Hale (uncredited), Chuck Hamilton (uncredited), James Hawley (uncredited), Len Hendry (uncredited), E. Mason Hopper (uncredited), Stan Johnson (uncredited), Tiny Jones (uncredited), Howard Joslin (uncredited), Arthur Lane (uncredited), Perc Launders (uncredited), Alan Marston (uncredited), William Meader (uncredited), Gertrude Messinger (uncredited), Harold Miller (uncredited), John 'Skins' Miller (uncredited), Lee Miller (uncredited), Ralph Montgomery (uncredited), Bert Moorhouse (uncredited), Jay Morley (uncredited), Bernice Mosk (uncredited), Howard Negley (uncredited), Ottola Nesmith (uncredited), Eva Novak (uncredited), Frank O'Connor (uncredited), Robert Emmett O'Connor (uncredited), Jack Perrin (uncredited), Virginia L. Randolph (uncredited), Bill Sheehan (uncredited), Sidney Skolsky (uncredited), Emmett Smith (uncredited), Roy Thompson (uncredited), Archie Twitchell (uncredited), Yvette Vickers (uncredited), Edward Wahrman (uncredited) and Henry Wilcoxon (uncredited)
Director: Billy Wilder
Screenplay: Billy Wilder, Charles Brackett and D.M. Marshman Jr.
Producer: Charles Brackett
Composer: Franz Waxman
Cinematography: John F. Seitz. A.S.C. (Director of Photography)
Image Resolution: 1080p [Black-and-White]
Aspect Ratio: 1.37:1
Audio: English: 2.0 Dolby TrueHD Stereo Audio, French: 2.0 Dolby Digital Stereo Audio, Spanish: 2.0 Dolby Digital Stereo Audio, Português: 2.0 Dolby Digital Stereo Audio and English: 2.0 Dolby Digital Stereo Audio
Subtitles: English, English SDH, French, Spanish and Português
Running Time: 110 minutes
Region: All Regions
Number of discs: 1
Studio: Paramount Pictures
Andrew’s Blu-ray Review: The opening scenes of ‘SUNSET BOULEVARD’ are some of the most famous in motion picture history. After the opening credits, the camera follows motorcycles and police cars as they pull up to a Beverly Hills mansion where a body floats face-down in a pool. Referring to the sad tale of the dead man, a voiceover narrator promises, "Before you hear it all distorted and blown out of proportion, before those Hollywood columnists get their hands on it, maybe you'd like to hear the facts, the whole truth."
Joe Gillis [William Holden] is a B-movie screenwriter who can't find enough work to keep his head above water. When some men arrive to repossess his car, Joe Gillis leads them on a merry chase that ends with him pulling off the road and turning into the driveway of a crumbling old mansion on Sunset Boulevard. At first, Joe thinks the relic is deserted. After all, the swimming pool is empty, the tennis court is in disrepair, and the ostentatious house is well past its prime.
But, upon further investigation, he discovers that it is inhabited by silent movie queen Norma Desmond [Gloria Swanson], who is attended by her stoic, faithful butler, Max von Mayerling [Erich von Stroheim]. Her only other companion, a chimpanzee, has just died. Norma, once an audience favourite, has been out of the spotlight for more than two decades, and now her sanity teeters on the brink. Joe Gillis's first impulse is to extricate himself from the situation quickly, but, when he senses there is money to be made, he devises a plan.
Norma Desmond has a script she is readying to take to Cecil B. De Mille, but Joe Gillis can see at a glance that it's a disaster. For a fee, Joe offers to doctor it. With thoughts of a comeback firing her imagination, Norma Desmond agrees. But Joe's plans to take the screenplay back to his apartment are aborted when Norma Desmond insists that he move in with her. She views him as a suitable replacement for her deceased monkey, although Max sees him as more of a stray dog. Soon, Joe Gillis is living the life of a kept man and a sort of gigolo who has his every need cared for.
It's an existence Joe is comfortable with until Norma's demands upon his time and person become too extreme. Joe Gillis realizes he needs a way out when he finds himself attracted to a young would-be screenwriter, Betty Schaefer [Nancy Olson], who wants to co-write a script with him. But the moment the jealous Norma Desmond fears she may lose him, she resorts to a drastic and melodramatic action.
Norma Desmond is always giving a performance and her life has become a melodrama and, if only in her own mind, she is always in front of an audience. In many ways, her everyday mannerisms represent a grotesque parody of silent movie acting, and that's what Gloria Swanson brings to the part. The film's final scene, with a completely deranged Norma descending a staircase in front of newsreel cameras, is simultaneously macabre, comic, and sad. She is once again in the spotlight, even if she is unable to comprehend why, and Max, who is positioning the camera, is directing her for one final time and Norma Desmond is as unaware of his presence as she is of everyone else's and thinks she's playing "Salome" for De Mille, and is ready for her close-up.
Originally, Billy Wilder planned a much different opening for ‘SUNSET BOULEVARD,’ and the film was to have started in a morgue, with Joe Gillis's corpse, freshly recovered from the swimming pool, holding a conversation with the other bodies around him. Eventually, he would start telling the story, relating it to his lifeless companions. However, when a test audience erupted in derisive laughter during this sequence, Billy Wilder re-shot the opening, eliminating everything in the morgue. In the final version, Joe Gillis's narration is directed not at other bodies, but at us who is viewing the film.
‘SUNSET BOULEVARD’ features a number of well-known faces in small roles. Cecil B. De Mille plays a slightly "softened" version of himself, whereas in real life was widely known as a tyrant, but, as portrayed here, comes across as paternal. When Norma Desmond visits him during a film shoot, Cecil B. De Mille does his best to let her down gently. Silent film stars Buster Keaton, Anna Q. Nilsson, and H.B. Warner have cameos as Norma Desmond's card-playing friends, as well as gossip columnist Hedda Hopper plays herself, front-and-centre for Norma Desmond's final performance.
From a technical standpoint, ‘SUNSET BOULEVARD’ is not a ground-breaking film, but director Billy Wilder uses the film's visual elements to good effect. Norma Desmond's mansion is shown in all of its crumbling, gothic glory. The "fish's eye" shot of Joe Gillis in the pool is memorable. And there's even a short car chase, which is a distinct departure for Billy Wilder, who was not known for filming action sequences. Franz Waxman's music film score represents the perfect musical accompaniment.
‘SUNSET BOULEVARD’ is considered by some to be a black satire of Hollywood, by others to be “film noir.” What everyone can agree upon, however, is that this is one of the greatest film about Hollywood ever put on celluloid by Hollywood itself. The script shines with biting observations and memorable lines. Who can ever forget the exchange between Joe Gillis and Norma Desmond, when he observes, "You're Norma Desmond. You used to be in silent pictures. You used to be big." Norma Desmond bitterly retorts: "I am big. It's the pictures that got small." The acting is flawless, with each actor fully inhabiting the skin of his or her character. And the camera work and music are effortlessly wed to the project's other aspects. ‘SUNSET BOULEVARD’ represents the centre stone in Billy Wilder's glittering cinematic career. The brilliant, stylish cinematography of ‘SUNSET BOULEVARD’ is utterly innovative for the time period and connected to some very interesting art history movements, such as German Expressionism, so making the settings, art direction and other physical factors are of the highest order in fulfilling production and directorial demands.
‘SUNSET BOULEVARD’ is a brave look at Hollywood, and another masterpiece from William Wilder which reminds us that there was a time when actors needed only their faces to perform, with no need to tell a single word. Yes, they don`t make films like this anymore and probably never will again. And why they should make one when we already have ‘SUNSET BOULEVARD’ is already one of the greatest American films of all time.
Blu-ray Image Quality – Paramount Pictures has once again given us a truly upgraded 1080p black-and-white reference image quality presentation for this Blu-ray disc and with the 1.37:1 aspect ratio it really brings out the best for this film ‘SUNSET BOULEVARD’ viewing experience. The grain presentation levels are totally outstanding for a film of this calibre and as the quality reference balance goes, all the levels in the grey scale are well up to scratch. Flesh tones look smooth and very detailed and you can see every skin texture on everyone during the close up scenes. Edge enhancement is nowhere to be found, and contrast levels are totally natural. Dirt, debris, scratches, hairs, is absent due to the efforts of Paramount Studios and their sterling work in preserving the negative. So all in all, this high definition presentation of ‘SUNSET BOULEVARD,’ looks absolutely ravishing via this Special Collector’s Edition Blu-ray disc.
Blu-ray Audio Quality – Paramount Pictures presents us with a 2.0 Dolby TrueHD Stereo Audio presentation. This Stereo track serves the film really well, and the dialogue is crisp and well position with the two front and centre speakers and is also integrated really well with all of the other sound effects and music you expect with this classic film. And it all works here really well and it succeeds without ever sounding too thin or tinny. You will never need to turn up the volume to hear what the actors are saying, which is a testament to how strong this 2.0 Dolby TrueHD Stereo Audio presentation track really is a total winner all round.
Blu-ray Special Features and Extras:
Audio Commentary by Ed Skivo [Author of “On SUNSET BOULEVARD: The Life and Times of Billy Wilder”]: Here Ed Sikov welcomes us to his audio commentary on the 1950 film ‘SUNSET BOULEVARD.’ Ed Sikov also comments on the final cut of the film, after the first disastrous preview of the original start of the film, where the audience could not stop laughing out loud with the corpses who were all talking to each other, and also made scathing comments on such a laughable start to the film, so the executives at Paramount Pictures demanded Billy Wilder to come up with a much better and more realistic start to the film, so reluctantly Billy Wilder came up with the start of the film that was so much more relevant to what audiences were about to see. Ed Sikov informs us that the three collaborators for the film wanted one that gave an insight into the behind-the-scene of Hollywood that no one had seen before. We are also informed that when Billy Wilder moved to Hollywood as the Second World War was ravaging Europe, so Billy Wilder settled in tinsel town from 1934 onwards, and he remarked it was his type of town because it was a little bit hard, a little bit mean spirited, and it was a place where you could make it big, or drop dead trying, and also a place where dreams come true and that was the case with Joe Gillis [William Holden], which we of course witness throughout the film. Paramount Pictures were very purveyors, meaning they like to spread or promote an idea, view, etc., especially with this particular film in a big way, and a very daring thing for Billy Wilder and the studio to do, and given the bleak vision of Hollywood. Of course Paramount Pictures was where Billy Wilder made his last six films, and of course Paramount Pictures was so confident in the director Billy Wilder to pull it, and so the studio gave the green light to go ahead with the film ‘SUNSET BOULEVARD,’ and again it was at the time that is was the most bitter film about Hollywood ever made and remains to this day. But Ed Sikov asks what makes the film even more prominent, is the witty one liner that Billy Wilder really excelled in, especially when it comes to comedy. Ed Sikov goes into great detail about the Schwab’s Pharmacy establishment that played a great deal with everyone who worked in the film industry and Ed Sikov goes into great detail and also about the history of the place, especially of some of the famous actors that were discovered there, who use to hang out regular in this establishment. Also another famous location Ed Sikov points out, that loads of agents and executives would hang out and that of course the golf course we see in the film where William Holden asks to be lent $300. Ed Sikov talks extensively about the famous avenue Sunset Blvd., which runs from Silver Lake to the Pacific Ocean, where the sun sets every evening. But of course Billy Wilder never misses a chance, especially with the car chase sequence, where the repo men chase after Joe Gillis, and is even highlighted with the brilliant film score by Franz Waxman, who knew Billy Wilder in their early days working in Berlin in the early 1930s, and of course both left Germany when the Second World War started, and especially Franz Waxman after experiencing a really vicious attack on him personally by some thugs that nearly ended his career forever. Ed Sikov asks, now is it an element of chance, or fate, or both, finds Joe Gillis ending up in a certain driveway after his tyre had a blowout? But of course with the damaged tyre it seemed at the time a blessing because he was able to avoid the repo men. But then, that is for Joe Gillis to find out eventually, especially when he encounters the mysterious women he sees watching him through the blinds in the window and a very inventive Billy Wilder really sets up the scene, by inviting us to find out who this mysterious women is and like a spider, draws Joe Gillis into her world where he sort of gets trapped without realising it. We also meet the mysterious butler, played by Erich von Stroheim, who of course was once the legendary director, but due to a series of films that were box office failures, ended up doing bit parts in B films, but sadly his life was cut short with a very serious tragic blunder with an act with a guillotine that ended his life. But when Joe Gillis finally meets Norma Desmond and sells himself out as he is desperate for a job to work on her mammoth screenplay and this has been a recurring theme of Billy Wilder films, where people are eager to sell themselves out, so they can get ahead in the world, but of course without realising it, Joe Gillis is slowly being drawn into the weird world of Norma Desmond. People have commented the film is styles on “film noir,” but when we see Norma Desmond stand up in the light from the project, it becomes a “monster film.” But of course the highlight of the film, and in this film all three main characters all get what they want in the end, but sadly Betty Schaefer gets left out of the big pay out. So ends the Sid Sikov audio commentary and hopes you enjoyed the picture.
Special Feature: SUNSET BOULEVARD: The Beginning [2008] [1080p] [1.78:1 / 1.33:1] [22:47] Here get an in-depth insight and discussion on the brilliant director Billy Wilder and other luminaries, and also talk about the greatness of being involved with the masterpiece film ‘SUNSET BOULEVARD,’ and also especially in all aspect the film industry in Hollywood itself.
Special Feature: SUNSET BOULEVARD: A Look Back [2002] [1080i] [1.37:1] [25:52] Film critics, actors, film historians and other personalities share their experiences and curious stories on the acclaimed Billy Wilder's masterpiece ‘SUNSET BOULEVARD’ and its cultural importance by being one of the most iconic and revolutionary Hollywood films ever made and a picture that still stands the test of time to this day. We also hear about the original opening sequences, which were scrapped because test audiences found it hilariously funny than it was intended to be. The great Cecil B. DeMille’s participation, and how the terrific shot of the man floating in the pool, seen from beneath the body looking up, was accomplished. This special feature was dedicated to Billy Wilder (1906 – 2002).
Special Feature: The Noir Side of SUNSET BOULEVARD [2008] [1080p] [1.78:1 / 1.37:1] [14:19] Joseph Wambaugh, a former LAPD Detective Sergeant who became a best-selling author of fiction and non-fiction books, such as “The Onion Field,” “The New Centurions,” “The Choirboys” and many other titles. In 2004, Joseph Wambaugh was named Grand Master by the Mystery Writers of America. Joseph Wambaugh talks in-depth about his fascination with the film ‘SUNSET BOULEVARD’ and his family’s excitement over Gloria Swanson whom they knew of from her silent film days. Joseph Wambaugh discusses his attraction to “film noir” and how the film ‘SUNSET BOULEVARD’ deploys certain “film noir” techniques that really enhances the film.
Special Feature: SUNSET BOULEVARD: Becomes a Classic [2008] [1080p] [1.78:1 / 1.37:1] [14:29] Again, many of the same contributors repeat a lot of the same comments from the previous special features above, offer their thoughts and insight on how the film ‘SUNSET BOULEVARD’ ascended to greatness.
Special Feature: Two Sides of Ms. Swanson [2008] [1080p] [1.78:1 / 1.33:1] [10:37] The actress Ms. Gloria Swanson is remembered by Brooke Anderson [Granddaughter of Gloria Swanson] and Linda Harrison [Actress] who Co-starred with Gloria Swanson in the film ‘Airport 1975.’ They talk in-depth about Gloria Swanson discussing the actress’s life in front of and away from the camera. They also inform us that the actress when not appearing in front of the camera was an advocate of healthy eating and very forward thinking about environmental issues we take for granted today.
Special Feature: Stories of SUNSET BOULEVARD [2008] [1080p] [1.78:1 / 1.37:1] [11:22] Critics, authors and actors talk of the film’s opening scene and how Billy Wilder worked, but sadly there is a lot of repetition about the behind-the-scene about the going on in regards to the film ‘SUNSET BOULEVARD’ that we have heard in the previous above special features.
Special Feature: Mad About the Boy: A Portrait of William Holden [2008] [1080p] [1.78:1 / 1.37:1] [11:13] Here we get an in-depth about the Hollywood actor William Holden, who was born William Franklin Beedle Jr. (17th April, 1918 – 12th November, 1981) and to people who knew him as an actor and outside the film industry, they said he had two sides to his personality and in reality hated being labelled as a film star. William Holden starred in some of Hollywood's most popular and critically acclaimed films, including such classics as ‘Sunset Boulevard,’ ‘Sabrina,’ ‘The Bridge on the River Kwai,’ ‘The Wild Bunch,’ ‘Picnic’ and ‘Network. William Holden was named one of the "Top 10 Stars of the Year" six times in 1954, 1958 and 1961, and appeared as 25th on the American Film Institute's list of 25 greatest male stars of Classic Hollywood Cinema. Outside the film industry he fell in love with the wildlife and became increasingly concerned with the animal species that were beginning to decrease in population. With the help of his partners, created the Mount Kenya Game Ranch and inspired the creation of the William Holden Wildlife Foundation. But all who knew him personally found him a very nice and generous soul, and were very sad when he passed away, but is not forgotten.
Special Feature: Recording SUNSET BOULEVARD [2008] [1080p] [1.78:1 / 1.37:1] [5:51] Composer Franz Waxman’s menacing and lyrical score is discussed by Andrew Sarris [Film Historian/Critic] and Robert Townson [Soundtrack Album Producer]. We also hear about the efforts to re-record and finally commercially release the Franz Waxman's film music score for a 2002 commercial compact disc album release.
Special Feature: The City of SUNSET BOULEVARD [2008] [1080p] [1.78:1 / 1.37:1] [5:36] Here we get to hear views about the different locations we view in the classic scenes in the film ‘SUNSET BOULEVARD’ and the in-depth history of each major location.
Special Feature: Franz Waxman and the Music of SUNSET BOULEVARD [2002] [480i] [1.33:1] [14:27] Here we take a closer look at the brilliant film music composer Franz Waxman and his contributions to the classic film score for the film ‘SUNSET BOULEVARD.’ Franz Waxman pursued his dream of a career in music despite his family's misgivings and worked for several years as a bank teller and paid for piano, harmony and composition lessons with his salary. Franz Waxman later moved to Berlin, where he continued his study and progress as a musician and was able to support himself by playing and arranging for a popular German jazz band, Weintraub Syncopaters, in the late 1920s. As the Nazi clouds darkened over Europe, Franz Waxman began a new chapter in Hollywood film music and was asked by the English director James Whale, about scoring the film ‘Bride of Frankenstein’ [1935] for Universal. Then eventually moved on to Paramount Pictures through the first half of the 1950s and garnered his two Oscars in back--to-back wins for ‘Sunset Boulevard’ [1950] and ‘A Place in the Sun’ [1951]. Franz Waxman died relatively young, but because of his steady output, and his music is still lives on for a new generation.
Special Feature: Morgue Prologue Script Pages [2002] [1080p] [1.37:1] With this special feature, we get to view the pages of two existing versions of the script for the original morgue prologue, that was cut after the first preview screening. The two scripts have been transcribed exactly as they were typed, with all the “mistakes” intact. Selected images shot for this prologue has been incorporated into the script pages for the 21/12/1948 version. When you see the “movie camera” symbol, press the ENTER button on your remote control and the original uncut shots are viewed, but there is no sound and the footage you view has been placed close as possible to the corresponding pages in the script. So what you get to see is the Original Morgue Prologue 12th December, 1948 and Revised Morgue Prologue 19th March, 1949. With second prologue script, you do not get to view any footage of the deleted scenes. To view what is shown, you have to use the RIGHT and LEFT arrow keys on your remote control to read through the script pages. Pres POP UP MENU to return to the morgue prologue menu at any time.
Special Feature: Deleted Scene: The Paramount Don't Want Me Blues [2002] [480i] [1.33:1] [1:26] Here we get to view fun extra that is a deleted musical number from the motion picture academy’s film archive. The number is sung mostly by composers Ray Livingston and Ray Evans, playing themselves (Jack Webb, as the assistant director Artie Green, sings a few words with the crowd) and it was supposedly cut because Paramount brass considered it too “inside” because Paramount brass considered it too “inside” film ever made about Hollywood. Instead, in the final film, Ray Livingston and Ray Evans are heard singing a specially-tailored final refrain of their Oscar-winning song “Buttons and Bows.” The scene takes place at the New Year Eve party at Artie’s apartment where Joe Gillis [William Holden] has fled to escape a romantic evening with Norma Desmond.
Special Feature: Hollywood Location Map [2002] [1080p] [1.37:1] Here you get to view a black-and-white map and what you do is click on the specific map icons that has a yellow star against them and you get to view videos on the different locations and you get a narrator giving you some really fascinating fact about each item you view. The actual items you get to view are Joe Gillis’ Apartment; Schwab’s Drug Store; Norma Desmond’s Car; Paramount Pictures; Bronson Gate; Dreir Building; Stage 18 and Getty Mansion.
Special Feature: Behind the Gates: The Lot [2008] [1080p] [1.78:1 / 1.37:1] [5:05] Here we are presented with a promotional look back at the history of how Paramount Pictures began and how the wonderful Paramount Pictures lot grew from humble beginnings from its early Black-and-White films to the modern colour films.
Special Feature: Edith Head: The Paramount Years [2002] [480i] [1.37:1] [13:43] Here we get a very personal tribute to the legendary costume designer Edith Head during her years providing costumes for the films of Paramount studio which includes ‘Sunset Boulevard,’ ‘Roman Holiday’ and many others during her distinguished career that lasted more than six decades and earned her eight Academy Awards wins in between more than 30 nominations.
Special Feature: Paramount in the ‘50s [2002] [480i] [1.33:1] [9:33] Here we take a brief retrospective of Paramount Pictures films from the 1950s onwards. Paramount Pictures in the decade throughout the 1950’s just wouldn’t have been the same without Billy Wilder and of course released a film that defined not only his career, but the entire film industry that was of course ‘Sunset Boulevard’ may very well be the ultimate Paramount Pictures film. While some icons ended their careers in the 50’s, other icons’ careers were born. When Audrey Hepburn had her first starring role in ‘Roman Holiday’ [1953], and was an instant success and won a Best Actress Oscar. Even her co-star Gregory Peck knew what a hit she was destined to be and insisted that she be given equal billing to him. The 1950’s were definitely a golden era for Alfred Hitchcock and started off on a high note with ‘Rear Window’ and of course went onto make three other massive Box Office hits.
Special Feature: Galleries [2002] [1080p] [1.37:1] Here we get a selection of three stunning black-and-white image galleries and they are Production [45 images]; The Movie [25 images] and Publicity [16 images]. Gallery Instructions: Use the RIGHT and LEFT arrow keys on your remote control to view the images in the Galleries. Press ENTER to return to the Galleries menu at any time.
Theatrical Trailer [1950] [480i] [1.37:1] [3:16] This is the Original Theatrical Trailer for the film ‘SUNSET BOULVARD.’ It is part narrated by William Holden.
Finally, ‘SUNSET BOULEVARD’ is a subtle, savage and insightful but with such a big heart with it being as moving as it is informative about the value of making art of moving images. The clash between old and new Hollywood is reinforced by the contrasting acting styles; Holden's minimal naturalism and Swanson's exaggerated expressionism is the context for the movie's most famous line: "I am big," Desmond tells Gillis; "it's the pictures that got small." Paramount Studios has done an absolutely remarkable job in restoring the picture image quality to its former glory of the 1950s and should be sought out immediately for your Blu-ray collection. Very Highly Recommended!
Andrew C. Miller – Your Ultimate No.1 Film Aficionado
Le Cinema Paradiso
United Kingdom
Director Billy Wilder's ‘SUNSET BOULEVARD’ ranks among the most scathing satires of Hollywood and the cruel fickleness of movie fandom. Intense, enthralling, and unforgettable, ‘SUNSET BOULEVARD’ stars Gloria Swanson as Norma Desmond, a faded silent-movie star, and William Holden stars as Joe Gillis, a down-on-his-luck screenwriter whom she enlists to help her make her triumphant "return to the screen." This mesmerising Hollywood classic won three Academy Awards®. Narrated by William Holden.
FILM FACT: Awards and Nominations: 1950 New York Film Critics Circle Awards: 2nd place: Best Film. 3rd place: Best Director for Billy Wilder. 3rd place: Best Actress for Gloria Swanson. 1951 Academy Awards®: Win: Best Writing, Story and Screenplay for Billy Wilder, Charles Brackett and D.M. Marshman Jr. Win: Best Art Direction-Set Decoration in Black-and-White for Hans Dreier, John Meehan, Ray Moyer and Sam Comer. Win: Best Music, Scoring of a Dramatic or Comedy Picture for Franz Waxman. Nominated: Best Actor in a Leading Role for William Holden. Nominated: Best Actress in a Leading Role for Gloria Swanson. Nominated: Best Actor in a Supporting Role for Erich von Stroheim. Nominated: Best Actress in a Supporting Role for Nancy Olson. Nominated: Best Director for Billy Wilder. Nominated: Best Cinematography in Black-and-White for John F. Seitz. Nominated: Best Film Editing for Arthur P. Schmidt and Doane Harrison. Nominated: Best Picture for Charles Brackett. 1951 Golden Globes: Win: Best Motion Picture in a Drama. Win: Best Director for Billy Wilder. Win: Best Actress in a Drama for Gloria Swanson. Win: Best Original Score for Franz Waxman. Nominated: Best Supporting Actor for Erich von Stroheim. Nominated: Best Screenplay for Billy Wilder, Charles Brackett and D.M. Marshman Jr. Nominated: Best Cinematography in Black-and-White for John F. Seitz. 1951 Writers Guild of America: Win: Best Written American Drama for Billy Wilder, Charles Brackett and D.M. Marshman Jr.
Cast: William Holden, Gloria Swanson, Erich von Stroheim, Nancy Olson, Fred Clark, Lloyd Gough, Jack Webb, Franklyn Farnum, Larry J. Blake, Charles Dayton, Cecil B. DeMille, Hedda Hopper, Buster Keaton, Anna Q. Nilsson, H.B. Warner, Ray Evans, Jay Livingston, Fred Aldrich (uncredited), Joel Allen (uncredited), Gertrude Astor (uncredited), Anne Bauchens (uncredited), Edward Biby (uncredited), Danny Borzage (uncredited), Ken Christy (uncredited), Ruth Clifford (uncredited), John Cortay (uncredited), Archie R. Dalzell (uncredited), Eddie Dew (uncredited), Peter Drynan (uncredited), Julia Faye (uncredited), Al Ferguson (uncredited), Gerry Ganzer (uncredited), Rudy Germane (uncredited), Kenneth Gibson (uncredited), Joe Gray (uncredited), Sanford E. Greenwald (uncredited), Creighton Hale (uncredited), Chuck Hamilton (uncredited), James Hawley (uncredited), Len Hendry (uncredited), E. Mason Hopper (uncredited), Stan Johnson (uncredited), Tiny Jones (uncredited), Howard Joslin (uncredited), Arthur Lane (uncredited), Perc Launders (uncredited), Alan Marston (uncredited), William Meader (uncredited), Gertrude Messinger (uncredited), Harold Miller (uncredited), John 'Skins' Miller (uncredited), Lee Miller (uncredited), Ralph Montgomery (uncredited), Bert Moorhouse (uncredited), Jay Morley (uncredited), Bernice Mosk (uncredited), Howard Negley (uncredited), Ottola Nesmith (uncredited), Eva Novak (uncredited), Frank O'Connor (uncredited), Robert Emmett O'Connor (uncredited), Jack Perrin (uncredited), Virginia L. Randolph (uncredited), Bill Sheehan (uncredited), Sidney Skolsky (uncredited), Emmett Smith (uncredited), Roy Thompson (uncredited), Archie Twitchell (uncredited), Yvette Vickers (uncredited), Edward Wahrman (uncredited) and Henry Wilcoxon (uncredited)
Director: Billy Wilder
Screenplay: Billy Wilder, Charles Brackett and D.M. Marshman Jr.
Producer: Charles Brackett
Composer: Franz Waxman
Cinematography: John F. Seitz. A.S.C. (Director of Photography)
Image Resolution: 1080p [Black-and-White]
Aspect Ratio: 1.37:1
Audio: English: 2.0 Dolby TrueHD Stereo Audio, French: 2.0 Dolby Digital Stereo Audio, Spanish: 2.0 Dolby Digital Stereo Audio, Português: 2.0 Dolby Digital Stereo Audio and English: 2.0 Dolby Digital Stereo Audio
Subtitles: English, English SDH, French, Spanish and Português
Running Time: 110 minutes
Region: All Regions
Number of discs: 1
Studio: Paramount Pictures
Andrew’s Blu-ray Review: The opening scenes of ‘SUNSET BOULEVARD’ are some of the most famous in motion picture history. After the opening credits, the camera follows motorcycles and police cars as they pull up to a Beverly Hills mansion where a body floats face-down in a pool. Referring to the sad tale of the dead man, a voiceover narrator promises, "Before you hear it all distorted and blown out of proportion, before those Hollywood columnists get their hands on it, maybe you'd like to hear the facts, the whole truth."
Joe Gillis [William Holden] is a B-movie screenwriter who can't find enough work to keep his head above water. When some men arrive to repossess his car, Joe Gillis leads them on a merry chase that ends with him pulling off the road and turning into the driveway of a crumbling old mansion on Sunset Boulevard. At first, Joe thinks the relic is deserted. After all, the swimming pool is empty, the tennis court is in disrepair, and the ostentatious house is well past its prime.
But, upon further investigation, he discovers that it is inhabited by silent movie queen Norma Desmond [Gloria Swanson], who is attended by her stoic, faithful butler, Max von Mayerling [Erich von Stroheim]. Her only other companion, a chimpanzee, has just died. Norma, once an audience favourite, has been out of the spotlight for more than two decades, and now her sanity teeters on the brink. Joe Gillis's first impulse is to extricate himself from the situation quickly, but, when he senses there is money to be made, he devises a plan.
Norma Desmond has a script she is readying to take to Cecil B. De Mille, but Joe Gillis can see at a glance that it's a disaster. For a fee, Joe offers to doctor it. With thoughts of a comeback firing her imagination, Norma Desmond agrees. But Joe's plans to take the screenplay back to his apartment are aborted when Norma Desmond insists that he move in with her. She views him as a suitable replacement for her deceased monkey, although Max sees him as more of a stray dog. Soon, Joe Gillis is living the life of a kept man and a sort of gigolo who has his every need cared for.
It's an existence Joe is comfortable with until Norma's demands upon his time and person become too extreme. Joe Gillis realizes he needs a way out when he finds himself attracted to a young would-be screenwriter, Betty Schaefer [Nancy Olson], who wants to co-write a script with him. But the moment the jealous Norma Desmond fears she may lose him, she resorts to a drastic and melodramatic action.
Norma Desmond is always giving a performance and her life has become a melodrama and, if only in her own mind, she is always in front of an audience. In many ways, her everyday mannerisms represent a grotesque parody of silent movie acting, and that's what Gloria Swanson brings to the part. The film's final scene, with a completely deranged Norma descending a staircase in front of newsreel cameras, is simultaneously macabre, comic, and sad. She is once again in the spotlight, even if she is unable to comprehend why, and Max, who is positioning the camera, is directing her for one final time and Norma Desmond is as unaware of his presence as she is of everyone else's and thinks she's playing "Salome" for De Mille, and is ready for her close-up.
Originally, Billy Wilder planned a much different opening for ‘SUNSET BOULEVARD,’ and the film was to have started in a morgue, with Joe Gillis's corpse, freshly recovered from the swimming pool, holding a conversation with the other bodies around him. Eventually, he would start telling the story, relating it to his lifeless companions. However, when a test audience erupted in derisive laughter during this sequence, Billy Wilder re-shot the opening, eliminating everything in the morgue. In the final version, Joe Gillis's narration is directed not at other bodies, but at us who is viewing the film.
‘SUNSET BOULEVARD’ features a number of well-known faces in small roles. Cecil B. De Mille plays a slightly "softened" version of himself, whereas in real life was widely known as a tyrant, but, as portrayed here, comes across as paternal. When Norma Desmond visits him during a film shoot, Cecil B. De Mille does his best to let her down gently. Silent film stars Buster Keaton, Anna Q. Nilsson, and H.B. Warner have cameos as Norma Desmond's card-playing friends, as well as gossip columnist Hedda Hopper plays herself, front-and-centre for Norma Desmond's final performance.
From a technical standpoint, ‘SUNSET BOULEVARD’ is not a ground-breaking film, but director Billy Wilder uses the film's visual elements to good effect. Norma Desmond's mansion is shown in all of its crumbling, gothic glory. The "fish's eye" shot of Joe Gillis in the pool is memorable. And there's even a short car chase, which is a distinct departure for Billy Wilder, who was not known for filming action sequences. Franz Waxman's music film score represents the perfect musical accompaniment.
‘SUNSET BOULEVARD’ is considered by some to be a black satire of Hollywood, by others to be “film noir.” What everyone can agree upon, however, is that this is one of the greatest film about Hollywood ever put on celluloid by Hollywood itself. The script shines with biting observations and memorable lines. Who can ever forget the exchange between Joe Gillis and Norma Desmond, when he observes, "You're Norma Desmond. You used to be in silent pictures. You used to be big." Norma Desmond bitterly retorts: "I am big. It's the pictures that got small." The acting is flawless, with each actor fully inhabiting the skin of his or her character. And the camera work and music are effortlessly wed to the project's other aspects. ‘SUNSET BOULEVARD’ represents the centre stone in Billy Wilder's glittering cinematic career. The brilliant, stylish cinematography of ‘SUNSET BOULEVARD’ is utterly innovative for the time period and connected to some very interesting art history movements, such as German Expressionism, so making the settings, art direction and other physical factors are of the highest order in fulfilling production and directorial demands.
‘SUNSET BOULEVARD’ is a brave look at Hollywood, and another masterpiece from William Wilder which reminds us that there was a time when actors needed only their faces to perform, with no need to tell a single word. Yes, they don`t make films like this anymore and probably never will again. And why they should make one when we already have ‘SUNSET BOULEVARD’ is already one of the greatest American films of all time.
Blu-ray Image Quality – Paramount Pictures has once again given us a truly upgraded 1080p black-and-white reference image quality presentation for this Blu-ray disc and with the 1.37:1 aspect ratio it really brings out the best for this film ‘SUNSET BOULEVARD’ viewing experience. The grain presentation levels are totally outstanding for a film of this calibre and as the quality reference balance goes, all the levels in the grey scale are well up to scratch. Flesh tones look smooth and very detailed and you can see every skin texture on everyone during the close up scenes. Edge enhancement is nowhere to be found, and contrast levels are totally natural. Dirt, debris, scratches, hairs, is absent due to the efforts of Paramount Studios and their sterling work in preserving the negative. So all in all, this high definition presentation of ‘SUNSET BOULEVARD,’ looks absolutely ravishing via this Special Collector’s Edition Blu-ray disc.
Blu-ray Audio Quality – Paramount Pictures presents us with a 2.0 Dolby TrueHD Stereo Audio presentation. This Stereo track serves the film really well, and the dialogue is crisp and well position with the two front and centre speakers and is also integrated really well with all of the other sound effects and music you expect with this classic film. And it all works here really well and it succeeds without ever sounding too thin or tinny. You will never need to turn up the volume to hear what the actors are saying, which is a testament to how strong this 2.0 Dolby TrueHD Stereo Audio presentation track really is a total winner all round.
Blu-ray Special Features and Extras:
Audio Commentary by Ed Skivo [Author of “On SUNSET BOULEVARD: The Life and Times of Billy Wilder”]: Here Ed Sikov welcomes us to his audio commentary on the 1950 film ‘SUNSET BOULEVARD.’ Ed Sikov also comments on the final cut of the film, after the first disastrous preview of the original start of the film, where the audience could not stop laughing out loud with the corpses who were all talking to each other, and also made scathing comments on such a laughable start to the film, so the executives at Paramount Pictures demanded Billy Wilder to come up with a much better and more realistic start to the film, so reluctantly Billy Wilder came up with the start of the film that was so much more relevant to what audiences were about to see. Ed Sikov informs us that the three collaborators for the film wanted one that gave an insight into the behind-the-scene of Hollywood that no one had seen before. We are also informed that when Billy Wilder moved to Hollywood as the Second World War was ravaging Europe, so Billy Wilder settled in tinsel town from 1934 onwards, and he remarked it was his type of town because it was a little bit hard, a little bit mean spirited, and it was a place where you could make it big, or drop dead trying, and also a place where dreams come true and that was the case with Joe Gillis [William Holden], which we of course witness throughout the film. Paramount Pictures were very purveyors, meaning they like to spread or promote an idea, view, etc., especially with this particular film in a big way, and a very daring thing for Billy Wilder and the studio to do, and given the bleak vision of Hollywood. Of course Paramount Pictures was where Billy Wilder made his last six films, and of course Paramount Pictures was so confident in the director Billy Wilder to pull it, and so the studio gave the green light to go ahead with the film ‘SUNSET BOULEVARD,’ and again it was at the time that is was the most bitter film about Hollywood ever made and remains to this day. But Ed Sikov asks what makes the film even more prominent, is the witty one liner that Billy Wilder really excelled in, especially when it comes to comedy. Ed Sikov goes into great detail about the Schwab’s Pharmacy establishment that played a great deal with everyone who worked in the film industry and Ed Sikov goes into great detail and also about the history of the place, especially of some of the famous actors that were discovered there, who use to hang out regular in this establishment. Also another famous location Ed Sikov points out, that loads of agents and executives would hang out and that of course the golf course we see in the film where William Holden asks to be lent $300. Ed Sikov talks extensively about the famous avenue Sunset Blvd., which runs from Silver Lake to the Pacific Ocean, where the sun sets every evening. But of course Billy Wilder never misses a chance, especially with the car chase sequence, where the repo men chase after Joe Gillis, and is even highlighted with the brilliant film score by Franz Waxman, who knew Billy Wilder in their early days working in Berlin in the early 1930s, and of course both left Germany when the Second World War started, and especially Franz Waxman after experiencing a really vicious attack on him personally by some thugs that nearly ended his career forever. Ed Sikov asks, now is it an element of chance, or fate, or both, finds Joe Gillis ending up in a certain driveway after his tyre had a blowout? But of course with the damaged tyre it seemed at the time a blessing because he was able to avoid the repo men. But then, that is for Joe Gillis to find out eventually, especially when he encounters the mysterious women he sees watching him through the blinds in the window and a very inventive Billy Wilder really sets up the scene, by inviting us to find out who this mysterious women is and like a spider, draws Joe Gillis into her world where he sort of gets trapped without realising it. We also meet the mysterious butler, played by Erich von Stroheim, who of course was once the legendary director, but due to a series of films that were box office failures, ended up doing bit parts in B films, but sadly his life was cut short with a very serious tragic blunder with an act with a guillotine that ended his life. But when Joe Gillis finally meets Norma Desmond and sells himself out as he is desperate for a job to work on her mammoth screenplay and this has been a recurring theme of Billy Wilder films, where people are eager to sell themselves out, so they can get ahead in the world, but of course without realising it, Joe Gillis is slowly being drawn into the weird world of Norma Desmond. People have commented the film is styles on “film noir,” but when we see Norma Desmond stand up in the light from the project, it becomes a “monster film.” But of course the highlight of the film, and in this film all three main characters all get what they want in the end, but sadly Betty Schaefer gets left out of the big pay out. So ends the Sid Sikov audio commentary and hopes you enjoyed the picture.
Special Feature: SUNSET BOULEVARD: The Beginning [2008] [1080p] [1.78:1 / 1.33:1] [22:47] Here get an in-depth insight and discussion on the brilliant director Billy Wilder and other luminaries, and also talk about the greatness of being involved with the masterpiece film ‘SUNSET BOULEVARD,’ and also especially in all aspect the film industry in Hollywood itself.
Special Feature: SUNSET BOULEVARD: A Look Back [2002] [1080i] [1.37:1] [25:52] Film critics, actors, film historians and other personalities share their experiences and curious stories on the acclaimed Billy Wilder's masterpiece ‘SUNSET BOULEVARD’ and its cultural importance by being one of the most iconic and revolutionary Hollywood films ever made and a picture that still stands the test of time to this day. We also hear about the original opening sequences, which were scrapped because test audiences found it hilariously funny than it was intended to be. The great Cecil B. DeMille’s participation, and how the terrific shot of the man floating in the pool, seen from beneath the body looking up, was accomplished. This special feature was dedicated to Billy Wilder (1906 – 2002).
Special Feature: The Noir Side of SUNSET BOULEVARD [2008] [1080p] [1.78:1 / 1.37:1] [14:19] Joseph Wambaugh, a former LAPD Detective Sergeant who became a best-selling author of fiction and non-fiction books, such as “The Onion Field,” “The New Centurions,” “The Choirboys” and many other titles. In 2004, Joseph Wambaugh was named Grand Master by the Mystery Writers of America. Joseph Wambaugh talks in-depth about his fascination with the film ‘SUNSET BOULEVARD’ and his family’s excitement over Gloria Swanson whom they knew of from her silent film days. Joseph Wambaugh discusses his attraction to “film noir” and how the film ‘SUNSET BOULEVARD’ deploys certain “film noir” techniques that really enhances the film.
Special Feature: SUNSET BOULEVARD: Becomes a Classic [2008] [1080p] [1.78:1 / 1.37:1] [14:29] Again, many of the same contributors repeat a lot of the same comments from the previous special features above, offer their thoughts and insight on how the film ‘SUNSET BOULEVARD’ ascended to greatness.
Special Feature: Two Sides of Ms. Swanson [2008] [1080p] [1.78:1 / 1.33:1] [10:37] The actress Ms. Gloria Swanson is remembered by Brooke Anderson [Granddaughter of Gloria Swanson] and Linda Harrison [Actress] who Co-starred with Gloria Swanson in the film ‘Airport 1975.’ They talk in-depth about Gloria Swanson discussing the actress’s life in front of and away from the camera. They also inform us that the actress when not appearing in front of the camera was an advocate of healthy eating and very forward thinking about environmental issues we take for granted today.
Special Feature: Stories of SUNSET BOULEVARD [2008] [1080p] [1.78:1 / 1.37:1] [11:22] Critics, authors and actors talk of the film’s opening scene and how Billy Wilder worked, but sadly there is a lot of repetition about the behind-the-scene about the going on in regards to the film ‘SUNSET BOULEVARD’ that we have heard in the previous above special features.
Special Feature: Mad About the Boy: A Portrait of William Holden [2008] [1080p] [1.78:1 / 1.37:1] [11:13] Here we get an in-depth about the Hollywood actor William Holden, who was born William Franklin Beedle Jr. (17th April, 1918 – 12th November, 1981) and to people who knew him as an actor and outside the film industry, they said he had two sides to his personality and in reality hated being labelled as a film star. William Holden starred in some of Hollywood's most popular and critically acclaimed films, including such classics as ‘Sunset Boulevard,’ ‘Sabrina,’ ‘The Bridge on the River Kwai,’ ‘The Wild Bunch,’ ‘Picnic’ and ‘Network. William Holden was named one of the "Top 10 Stars of the Year" six times in 1954, 1958 and 1961, and appeared as 25th on the American Film Institute's list of 25 greatest male stars of Classic Hollywood Cinema. Outside the film industry he fell in love with the wildlife and became increasingly concerned with the animal species that were beginning to decrease in population. With the help of his partners, created the Mount Kenya Game Ranch and inspired the creation of the William Holden Wildlife Foundation. But all who knew him personally found him a very nice and generous soul, and were very sad when he passed away, but is not forgotten.
Special Feature: Recording SUNSET BOULEVARD [2008] [1080p] [1.78:1 / 1.37:1] [5:51] Composer Franz Waxman’s menacing and lyrical score is discussed by Andrew Sarris [Film Historian/Critic] and Robert Townson [Soundtrack Album Producer]. We also hear about the efforts to re-record and finally commercially release the Franz Waxman's film music score for a 2002 commercial compact disc album release.
Special Feature: The City of SUNSET BOULEVARD [2008] [1080p] [1.78:1 / 1.37:1] [5:36] Here we get to hear views about the different locations we view in the classic scenes in the film ‘SUNSET BOULEVARD’ and the in-depth history of each major location.
Special Feature: Franz Waxman and the Music of SUNSET BOULEVARD [2002] [480i] [1.33:1] [14:27] Here we take a closer look at the brilliant film music composer Franz Waxman and his contributions to the classic film score for the film ‘SUNSET BOULEVARD.’ Franz Waxman pursued his dream of a career in music despite his family's misgivings and worked for several years as a bank teller and paid for piano, harmony and composition lessons with his salary. Franz Waxman later moved to Berlin, where he continued his study and progress as a musician and was able to support himself by playing and arranging for a popular German jazz band, Weintraub Syncopaters, in the late 1920s. As the Nazi clouds darkened over Europe, Franz Waxman began a new chapter in Hollywood film music and was asked by the English director James Whale, about scoring the film ‘Bride of Frankenstein’ [1935] for Universal. Then eventually moved on to Paramount Pictures through the first half of the 1950s and garnered his two Oscars in back--to-back wins for ‘Sunset Boulevard’ [1950] and ‘A Place in the Sun’ [1951]. Franz Waxman died relatively young, but because of his steady output, and his music is still lives on for a new generation.
Special Feature: Morgue Prologue Script Pages [2002] [1080p] [1.37:1] With this special feature, we get to view the pages of two existing versions of the script for the original morgue prologue, that was cut after the first preview screening. The two scripts have been transcribed exactly as they were typed, with all the “mistakes” intact. Selected images shot for this prologue has been incorporated into the script pages for the 21/12/1948 version. When you see the “movie camera” symbol, press the ENTER button on your remote control and the original uncut shots are viewed, but there is no sound and the footage you view has been placed close as possible to the corresponding pages in the script. So what you get to see is the Original Morgue Prologue 12th December, 1948 and Revised Morgue Prologue 19th March, 1949. With second prologue script, you do not get to view any footage of the deleted scenes. To view what is shown, you have to use the RIGHT and LEFT arrow keys on your remote control to read through the script pages. Pres POP UP MENU to return to the morgue prologue menu at any time.
Special Feature: Deleted Scene: The Paramount Don't Want Me Blues [2002] [480i] [1.33:1] [1:26] Here we get to view fun extra that is a deleted musical number from the motion picture academy’s film archive. The number is sung mostly by composers Ray Livingston and Ray Evans, playing themselves (Jack Webb, as the assistant director Artie Green, sings a few words with the crowd) and it was supposedly cut because Paramount brass considered it too “inside” because Paramount brass considered it too “inside” film ever made about Hollywood. Instead, in the final film, Ray Livingston and Ray Evans are heard singing a specially-tailored final refrain of their Oscar-winning song “Buttons and Bows.” The scene takes place at the New Year Eve party at Artie’s apartment where Joe Gillis [William Holden] has fled to escape a romantic evening with Norma Desmond.
Special Feature: Hollywood Location Map [2002] [1080p] [1.37:1] Here you get to view a black-and-white map and what you do is click on the specific map icons that has a yellow star against them and you get to view videos on the different locations and you get a narrator giving you some really fascinating fact about each item you view. The actual items you get to view are Joe Gillis’ Apartment; Schwab’s Drug Store; Norma Desmond’s Car; Paramount Pictures; Bronson Gate; Dreir Building; Stage 18 and Getty Mansion.
Special Feature: Behind the Gates: The Lot [2008] [1080p] [1.78:1 / 1.37:1] [5:05] Here we are presented with a promotional look back at the history of how Paramount Pictures began and how the wonderful Paramount Pictures lot grew from humble beginnings from its early Black-and-White films to the modern colour films.
Special Feature: Edith Head: The Paramount Years [2002] [480i] [1.37:1] [13:43] Here we get a very personal tribute to the legendary costume designer Edith Head during her years providing costumes for the films of Paramount studio which includes ‘Sunset Boulevard,’ ‘Roman Holiday’ and many others during her distinguished career that lasted more than six decades and earned her eight Academy Awards wins in between more than 30 nominations.
Special Feature: Paramount in the ‘50s [2002] [480i] [1.33:1] [9:33] Here we take a brief retrospective of Paramount Pictures films from the 1950s onwards. Paramount Pictures in the decade throughout the 1950’s just wouldn’t have been the same without Billy Wilder and of course released a film that defined not only his career, but the entire film industry that was of course ‘Sunset Boulevard’ may very well be the ultimate Paramount Pictures film. While some icons ended their careers in the 50’s, other icons’ careers were born. When Audrey Hepburn had her first starring role in ‘Roman Holiday’ [1953], and was an instant success and won a Best Actress Oscar. Even her co-star Gregory Peck knew what a hit she was destined to be and insisted that she be given equal billing to him. The 1950’s were definitely a golden era for Alfred Hitchcock and started off on a high note with ‘Rear Window’ and of course went onto make three other massive Box Office hits.
Special Feature: Galleries [2002] [1080p] [1.37:1] Here we get a selection of three stunning black-and-white image galleries and they are Production [45 images]; The Movie [25 images] and Publicity [16 images]. Gallery Instructions: Use the RIGHT and LEFT arrow keys on your remote control to view the images in the Galleries. Press ENTER to return to the Galleries menu at any time.
Theatrical Trailer [1950] [480i] [1.37:1] [3:16] This is the Original Theatrical Trailer for the film ‘SUNSET BOULVARD.’ It is part narrated by William Holden.
Finally, ‘SUNSET BOULEVARD’ is a subtle, savage and insightful but with such a big heart with it being as moving as it is informative about the value of making art of moving images. The clash between old and new Hollywood is reinforced by the contrasting acting styles; Holden's minimal naturalism and Swanson's exaggerated expressionism is the context for the movie's most famous line: "I am big," Desmond tells Gillis; "it's the pictures that got small." Paramount Studios has done an absolutely remarkable job in restoring the picture image quality to its former glory of the 1950s and should be sought out immediately for your Blu-ray collection. Very Highly Recommended!
Andrew C. Miller – Your Ultimate No.1 Film Aficionado
Le Cinema Paradiso
United Kingdom
KNDY
5つ星のうち5.0
PCC version: Absolutely magnificent! A true classic featuring wonderful performances, a well-written story!
2010年2月5日にアメリカ合衆国でレビュー済みAmazonで購入
n 1950, director Billy Wilder who ha shad a string of cinema hits such as "Double Indemnity", "The Lost Weekend", "A Foreign Affair" began work on his next film "Sunset Boulevard" with writers Charles Brackett ("A Foreign Affair, "The Lost Weekend", "Ninotchka") and D.M. Marshman Jr. ("Taxi", "Second Chance").
For Wilder, it was his interest in how life has treated the talents of the silent film era. After all, it was known that many silent film stars were unable to transition to film when the "talkies" began. Many, who were so popular suddenly saw their careers ended abruptly. So, Wilder wrote a screenplay and an idea from Brackett in looking at Hollywood through the eyes of a forgotten silent-film star who wants to return to the big screen.
It was all about finding the key components to take part in the film and thus Gloria Swanson (known for work in shaping Hollywood, challenging the "Hay's Code" with her 1928 film "Sadie Thomson" and her affair with Joseph P. Kennedy), who appeared in many silent films, was chosen as the main actress. William Holden ("Network", "Stalag 17', "Picnic"), former MGM director/actor/writer Erich von Stroheim ("Greed", "The Merry Widdow", "The Great Gabbo"), Nancy Olson ("Portrait of Jenny", "Union Station", "Pollyanna") and would also feature appearances by famous Golden Era director Cecil B. DeMille, former silent stars Buster Keaton, Anna Q. Nilsson and H.B. Warner.
The film would earn eleven Academy Award nominations (winner of three), included in the American Film Institute's 100 best American films of the 20th Century (#12) and entered in the National Film Registry by the US Library of Congress in 1989 for being deemed "culturally, historically or aesthetically significant".
VIDEO & AUDIO:
If there is one thing to say about the Paramount "CENTENNIAL COLLECTION" releases, many of these classic films have all been digitally remastered and look absolutely magnificent. These films containing the "CENTENNIAL COLLECTION" moniker are the definitive versions to own as they tend to have more features added and overall, like how CRITERION COLLECTIONS have spotlighted on films worldwide and have given top treatment, Paramount has done the same with several of their classic films. With that being said, I can only wish that a Blu-ray high definition transfer is in the works for these classic films because if they have been through a process of remastering, one can only expect how phenomenal these will look via HD.
For now, "Sunset Boulevard - Paramount Centennial Collection" is only available via DVD but this new version is remastered, in fullcreen and features Dolby Digital English/French and Spanish mono. The picture quality for a DVD is actually quite clean for a film over 50-years-old. The film looks absolutely great with blacks nice and deep, grays and whites are vibrant. With the film already remastered in HD, I really hope that Paramount is considering a Blu-ray release of this title.
Overall, "Sunset Boulevard" has been given special treatment and fans of the film will not be disappointed.
SPECIAL FEATURES:
"Sunset Boulevard - Paramount Centennial Collection" comes with special features on two discs. Here is what to expect on both discs:
DISC 1:
* Commentary by Ed Sikov - The author of "On Sunset Boulevard: The Life and Times of Billy Wilder". A well-done commentary that features a lot of interesting behind-the-scenes stories of certain scenes, certain dialogue and more.
DISC 2:
* Sunset Boulevard: The Beginning - (22:45) How "Sunset Boulevard" the film came to be. From writing the script and adapting it to film and also the talent of Billy Wilder.
* The Noir Side of Sunset Boulevard by Joseph Wambaugh - (14:19) Mystery writer Joseph Wambaugh talks about "Sunset Boulevard" and how the film that caught his attention and the film's dark/noir side.
* Sunset Boulevard Becomes a Classic - (14:28) Interview with critic Andrew Sarris who talks about why he enjoyed "Sunset Boulevard". Featuring interviews with the cast of the film, Glenn Close who played Norma Desmond on the Broadway adaptation of "Sunset Boulevard" and more.
* Two Sides of Ms. Swanson - (10:35) A featurette about Gloria Swanson and interviews with Brook Anderson (granddaughter of Gloria Swanson) who talks about her grandmother and interviews with her fellow co-actors who worked with her on other films and more.
* Stories of Sunset Boulevard - (11:20) The making of "Sunset Boulevard", discussion about the original opening sequences, cast interviews and more.
* Mad About the Boy: A Portrait of William Holden - (11:12) A featurette about the actor William Holden and how he was cast and discussion of his various films.
* Recording Sunset Boulevard - (5:51) A featurette about the musical score of "Sunset Boulevard".
* The City of Sunset Boulevard - (5:36) A featurette about "Sunset Boulevard" and the significance of the area.
* Morgue Prologue Script Pages - The original cut of the film featured a different opening. Instead of the pool opening, it was a morgue prologue. The following are the two existing versions of the script from the original monologue. You can view the script and also the original, uncut shots (without audio).
* Franx Waxman and the Music of Sunset Boulevard - (14:28) Franz Waxman's son John talks about his father and the music of "Sunset Boulevard".
* Behind the Gates: The Lot - (5:05) Interviews with former producers who talk about their memories of Paramount Pictures in the earlier years.
* Hollywood Location Map - A map of Hollywood in which people can learn about where the characters lived and where certain places such as Paramount Pictures, Schwab's Drug Store and Getty's mansion were located. When you click on the location, you get video and audio about the significance of these areas and what happened to these locations now.
* Edith Head: The Paramount Years - (13:43) A featurette on famous Paramount fashion designer - Edith Head.
* Paramount in the '50s - (9:36) A featurette about Paramount in the 1950's. Featuring popular films from the Paramount catalog.
* Original Theatrical Trailer - (3:16) The unremastered original theatrical trailer.
* Galleries - Using your remote, viewers can cycle through images from production, the movie or publicity.
Included with the set is an 8-page guide about the directors and talent of the film.
JUDGMENT CALL:
"Sunset Boulevard - Paramount Centennial Collection #1' was a magnificent start to the Paramount Centennial Collection. Following the steps of the Criterion Collection, Paramount has released a total of nine films (to this date) in a pretty slick presentation, bundled with many special features and the remastering in HD is phenomenal.
For a classic film such as "Sunset Boulevard" which has been released in 2002 and packaged in the first Billy Wilder DVD collection, suffice to say that this Paramount Centennial Collection is the version you must own, if you are a fan of the film. With over a dozen special features, Paramount really went all out with this release and it shows. Finding classic interviews with the cast, interviewing family members and loved ones of the talent, finding the original deleted footage...I'm truly in awe with how much was put into this DVD release. With its remastering in HD, one may wonder if Paramount will be preparing a Blu-ray release.
"Sunset Boulevard" is just a classic film that features magnificent performances by Gloria Swanson and William Holden. The fact that Billy Wilder and his fellow writers took on a film like this and made it feel authentic by casting real life silent film star Gloria Swanson and Cecil B. DeMille (who directed Swanson's silent films back then) plus bringing in former silent stars Buster Keaton, Anna Q. Nilsson and H.B. Warner is amazing. But to create a film based on the life of a former silent film star and just exploring that side of life of these forgotten stars is quite interesting.
I like how the film was dark, noir-ish but at the same time, really eerie. To see how Norma Desmond just grappling on to the character of Joe is quite obsessive and disturbing. What I found interesting is that in modern films, the last time I felt this eeriness from a female character was Glenn Close as Alex Forrest in the film "Fatal Attraction" and coincidentally, Close played the character of Norma Desmond in the Broadway adaptation of the film with such rave reviews. Needless to say, the performance by Gloria Swanson as the silent film star who just can't let go of the limelight and is totally enveloped by her past life is just so creepy to watch, your just captivated to the screen and wait and see if Joe can escape this prison that he subjected himself into. And of course, the bombshell dropped by Erich von Stroheim's character Max, is indeed a shocker.
As a silent film fan, you often read how many of these talents of the Silent Era (and some from the Golden Era) have shut themselves off in society and became recluse. Granted, not everyone was as bad as the character as Norma Desmond but makes you wonder how many silent film talents have dealt with losing their careers when audio became part of films. We know that there are stars such as Fatty Arbuckle, Louise Brooks, who were literally forgotten and some movie studios actually have done them wrong after these talents have put so much into the creation of this Hollywood system. So, it was very interesting to see how certain silent film stars especially Louis Mayer reacted to the film. Mayer was infuriated by the film and at Billy Wilder but of course, Billy Wilder had the better end of the deal creating many more magnificent films after "Sunset Boulevard".
I can go on an on about how well the story was written, how magnificent the performances are and how superb this DVD release is. But I think you got the picture. "Sunset Boulevard - Paramount Centennial Collection", the first in the Centennial Collection series is highly recommended!
For Wilder, it was his interest in how life has treated the talents of the silent film era. After all, it was known that many silent film stars were unable to transition to film when the "talkies" began. Many, who were so popular suddenly saw their careers ended abruptly. So, Wilder wrote a screenplay and an idea from Brackett in looking at Hollywood through the eyes of a forgotten silent-film star who wants to return to the big screen.
It was all about finding the key components to take part in the film and thus Gloria Swanson (known for work in shaping Hollywood, challenging the "Hay's Code" with her 1928 film "Sadie Thomson" and her affair with Joseph P. Kennedy), who appeared in many silent films, was chosen as the main actress. William Holden ("Network", "Stalag 17', "Picnic"), former MGM director/actor/writer Erich von Stroheim ("Greed", "The Merry Widdow", "The Great Gabbo"), Nancy Olson ("Portrait of Jenny", "Union Station", "Pollyanna") and would also feature appearances by famous Golden Era director Cecil B. DeMille, former silent stars Buster Keaton, Anna Q. Nilsson and H.B. Warner.
The film would earn eleven Academy Award nominations (winner of three), included in the American Film Institute's 100 best American films of the 20th Century (#12) and entered in the National Film Registry by the US Library of Congress in 1989 for being deemed "culturally, historically or aesthetically significant".
VIDEO & AUDIO:
If there is one thing to say about the Paramount "CENTENNIAL COLLECTION" releases, many of these classic films have all been digitally remastered and look absolutely magnificent. These films containing the "CENTENNIAL COLLECTION" moniker are the definitive versions to own as they tend to have more features added and overall, like how CRITERION COLLECTIONS have spotlighted on films worldwide and have given top treatment, Paramount has done the same with several of their classic films. With that being said, I can only wish that a Blu-ray high definition transfer is in the works for these classic films because if they have been through a process of remastering, one can only expect how phenomenal these will look via HD.
For now, "Sunset Boulevard - Paramount Centennial Collection" is only available via DVD but this new version is remastered, in fullcreen and features Dolby Digital English/French and Spanish mono. The picture quality for a DVD is actually quite clean for a film over 50-years-old. The film looks absolutely great with blacks nice and deep, grays and whites are vibrant. With the film already remastered in HD, I really hope that Paramount is considering a Blu-ray release of this title.
Overall, "Sunset Boulevard" has been given special treatment and fans of the film will not be disappointed.
SPECIAL FEATURES:
"Sunset Boulevard - Paramount Centennial Collection" comes with special features on two discs. Here is what to expect on both discs:
DISC 1:
* Commentary by Ed Sikov - The author of "On Sunset Boulevard: The Life and Times of Billy Wilder". A well-done commentary that features a lot of interesting behind-the-scenes stories of certain scenes, certain dialogue and more.
DISC 2:
* Sunset Boulevard: The Beginning - (22:45) How "Sunset Boulevard" the film came to be. From writing the script and adapting it to film and also the talent of Billy Wilder.
* The Noir Side of Sunset Boulevard by Joseph Wambaugh - (14:19) Mystery writer Joseph Wambaugh talks about "Sunset Boulevard" and how the film that caught his attention and the film's dark/noir side.
* Sunset Boulevard Becomes a Classic - (14:28) Interview with critic Andrew Sarris who talks about why he enjoyed "Sunset Boulevard". Featuring interviews with the cast of the film, Glenn Close who played Norma Desmond on the Broadway adaptation of "Sunset Boulevard" and more.
* Two Sides of Ms. Swanson - (10:35) A featurette about Gloria Swanson and interviews with Brook Anderson (granddaughter of Gloria Swanson) who talks about her grandmother and interviews with her fellow co-actors who worked with her on other films and more.
* Stories of Sunset Boulevard - (11:20) The making of "Sunset Boulevard", discussion about the original opening sequences, cast interviews and more.
* Mad About the Boy: A Portrait of William Holden - (11:12) A featurette about the actor William Holden and how he was cast and discussion of his various films.
* Recording Sunset Boulevard - (5:51) A featurette about the musical score of "Sunset Boulevard".
* The City of Sunset Boulevard - (5:36) A featurette about "Sunset Boulevard" and the significance of the area.
* Morgue Prologue Script Pages - The original cut of the film featured a different opening. Instead of the pool opening, it was a morgue prologue. The following are the two existing versions of the script from the original monologue. You can view the script and also the original, uncut shots (without audio).
* Franx Waxman and the Music of Sunset Boulevard - (14:28) Franz Waxman's son John talks about his father and the music of "Sunset Boulevard".
* Behind the Gates: The Lot - (5:05) Interviews with former producers who talk about their memories of Paramount Pictures in the earlier years.
* Hollywood Location Map - A map of Hollywood in which people can learn about where the characters lived and where certain places such as Paramount Pictures, Schwab's Drug Store and Getty's mansion were located. When you click on the location, you get video and audio about the significance of these areas and what happened to these locations now.
* Edith Head: The Paramount Years - (13:43) A featurette on famous Paramount fashion designer - Edith Head.
* Paramount in the '50s - (9:36) A featurette about Paramount in the 1950's. Featuring popular films from the Paramount catalog.
* Original Theatrical Trailer - (3:16) The unremastered original theatrical trailer.
* Galleries - Using your remote, viewers can cycle through images from production, the movie or publicity.
Included with the set is an 8-page guide about the directors and talent of the film.
JUDGMENT CALL:
"Sunset Boulevard - Paramount Centennial Collection #1' was a magnificent start to the Paramount Centennial Collection. Following the steps of the Criterion Collection, Paramount has released a total of nine films (to this date) in a pretty slick presentation, bundled with many special features and the remastering in HD is phenomenal.
For a classic film such as "Sunset Boulevard" which has been released in 2002 and packaged in the first Billy Wilder DVD collection, suffice to say that this Paramount Centennial Collection is the version you must own, if you are a fan of the film. With over a dozen special features, Paramount really went all out with this release and it shows. Finding classic interviews with the cast, interviewing family members and loved ones of the talent, finding the original deleted footage...I'm truly in awe with how much was put into this DVD release. With its remastering in HD, one may wonder if Paramount will be preparing a Blu-ray release.
"Sunset Boulevard" is just a classic film that features magnificent performances by Gloria Swanson and William Holden. The fact that Billy Wilder and his fellow writers took on a film like this and made it feel authentic by casting real life silent film star Gloria Swanson and Cecil B. DeMille (who directed Swanson's silent films back then) plus bringing in former silent stars Buster Keaton, Anna Q. Nilsson and H.B. Warner is amazing. But to create a film based on the life of a former silent film star and just exploring that side of life of these forgotten stars is quite interesting.
I like how the film was dark, noir-ish but at the same time, really eerie. To see how Norma Desmond just grappling on to the character of Joe is quite obsessive and disturbing. What I found interesting is that in modern films, the last time I felt this eeriness from a female character was Glenn Close as Alex Forrest in the film "Fatal Attraction" and coincidentally, Close played the character of Norma Desmond in the Broadway adaptation of the film with such rave reviews. Needless to say, the performance by Gloria Swanson as the silent film star who just can't let go of the limelight and is totally enveloped by her past life is just so creepy to watch, your just captivated to the screen and wait and see if Joe can escape this prison that he subjected himself into. And of course, the bombshell dropped by Erich von Stroheim's character Max, is indeed a shocker.
As a silent film fan, you often read how many of these talents of the Silent Era (and some from the Golden Era) have shut themselves off in society and became recluse. Granted, not everyone was as bad as the character as Norma Desmond but makes you wonder how many silent film talents have dealt with losing their careers when audio became part of films. We know that there are stars such as Fatty Arbuckle, Louise Brooks, who were literally forgotten and some movie studios actually have done them wrong after these talents have put so much into the creation of this Hollywood system. So, it was very interesting to see how certain silent film stars especially Louis Mayer reacted to the film. Mayer was infuriated by the film and at Billy Wilder but of course, Billy Wilder had the better end of the deal creating many more magnificent films after "Sunset Boulevard".
I can go on an on about how well the story was written, how magnificent the performances are and how superb this DVD release is. But I think you got the picture. "Sunset Boulevard - Paramount Centennial Collection", the first in the Centennial Collection series is highly recommended!
